Lakeshore Records has made available Ben Lovett’s original motion picture soundtrack for Stuffed, a film directed by Erin Derham. Stuffed is a documentary feature film about the surprising and unique world of taxidermy. Told through the eyes and hands of a passionate and diverse group of renowned artists from around the world, the film explores the lives and perspectives of an extraordinary subculture that exists at the intersection of art and science. With a keen eye on conservation and the natural world, Stuffed also explores the important and unexpected relationship that exists between taxidermy and the human effort to preserve the beauty of nature.
Ben Lovett is an American songwriter and composer best known for crafting unconventional scores to a diverse range of films and documentaries including the Netflix cult favorite The Ritual, Amy Seimetz’s award-winning noir Sun Don’t Shine, Independent Spirit Award nominee The Signal, the Duplass Brothers’ survival thriller Black Rock, Emma Tammi’s avant-garde western The Wind, and the time travel sci-fi noir Synchronicity which earned Ben a nomination for “Discovery of the Year” at the prestigious World Soundtrack Awards. Lovett’s most recent work debuted at Sundance 2020, a reunion with director and longtime collaborator David Bruckner for the upcoming Searchlight thriller The Night House.
Speaking on their close collaboration throughout the making of the film, Derham explained:
“The process was very unique in that Ben started writing and recording the score while I was filming. I knew I wanted Stuffed to feel beautiful and romantic like a Jane Austen novel but giving it that distinct Lovett edge. I’m Ben’s biggest fan. All of his movie scores blow me away, but when I first heard the ‘Stuffed Waltz’ suite it felt like he’d written a song about my heart. It represented the humbling journey that took place as I filmed wildly different people around the world for nearly three years and had all my preconceived judgements about taxidermy challenged.”
Lovett described his score as a collection of “musical dioramas” that aim to capture a glimpse into the minds and hearts of a variety of uncommon personalities. Lovett explained:
“I was inspired by the characters in the film who all come from very different political, social, and economic backgrounds and often disagree on most things, but ultimately populate a distinct subculture that’s bound by a deep and genuine love for nature. I wanted to capture that unmistakable childlike wonder they all have when they talk about animals. For taxidermists the work they do is not at all about Death, it’s about Life.”
The soundtrack for Stuffed was nothing like what I expected, though honestly I’m not sure what I should expect for a documentary about taxidermy. The music is beautiful and delightfully quirky in many places, especially in the opening tracks like “Encyclopedia” and “Life.” If the music is meant to reflect the personalities of the people working on these creations and the creations themselves, then Lovett definitely succeeded.
The instruments come together to create something bright and vibrant, and now that I think about it that could be what surprised me. When *I* think about taxidermy the big thing I remember is that these animals are dead, but Stuffed appears to be taking the opposite approach (and Lovett says as much above): don’t think about them as dead, think about how they simulate Life! And that’s why the music is so vibrant and alive, because that’s the work these taxidermists are doing.
If you listen to nothing else on this soundtrack, you need to listen to “Stuffed Waltz No. 2” and “Stuffed Waltz No. 3.” These are two beautiful pieces that take a moment away from the hustle and bustle of the regular soundtrack and seem to be created to give you time to think about what you’ve seen thus far. And for the record, they are in fact true waltzes, I can hear the 3/4 time clear as a bell (I wasn’t sure at first if the “waltz” in the cue title was literal or figurative).
Listening to soundtracks like this is giving me a renewed appreciation for documentaries and everything that goes into making them. Sometimes, I hate to admit it, these works can get overlooked because they’re all factual and can be mistakenly perceived as “boring.” But works like Stuffed are actually working really hard to tell a good story and the music has to work just as hard as any action film score to help tell the audience what they need to know.
I really liked the soundtrack to Stuffed and you should definitely check it out if you get the chance. Let me know what you think about Stuffed in the comments below and have a great day!
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