Tag Archives: Salma Hayek

My Thoughts on: The Hitman’s Wife’s Bodyguard (2021)

I knew going in that there was a decent chance I wouldn’t like The Hitman’ Wife’s Bodyguard. For one, I hadn’t seen the first film, The Hitman’s Bodyguard, and going to see the sequel without seeing the first film can be quite problematic depending on the film. However, despite going in completely blind I was willing to give the film a chance, the previews had certainly looked funny enough.

I should’ve known better.

Rule #1 of being a movie blogger: NEVER trust the previews.

The Hitman’s Wife’s Bodyguard picks up, ostensibly, where the first film leaves off, with Michael Bryce (Ryan Reynolds) attempting to pick up the pieces of his life. Of course, Sonia (Salma Hayek) drags him back into the fray and he’s soon on the run with Darius Kincaid (Samuel L. Jackson) whether he likes it or not. It sounds coherent enough, and there’s actually a decent premise buried deep down with a pretty good villain, but it’s executed so badly that no inducement on Earth could get me to watch this mess again.

I was about halfway through the film when it dawned on me that I was watching a terrible movie. Make no mistake about it, The Hitman’s Wife’s Bodyguard is not a good film by any stretch of the imagination. If I had to sum up the film’s biggest problem, it’s that I feel like the writers flung three different film plots together, connected them with the three main characters, and prayed that it would make a roughly coherent story. That’s the only explanation I can come up with for the fractured story that comprises so many different moods and plot elements that it quickly loses any semblance to a rational story (though it’s entirely possible that that’s the point).

The one bright spot in this film is the spine-chilling performance turned in by Antonio Banderas as the film’s villain. I wish we could’ve gotten more of him in this film, because every time he was on the screen I visibly brightened up.

I also can’t get over how jarring the mood of this film was. The story flips from a weird humor to deadly serious and back at the drop of a hat and it was hard to get into the story and stay invested (about 3/4 of the way through I just gave up). Many of the emotional story twists felt completely unnecessary. There’s an entire story arc with Bryce’s dad that amused me, confused me, and finally infuriated me with how it was executed.

There’s only so many ways to put this so I’ll say it one last time: The Hitman’s Wife’s Bodyguard is not a good movie, I’m honestly surprised I made it all the way through without leaving. The minor bright spots aren’t enough weren’t enough to save it, and it’s 90+ minutes of my life I can never get back (yes, it was that bad).

Whether you agree or disagree, let me know what you think of The Hitman’s Wife’s Bodyguard in the comments below and have a good day!

See also:

Film Reviews

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook 

Soundtrack Review: Bliss (2021)

Milan Records has released the Bliss (Original Motion Picture Soundtrack) with music by composer, multi-instrumentalist, and Fall On Your Sword founder Will Bates. Bliss is a mind-bending love story following Greg (Owen Wilson) who, after recently being divorced and then fired, meets the mysterious Isabel (Salma Hayek), a woman living on the streets and convinced that the polluted, broken world around them is just a computer simulation. Doubtful at first, Greg eventually discovers there may be some truth to Isabel’s wild conspiracy.

Will Bates is an award-winning composer, multi-instrumentalist and founder of music production company Fall On Your Sword. He has composed original scores for a myriad of filmmakers including acclaimed directors Mike Cahill (Another Earth, I Origins), Alex Gibney (We Steal Secrets: The Story of Wikileaks, Going Clear: Scientology and the Prison of Belief, Zero Days), Ry Russo-Young (You Won’t Miss Me, Nobody Walks) and Fisher Stevens (Mission Blue, Bright Lights).

Of the soundtrack for Bliss, Will Bates had the following to say:

“Collaborating with Mike Cahill continues to be one of my greatest joys. He is a visionary, and he’s always pushing the boundaries of what is possible. There’s so much mutual trust when we work together. He has the ability of putting everyone he works with in this safe, magical environment that really encourages experimentation. I find myself being challenged in new ways and, despite having worked on so many projects together, it seems as if I’m always trying something new with him… The key was to find the tonal balance that the story has; this mind-bending almost absurdist reality against Greg’s heartbreaking journey. The scale of the movie let me really stretch the palette. Along with all sorts of mangled analogue synths, this was my first experience with a full orchestra, and also one that allowed me to dip into my background as a jazz saxophonist.”

Regarding “You and I,” he adds, “As we were nearing the end of the process, we had the idea of there being a song that melodically incorporated the love theme. I’ve known Skye Edwards for years, since my London days (my old band once opened for Morcheeba.) Mike and I agreed it just had to be her voice, so I wrote the song for her to sing. It was going to be just in the end credits, but when Mike heard it, he recut one of the other scenes in the movie and used it there too. As with so many projects in 2020, COVID caused a significant delay in the post-production process. But the song may not have happened without that delay.”

Listening to the soundtrack for Bliss is an experience, let me tell you. There’s this mixture of synthesized sound and orchestral sound that just pulls you in and keeps your attention once it gets going. I’ve heard music similar to this in other science-fiction soundtracks, especially with stories that blur the line between the “synthetic” and the “real,” but for the most part those soundtracks feature stories about robots. Bliss, on the other hand, involves a concept more similar to The Matrix (but kind of in reverse, since the “real” life is implied to be much better than the fake life).

There’s not much more I can say about the soundtrack for Bliss. It’s fun to listen to, but it doesn’t inspire many thoughts in me. That’s not a bad thing, some soundtracks are just like that.

BLISS (ORIGINAL MOTION PICTURE SOUNDTRACK)
TRACKLISTING –

  1. You And I
  2. This Is Real Life
  3. The Inside Of Your Head Must Be Amazing
  4. Rabbit Hole
  5. Trying To Reach You
  6. Kendo
  7. Light Bouncing Around Your Neurons
  8. You Have To See It For Yourself
  9. Great Overwhelming
  10. The Thought Visualizer
  11. Home
  12. Let’s Go For A Swim
  13. Are You Really Here
  14. It Would Be My honor
  15. The Telekinetic Warrior
  16. My Braids Dad
  17. The Scenic Route
  18. Hotel Pleiades
  19. Blues Here We Come
  20. We’re Back In
  21. Go
  22. Safe Harbor
  23. You’re Here
  24. You And I (Fall On Your Sword Remix)

Let me know what you think about Bliss (and its soundtrack) in the comments below and have a great day!

See also:

Film Soundtracks A-W

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook