Tag Archives: film

Marco Beltrami talks A Quiet Place (2018)

I have a mixture of thoughts about A Quiet Place, and its soundtrack. Regarding the movie itself, I’m slightly ashamed that I haven’t seen it yet (but most of you know my feelings on horror by now, and the entire premise of this film terrifies me). As for the soundtrack…believe it or not part of me finds it funny that the film has a soundtrack at all, as given the premise, it would almost be appropriate for the film to have no non-diegetic music at all. But have a soundtrack it does, and Marco Beltrami did the honors.

In this fantastic interview (full credit to Ashton Gleckman), Marco Beltrami discusses how he came to work on the score for this film, and talks about some of the things he did to give the film its unique sound.

(again, I give full credit to Ashton Gleckman, whose video this is, for this awesome interview with Marco Beltrami)

Having listened to the interview, I have to agree with Beltrami: having a film with almost no dialogue would be a golden opportunity for a film composer. Think about it, most of the time the film score is structured around dialogue, which means the music mostly stays in the background while characters are talking (this isn’t always true, but it usually is). However, in a film like A Quiet Place, with almost no talking, you basically have a blank slate to work with, and it sounds like Beltrami took full advantage.

Another detail I liked from this interview is when Beltrami talked about how he arranged parts of the music to reflect the terrifying world the family of A Quiet Place live in. It was something to the effect of “they’ve been living in silence so long that any sounds they do hear will sound wonky to them.” And that makes sense. If you get used to silence, sounds will start to sound abnormal. To that end, one thing Beltrami did was de-tune the black keys on a piano (to de-tune means to deliberately put something out of tune), which would automatically create a weird sound when you play the instrument.

I’ll leave you to enjoy the rest of the interview, and I hope you enjoy this behind-the-scenes look at how the score to A Quiet Place was created. Let me know what you think of  A Quiet Place (and its soundtrack) in the comments below and have a great day!

See also:

Marco Beltrami talks Blade II (2002)

Marco Beltrami and Marilyn Manson talk Resident Evil (2002)

Marco Beltrami talks Live Free or Die Hard (2007)

Marco Beltrami talks 3:10 to Yuma (2007)

Marco Beltrami talks The Wolverine (2013)

Marco Beltrami talks World War Z (2013)

Film Composer Interviews A-H

Film Composer Interviews K-Z

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Brian Tyler scoring Constantine (2005)

I’m always on the lookout for good videos of film scoring sessions, and today I hit the jackpot (in a manner of speaking) with an excellent video showing Brian Tyler working on Constantine (2005) in the recording studio. Being a firm devotee of Matt Ryan’s portrayal of the iconic master of the dark arts, I’ve generally ignored this film’s existence. But now that I’ve heard some excerpts of the film’s score while watching this video, I’m wondering if I need to go back and re-evaluate my position on this film.

This particular video is especially good because it shows a great view of the entire studio, with the composer/conductor and the orchestra at one end, while the work-in-progress film is projected on the far wall. As I’ve mentioned before, seeing the film during the recording process is necessary (for most) because this helps the composer sync the music to the film in the best way possible. To help with this, I believe there is a timer (of sorts) projected onto the screen for the composer’s benefit (for example, at 1:30 see the “0278+8” in the bottom right of the screen, that looks like a timing tool I’ve heard of film composers using).

Another great thing about this video is that it shows several different recording sessions that focus on different scenes. My favorite example in the whole video is the sequence starting at 1:32 that zooms in close on the film being projected. Watching that and hearing the music shows how hard Tyler has to work to create music that matches up with the visuals. As the video also shows, the director can sit in on these sessions, that way if he/she sees something that doesn’t work for them, they can let the composer know so it can be fixed right away.

I really hope you enjoy this video of Brian Tyler working on scoring Constantine (this is also the earliest video of the composer at work that I’ve found to date). Let me know what you think about Constantine (and its soundtrack) in the comments below and have a great day!

See also:

Film Composer Interviews A-H

Film Composer Interviews K-Z

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook

Brian Tyler scoring The Fate of the Furious (2017)

The Fate of the Furious is, as of 2017, the most recent film in the Fast & Furious franchise to be scored by Brian Tyler (there’s no word as yet as to whether he will score Fast & Furious 9). The Fate of the Furious continued the franchise trend of pushing the boundaries of storytelling, and the music gladly rises to the occasion.

The video I was able to find relating to this soundtrack shows segments of various scoring sessions, with the video quickly moving through several themes. Unlike the video clip for Furious 7, which focused a little more on the electronic and percussion aspects, this clip only shows the orchestra at work under Tyler’s direction. That’s fine by me, as I love watching Brian Tyler make unconventional sounds with a regular orchestra.

I apologize for the video being so short, but even though the video is only a minute long, it’s obvious just how powerful Brian Tyler’s music is. And as I say every time I cover this composer, it is so much fun to watch Tyler conduct the orchestra, he is clearly into the music, and I really do feel that this comes across in the final score as well.

Let me know what you think about this glimpse of Brian Tyler scoring the soundtrack of The Fate of the Furious in the comments below and have a great day!

See also:

Brian Tyler talks Fast Five (2011)

Brian Tyler scoring Furious 7 (2015)

My Thoughts on: Fast Five (2011)

My Thoughts on: Furious 7 (2015)

My Thoughts on: The Fate of the Furious (2017)

Film Composer Interviews A-H

Film Composer Interviews K-Z

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook

Brian Tyler scoring Furious 7 (2015)

You might not have realized this, but Brian Tyler has been heavily involved in the Fast & Furious franchise for quite some time. His current scoring credits for the franchise include: The Fast and the Furious: Tokyo Drift; Fast & Furious; Fast Five; Furious 7; and The Fate of the Furious.

Tyler’s impressive composition abilities bring a high-octane feeling to every score he’s worked on (or at least the three I’ve listened to, I haven’t seen the 3rd and 4th films yet), and Furious 7 is no exception. The behind-the-scenes video I found for Furious 7 shows snippets of scoring sessions for the film, as well as a glimpse into the mixing process. As you might expect for a film like Furious 7, filled with fast cars and windows into the world of the super-rich, the music is full of electronic tweaks, with remixes, reverbs, and a lot of percussion (provided by Tyler himself no less).

The music of the Fast & Furious films occupies an interesting space in my head. Given how loud these films are (with all the cars and chases), it’s not uncommon to forget this film has music at all. And here’s the genius of that: the music fits into the film so neatly that you don’t notice it. However, I guarantee that if someone made an edit of the film that took the music away, it wouldn’t take you long to notice the difference. That’s one of the things I love about Brian Tyler’s music, it just fits into the film, and that’s not an easy thing to do.

I would literally give an arm and a leg to hear Brian Tyler’s thoughts about how he went and put this score together, especially since it’s the last film to feature Paul Walker (six years later and his loss still hurts). However, until such time as I can find some more footage to share, I hope you enjoy this peek into the scoring of Furious 7.

Let me know what you think about Furious 7 (and it’s soundtrack) in the comments below and have a great day!

See also:

My Thoughts on: Fast Five (2011)

Brian Tyler talks Fast Five (2011)

Brian Tyler scoring The Fate of the Furious (2017)

My Thoughts on: Furious 7 (2015)

My Thoughts on: The Fate of the Furious (2017)

Film Composer Interviews A-H

Film Composer Interviews K-Z

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook

My Thoughts on: Fast Five (2011)

Of the eight films that currently make up the main Fast & Furious franchise, Fast Five remains the only one that I’ve actually seen in theaters (they were offering a free screening for college students, even then I couldn’t turn down a free movie). Because of this, Fast Five sticks out in my mind even more than Furious 7 and Fate of the Furious, because this was my introduction to the franchise.

And what an introduction for me to have! Correct me if I’m wrong, but I believe this was the first film in the franchise to feature an over-the-top heist. Despite never having seen any of the prior Fast & Furious films, the story gives just enough exposition that you’re mostly able to follow what’s happening and why. Most of the story is set in Rio de Janeiro, Brazil, and sees Dom and his crew plotting one last job to set them up for life, while at the same time evading DSS agent Luke Hobbs (his first appearance in the franchise) and crime lord Hernan Reyes, both wanting to get their hands on Dom and company (but for very different reasons).

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I rewatched Fast Five a few days ago and it’s just as good as I remember. Of course the highlight of the film is the climactic chase with the safe, but I also love watching the buildup to the heist itself. Just between you and me, my absolute favorite scene is that moment in the bathroom in the police station (you know the one I’m talking about). My second favorite scene is the moment where Hobbs tries to arrest Dom only to find out that he is seriously outnumbered on the streets of Rio when it comes to firepower. I also like the recurring gag (if that’s the right word), where Dom and Brian go out to race to get faster cars to prepare for the heist, and they never show the races, but they don’t really have to because as soon as you see the new car, there’s no doubt what happened.

Also, something that blew my mind during my rewatch: how did I miss that Gal Gadot is in this film?? I know this was made years before Wonder Woman, but still, I’m shocked I didn’t recognize her.

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If I have one quibble with this film, it’s that Reyes’ comeuppance isn’t nearly as satisfying as I feel it should be. Oh, to be sure, he gets what’s coming to him, but it’s just so…quick. If you blink you’ll miss it. I just wanted the villain to suffer a little longer, that’s all.

Fast Five introduced several elements that have defined the rest of the series to date: the over-the-top mission, the introduction of Luke Hobbs, the introduction of Elena, just to name a few. Most of what I love in the Fast & Furious films can be traced back to Fast Five, so it will always be somewhat special to me.

Let me know what you think about Fast Five in the comments below and have a great day!

