An Interview with Adam Blau, part 1

Not long before Christmas I received an email inquiring if I would like to interview Adam Blau, a composer of film and television scores who currently works on the hit FXX show You’re The Worst (2014-present). I accepted and this past Sunday evening I had the pleasure of interviewing Adam and talking about his work.

(From Adam’s official bio): Adam is a rising star in the comedy world, with many directors entrusting his musical talents to bolster their projects, often working closely with writers and performers to lend a strong and humorous musical sensibility to their projects. His music has uplifted projects by some of the world’s most popular comedians, including truTV’s Billy on the Street, starring Billy Eichner; NBC’s Mulaney, starring John Mulaney; several Funny or Die shorts; and IFC’s upcoming Brockmire starring Hank Azaria. In addition to composing score, Adam regularly collaborates with the showrunners and writers of projects to create and develop a variety of songs for special episodes – songs ranging from “serious” to intentionally over-the-top satires.

Adam has also scored music and written songs for celebrated films like Warner Bros.’ License to Wed, starring Robin Williams, Mandy Moore and John Krasinski; SXSW favorite The Overbrook Brothers; Phoebe in Wonderland, starring Elle Fanning; and Indian Pictures’ Fuzz Track City. Known for his expertise in percussion, Adam has spearheaded specialty drumline sessions for high profile projects, including Christophe Beck’s We Are Marshall and Mark Isham’s The Express, as well as arranging and producing world percussion for Joel McNeely’s scores to Disney’s popular Tinker Bell films.

The interview is broken up into several parts, with my questions in bold. I’d like to thank Adam for taking the time to talk with me and I hope you enjoy part 1 of the interview.

unnamed

What got you interested in composing for film and television?
Well, I had been a musician to some extent for most of my life…I started playing when I was very young, and I’ve always been involved with music in some capacity. And while I was living in New York I was pretty active in theater, music directing and accompanying, that kind of thing. As part of that, I had some friends who were writing comedy shows and they needed some interstitial music between scenes, or maybe they needed a song, and so I would help them out and it was really fun. And as an extension of that I wrote some songs for a friends show in Los Angeles, and while I was visiting LA I met a couple of people who needed some extra music for a film they were working on, they’d had a composer drop out of the production and so from New York I experimented with some music for this film and I ended up really enjoying it. In fact, I ended up being “bitten by the bug” and picked everything up and moved from New York to LA and it seems to have worked out pretty well so far.
Are you inspired by any particular composer?
In general sure, I have those (soundtracks) I like to listen to independent of the film, but being so involved in multiple facets of music production, it’s rare these days for me to be listening to any current film scores while I’m composing, because I do so much of that as part of my actual work. But Carter Burwell’s score for Adaptation is a big one, it really got me in tune with what a film score could be/should be…in terms of what I’m writing, so much of the scoring process is dependent on the material and who I’m working with. There is an extent to which it’s a bit of a service industry because I’m writing music for what is essentially someone else’s vision. I think a huge part of the job is finding out what the vision is for the director and seeing how the music can best manifest that idea for them. Now I’m going to put my on thumbprint on it one way or the other, but especially in writing for television comedy, it’s writing in a particular style, usually to form the “punchline.” So I do listen to works by several composers, but in terms of my current writing, they don’t really influence/inspire me in that sort of way, because it’s dependent on what the director needs.

That’s all for part 1, part 2 should be uploaded by Friday night or Saturday morning at the latest. You can follow Adam on Twitter at @adamblau and if you’re curious about You’re the Worst, seasons 1 and 2 are currently streaming on Hulu (seriously, you should check this show out if you haven’t before, it’s hilarious and at times very serious). Thanks for reading!

An Interview With Adam Blau Part 2

An Interview with Adam Blau Part 3

Don’t forget to like Film Music Central on Facebook 🙂

Advertisements

3 thoughts on “An Interview with Adam Blau, part 1

  1. Pingback: An Interview With Adam Blau Part 2 | Film Music Central

  2. Pingback: An Interview with Adam Blau Part 3 | Film Music Central

  3. Pingback: Exciting news for Film Music Central! | Film Music Central

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s