Tag Archives: soundtrack

Soundtrack News: Music From Netflix Original Series ‘Jupiter’s Legacy’ Available 5/7

Milan Records announced today that the soundtrack album for the upcoming Netflix Original Series Jupiter’s Legacy will be released on May 7, 2021. The music for this series was composed by Stephanie Economou, who is a composer and violinist based in Los Angeles, CA. She has written the music for the Lionsgate/Starz series Step Up: High Water, as well as the second season of Manhunt: Deadly Games. Stephanie is a long-time collaborator of Golden Globe-nominated composer, Harry Gregson- Williams, composing additional music on scores such as Disney’s live-action re-make Mulan, directed by Niki Caro, Jon Turtletaub’s The Meg, Antoine Fuqua’s The Equalizer 2, Disneynature’s Penguins, and Ridley Scott’s Oscar-winning film The Martian

After nearly a century of keeping mankind safe, the world’s first generation of superheroes must look to their children to continue the legacy. But tensions rise as the young superheroes, hungry to prove their worth, struggle to live up to their parents’ legendary public reputations— and exacting personal standards. Based on the graphic novels by Mark Millar and Frank Quitely, Jupiter’s Legacy is an epic superhero drama that spans decades and navigates the complex dynamics of family, power, and loyalty.

Of the soundtrack for Jupiter’s Legacy, composer Stephanie Economou had the following to say:

“This first season of Jupiter’s Legacy offers staggering diversity in style, scale, emotion and time period, so I set out to create a musical landscape through which the score could expand and contract; kind of like a kaleidoscope. This afforded me the opportunity to explore varied stylistic sound worlds, from hybrid orchestral to industrial rock to contemporary electronic. At a critical moment in the season, I composed a large-scale choral piece using two of the main musical themes: the heroic ‘Union’ theme and what I call the ‘quest germ,’ which is a cyclical sequence of notes that emerges as our adventure unfolds (Track 28: Jupiter’s Legacy). For the chorale, I decided to source the lyrics from the original comic series by Mark Millar and translated the text into Latin. In order to make this pinnacle moment feel purposeful and impactful, I chose to unwind the choral idea by recording small modules of detuned, experimental vocals with the masterfully innovative singer, Ari Mason. My objective was to have these fragmented vocal elements serve as a kind of musical breadcrumb trail, slowly and abstractly weaving itself into the fibers of the score, culminating in a grand declaration of our main Union theme with full choir at the climax.”

JUPITER’S LEGACY (MUSIC FROM THE NETFLIX ORIGINAL SERIES)
TRACKLISTING –

  1. Union of Justice
  2. The Utopian
  3. Chloe
  4. The Patterns
  5. Disembarking
  6. Traversing the Crevasse
  7. “Where to, Ulysses?”
  8. The Island
  9. Raikou
  10. The Overdose
  11. Grace Finds the Sketches
  12. Paragon and Iron Orchid
  13. Service, Compassion, Mercy
  14. Tree Symbols
  15. Through the Storm
  16. Morocco
  17. George’s Isolation
  18. The Hilltop Battle
  19. Everything Ends Up in a Box
  20. Miller’s Farm
  21. Crossing the Desert
  22. Being a Sampson
  23. Hutch
  24. Van Chase
  25. A New Leader
  26. Skyfox and Blackstar
  27. Illumination
  28. Jupiter’s Legacy

The album for Jupiter’s Legacy is available for preorder now, and will be available on May 7, 2021.

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Soundtrack Review: Stowaway (2021)

With Netflix recently releasing the soundtrack for their new film Stowaway, I had the opportunity to sit down and listen to the film’s official soundtrack. The music was composed by Volker Bertelmann (The Old Guard, Lion) and recently made available digitally.

The film’s synopsis is as follows:

In Stowaway, on a mission headed to Mars, an unintended stowaway accidentally causes severe damage to the spaceship’s life support systems. Facing dwindling resources and a potentially fatal outcome, the crew is forced to make an impossible decision.

Says Bertelmann of the Stowaway soundtrack:

“Working on Stowaway and collaborating with director Joe Penna was a special experience in many respects: Joe, who is a musician himself, gave me a lot of freedom to explore different sounds and we had a joint understanding of the purposes the music should serve. This facilitated the compositional process, which was extremely helpful given the considerable amount of music the film needed. The music for Stowaway is one of my favorite scores so far.”

Given what’s at stake in Stowaway, I was surprised at how low-key and passive a lot of the music is. There’s an underlying sense of tension of course, most notably in ‘How Much Oxygen’ but for the most part Bertelmann’s soundtrack is almost perfectly serene. The biggest exception to this comes in ‘Solar Flare’ which covers what is undoubtedly one of the climax points of the film. But even then, there’s still a polished smoothness lingering in the music that takes some of the edge off what might otherwise be a raw piece of action music.

All of this smoothness and serenity in the music confused me until I considered where the film is set. Stowaway is set entirely in space, aboard a ship bound for Mars, and it could be that Bertelmann had it in his mind to back up the interstellar background of the film with music that fit the location. After all, there’s something about space that can generate a lot of musical grace and beauty, and this film is surely no exception. It could also be that the composer wanted to remind viewers that in the grand scheme of things this conflict is barely a blip in the cosmos (or I could be overthinking it entirely). Most likely of all the options is the possibility that Bertelmann wanted the score to backup the story, but not overwhelm it with sheer depth of volume, as some film scores have been known to do.

I really enjoyed listening to the soundtrack for Stowaway. It really subverted my expectations for what I thought this movie would sound like but in the end it was really enjoyable. In some places it actually reminded me a little bit of 2001: A Space Odyssey with some of the more quiet tracks. If you get the chance to listen to the Stowaway soundtrack separate from the movie, I highly recommend doing so.

Track List

  1. Earth Rise
  2. Regaining Consciousness
  3. Favorite Spot on the Ship
  4. How Much Oxygen
  5. Setting Up the Algae
  6. It’s Literally My Job
  7. Can I Take His Place?
  8. I Was in the Fire
  9. Can You Talk?
  10. What Did You Do?
  11. The Algae Are Dead
  12. Climbing the Tethers
  13. On the Kingfisher
  14. More Than Enough Oxygen
  15. Solar Flare
  16. I Will Go
  17. Climbing the Tethers Alone
  18. Into the Solar Storm

Let me know what you think of Stowaway’s soundtrack (and the film) in the comments below and have a great day!

See also:

Film Soundtracks A-W

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Soundtrack News: ‘Puella Magi Madoka Magica’ Soundtrack Albums Available Now

Milan Records celebrates the tenth anniversary of the critically-acclaimed anime franchise Puella Magi Madoka Magica with the first-ever digital release of music featured in the series, movie and the mobile game “Magia Record.” Included within the release are three albums of music from the Aniplex title, including two albums featuring music from the series and movie as well as one album from Magia Record: Puella Magi Madoka Magica Side Story, a mobile game based on the anime with its own original storyline. The release arrives as part of title’s 10th anniversary project, celebrating the original 2011 airdate of the fan-favorite show.

Puella Magi Madoka Magica Ultimate Best and Puella Magi Madoka Magica Music Collection include a mix of score music composed by Yuki Kajiura, original vocal tracks sung by the series cast as well as additional tracks by J-pop artists ClariS and Kalafina. Meanwhile the Magia Record: Puella Magi Madoka Magica Side Story Music Collection includes score music written for the mobile game side story by various artists as well as a vocal track by J-pop artist TrySail.

ABOUT PUELLA MAGI MADOKA MAGICA

She has a loving family and best friends, laughs and cries from time to time… Madoka Kaname, an eighth grader of Mitakihara Middle School, is one of those living such a life. One day, she had a very magical encounter. She doesn’t know if it happened by chance or by fate yet. This is a fateful encounter that can change her destiny – this is a beginning of the new story of the magical witch girls.

PUELLA MAGI MADOKA MAGICA ULTIMATE BEST TRACKLISTING –

1.Connect –ClariS

2.Mata Ashita –Madoka Kaname*

3.Credens Justitiam –Yuki Kajiura

4.Sis Puella Magica! –Yuki Kajiura

5.And I’m Home (Original Master Version) –Sayaka Miki** & Kyoko Sakura***

6.Magia –Kalafina

7.Luminous–ClariS

8.She is a Witch–Yuki Kajiura

9.Hikarifuru–Kalafina

10.Naturally–Madoka Kaname* & Sayaka Miki**

11.Akogaresaita–Madoka Kaname*

12.Mebius Ash–Homura Akemi****

13.Yumeoto –Madoka Kaname* & Homura Akemi****

14.Stairs–Mami Tomoe***** &Kyoko Sakura***

15.mada dameyo–Yuki Kajiura

16.Noi!–Yuki Kajiura

17.Colorful–ClariS

18.Kimino Ginno Niwa–Kalafina

PUELLA MAGI MADOKA MAGICA MUSIC COLLECTION TRACKLISTING –

1.Prelude to Act 1–Yuki Kajiura

2.Scaena Felix–Yuki Kajiura

3.Postmeridie–Yuki Kajiura

4.Conturbatio–Yuki Kajiura

5.Puella In Somnio–Yuki Kajiura

6.Salve, Terrae Magicae–Yuki Kajiura

7.Desiderium–Yuki Kajiura

8.Gradus Prohibitus–Yuki Kajiura

9.Credens Justitiam–Yuki Kajiura

10.Sis Puella Magica!–Yuki Kajiura

11.Inevitabilis–Yuki Kajiura

12.Pugna Cum Maga–Yuki Kajiura

13.Vocalise Op. 34 No. 14–Yuki Kajiura

14.Umbra Nigra–Yuki Kajiura

15.Venari Strigas–Yuki Kajiura

16.Agmen Clientum–Yuki Kajiura

17.Signum Malum–Yuki Kajiura

18.Serena Ira–Yuki Kajiura

19.Incertus–Yuki Kajiura

20.Ave Maria–Yuki Kajiura

21.Decretum–Yuki Kajiura

22.Anima Mala–Yuki Kajiura

23.Mata Ashita–Madoka Kaname*

24.And I’m Home (Original Master Version)–Sayaka Miki** & Kyoko Sakura***

25.Connect (Game Instrumental Version)–ClariS

26.Prelude to Act 2–Yuki Kajiura

27.Amicae Carae Meae–Yuki Kajiura

28.Clementia–Yuki Kajiura

29.La Fille Aux Cheveux De Lin–Yuki Kajiura

30.Pugna Infinita–Yuki Kajiura

31.Confessio–Yuki Kajiura

32.Cor Destructum–Yuki Kajiura

33.Terror Adhaerens–Yuki Kajiura

34.Symposium Magarum–Yuki Kajiura

35.Numquam Vincar–Yuki Kajiura

36.Quamobrem?–Yuki Kajiura

37.Surgam Identidem–Yuki Kajiura

38.Nux Walpurgis–Yuki Kajiura

39.Sagitta Luminis–Yuki Kajiura

40.Cubilulum Album–Yuki Kajiura

41.Taenia Memoriae–Yuki Kajiura

42.Pergo Pugnare–Yuki Kajiura

43.Connect–ClariS

44.Magia–Kalafina

45.Numquam Vincar (Live Version)–Yuki Kajiura

MAGIA RECORD: PUELLA MAGI MADOKA MAGICA SIDE STORY MUSIC COLLECTION TRACKLISTING –

1.Inception –Ryo Furukawa

2.Infinite Battle –Ryo Furukawa

3.First Contact –Yasuhisa Inoue

4.Awaken –Kyohei Ozawa

5.Place to Hunt –Yasuhisa Inoue

6.Intermediate–Naoki “naotyu-” Chiba

7.Welcome to Mirrors–Naoki “naotyu-” Chiba

8.Repeat Days –Yasuhisa Inoue

9.Memories –Yasuhisa Inoue

10.Twilight –Yasuhisa Inoue

11.To Remember –Kyohei Ozawa

12.Remain –Kyohei Ozawa

13.Coordinator –Yasuhisa Inoue

14.Lost Tension –Kyohei Ozawa

15.Anxiety –Yasuhisa Inoue

16.Touch One’s Heart –Kyohei Ozawa

17.Be Terrified –Ryo Furukawa

18.Creation –Yasuhisa Inoue

19.Wings of Magius –Yasuhisa Inoue

20.Full Moon –Yasuhisa Inoue

21.The Imaginator –Yasuhisa Inoue

22.Uwasa-san –Yasuhisa Inoue

23.The Lecture –Yasuhisa Inoue

24.Into the Territory –Kyohei Ozawa

25.Hotel Fenthope –Kyohei Ozawa

26.Thought of You –Kyohei Ozawa

27.Battle Fields –Ryo Furukawa

28.Initiation Battle –Yasuhisa Inoue

29.The Crow –Tatsuhiko Saiki

30.Magical Artist –Kyohei Ozawa

31.Calculated Future –Yasuhisa Inoue

32.Last Dungeon –Ryo Furukawa

33.Reunion –Ryo Furukawa

34.The Other Side –Yasuhisa Inoue

35.Battle Bell–Naoki “naotyu-” Chiba

36.Depth in the Mirror–Naoki “naotyu-” Chiba

37.One Day She Meets–Naoki “naotyu-” Chiba

38.Sunshine of the Mind –Kyohei Ozawa

39.Day of Rest –Yasuhisa Inoue

40.Plot –Ryo Furukawa

41.Farewell –Tatsuhiko Saiki

42.Complex Home –Kyohei Ozawa

43.Painful Memories–Naoki “naotyu-” Chiba

44.Inerasable –Kyohei Ozawa

45.This Morning –Tatsuhiko Saiki

46.There is –Kyohei Ozawa

47.Little Trick –Kyohei Ozawa

48.Hot Summer Day –Kyohei Ozawa

49.Kakawari –TrySail

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Soundtrack Review: The Vigil (2021)

Back in February of 2021, Lakeshore Records digitally released The Vigil Original Motion Picture Soundtrack – with music by Michael Yezerski (The Tax Collector, Blindspotting). Earlier career highlights for Michael Yezerski include HBO’s Only the Dead See the End of War, his first feature film The Black Balloon (winner of 8 AFI/AACTA Awards including Best Picture), PJ Hogan’s Mental, Wolf Creek Series 2, Catching Milat, Peter Allen, the Academy Award winning animated short, The Lost Thing and his collaboration with the Australian Chamber Orchestra, The Red Tree.

Steeped in ancient Jewish lore and demonology, The Vigil is a supernatural horror film set over the course of a single evening in Brooklyn’s Hasidic Borough Park neighborhood. Low on funds and having recently left his insular religious community, Yakov reluctantly accepts an offer from his former rabbi and confidante to take on the responsibility of an overnight “shomer,” fulfilling the Jewish practice of watching over the body of a deceased community member. Shortly after arriving at the recently departed’s dilapidated house to sit the vigil, Yakov begins to realize that something is very, very wrong.

Speaking about the philosophy behind the score, Yezerski said:

“As [director] Keith Thomas and I discussed, music is memory. We associate music with the best and the worst times in our lives. For The Vigil we needed to create a score that explored the malevolence of memory (both personal and cultural).” Yezerski went on further to note, “We needed massive textures that could read as both beautiful and brutal. The music attacks but also meditates on long and difficult lives. After all, what is the greater horror at play here – the supernatural or our lived reality?”

Going in, I thought I knew how The Vigil would sound, but to my surprise I was quite wrong. It’s true that like many horror film scores I’ve listened to in recent years, there’s an ongoing feeling of malevolence that pervades the entire score. But it’s how this feeling is delivered that sets The Vigil apart in my mind from recent scores in similar genres.

For example, the score’s use of the human voice (especially chanting) really emphasizes to me the story’s religious background (as it is based in Jewish folklore). That’s not something you hear in a lot of horror film scores so already the story is set apart in my mind. I also really like it because it evokes the feeling that you are around something ancient, as chanting is one of the earliest song forms in existence.

I also really like how the composer creates aural “textures” that literally make your skin crawl when you listen to them. “Lair” is an excellent example of that technique, but it really pervades most of the score if I’m honest. This is fitting as horror films, to the best of my understanding, are designed to make the viewer uncomfortable. It’s only natural that this should extend to the film’s score as well.

One final note, I also like how the music for The Vigil is full of various creaks and groans created by the instruments. It creates a similar sense of age that the chanting does, but it also gives you a sense that you’re in a space that is falling apart or in disrepair (as I understand it the film is set in a dilapidated house). This is most definitely a unique score, one that’s small but contains some powerful musical thoughts. This is yet another example of why you should never dismiss a soundtrack out of hand because it belongs to a horror film.

The Vigil Soundtrack Track List

  1. Tefillin (4:23)
  2. The Ghost, Pt. 1 (1:58)
  3. The Ghost, Pt. 2 (2:52)
  4. Past (3:15)
  5. Lair (4:25)
  6. Broken by Memories (5:08)
  7. Video Games (4:12)
  8. Behind You (3:32)
  9. Face to Face (4:12)
  10. Begin the Vigil (3:31)
  11. Ner (3:41)
  12. Echo (4:26)
  13. Sunlight (2:24)

Let me know what you think of The Vigil and its soundtrack in the comments below and have a great day!

See also:

Film Soundtracks A-W

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Soundtrack Review: Mortal Kombat (2021)

WaterTower Music has released the soundtrack to New Line Cinema’s explosive new movie Mortal Kombat, which brings to life the intense action of the blockbuster video game franchise in all its brutal glory, pitting the all-time, fan-favorite champions against one another in the ultimate, no-holds-barred, gory battle that pushes them to their very limits. The Mortal Kombat (Original Motion Picture Soundtrack) contains all new score by Golden Globe-, Emmy-, and Grammy-nominated composer Benjamin Wallfisch (IT and IT Chapter 2, Shazam, Blade Runner: 2049 [w/ Hans Zimmer]). It features 24 tracks by Wallfisch, who interpreted the film’s themes and emphasized the story’s hard-driving, visceral action through his music.

Director Simon McQuoid discussed working with Wallfisch on the score:

“Ben and I both knew that we needed to use the classic Immortals track ‘Techno Syndrome’ as source material for the entire score of Mortal Kombat. But along with that we knew that an updated elevated version of the song also needed to be created. And Ben certainly delivered! I am so excited by this new 2021 version of the track, when I first heard it, it blew my mind. Actually, Ben kind of blew my mind on a daily basis through the making of this film, so we can all thank Benjamin Wallfisch for his genius and passion in creating ‘Techno Syndrome 2021’.

Wallfisch further elaborated:

“When I was invited to come on board ‘Mortal Kombat,’ I was very aware of the responsibility that comes with scoring a franchise so deeply embedded in pop culture and with such a passionate fanbase. My first question was what can we do with ‘Techno Syndrome,’ a piece of music so much part of the DNA of the game and the original movies? What motifs could be reinvented and blown up to a full-scale symphonic sound world in the score, and might there be room for a full reinvention of the whole song as an EDM single in 2021? A huge thank you to The Immortals for giving us their blessing to reimagine their classic track in this way, as a celebration of the world of Mortal Kombat and its fans, and of the uplifting power of Electronic Dance Music, which the original did so much to light the fuse of 30 years ago.”

I have rarely experienced such a turnaround as what I’ve felt regarding Mortal Kombat. Having minimal contact with the video game series (and the one time I made an effort to play not going particularly well), I was initially on the fence and unable to emotionally invest in the idea of the film at all. But then THAT trailer came out, and I was intrigued. Then came the chance to listen to the soundtrack ahead of its release on April 23…

And I think my brain exploded.

I may have the bad habit of using superlatives too often in my reviews, but please believe me when I say Benjamin Wallfisch’s score for Mortal Kombat is one of the best I’ve ever heard. This isn’t just a soundtrack for an action film, this is an entire world realized through sound and melody and I am here for every last minute of it. During the music for the fight scenes (it’s not hard to tell which ones those are) you can feel every punch and every attack with brutal clarity. For the music alone, I am now itching to see these fight scenes in their proper context, because I need to know how this music connects to the action. And it’s such beautiful music, it has what I like to call “height” which is to say it expands and creates the illusion of space as it goes along. You can literally hear the music grow and soar in certain places, which helps to create the idea of a world existing within the music.

However as I said there’s far more to this soundtrack then just action. Wallfisch also demonstrates a keen ability to take the music in the opposite direction, to slow it down and allow the audience to take a collective breath. That’s an important thing for any film: if the soundtrack is just GO GO GO constantly, it can eventually begin to grate on the ear and become quite tiresome. But the music for Mortal Kombat isn’t like that at all (much to my surprise). There’s plenty of action to go around, but also more than enough moments of calm and relative quiet, though it is more often than not the “calm before the storm” type of quiet. There’s an impressive amount of balancing going on between the two extremes of loud and quiet, and I love it all.

Another detail I like about this soundtrack? The track list doesn’t give too much away regarding plot details. In fact, if I’m reading the track list correctly, most of these tracks appear to be themes for specific characters, which is great because I love thematic-based soundtracks (when done properly). Even so, very little is given away in terms of plot, and that’s great. I’ve seen too many soundtracks where you can suss out the plot of a film from the track list names alone, but you can’t do that here.

I could go on and on about the music for Mortal Kombat, but I’ll wrap it up by saying that listening to this soundtrack has rocketed this film to the top of my must see list for 2021 (and six months ago I couldn’t imagine saying that). If you get the chance, you need to check out this soundtrack independently of the film itself, it is that good.

TRACK LIST

  1. Techno Syndrome 2021 (Mortal Kombat)
  2. Hanzo Hasashi
  3. Lord Raiden
  4. Bi-Han
  5. Shang Tsung
  6. Cole Young
  7. Birthmark
  8. Sonya Blade
  9. Kano v Reptile
  10. Liu Kang
  11. The Great Protector
  12. Sub-Zero
  13. Kung Lao
  14. Origins
  15. Kabal
  16. Goro
  17. Arcana
  18. Jax Briggs
  19. The Void
  20. The Tournament
  21. Sub-Zero v Cole Young
  22. I Am Scorpion
  23. We Fight as One
  24. Get Over Here

Let me know what you think about Mortal Kombat (and its soundtrack) in the comments below and have a great day!

See also:

Film Soundtracks A-W

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

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Soundtrack News: ‘My Hero Academia’ Season 5 EP Out Now!

Milan Records released My Hero Academia Season 5 (Original Series Soundtrack EP) with music by composer and arranger Yuki Hayashi (My Hero Academia: Heroes Rising, Pretty Cure, Strawberry Night) on March 31, 2021.

Yuki Hayashi was born in Kyoto in 1980.  Being an active member in a men’s rhythmic gymnastics team in his early years spawned his interest in BGM while selecting songs to complement performances.  This led him to begin teaching himself music composition while at university, despite not having a background in music itself. After graduating, Yuki acquired the basics of track making under house techno DJ and sound-maker Hideo Kobayashi and started producing his first range of music accompaniments for dance sports.  

Available everywhere now, the EP features music written by Hayashi for the fifth season of the critically-acclaimed, hugely popular anime series. Hayashi returns to the My Hero Academia universe after scoring all four seasons of the hit anime television series as well as the first two film installments, My Hero Academia: Two Heroes and My Hero Academia: Heroes Rising. Based on Kōhei Horikoshi’s well-loved manga series, the fifth season of My Hero Academia premiered March 27.

MY HERO ACADEMIA SEASON 5 (ORIGINAL SERIES SOUNDTRACK EP)
TRACKLISTING –

  1. Go, Plus Ultra
  2. So Classmate Were Born Of Worthy Competition
  3. Successor
  4. A VS B
  5. “QUIRK” DON-PACHI Great Exchange
  6. What To Inherit

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Soundtrack Review: Cherry (2021)

Late last month, Lakeshore Records digitally released the original motion picture soundtrack for Cherry by Henry Jackman. The soundtrack will be available exclusively on Apple Music for 60 days before becoming available to all other DSPs on Tuesday, March 30, 2021.

Henry Jackman has established himself as one of today’s top composers by fusing his classical training with his experience as a successful record producer and creator of electronic music. Jackman’s upcoming feature is the anticipated drama from The Russo Brothers, Cherry. He recently completed Jumanji 2, a continuation of the magical board game adventure story, and Detective Pikachu, following the story of the beloved Pikachu Pokémon character starring Ryan Reynolds. His other recent work includes Ralph Breaks the Internet, which was nominated for Best Animated Feature. His other diverse credits include Captain America: Civil War, Kong: Skull Island, Captain Phillips, Big Hero 6, and Kingsman: The Golden Circle.  

Cherry follows the wild journey of a disenfranchised young man from Ohio who meets the love of his life, only to risk losing her through a series of bad decisions and challenging life circumstances. Inspired by the best-selling novel of the same name, “Cherry” features Tom Holland in the title role as an unhinged character who drifts from dropping out of college to serving in Iraq as an Army medic and is only anchored by his one true love, Emily (Ciara Bravo). When Cherry returns home a war hero, he battles the demons of undiagnosed PTSD and spirals into drug addiction, surrounding himself with a menagerie of depraved misfits. Draining his finances, Cherry turns to bank robbing to fund his addiction, shattering his relationship with Emily along the way.

Speaking about his score for Cherry, Henry Jackman had the following to say:

Cherry’s soundscape never deviates from the core idea of emulating the internal. It’s music that ebbs and flows depending on the emotions and mental state of the main character grounding the film in Cherry’s subjective experience.

 Directors Joe and Anthony Russo said of Jackman and his score, “This is Henry’s most sublime work. Beautiful, poignant, riotous, devious. Breathtaking in its ability to manifest such complex tones, while unifying them at the same time. He’s truly a master of the craft.” 

The soundtrack for Cherry is definitely one that has subverted all of my expectations. Based on what I know of the film’s plot, I was expecting something that was extremely gritty, rough around the edges, or very action oriented. But Henry Jackman has created something that is none of these things. The music for Cherry is strikingly beautiful, with an orchestral mix that I wouldn’t have expected in a million years. But it’s also got a number of twisted elements at work, several of which I’d like to highlight.

First I want to bring to your attention ‘Carnival of Losers Pt. 1’ and ‘Carnival of Losers Pt 2’. The first iteration of Carnival of Losers will sound like a misnomer, because the piece sounds, for all the world, like a charming waltz with a street carnival vibe (hence the name I’m sure). It’s not until you hear Pt. 2 of Carnival of Losers that you realize the two pieces are mirror images of each other: Pt. 1 takes place before the trauma and Pt. 2 takes place afterward. I say that because Pt. 2 is a muted and twisted version of Pt. 1. It’s set to an almost identical beat as Pt. 1, but it’s clear something terrible has happened between Pt. 1 and Pt. 2.

The most twisted part of all though? That would have to be ‘Star-Mangled Banner’. This piece screamed volumes to me, and likely will to many other people who have had their faith in the government shaken as of late. It takes a while to become recognizable, but there IS in fact a rendition of the Star-Spangled Banner in this piece, but one that’s so warped, discordant and twisted that it is barely recognizable. If I observe this piece as a commentary on the state of the nation, it’s a damning piece of musical commentary, and one that deeply moved me.

Those are the big moments that I wanted to highlight from the Cherry soundtrack, but the rest of it is equally fun to listen to. To reiterate, this soundtrack will completely subvert whatever expectations you had going in, but in the best way possible. This is a reminder that one should never let a film’s premise dictate your thoughts on what the music may sound like, you might find you’re proven wrong.

Cherry Original Motion Picture Soundtrack Track List

  1. When Life Was Beginning, I Saw You (2:51)
  2. Madison (2:01)
  3. Carnival of Losers, Pt. I (2:10)
  4. The Elusive Sensation of Bliss (2:09)
  5. It Was Perfect (0:43)
  6. A Thing for Weak Guys (2:19)
  7. Honeymoon (3:25)
  8. Star-Mangled Banner (2:26)
  9. Iraq (5:10)
  10. Triangle of Death (1:01)
  11. Cheerleaders (1:05)
  12. Huffers of 1st Platoon (1:54)
  13. Another Day, Another Mission (3:15)
  14. Night Tremors (2:52)
  15. Unholy Retribution (1:24)
  16. OxyContin (0:43)
  17. Date Night (2:51)
  18. Carnival of Losers, Pt. 2 (2:03)
  19. Acquiescence (2:24)
  20. I’m Your Worst Nightmare (3:34)
  21. Crossing the Line (1:34)
  22. Rob Another Bank (1:57)
  23. Overdose (2:28)
  24. Your Fate is Darkly Determined (6:21)
  25. One Last Job (3:00)
  26. The Comedown (9:23)
  27. What I’m Trying to Say Is… (Bonus Track) (5:06)

Let me know what you think about Cherry (and its soundtrack) in the comments below and have a great day!

See also:

Film Soundtracks A-W

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Soundtrack Review: Kid Cosmic and the Sonic Courage (2021)

Yesterday (February 26th) Netflix released the official soundtrack album for Kid Cosmic titled: Kid Cosmic and the Sonic Courage-Music by Andy Bean from the Netflix Original Series. Andy Bean is an Emmy-nominated songwriter, composer, and multi-instrumentalist specializing in music for animation. Through his work with The Two Gentlemen Band, Andy landed his first composing gig scoring Disney’s Emmy-nominated animated series, Wander Over Yonder. His frantic banjo-driven sci-fi scores and heartfelt songwriting for the show earned him two Annie award nominations. For his latest project, Netflix’s Kid Cosmic, Andy created much of the soundtrack under the guise of a fictional 70s psychedelic garage punk band, Dr. Fang & The Gang. The propulsive rock and roll score combines with the show’s distinctive art style to create exhilarating musical-action sequences unique in children’s television. 

The soundtrack album includes 20 songs by fictional bands conceptualized by show creator Craig McCracken (The Powerpuff GirlsFoster’s Home for Imaginary Friends) and Andy Bean (Muppet BabiesWander Over Yonder), playing with the idea that the show was scored as if they pulled existing music from the Kid Cosmic world.

Speaking about how the series’ unconventional score was dreamed up, Bean said:

“Craig [McCracken] described his vision for Dr. Fang and The Gang (the fictional band that provides much of the score) to me more than five years ago, and I started writing songs in character as the group immediately – even before I knew any other details about the show. We wanted the music in Kid Cosmic to sound like it was being pulled from an old record in The Kid’s collection. This is that record!”

I don’t know if I’ve ever heard a soundtrack quite like this one. The music for Kid Cosmic and the Sonic Courage really does sound like a collection of records that comes straight from the insane world of Kid Cosmic. I’ll be honest, I usually prefer soundtracks that are purely instrumental (it’s nothing personal, just the way I am), but for this collection I’m willing to make an exception because it just sounds so good! Each song puts me right back into the story of Kid Cosmic and his friends. It wasn’t until listening to the songs apart from the animation that I realized just how much these songs by this faux-band dominate the story in the best way possible.

It’s really no wonder I enjoyed watching Kid Cosmic so much. Aside from being a great story, the music in this soundtrack is just so upbeat and happy that after a few tracks you can’t help but smile and bop your head to the beat.

My favorite track out of all of these is ‘The Kid’ (aka The Kid Cosmic Theme). Not only is this the perfect theme for the show, with its off the wall energy, but it’s also the perfect theme for the Kid himself. This music is just like the Kid, it’s non-stop go go go and it just pumps you up, just like the Kid pumps himself up with his boundless enthusiasm for all things superhero. I also really like ‘Rosa Y Rolla’, because it reminds me of Rosa, my second favorite character in the show. The way ‘Rosa Y Rolla’ is put together I can just imagine Rosa in her giant form stopping around the desert and wreaking havoc as only a giant 4 year old can.

If I have one gripe about this soundtrack, it’s that it doesn’t appear to include all of the instrumental music used in the show. Specifically, I would have loved to hear the dark sci-fi music (from the episode where the spaceship is discovered) in its own separate track, and maybe those will be released some day in the future. For now, Kid Cosmic and the Sonic Courage is a great collection of the music of Kid Cosmic and the perfect way to experience Andy Bean’s wonderful songs.

Hopefully season 2 of Kid Cosmic is on the way and will give us even more of Dr. Fang and the Gang.

Kid Cosmic and the Sonic Courage Track List

  1. The Kid (Kid Cosmic Theme) (2:01)
  2. Vacation Boogie (2:55)
  3. Airborne Shuffle (2:11)
  4. The Gravity Ball (2:38)
  5. Galactic Interference (2:44)
  6. Somebody Call the Doctor (1:59)
  7. Talkin Tuna (2:50)
  8. Groundspeed Hustle (2:33)
  9. Desert Jungle (2:24)
  10. Here Comes the Gang (1:50)
  11. I’ll Do the Best That I Can Do (1:56)
  12. Fetch Me My Bicycle (1:46)
  13. The Kid (Live) (2:09)
  14. Tuna on the Road (2:05)
  15. Rosa Y Rolla (2:03)
  16. The Papa G Stomp (2:54)
  17. Papa G’s Jam (1:44)
  18. Greasy Spoon Space Gal (2:02)
  19. Superkid Surf Party (2:01)
  20. Party Back at My House (2:13)

Kid Cosmic follows the adventures of an imaginative and enthusiastic boy who lives with his free-spirited Grandpa in a sparsely populated desert town. The Kid’s dreams of being a hero seem to come true when he discovers 5 Cosmic Stones of Power in a wrecked spaceship. He forms a team of local heroes to stop an onslaught of alien attacks to steal back the stones. Though the Kid and his team are the good guys, they’re really bad at it,and the Kid learns that his fantasy of being a hero is very different from the reality of what it actually means to become one.

Let me know what you think about Kid Cosmic and Kid Cosmic and the Sonic Courage in the comments below and have a great day!

See also:

My Thoughts on: Kid Cosmic: Season One (2021)

A New Music for Superheroes: Talking with Composer Andy Bean about Kid Cosmic (2021)

TV Soundtracks

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

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Soundtrack News: Final Fantasy VII Remake Original Soundtrack Available Now

The original soundtrack for the acclaimed Final Fantasy VII Remake has finally arrived! This long-awaited soundtrack album was released today by Square Enix and Sony Masterworks. The soundtrack features over 150 tracks and more than 8 hours of original music from composers Nobuo Uematsu, Masashi Hamauzu, Mitsuto Suzuki and others. It also features the game’s end credits theme song “Hollow” by Yosh.

You can see the complete track list below.

The original soundtrack for the Final Fantasy VII Remake is available now on all music streaming services.

FINAL FANTASY VII REMAKE (ORIGINAL SOUNDTRACK)
TRACKLISTING –

  1. FFVII REMAKE: The Prelude – Reunion
  2. FFVII REMAKE: Midgar, City of Mako
  3. FFVII REMAKE: Bombing Mission
  4. FFVII REMAKE: Let the Battles Begin! – Ex-SOLDIER
  5. FFVII REMAKE: Mako Reactor 1
  6. FFVII REMAKE: Mako Reactor 1 – Battle Edit
  7. FFVII REMAKE: Scorpion Sentinel
  8. FFVII REMAKE: Getaway
  9. FFVII REMAKE: Shinra’s Theme
  10. FFVII REMAKE: Those Chosen by the Planet
  11. FFVII REMAKE: The Promised Land – Cycle of Souls
  12. FFVII REMAKE: Chance Meeting in Sector 8
  13. FFVII REMAKE: Let the Battles Begin! – Break Through
  14. FFVII REMAKE: A Close Call
  15. FFVII REMAKE: Shinra Creed
  16. FFVII REMAKE: Shining Beacon of Civilization
  17. FFVII REMAKE: Tifa’s Theme – Seventh Heaven
  18. FFVII REMAKE: Noises in the Night
  19. FFVII REMAKE: Mako Poisoning
  20. FFVII REMAKE: Main Theme of FFVII – Sector 7 Undercity
  21. FFVII REMAKE: Avalanche’s Theme
  22. FFVII REMAKE: Scrap Boulevard Cleanup Crew
  23. FFVII REMAKE: Johnny’s Theme
  24. FFVII REMAKE: Let the Battles Begin! – A Merc’s Job
  25. FFVII REMAKE: On Our Way
  26. FFVII REMAKE: The Star of Seventh Heaven
  27. FFVII REMAKE: Lurking in the Darkness – Suspicious Man
  28. FFVII REMAKE: Just Another Job
  29. FFVII REMAKE: Lay Down Some Rubber – Let’s Ride
  30. FFVII REMAKE: Midnight Spiral
  31. FFVII REMAKE: Speed Demon
  32. FFVII REMAKE: The Red Zone
  33. FFVII REMAKE: RUN RUN RUN
  34. FFVII REMAKE: Jessie’s Theme
  35. FFVII REMAKE: Moonlight Thievery
  36. FFVII REMAKE: A Tower, a Promise
  37. FFVII REMAKE: S7-6 Annex Diversion
  38. FFVII REMAKE: Ignition Flame
  39. FFVII REMAKE: Under Cover of Smoke
  40. FFVII REMAKE: Main Theme of FFVII – Nightfall in the Undercity
  41. FFVII REMAKE: Whispers’ Theme
  42. FFVII REMAKE: A New Operation
  43. FFVII REMAKE: Target: Mako Reactor 5
  44. FFVII REMAKE: Hurry!
  45. FFVII REMAKE: Dogged Pursuit
  46. FFVII REMAKE: Born Survivors – Section C
  47. FFVII REMAKE: Born Survivors – Section E
  48. FFVII REMAKE: Crab Warden
  49. FFVII REMAKE: Undercity Suns
  50. FFVII REMAKE: Tightrope
  51. FFVII REMAKE: Maze of Scrap Metal
  52. FFVII REMAKE: Critical Shot
  53. FFVII REMAKE: Game Over
  54. FFVII REMAKE: The Rendezvous Point
  55. FFVII REMAKE: A Trap Is Sprung
  56. FFVII REMAKE: The Airbuster
  57. FFVII REMAKE: Who Am I?
  58. FFVII REMAKE: The Turks’ Theme
  59. FFVII REMAKE: The Turks: Reno
  60. FFVII REMAKE: Flowers Blooming in the Church
  61. FFVII REMAKE: Under the Rotting Pizza
  62. FFVII REMAKE: Anxiety
  63. FFVII REMAKE: Aerith’s Theme – Home Again
  64. FFVII REMAKE: Hollow Skies
  65. FFVII REMAKE: Let the Battles Begin! – The Hideout
  66. FFVII REMAKE: Whack-a-Box
  67. FFVII REMAKE: Midnight Rendezvous
  68. FFVII REMAKE: Collapsed Expressway
  69. FFVII REMAKE: High Five
  70. FFVII REMAKE: The Oppressed – Beck’s Badasses
  71. FFVII REMAKE: Due Recompense
  72. FFVII REMAKE: Wall Market – The Town That Never Sleeps
  73. FFVII REMAKE: Wall Market – Chocobo Sam
  74. FFVII REMAKE: Wall Market – Madam M
  75. FFVII REMAKE: The Most Muscular
  76. FFVII REMAKE: An Unforgettable Night
  77. FFVII REMAKE: The Sweetest Honey
  78. FFVII REMAKE: Luxury Massage
  79. FFVII REMAKE: Tonight’s Corneo Cup
  80. FFVII REMAKE: Corneo Colosseum
  81. FFVII REMAKE: Colosseum Death Match
  82. FFVII REMAKE: Just Desserts
  83. FFVII REMAKE: Electric Executioners
  84. FFVII REMAKE: Hell House
  85. FFVII REMAKE: Victory Fanfare
  86. FFVII REMAKE: A Certain Gaudiness
  87. FFVII REMAKE: Let the Battles Begin! -REMAKE-
  88. FFVII REMAKE: Stand Up
  89. FFVII REMAKE: Funk with Me
  90. FFVII REMAKE: Sync or Swim
  91. FFVII REMAKE: Vibe Valentino
  92. FFVII REMAKE: Stand Up – Reprise
  93. FFVII REMAKE: Don of the Slums
  94. FFVII REMAKE: The Audition
  95. FFVII REMAKE: Smash ‘Em, Rip ‘Em
  96. FFVII REMAKE: Abzu
  97. FFVII REMAKE: Rough Waters
  98. FFVII REMAKE: Darkness Ahead
  99. FFVII REMAKE: Any Last Words?
  100. FFVII REMAKE: Ascension
  101. FFVII REMAKE: Train Graveyard
  102. FFVII REMAKE: Haunted
  103. FFVII REMAKE: Come On, This Way
  104. FFVII REMAKE: Ghoul
  105. FFVII REMAKE: Alone
  106. FFVII REMAKE: Black Wind
  107. FFVII REMAKE: Waiting to Be Found
  108. FFVII REMAKE: Eligor
  109. FFVII REMAKE: Fight for Survival
  110. FFVII REMAKE: Come Back to Us
  111. FFVII REMAKE: Cheap Play
  112. FFVII REMAKE: Those in Need
  113. FFVII REMAKE: Slums on Fire
  114. FFVII REMAKE: Get to Safety!
  115. FFVII REMAKE: Aerith and Marlene – A Familiar Flower
  116. FFVII REMAKE: Limited Options
  117. FFVII REMAKE: The Look on Her Face
  118. FFVII REMAKE: Rematch atop the Pillar
  119. FFVII REMAKE: Return to the Planet
  120. FFVII REMAKE: A Broken World
  121. FFVII REMAKE: Daughter’s Farewell
  122. FFVII REMAKE: Infinity’s End
  123. FFVII REMAKE: Wild de Chocobo
  124. FFVII REMAKE: Leslie’s Theme
  125. FFVII REMAKE: The Day Midgar Stood Still
  126. FFVII REMAKE: Fires of Resistance
  127. FFVII REMAKE: A Solemn Sunset
  128. FFVII REMAKE: The Valkyrie
  129. FFVII REMAKE: The Shinra Building
  130. FFVII REMAKE: Operation: Save Aerith
  131. FFVII REMAKE: All Quiet at the Gates
  132. FFVII REMAKE: Hand over Hand
  133. FFVII REMAKE: Scarlet’s Theme
  134. FFVII REMAKE: Stewards of the Planet
  135. FFVII REMAKE: Corporate Archives
  136. FFVII REMAKE: Cultivating Madness
  137. FFVII REMAKE: Another Day at Shinra HQ
  138. FFVII REMAKE: The Turks’ Theme – Office
  139. FFVII REMAKE: Home Away from Home
  140. FFVII REMAKE: Infiltrating Shinra HQ
  141. FFVII REMAKE: The Drum
  142. FFVII REMAKE: Catastrophe
  143. FFVII REMAKE: Final Experiment
  144. FFVII REMAKE: Trail of Blood
  145. FFVII REMAKE: J-E-N-O-V-A – Quickening
  146. FFVII REMAKE: Rufus Shinra
  147. FFVII REMAKE: The Arsenal
  148. FFVII REMAKE: Midgar Expressway
  149. FFVII REMAKE: Arbiter of Fate – Advent
  150. FFVII REMAKE: Arbiter of Fate – Rebirth
  151. FFVII REMAKE: Arbiter of Fate – Singularity
  152. FFVII REMAKE: I’m Waiting, Cloud
  153. FFVII REMAKE: One-Winged Angel – Rebirth
  154. FFVII REMAKE: Seven Seconds till the End
  155. FFVII REMAKE: Hollow
  156. FFVII REMAKE: Credits

See also:

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A New Music for Superheroes: Talking with Composer Andy Bean about Kid Cosmic (2021)

Recently I had the opportunity to talk with composer Andy Bean about his work on the Netflix animated series Kid Cosmic, which premiered on Netflix on February 2nd, 2021.

Andy Bean is an Emmy-nominated composer, songwriter, and multi-instrumentalist. He began his career barnstorming across the U.S. and Europe for nearly a decade with The Two Man Gentlemen Band before landing a gig writing music for the Disney animated series, Wander Over Yonder. He is currently songwriter and composer for Netlix’s Kid Cosmic, Disney’s Puppy Dog Pals, and Disney’s Muppet Babies re-boot. Between the latter two, he’s written over three-hundred songs across dozens of genres and scored over one-hundred episodes.

Enjoy this interview about his work on Kid Cosmic!

How did you get started with being a composer?

I was writing songs and performing with The Two Man Gentlemen Band back in 2012 when I was asked to submit a theme song demo for Craig McCracken’s last show, Wander Over Yonder. Craig and the team liked the theme song and asked me if I wanted to try composing for the show and I said… sure! Half the show was frantic banjo music, which I was comfortable with. The other half was synth-driven space orchestral stuff, which I’d never done before. I was a total novice writing and producing music for TV, so I basically locked myself in a room for 6 months and figured it out the best I could.

So I just finished watching season 1 of Kid Cosmic and I loved it! I have to ask, were you really not told anything about the premise aside from “imagine a 70s garage band”? How do you start composing for a show from that kind of starting area?

That’s definitely how it started. As Wander Over Yonder was finishing, I met with Craig and he basically said, “I’ve got this new idea for a show, but I’m not going to tell you that much about it. Just that the main character in the show has a favorite band called Dr. Fang and The Gang, and I’d like you to start writing music for them.” He showed me a drawing of the band and gave me some references – some older stuff and some contemporary fuzzed out garage bands – and I started writing music that night. I was a songwriter first before ever writing music for TV, so a “write songs like this” assignment was in my wheelhouse.

Of course, as I learned more about the show I started tailoring ideas to particular characters and refining the sound. But a handful of the tunes that I wrote early on are part of the score and soundtrack.

What was it like working with Craig McCracken again after Wander Over Yonder?

It’s great! On both shows we’ve worked on together, he’s given me really specific guidance on the concept he has in mind for the show’s sound. Then he gives me an incredible amount of creative license to figure out the nuts and bolts of it. For me, that balance of clear guidance and creative freedom is my favorite way to work. And just as importantly, we seem to be on the same wavelength musically. We like the same kinds of stuff.

It sounds like the story was written to accommodate your music, which doesn’t happen all that often. How did the process of making the story and music work together happen? Were there any unexpected difficulties?

Not so much the story, but I know Craig and the team built specific scenes around certain songs. Before writing and storyboarding started on season 1, I gave the team all the stuff I’d been working on while we were in development – songs and score sketches. I had some ideas about how they’d use some of them – fast rock songs for action scenes for example – but they also incorporated some of the ambient desert score stuff I did in really cool and surprising ways. So for me, it was great. I wrote a bunch of music then sat back and watched the incredible artists working on the show build super cool scenes around it.

Of course, the stuff I wrote ahead of time only covered a portion of the score. So one of the challenges was trying to match the energy and spontaneity of the early tracks when I was writing new music to picture. Most of the songs on the soundtrack were written before production started . But a handful are extensions of shorter pieces I wrote to picture.

How much time did you spend working on the music for Kid Cosmic? Where did the musical ideas start and how did it branch out as you kept writing the music?

Years. I started contributing musical ideas in late 2015 and actual scoring to picture didn’t start until late 2019. During that whole period, I was kicking around musical ideas and submitting demos whenever I had time in my schedule. The abnormally long development period allowed for a lot more experimentation than if I’d come on closer to post production. A lot of time was spent trying to incorporate synth and spacey sci-fi elements into the garage rock sound we started with. The songs ‘Galactic Interference’ and ‘Groundspeed Hustle’ are examples of that.

Also, If I write a bunch of songs in a short period of time, they tend to sound way too similar. So, getting to space out the writing over a long period helped with that.

What instruments are used in the musical score?

Traditional rock band instruments – guitars, drums, bass, organ – make up a lot of it. I leaned pretty heavy on some fuzz effects for guitar and vocal sounds. Distorted vocals with a slap-back echo are a big part of the Dr. Fang and the Gang sound.

I also got to work some pedal steel guitar into the desert country stuff. That’s always been a favorite instrument of mine, and I learned how to play just for the show. The rest of the score is a mix of traditional orchestral score, and synth-heavy stuff for the more sci-fi-y parts.

Did you create specific musical themes for each of the Local Heroes? As I watched the show I thought I heard musical ideas that recurred for different characters, particularly Rosa and Kid Cosmic.


Absolutely. The Kid has his theme. Papa G’s got a few hippy country cues I use for him. And Rosa’s got a recurring cue, too. We worked up most of those early on.

What inspired the “serious sci-fi” part of the score? For example, the awesome music when Kid Cosmic and the group are exploring the wrecked ship, it sounds like regular science-fiction music. It’s all dark and ominous and really fun for me to listen to, and I’d love to know how that came about.

Thanks, that episode was fun to work on. That was some great guidance from Craig and the team, to score an episode featuring a cat who can see the future with something John Carpenter-y.

Do you have a favorite part of the soundtrack?

“Greasy Spoon Space Gal” is one of the jukebox source tunes I wrote for the show. That kind of simple country rockabilly with silly lyrics is right up my alley.

Thanks again to Andy Bean for taking the time to talk with me about his work on Kid Cosmic!

See also:

My Thoughts on: Kid Cosmic: Season One (2021)

Composer Interviews

Become a Patron of the blog at patreon.com/musicgamer460

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