Tag Archives: soundtrack

Soundtrack News: Soundtrack Album for Netflix Original Series ‘Away’ Available Now

Back Lot Music has digitally released an album from the Netflix Original Series Away (produced by Universal Television) by composer Will Bates (I OriginsAnother Earth). The sci-fi drama’s score is full of electronic atmospheric soundscapes with an intense emotional undercurrent. Bates takes listeners on a beautifully diverse sonic journey with this 22-track album.

Will Bates has scored a number of television series: Golden Globe & Emmy-nominated Netflix series Unbelievable, SyFy’s hit The Magicians, Hulu’s The PathChance and The Looming Tower, the Hilary Swank-led drama Away for Netflix, as well as NBC’s Rise. Other projects include Sweetbitter on Starz, the George R.R. Martin series Nightflyers on Netflix, and the Hulu biographical documentary Hillary. Will’s recent features include Michael Tyburski’s The Sound of Silence, the HBO documentary The Inventor: Out for Blood in Silicon Valley, and the horror-thriller Depraved. Upcoming features include Michael Haussman’s Rajah set in 19th century Borneo, Mike Cahill’s Bliss and Alex Gibney’s Crazy, Not Insane.

Regarding the music for Away, Will Bates had the following to say:

“I had an amazing experience scoring Away. Having worked with the showrunners on several projects together before, including The Path and Rise, there was already a shared language and a real mutual sense of trust…Sharing that explorer’s sense of wonder and aspiration, space itself can be something of an exciting blank canvas for a composer. And the showrunners were always keen to try something a little different. I found myself experimenting with all sorts of unusual instrumentation; from dulcimers, prepared pianos and dusty old parlor organs to modular synths, timpani and manipulated live strings. Identifying the human themes whilst capturing the vast distances of space. And of course, having one of the lead actor’s play pieces I’d written for him was thrilling in its own right,”

TRACKLISTING
01 Lunar Base Alpha
02 The Atlas Crew
03 I Love You Shithead
04 Launch
05 Making My Way Back To You
06 Reaching For Mars
07 How’s The View?
08 Calligraphy
09 Cracking Up
10 Spacewalk
11 Open The Hatch
12 I Just Need My Wife
13 Going Home
14 Anything Is Possible
15 I Need You To Go
16 Etude De Main Droit
17 Ice Harvest
18 Last Words
19 Forgetting
20 Descent
21 Anyone Wanna Go Again?
22 Atlas

You can enjoy the soundtrack album for Netflix’s Away now 🙂

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Soundtrack News: ‘The Nest’ Original Soundtrack Available September 18th

Milan Records has announced that the original motion picture soundtrack for The Nest (composed by Richard Reed Parry) will be released on September 18th, 2020. Available for preorder now, the album features music written by Parry for the thriller and marks Parry’s debut feature film score as solo composer.

Of the soundtrack for The Nest, composer RICHARD REED PARRY has this to say:

“When I watched the very first rough cut of The Nest without any music, I could feel right away what I wanted the score to be: Music that sounded like it was written and played somewhere within the massive old manor house that so much of the film centers around… I am very grateful to my fantastic musical collaborators, and for Sean Durkin’s trust in my own intuitive musical process and the artistic space and freedom he gave me to explore the musical landscape of his film.”

“Long before Richard was the composer for the film I was listening to his Music for Heart and Breath album while writing the script, so for him to come on to the project was very exciting for me,” adds The Nest director SEAN DURKIN. “It’s been an incredible collaboration working with him. He’s created a stunning score that captures the atmosphere and emotion I wanted the film to encompass.”

In The Nest, Rory (Jude Law), an ambitious entrepreneur and former commodities broker, persuades his American wife, Allison (Carrie Coon), and their children to leave the comforts of suburban America and return to his native England during the 1980s. Sensing opportunity, Rory rejoins his former firm and leases a centuries-old country manor, with grounds for Allison’s horses and plans to build a stable. Soon the promise of a lucrative new beginning starts to unravel, the couple have to face the unwelcome truths lying beneath the surface of their marriage.

THE NEST (ORIGINAL MOTION PICTURE SOUNDTRACK)

TRACKLISTING – 

1. Drone Beast
2. Symphony Brew
3. Base Motives 
4. Murky Half
5. What We’ve Always Wanted
6. Base Motives II
7. New Descent
8. The House
9. Dark Tumbling
10. Drone Beast: UK
11. Symphony Brew Redux
12. Slow Descent
13. Drone Beast: In the Air


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Soundtrack Review: Transformers: War for Cybertron: Siege (2020)

Hasbro has digitally released Transformers: War for Cybertron – Siege Original Anime Series Soundtrack by Alexander Bornstein. The soundtrack features 17 electro-charged tracks from the hit Netflix Original Series, in partnership with Rooster Teeth. I had the opportunity to interview Alexander Bornstein about his work on this series earlier this summer and I’m thrilled that everyone will have the chance to listen to this great soundtrack apart from the series.

Bornstein had this to say about the incredible task of creating new music for the beloved franchise:

“Being brought on to compose an entirely new musical world for the ‘Transformers: War for Cybertron Trilogy’ on Netflix has been both a dream job and huge creative responsibility. The world of the Autobots and Decepticons has been part of my pop culture psyche for a long time, going all the way back to watching G1 reruns on the Sci-Fi Channel in the early 90s.  I’m very excited fans will now have a chance to delve deeper into the music of the trilogy’s first chapter ‘Siege’, and hear the show’s themes for characters like Elita-1, extensive use of analog synthesizers, and amazing solo players.”

If you haven’t gotten the chance to experience Transformers: War for Cybertron: Siege, check out the synopsis below to get an idea of what the story is about:

TRANSFORMERS: WAR FOR CYBERTRON TRILOGY – SIEGE begins in the final hours of the devastating civil war between the Autobots and Decepticons. The war that has torn apart their home planet of Cybertron is at a tipping point. Two leaders, Optimus Prime and Megatron, both want to save their world and unify their people, but only on their own terms. In an attempt to end the conflict, Megatron is forced to consider using the Allspark, the source of all life and power on Cybertron, to “reformat” the Autobots, thus “unifying” Cybertron. Outnumbered, outgunned, and under SIEGE, the battle-weary Autobots orchestrate a desperate series of counterstrikes on a mission that, if everything somehow goes right, will end with an unthinkable choice: kill their planet in order to save it.

Getting to hear the soundtrack by itself was an absolute delight. The tracks I was most interested in hearing were the first three on the list: “Autobots”, “Decepticons”, and “Cybertron.” I remembered from my conversation with Alexander Bornstein that these tracks were the starting point of the score and I was very curious to see how they played out and related to each other. Sure enough, there is a definite relation between “Autobots” and “Decepticons.” Even though they’re themes for opposite sides of the conflict, you can definitely tell they’re two halves of the same coin, which is a brilliant decision since it recasts the conflict on Cybertron in an entirely new light.

The other theme I was particularly interested in listening to was “Elita’s Theme,” since the composer related to me that it was one he really liked it. It is, indeed, a beautiful theme to listen to, and not surprisingly there’s a strong connection to the “Autobots” theme. It’s always interesting to hear how themes are connected to one another, using the same melodies but twisting them slightly to fit different characters. These similarities actually expand into most of the soundtrack, since, as the composer explained, the first three themes on the list serve as the base for pretty much every other melody in the soundtrack. It’s one thing to hear about this but it’s another to see it in action without the rest of the TV episode to distract me.

TRACK LISTING

  1. “Autobots” (3:22)
  2. “Decepticons” (3:34)
  3. “Cybertron” (2:04)
  4. “Optimus Steps In” (4:21)
  5. “The Ark” (3:15)
  6. “Optimus And Elita-1 (Elita’s Theme)” (2:14)
  7. “We Are Not Decepticons” (2:09)
  8. “Traitor” (2:37)
  9. “Metal Vortex” (2:45)
  10. “Megatron’s Speech” (3:44)
  11. “Alpha Trion Protocols” (4:11)
  12. “Sea Of Rust/Virus Attack” (4:13)
  13. “The Ark Takes Flight” (4:04)
  14. “Battle Of The Space Bridge” (3:08)
  15. “For Cybertron” (4:00)
  16. “A New Leader” (1:24)
  17. “Siege End (Autobots Theme Reprise)” (1:20)

In a year that’s been turned upside down, the soundtrack for Transformers: War for Cybertron: Siege has been a sorely needed bright spot. Fans of Transformers both old and new will love this music. I can’t reiterate enough how happy I am that the soundtrack is now available, since now everyone can take the time to listen to some gorgeous music.

Let me know what you think about the music for Transformers: War for Cybertron: Siege in the comments below and have a great day!

See also:

My Thoughts on: Transformers: War for Cybertron: Siege (2020)

For Cybertron! Talking with Alexander Bornstein about ‘Transformers: War for Cybertron: Siege’

TV Soundtracks

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Soundtrack Review: Marvel’s Avengers (2020)

Hollywood Records has released the complete soundtrack for the recently released video game Marvel’s Avengers, with music composed by Bobby Tahouri. Born and raised in Los Angeles, California, Bobby Tahouri comes from a musical family, and began playing piano at the age of seven. He studied piano and composition at the San Francisco Conservatory of Music and also at the California Institute of the Arts, where he received his bachelor’s degree in Music Composition.

Marvel’s Avengers allows you to take control of earth’s mightiest heroes in an all new original playable story. Crafting original music for these iconic characters is no easy task, but Bobby Tahouri (Rise Of The Tomb Raider) has composed an epic, sweeping score deserving of the massive playable roster of Marvel heroes.

Epic and sweeping are certainly two good words to describe Bobby Tahouri’s score for Marvel’s Avengers. It also, to my ears, sounded strikingly familiar. Starting with the first track, “Every Hero Has to Start Somewhere”, it occurred to me that what I was hearing sounded quite similar to the Avengers main theme as composed by Alan Silvestri in The Avengers (2012). Well, maybe that’s not quite the right way to put it. Tahouri’s music isn’t identical to Silvestri’s theme, but they do sound to me like they could easily belong in the same musical family, there is definitely a thematic relationship present. Given that the game centers on the Avengers, this is appropriate.

Another detail I like about this soundtrack is how dynamic it is. As you might expect with a soundtrack for an action-adventure game, most of the music is loud, bombastic, and clearly following video game-style fighting. However, Tahouri does take the time to slow down in a few places (parts of “New Normal” and “No More Heroes” are prime examples). These tracks are refreshing to hear because they give your ears a brief rest from the frenetic pace that makes up most of the soundtrack.

As video game soundtracks go, Marvel’s Avengers sounds pretty good. I like that it sounds similar in certain respects to the 2012 film (and the Avengers films in general). I haven’t gotten to see the game in action, but this feels like the kind of music you’d want to have in an action game like this.

Let me know what you think about the music for Marvel’s Avengers in the comments below and have a great day!

TRACK LISTING

1. “Every Hero Has to Start Somewhere” (8:45)

2. “The Light That Failed” (2:48)

3. “God of Thunder” (3:13)

4. “They Played Us” (1:22)

5. “New Normal” (2:27)

6. “I Am Iron Man” (3:00)

7. “Am I Alone?” (2:13)

8. “No More Heroes” (2:14)

9. “To Stand Alone” (2:06)

10. “Some Things Haven’t Changed” (2:10)

11. “We Are Dangerous” (1:38)

12. “Hulk Smash” (1:41)

13. “Perfect Landing” (2:01)

14. “Old Friend” (1:33)

15. “By Force of Mind” (3:08)

16. “It’s a Thing Your Do” (3:18)

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Video Game Soundtracks

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Soundtrack News: ‘No. 7 Cherry Lane’ Original Motion Picture Soundtrack Available Now

Milan Records has release the original motion picture soundtrack for No. 7 Cherry Lane, an album of music from iconic director & writer Yonfan’s new animated film composed by Yonfan himself, Yu Yat-Yiu and Chapavich Temnitikul. Set in 1967 Hong Kong, No.7 Cherry Lane originally debuted at the 76th Venice Film Festival in 2019, where it was awarded Best Screenplay, and has since toured film festivals around the world in advance of its opening in Hong Kong later this summer.

