Soundtrack Review: Ghost of Tsushima (2020)

Today I had the chance to check out the soundtrack for the upcoming video game Ghost of Tsushima, which will be available (as will the soundtrack) on July 17, 2020. The music for Ghost of Tsushima was composed by Ilan Eshkeri and Shigeru Umebayashi.


Ilan Eshkeri is an award winning composer, artist, songwriter, producer and creator. Eshkeri’s work is performed in concert halls, theatres, galleries, on film & television and video games; his eclectic body of work is linked by his love of narrative. Recently, Ilan and Ralph Fiennes completed their third film together -a biopic about Rudolf Nureyev, ‘The White Crow’. This followed the creation of a ballet ‘Narcissus and Echo’, choreographed by famed dancer Sergei Polunin with set designs by David LaChapelle and a ballet commission from Rambert Dance Company.

Shigeru Umebayashi is an internationally renowned composer best known for creating “Yumeji’s Theme” in Wong KarWai’s film “In The Mood For Love”. In addition to also collaborating with Wong KarWai on “2046”, Umebayashi was the music producer and composer for Zhang Yimous’ films “House of Flying Daggers” and “Curse of The Golden Flower”. In “House of Flying Daggers”, he composed the song “Lovers” with soprano Kathleen Battle.

Of the soundtrack, composer ILAN ESHKERI says:

“Ghost of Tsushima is such a beautiful game set in a culture that has always fascinated me, with a powerful and compelling story. Everything about it touched me creatively and I learned so much on the journey. The score brings together Japanese music and instruments, with sounds I’ve performed and a symphony orchestra all led by melody. I hope together it creates an emotional world that touches you and draws you into the heart and spirit of Ghost.”

“When I was composing for Ghost of Tsushima, I was inspired by Japan’s nature, climate, traditional lifestyle and classical Japanese music. When players hear the music, I hope that they feel the hearts of the people of Tsushima – those who love the land, living and plowing with the natural bounties it offers, and those of the warriors who take their katanas and follow the way of the samurai,” adds composer SHIGERU UMEBAYASHI.

Having listened to most of this soundtrack, I have to say that the words of both composers do not do this soundtrack justice. This is, by far, one of the greatest soundtracks I’ve listened to this year. It doesn’t even sound like something you’d hear in a video game, this feels like pure cinema through and through, something I’ve noticed more and more often in video game soundtracks as gameplay in new video games has lately felt more like “it’s a movie but one you participate in.”

What’s really drawn me to the music for Ghost of Tsushima, aside from its cinematic qualities, are how it perfectly blends the traditional sounds of Japanese music with a full-blown symphony orchestra. I thought I knew what to expect when I downloaded this soundtrack to check it out, but I had no clue. This is a perfect marriage of musical styles, and both Eshkeri and Umebayashi should be congratulated for creating something so beautiful.

Two tracks that I must highlight are “The Way of the Ghost” and “The Fate of Tsushima.” The former serves as the introductory piece in the soundtrack, and is ideally suited for that task. While the melody frequently flirts with a melancholy identity, it is otherwise full to bursting with tension, promising lots of adventures to come as the game is just beginning. The latter track, “The Fate of Tsushima”, to me it feels like the fulfillment of everything “The Way of the Ghost” promised. It’s full of action, melodies that continually hop and leap without pausing for rest. Out of the entire soundtrack, this sounded like the climax of the story, with everything coming together in one glorious moment of musical perfection.

In the late 13th century, the Mongol empire has laid waste to entire nations along their campaign to conquer the East. Tsushima Island is all that stands between mainland Japan and a massive Mongol invasion fleet led by the ruthless and cunning general, Khotun Khan. As the island burns in the wake of the first wave of the Mongol assault, samurai warrior Jin Sakai stands as one of the last surviving members of his clan. He is resolved to do whatever it takes, at any cost, to protect his people and reclaim his home. He must set aside the traditions that have shaped him as a warrior to forge a new path, the path of the Ghost, and wage an unconventional war for the freedom of Tsushima.

I know 2020 is far from over, but I’m going to be hard pressed to find a better soundtrack to listen to than what I’ve heard for Ghost of Tsushima.

You can get the soundtrack for Ghost of Tsushima (along with the game) on July 17, 2020.

See also:

Video Game Soundtracks

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3 thoughts on “Soundtrack Review: Ghost of Tsushima (2020)

  1. Pingback: Soundtrack Review: Ghost of Tsushima (2020) - 192kb

  2. Pingback: Talking With Composer Ilan Eshkeri about Ghost of Tsushima (2020) | Film Music Central

  3. Pingback: Soundtrack Review: Godfall (2020) | Film Music Central

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