Tag Archives: Film Composer

Soundtrack Review: Krypton (season 1)

Krypton Cover

The soundtrack for season 1 of Krypton is now available, having been released on March 8th to coincide with the season 2 premiere. The LP will release on Red/Orange Galaxy vinyl on April 13th for Record Store Day. The album features one of the hottest developing talents within the composing world for TV, Film and Games, Pinar Toprak (Captain Marvel, Justice League).

Toprak’s music for Syfy’s Superman prequel, Krypton, follows her score on the Fortnite video game; the most widely played new game in 2018. An average of 8.3 million people were playing Fortnite concurrently in November alone. After her incredible contributions of additional music to DC’s Justice League, Pinar Toprak was chosen to compose the highly anticipated Marvel movie, Captain Marvel. The first female composer to score a major comic book movie, Toprak continues to prove herself as majestic as the superheroes her music exalts.

The score itself is beautiful and I highly recommend picking it up. Toprak balances a line between science-fiction edginess and orchestral heights. More and more often television series have scores that are equal to film scores and this shows here in the score for Krypton. I particularly liked the tracks “Seeing Kandor for the First Time” and “Welcome to the Fortress.”

Centuries before Truth, Justice and the American Way, the grandfather of Superman, Seg-El, must redeem his family’s honor in DC and SyFy hit television series KRYPTON. With a cosmic evil reaching through time to destroy the House of El before the rise of its heroic scion, can the forbearer of steel prevent the destruction of much more than just his family or is more than just the planet doomed. KRYPTON is executive produced by David S. Goyer (MAN OF STEEL, BATMAN V SUPERMAN: DAWN OF JUSTICE and THE DARK KNIGHT trilogy).

Track listing:

1. Seeing Kandor For The First Time (00:50)
2. The Death Of Val El (1:34)
3. Bar Fight (2:41)
4. Welcome To The Fortress (2:18)
5. Your Grandson’s Cape (3:41)
6. Brainiac’s Peeking Through Rhom (2:26)
7. Kem Sweet Talks Ona (1:35)
8. Street People (1:15)
9. Seg Escapes (1:23)
10. Ona Says A Prayer (2:48)
11. Seg In The Wastelands (00:39)
12. Lyta Meditates* (1:13)
13. A Test Of Sibling* (2:12)
14. Let The Trial Begin* (4:34)
15. Meant To Save Superman (00:44)
16. Jayna Shoots The Voice (1:43)
17. Dev Awakes (00:45)
18. Sigil Means Hope (1:45)
19. Bye Bye Brainiac* (7:43)

Let me know what you think of Krypton (and it’s soundtrack) in the comments below and have a great day!

See also:

Film Soundtracks A-W

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Michael Giacchino talks Jurassic World: Fallen Kingdom (2018)

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Behind the scenes of Jurassic World: Fallen Kingdom Part 1

Behind the scenes of Jurassic World: Fallen Kingdom Part 2

Behind the scenes of Jurassic World: Fallen Kingdom Part 3

I’ve been suffering from franchise fatigue as of late, which is why I didn’t go see Jurassic World: Fallen Kingdom when it came to theaters in the summer of 2018. However, I have heard good things about Michael Giacchino’s score for this film (he’s one of my favorite film composers since he is almost incapable of composing a bad film score). In looking through the behind-the-scenes videos linked at the top of this post, I was pleasantly surprised to learn that Giacchino took inspiration from the scores that Bernard Herrmann wrote for several Ray Harryhausen films (among them Jason and the Argonauts and The 7th Voyage of Sinbad). Given that those are some of my favorite film scores, I almost feel bad that I didn’t give this film a chance.

Michael Giacchino also discusses how he pushed the envelope in how little he could get away with musically. The best film composers can do a lot with minimal music and Giacchino is good at drawing you in with a series of low, minimal notes before suddenly BOOM! the music explodes and you’re literally jumping in your seat. While I’m still not 100% sure how I feel about the Jurassic World franchise as a whole, I do think they made the right choice in picking Michael Giacchino as the composer. His scores retain the sense of wonder (and extreme danger) that John Williams established with the original Jurassic Park film. I hope you enjoy watching these behind-the-scenes videos looking at the score of Jurassic World: Fallen Kingdom.

Let me know what you think about Jurassic World: Fallen Kingdom in the comments below and have a great day!

See also:

Michael Giacchino talks The Incredibles (2004)

Michael Giacchino talks Mission: Impossible 3 (2006)

Michael Giacchino talks Ratatouille (2007)

Michael Giacchino talks Up (2009)

Michael Giacchino talks Star Trek (2009)

Michael Giacchino talks Super 8 (2011)

Michael Giacchino talks John Carter (2012)

Michael Giacchino talks Star Trek: Into Darkness (2013)

Michael Giacchino talks Jupiter Ascending (2015)

Michael Giacchino talks Jurassic World (2015)

Michael Giacchino scoring Rogue One: A Star Wars Story (2016)

Michael Giacchino talks Zootopia (2016)

Film Composer Interviews A-H

Film Composer Interviews K-Z

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook

Daniel Pemberton talks King Arthur: Legend of the Sword (2017)

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While it’s no secret that Guy Ritchie’s retelling of the King Arthur legend was a colossal flop at the box office, that shouldn’t stop you from learning about what went into making the film’s soundtrack. King Arthur: Legend of the Sword marked the second collaboration between Guy Ritchie and Daniel Pemberton and just like he did with The Man from U.N.C.L.E, the composer went all out in putting the music together.

Daniel Pemberton employed a variety of musical instruments both ancient and modern. As he says in the video, he sought to make the score visceral and gritty, something that felt distinctly unpolished. If the excerpts heard in this video are any indication, I think the composer succeeded in that aspect. It’s a shame the film flopped so badly, it sounds like Pemberton’s score for the film is really good (and it’s not that uncommon to find a great score hiding in a terrible film). I find myself hoping that Ritchie and Pemberton will collaborate again (hopefully on The Man from U.N.C.L.E 2), though hopefully the resulting film will do much better than this one did.

Let me know what you think of this behind the scenes look at the music for King Arthur: Legend of the Sword in the comments below and have a great day!

See also:

Daniel Pemberton talks The Man from U.N.C.L.E (2015)

Daniel Pemberton talks Gold (2016)

Daniel Pemberton talks Steve Jobs (2015)

Film Composer Interviews A-H

Film Composer Interviews K-Z

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook

Daniel Pemberton talks The Man from U.N.C.L.E (2015)

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I’m fairly certain that The Man from U.N.C.L.E served as my introduction to the film music of Daniel Pemberton. I first watched the film about three years ago and while the story took some time to grow on me, the score immediately grabbed my attention. Pemberton (I’ve since discovered), has this talent for creating quirky and memorable scores that stick in your mind. Such is the case with the score for The Man from U.N.C.L.E.

 

In the making of featurette which you can access above, Daniel explains that director Guy Ritchie requested a score in which every cue feels iconic. And on that point alone I think the composer succeeded, because none of the music in this film feels “throwaway,” it all feels very necessary. You’ll also learn that Pemberton employed a lot of unique instruments to create the film’s distinctive 1960s-like sound. While there are traditional orchestral elements in certain places, the lion’s share of the music comes from non-traditional instruments, which is really cool.

I hope watching this behind-the-scenes video gives you an even deeper appreciation of Daniel Pemberton’s score for what I consider a highly underrated film. Let me know what you think of the music for The Man from U.N.C.L.E in the comments below and have a great day!

See also:

Daniel Pemberton talks Steve Jobs (2015)

Daniel Pemberton talks Gold (2016)

Daniel Pemberton talks King Arthur: Legend of the Sword (2017)

Film Composer Interviews A-H

Film Composer Interviews K-Z

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook

Brian Tyler scoring session for Iron Man 3 (2013)

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The Marvel Cinematic Universe has featured musical scores from a number of composers, but some of my favorite work comes from Brian Tyler, who to date has scored three films in the MCU: Thor: The Dark World, Avengers: Age of Ultron and Iron Man 3.

The thrilling conclusion to the Iron Man trilogy features some dark and stirring music that’s on full display in this recording (to be completely honest, I’m not sure if this is from an actual scoring session or a later re-recording for a soundtrack, but it’s pretty much the same setup as a scoring session so that’s what I’m calling it). Brian Tyler is one of those composers who also conducts and it’s always fun to watch him at work. From the moment the music starts you can tell he is completely into what he’s doing.