 

Described by the director as “my love letter to Hong Kong and cinema”, No.7 Cherry Lane is Yonfan’s 14th motion picture – all of which he has written, directed and produced – and his first since 2009. It is also his first animated feature.  The eclectic score of lush orchestral music was composed by artists including Yonfan himself, Yu Yat-Yiu and Chapavich Temnitikul and recorded live in Prague.

YONFAN states that his motion pictures share an underlying theme of passion. A true auteur, his films are entirely self-produced, directed, written, and distributed. Yonfan began directing features in 1984, often for his own production company Far Sun Film, and has worked in Hong Kong, Singapore, China and Japan. He has made a total of fourteen movies, set in various periods and locales, first receiving international notice at the Berlin International Film Festival with the gay-themed drama Bishonen. His subsequent film, the Chinese opera-based Peony Pavilion, was named one of the year’s ten best by Time magazine in 2002, and garnered Rie Miyazawa the Best Actress award at the Moscow International Film Festival. His previous feature, Prince of Tears, was Hong Kong’s selection to compete in the Oscar race for Best Foreign Language Film, and was selected for competition at the 2009 Venice Film Festival

The theme song “Southern Cross” was composed by Yonfan and the rapper BOYoung, fusing together a 1940s, Shanghai-style melody sung by legendary Taiwanese singer CHYI YU, with a contemporary style performed by BOYoung and ZOE YU. This bold juxtaposition represents the collision of yesterday, today and tomorrow at the heart of the movie.

No.7 Cherry Lane tells the tale of Ziming, a Hong Kong University undergraduate, entangled between his amorous feelings for a self-exiled mother, Mrs Yu from Taiwan in the White Terror period, and her beautiful daughter Meiling. He takes them to different movies and through a series of magical moments on the big screen, forbidden passions are revealed. And the era coincides with Hong Kong’s turbulent times of 1967.

NO.7 CHERRY LANE (ORIGINAL MOTION PICTURE SOUNDTRACK)

TRACKLISTING –

1.          Behind the Cherry Lane

2.          Rhythm of the Breeze

3.          Sunset Whispers

4.          Room at the Top

5.          Into the Red Chamber Featuring Wang Fang, Zhao Wenlin

6.          Night Rider

7.          A Love Story

8.          Southern Cross Featuring Chyi Yu, BOYoung, Zoe Yu, Kenneth Tsang, Zhao Wei

9.          Descending the Stairs

10.       A Dream Charade Featuring Sylvia Chang

11.       Winter Cometh

12.       Last Romance Featuring Chyi Yu

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Soundtrack News: ‘Driveways’ Original Motion Picture Soundtrack Available Now

The original motion picture soundtrack for Driveways, with music by Jay Wadley, is available now from Milan Records. Nominated for two Independent Spirit Awards, Driveways is out now and available to watch on demand. Director Andrew Ahn’s Driveways tells the story of Kathy (Golden Globe® Nominee Hong Chau), a single mother, who travels with her shy eight-year-old son Cody (newcomer Lucas Jaye) to Kathy’s late sister’s house which they plan to clean and sell. As Kathy realizes how little she knew about her sister, Cody develops an unlikely friendship with Del (Golden Globe®, Tony® winner and acting legend Brian Dennehy), the Korean War vet and widower who lives next door. Over the course of a summer, and with Del’s encouragement, Cody develops the courage to come out of his shell and, along with his mother, finds a new place to call home.

Jay Wadley is a NY based composer and music producer. Upcoming releases include; Charlie Kaufman’s I’m Thinking of Ending Things, The Innocence Files directed by Roger Ross Williams (Life Animated, Apollo), Independent Spirit Award-nominated Driveways directed by Andrew Ahn (Spa Night), and the Sundance NEXT Audience and Innovation award-winning narrative debut, I Carry You with Me (Sony), written and directed by Heidi Ewing (Jesus Camp, Detropia).

Of the soundtrack, composer Jay Wadley says:

“In my score for Andrew Ahn’s Driveways, I took an understated, paired down approach with textured analog production on a felted grand piano and chamber string ensemble.  The film is a delicate and subtle piece, so Andrew and I felt the score needed to take extra care not to step on or get in the way of story and character.  As I began the creative process, my way into Cody and Del’s sound was through an attempt to capture the mood of childhood experiences like tooling around in the yard and on the porch during long, lazy, hot summer afternoons. I find a certain dreaminess, comfort, and melancholy to those days that informed the music’s overall tone and character. To echo the simple yet profound nature of Del and Cody’s friendship, I used equally simple recurring melodic and harmonic material that often plays as intimate duets between strings and piano. These melodies thoughtfully blossom and mature throughout the film, deepening their associations, and help us connect to relationships that have shaped us and remind us of the beauty and tragedy of their impermanence.”

Driveways director Andrew Ahn adds:

“Jay’s score for Driveways is so human, full of character and soul. I loved working with Jay because, like an actor, he took the film on emotionally, letting the story and characters become a part of him. There’s a beautiful nostalgic quality to the score that feels so personal and intimate. For this reason, the score never hits a false note; it feels truthful and genuine in such an emotional way.”

DRIVEWAYS (ORIGINAL MOTION PICTURE SOUNDTRACK)

TRACKLISITNG –

  1. On the Road
  2. Del
  3. Inside the House
  4. Cleaning Up
  5. Mouse Pad
  6. Can I Borrow a Shovel?
  7. Pretty Good
  8. Get Up
  9. Okay Bye!
  10. Shopping
  11. Thanatopsis
  12. Kathy Goes Out
  13. Invitation
  14. Rogers Team
  15. Wait List
  16. Hardwood Floors
  17. Move, Move
  18. Moving to Seattle
  19. This One
  20. Everything is Different

If you’d like to check out the soundtrack for Driveways, it is currently available.

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Soundtrack News: ‘Barkskins’ Original Series Soundtrack Available June 5th

Milan Records is pleased to announce that the National Geographic Original Series Soundtrack for Barkskins will be available on June 5, 2020. Barkskins examines the mysterious massacre of settlers in the vast and unforgiving wilds of 1690s New France that threatens to throw the region into all-out war. The series tells a thrilling story of exploration, adventure and ambition among dreamers and fighters — some with a utopian vision of the world, others crass and conniving, but all navigating the perils of a treacherous new frontier. As tensions escalate, unlikely alliances are forged, old antagonisms deepen and new families are formed against the seemingly endless natural riches and hidden dangers of the new American continent.

 

The soundtrack for Barkskins was composed by Colin Stetson, who is a highly-coveted collaborator to Bon Iver, Arcade Fire, Tom Waits, LCD Soundsystem, The National and more. More recently, Stetson has focused on scoring a number of original soundtracks, including Color Out of Space (2019), Lavender (2016), which he co-scored with Sarah Neufeld, A24 production Hereditary (2018) and Hulu series The First (2018). He also contributed to the score for award-winning game Red Dead Redemption II (2018) and is set to score the new Adult Swim anime miniseries Uzumaki, an adaptation of Junji Ito’s renowned horror manga, which arrives in 2020.

Of the soundtrack, composer Colin Stetson says:

“The ‘sound of the forest’ was what I was first tasked with in generating the overall aesthetic and character of the score for Barkskins. Taken both literally and metaphorically, I based much of the sonic backbone on two pillars: Of an essence and feeling of wild and heavily wooded places, I combined the sounds of low bowed strings and my own voice, in unison and extreme glissando, to create an undulating melodic bed, deeply creaking and airy, as trees swaying in the wind. And literally, the actual sounds of the forest, those of red squirrels, finches, ravens, and I think a sea lion (whoops) all twisted and modified into a supporting sonic landscape within which to compose.”

BARKSKINS (NATIONAL GEOGRAPHIC ORIGINAL SERIES SOUNDTRACK)
TRACKLISTING –
1. Forest Fire
2. Company Man
3. The Tree
4. Renardette
5. True Warrior
6. English Scum
7. Lie Down
8. The Company Way
9. Marth Burns
10. Father Clape
11. A Proposal
12. Aftermath
13. With Death Upon You
14. First And Last Meals
15. The Letter
16. Retrieving The Dead
17. Punishment
18. Alive
19. Awake You Sleepy Hearts (feat. David Thewlis)

The official soundtrack for Barkskins will be available on June 5, 2020.