See also:

My Thoughts on: Furious 7 (2015)

My Thoughts on: The Fate of the Furious (2017)

My Thoughts on: Fast & Furious Presents: Hobbs & Shaw (2019)

Brian Tyler talks Fast Five (2011)

Film Reviews

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

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My Thoughts on: The Transporter (2002)

I actually remember the commercials advertising The Transporter (many many moons ago, when I was just a wee middle school student). It stuck out to me because it listed the rules the Transporter goes by: 1) Never Change the Deal; 2) No Names, and 3) Never Open the Package.  I had no idea what the film was really about, but I remember being curious about a character who likes to follow their own set of rules (my own brain works in a similar way). Last night, 17 long years later, I finally got to see the film for myself (thanks Hulu!) and oh my goodness. I have been missing out haven’t I?

The Transporter, as the title implies, follows professional transporter Frank Martin (Jason Statham), who will deliver anything to anywhere, provided the aforementioned rules are followed. Inevitably, with a system like this, the rules are broken and Martin’s life is turned upside down when he becomes mixed up in some major criminal dealings.

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This film is a wild ride to say the very least. From the opening car chase (which is actually very funny, I loved watching how he treated those robbers), to the final chase, I loved every minute of it. There is one thing I noticed though: I’m not sure if this was because of the director, or because this was relatively early in Statham’s career, but this isn’t quite the Jason Statham I’m used to watching, if that makes sense. Oh the fight scenes are what I expected (and the oil fight is insane), but the way he talks and acts…it’s just different. I’m not saying it’s bad, it’s just different. Also, this is yet another film where Statham still has hair and it is so weird to see him with hair.

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And speaking of the fight scenes, they’re nuts but in a good way! I’ve yet to see a movie that does not involve Statham showing off his awesome fighting skills, and this film is no exception. The previously mentioned oil fight was crazy to watch, though I read afterward that they had to use molasses for that scene and it had to have been a pain and  a half to clean up afterward. (also, one last thought, I was genuinely upset when that house got blown up, that was a really nice house!)

I’m so glad I watched The Transporter at long last, Transporter 2 and 3 have now jumped to the top of my watch list, and I can’t wait to check out even more of Jason Statham’s filmography. Let me know what you think about The Transporter in the comments below and have a great day!

See also:

Film Reviews

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My Thoughts on: The Fate of the Furious (2017)

*minor spoilers for the movie below (putting the warning out just in case)

Just when I thought I couldn’t get more blown away by a Fast and Furious film, I put in The Fate of the Furious (the most recent main-line entry to date) and I get blown away all over again. Seriously, how on Earth are they going to top what they did in this film? We’re so far past the suspension of disbelief at this point that just about anything is possible. But I digress, let’s go back to the beginning.

The Fate of the Furious is interesting on so many levels. Not only does it take the adventures of Dom and company to insane new heights (and equally horrifying lows), it also reveals that everything that’s happened since Fast and Furious 6 has been part of one big plot, and the true villain Cipher (Charlize Theron) is only just now being revealed. I love these kinds of plot revelations because they cause you to go back and re-examine everything you thought you knew about a certain set of films. Character’s motivations aren’t what you thought they were, and everything changes (at least it did for me).

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As big as that reveal is, however, that’s nothing compared to Dom’s plot arc throughout the entire film. I remember watching a teaser for this film and freaking out when Dom turned on everyone (school issues prevented me from seeing this in theaters or I surely would’ve). Plot twists like this one are very dangerous, because if the wrong motivation is laid out in the film, then the entire arc can fall flat. Thankfully, when Dom’s motivation to turn is revealed, it makes absolutely perfect sense. After all, Dom’s love of family is well-known, and that’s probably the only thing I can think of that would motivate him to do what he did. And that’s also why Cipher’s days are surely numbered. She screwed with Dom’s family, and worse, an innocent, and the last time I checked anyone who does that winds up dead (or at least seriously maimed in the case of the Shaw brothers).

And speaking of the Shaws, I believe I misspoke in my post about Furious 7. Having seen The Fate of the Furious, I now realize that this is the film that really sets up the dynamic between Hobbs and Shaw that we see in the spin-off, or at least lays the groundwork for it (they don’t really interact enough in Furious 7, though their chemistry is noticeable even then). Also, it’s really awesome to see Deckard and Owen working together (no matter how briefly), I would gladly welcome a movie that pairs those two together again.

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Now then, back to my opening remarks: how CAN they possibly top what they did in this film? Seriously, they had to dodge a freaking submarine with their fancy cars, while driving on ice in the middle of Russia. It doesn’t get much crazier than that (it’s even crazier than the Abu Dhabi stunt, and that’s saying a lot!) I’m still in love with the crazy action sequences, but in all honestly, I think this movie hit the limit as to just how far they can push it (just watch the next movie prove me wrong).

Overall, The Fate of the Furious has me completely wound up for whatever’s to come in the next installment. You better believe I’ll be in line next summer when the time comes to see it. Let me know what you think about The Fate of the Furious in the comments below and have a great day!

See also:

My Thoughts on: Fast Five (2011)

My Thoughts on: Furious 7 (2015)

My Thoughts on: Fast & Furious Presents: Hobbs & Shaw (2019)

Film Reviews

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook