Soundtrack Review: Stranger Things 3 (2019)

Stranger Things 3 features music by Emmy-winning and two-time Grammy-nominated composers Kyle Dixon and Michael Stein, digitally on June 28. Half of the Austin band      S U R V I V E, Dixon and Stein have been on board with the series since the first season, creating strikingly dynamic music that has become a trademark of the show.  In Season 3 evil has not ended, it has evolved, and the duo has evolved with it as they continue to explore new sonic territory and instrumentation, such as the pop sensibilities and melancholic undertones of 50’s doo-wop, that go beyond the 80’s & 90’s R&B inflections of past seasons. They also return to familiar themes that are elevated by bold stylized reworkings that reflect the growth of the characters and intensity of the new storyline.

With the Season 3 soundtrack, we’ve made an album that doesn’t feel like a ‘score’ necessarily, but one that feels more like a stand-alone record than a collection of brief cues. We’ve incorporated the main narrative elements of the series and stayed true to the original sound while at the same time expanding on our musical palette—we often pushed it to the limit. We’ve really made an effort to curate this album to showcase the moments we think are really special.

stranger-things-season-3-kids-eleven-scrunchie.jpg

The soundtrack for Stranger Things 3 has indeed evolved from where it was two years ago for Stranger Things 2. While the 80s vibe is definitely constant (not a surprise considering the show has reached 1985), there are also tracks that are much, MUCH darker than anything heard before. For example, “The Week is Long” has a very dark undertone to it, while “Rats” sounds like something out of a 1950s sci-fi film.

In terms of the general 80s vibe though, my favorite track has to be “Starcourt” since the entire piece SCREAMS “this is the 1980s and don’t you forget it.” The synth beats are in full effect, it’s peppy, it’s upbeat, it sounds like it was extracted straight out of that decade and brought to the present. I can also hear the resemblance to a stand-alone record that the composers were going for. The soundtrack does indeed sound like a record or tape from the 1980s that would sit down and listen to (well, for the most part anyway).

If you’ve been a fan of Stranger Things all this time, then you will definitely like the soundtrack for Stranger Things 3. Let me know what you think about Stranger Things 3 and its soundtrack in the comments below and have a great day!

See also:

Soundtrack Review: Stranger Things 2 (2017)

Film Soundtracks A-W

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1 thought on “Soundtrack Review: Stranger Things 3 (2019)

  1. Pingback: Soundtrack Review: Stranger Things 2 (2017) | Film Music Central

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