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Soundtrack Review: Spaceship Earth (2020)

The soundtrack for the recently released documentary Spaceship Earth is now available from Milan Records. Spaceship Earth is the true, stranger-than-fiction, adventure of eight visionaries who in 1991 spent two years quarantined inside of a self-engineered replica of Earth’s ecosystem called BIOSPHERE 2. The experiment was a worldwide phenomenon, chronicling daily existence in the face of life threatening ecological disaster and a growing criticism that it was nothing more than a cult. The bizarre story is both a cautionary tale and a hopeful lesson of how a small group of dreamers can potentially reimagine a new world.

Album Artwork - Owen Pallett

The soundtrack for Spaceship Earth was composed by Owen Pallett, who is a composer, violinist, keyboardist, and vocalist. They have released a string of critically praised solo recordings, winning the Polaris Prize in 2006. They currently release albums with Secret City Records and Domino Recording Co., and have performed as a solo performer with orchestras worldwide. Their chamber music work has been commissioned by The National Ballet of Canada, The Toronto Symphony Orchestra, Bang On A Can, The Barbican, among many others. They also served as curator of the TSO’s New Creations Festival in 2017.

Of the soundtrack, composer Owen Pallett says:

This is my second collaboration with Matt Wolf, after 2019’s Recorder: The Marion Stokes Project.  The film Spaceship Earth chronologically spans from 1960 to present day— it is serious, it is comedic, it is retro, it is futuristic, it is scientific and it is highly human.  It is also distinctly American.  As a result, I was inspired by 60s sci-fi film scores, Nino Rota, as well as American 20th century music— John Adams and Aaron Copland.

All of those influences are evident in Pallett’s score for Spaceship Earth, which is among the most beautiful I’ve heard this year. The music for this documentary runs a huge gamut from nearly symphonic to an American style that is, as the composer indicated, clearly inspired by the music of Aaron Copland (“Synergia Ranch” in particular). I may have listened to a few of the pieces out of order, but I was instantly struck by a four-part piece organized under the title “Biosphere 2.” Played back to back, these four pieces reminded me of a symphony, with themes weaving together and coming back at the end of the piece. It’s not often I hear a symphonic piece of music while listening to a soundtrack, but that is indeed what the four parts of “Biosphere 2” reminded me of.

And it only got better from there. Most of the soundtrack is delightfully musical, with a sense of “sci-fi” lurking around every corner. If you didn’t know what this documentary was about, you could be forgiven for thinking it was about literal space travel. It would be interesting to know, specifically, which sci-fi film scores influenced Pallett, as their influence can clearly be felt.

But there was also a touch of weirdness (in a good way) as well. As I mentioned earlier, “Synergia Ranch” was clearly inspired by the music of Aaron Copland (it put me in mind of “Hoedown” in case you were wondering) and it definitely stands out from the music around it.

In conclusion, the soundtrack for Spaceship Earth is beautifully done, and I applaud Owen Pallett for creating such beautiful music to accompany the documentary. Let me know what you think about Spaceship Earth (and the soundtrack) in the comments below and have a great day!

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Film Soundtracks A-W

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Soundtrack Review: A Brief History of Time Travel (2018)

Just recently I had the unexpected pleasure of looking over the soundtrack for the documentary A Brief History of Time Travel. As the title suggests, this documentary is all about a subject that has fascinated scientists (and regular people for years: time travel. The synopsis is as follows:

Time travel reaches far beyond the realm of science fiction. From early stories featuring heroes mysteriously falling into far-flung future worlds to countless appearances in literature, science fiction and video games, the idea of traveling through time has spanned cultures across the globe.

Through interviews with experts across a variety of fields – theoretical physicists, game designers, spiritual leaders to futurist authors, “A Brief History of Time Travel” explores how this idea has inspired some of the prominent intellectual minds of today, and how it has influenced their work.

The soundtrack for A Brief History of Time Travel was composed by Tracie Turnbull, an LA-based composer. Apart from her work on this documentary, Tracie also works as a scoring and tech assistant for Emmy award winning composer Jeff Russo. She has written additional music on projects including: CBS’s Star Trek: Discovery, Sci-fi’s Channel Zero, FX’s Snowfall, Netflix’s The Umbrella Academy and the film, Mile 22.

The music for A Brief History of Time Travel was a lot of fun to listen to. Considering Tracie Turnbull is also a cellist, it’s not a surprise that the soundtrack features a healthy amount of that instrument. Indeed, a large portion of the soundtrack appears to be devoted primarily to the strings to create the warm, but quirky sounds that make up most of the score. Perhaps I was overly influenced by the title of the documentary, but it seemed to me that a lot of the music I heard reflected the passing of time. For example, I could’ve sworn I heard the ticking of clocks in several pieces. The idea occurred to me because Andrew Prahlow did something similar in his score for Outer Wilds. For that matter, speaking of the passage of time, the way most of these pieces “flowed” felt so appropriate given that they’re covering a documentary about time travel, in that time is often described as “flowing” from the past to the future.

As with most documentary scores that I’ve heard, the music for A Brief History of Time Travel is very easy to listen to; it’s gentle, it’s warm, and it draws no more attention to itself than necessary. By no means is that a bad thing, by their nature documentary scores aren’t generally supposed to stand out because that would make them a distraction to what the documentary is talking about. I think Tracie Turnbull’s score complements the topic of the documentary beautifully, allowing the imagination to run wild about the possibilities of time travel.

Track List:

1 Time Travel
2 Time Passing
3 Clock Slowed
4 Three Theories
5 Beyond Space
6 Back And Forward
7 Perspective Of A Computer
8 Space And Looking Back
9 Freeze People
10 Imagine Time Travel
11 Happens In The Future
12 Constraints Of Nature
13 If You Could Travel
14 History Of The Universe

The score for A Brief History of Time Travel can be purchased/downloaded from the following places:

Notefornote Website: https://bit.ly/36bS4DF

Let me know what you think about A Brief History of Time Travel (and the score) in the comments below and have a great day!

See also:

Film Soundtracks A-W

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Soundtrack Review: Betty (2020)

The soundtrack for the HBO Original Series Betty is now available from Milan Records. Starring Dede Lovelace, Moonbear, Nina Moran, Ajani Russell, and Rachelle Vinberg, Betty follows a diverse group of young women navigating their lives through the predominantly male-oriented world of skateboarding, set against the backdrop of New York City.  

The soundtrack for Betty was composed by Aska Matsumiya, who is a LA based Japanese composer and producer who has excelled across Film, Television, Advertising and music production. Aska provided the score for the Amazon feature film, “I’m Your Woman” for director Julia Hart. In addition, she partnered with A24 and acclaimed director Kogonada on his film “After Yang”, collaborating with composer Ryuichi Sakamoto starring Colin Farrell.  

Of the soundtrack, composer Aska Matsumiya says:

“Writing the music for Betty allowed me to be in touch with a side of myself that remains youthful and raw and spontaneous. It was really so much fun and I tried to let that momentum carry the music.”

Wow, Matsumiya wasn’t kidding when she talked about getting in touch with her youthful, raw, and spontaneous side. The soundtrack for Betty is ALL of these things wrapped up together and it is pure joy to listen to. The melody is bouncing, alive, and just seems to dart from place to place. I don’t know why this surprised me, considering Betty is set in the world of skateboarding, this type of music is the perfect way to express that world where gravity is defied on a regular basis. I think my favorite track is “Betty”, the title track is bright, bouncy, and beautiful, like most of the soundtrack in fact.

TRACKLISTING –

  1. Betty
  2. Vibez
  3. Space Ride
  4. Why Not Bambi
  5. Anxiety Attack
  6. Chinatown Quest
  7. Strawberry Field
  8. The Sound
  9. Feeling Blues Cloud
  10. No Jordan
  11. No Chill
  12. Hypnotism – Bebel Matsumiya
  13. AMNSA – Rosehardt
  14. Strangers – Ruby Haunt
  15. One of the Girls – Otha
  16. Apocalypse – Cigarettes After Sex
  17. Djougou Toro – Volta Jazz

In all seriousness, the music for Betty is delightful, and I highly recommend checking the soundtrack out if you get the chance.

Let me know what you think about Betty (and its music) in the comments below and have a great day!

See also:

TV Soundtracks

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