 

I love sharing these recording videos with you because I feel like it’s only once you see and hear the music being performed separate from the film that you can truly appreciate just how much work goes into putting the score together. Action scores (and often superhero scores) can get a bad rap but I really feel like the MCU has changed what a superhero film score can be in the 21st century. These scores are organic, breathing things, and I think this clip really shows that.

At any rate, I hope you enjoy watching Brian Tyler at work with Iron Man 3. Let me know what you think of the clip in the comments below and have a great day!

See also:

Brian Tyler “Alien vs. Predator: Requiem” scoring session (2007)

Brian Tyler scoring Partition (2007)

Brian Tyler talks War (2007)

Brian Tyler talks Rambo (2008)

Brian Tyler “Law Abiding Citizen” scoring sessions (2009)

Brian Tyler “Dragonball Evolution” scoring session (2009)

Brian Tyler talks The Expendables (2010) 

Brian Tyler talks Fast Five (2011)

Brian Tyler “Battle: Los Angeles” (2011) scoring session

Brian Tyler “Teenage Mutant Ninja Turtles” (2014) scoring session

Brian Tyler conducting and scoring Now You See Me 2 (2016)

Brian Tyler “Power Rangers” scoring session (2017)

Brian Tyler conducts The Mummy (2017)

Film Composer Interviews A-H

Film Composer Interviews K-Z

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook

2nd Annual Remembering James Horner Blogathon Recap!

It’s finally here, the 2nd Annual Remembering James Horner Blogathon is here! Even before I woke up this morning day 1 is off to a good start with two amazing entries already. As I see new entries come up, I will add them to this list below. Enjoy!!

Day 1

Plain, Simple Tom Reviews: The Land Before Time (1988)

Movierob: The Pelican Brief (1993)

Listening to Film: “Nautical but Nice”: James Horner and the Music for Wrath of Khan

Listening to Film: “The Underappreciated” (Star Trek III)

Reelweegiemidget: Willow (1988)

Day 2

Sean Munger: Postmodern patriotism: Howard’s “Apollo 13” as history and mythology

MovieRob: Clear and Present Danger (1994)

Day 3

MovieRob: The Karate Kid (2010)

The magic of James Horner: Casper (1995)

Christina Wehner: Sneakers (1992)

Listening to Film: The Rocketeer (1991)

Tranquil Dreams: The Spiderwick Chronicles (2008)

Old School Evil: The Land Before Time (1988)

Thank you to everyone who participated!

Don’t forget to like Film Music Central on Facebook 🙂

Brian Tyler conducts The Mummy (2017)

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One thing that never fails to get to me is when a wonderful film score is attached to a terrible film: a recent case in point being the most recent box office bomb, The Mummy. Despite the film being an abysmal failure (and hopefully the death knell of the Dark Universe before it really gets going), the score, composed and conducted by Brian Tyler, is really beautiful.

An amazing thing about Tyler is that on his Facebook page he will release footage of himself conducting pieces from his film scores (I have a confession, that’s where I find most of Tyler’s material to share with you). And when I saw that he had posted video of himself conducting the score at a special premiere, I had to watch.

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Brian Tyler conducts The Mummy (2017)

It was beautiful!! Brian Tyler is a very talented composer and it shows in this excerpt. The music begins relatively subdued, with an iteration of a particular theme (I suspect it is Ahmanet’s). But as the music goes on, this theme gains intensity and power, until the full orchestra and chorus is backing it.

Unfortunately, I fear the abysmal reviews of the film will prevent many people from experiencing the beauty of this film score (a similar thing happened with Gods of Egypt; Marco Beltrami composed a great score, but the bad reviews meant that many people never heard it). Thus, I am sharing this performance with all of you and I hope you enjoy it. On a side note, when I commented on Facebook that I loved how the theme built in power, Brian Tyler liked the comment!!

If you feel that I should give this film a chance when it’s available to rent on Redbox, let me know in the comments below (I’ll consider it if enough people think so).

You can become a patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

See also:

Film Composer Interviews A-H

Film Composer Interviews K-Z

Brian Tyler “Alien vs. Predator: Requiem” scoring session (2007)

Brian Tyler scoring Partition (2007)

Brian Tyler talks War (2007)

Brian Tyler talks Rambo (2008)

Brian Tyler “Law Abiding Citizen” scoring sessions (2009)

Brian Tyler “Dragonball Evolution” scoring session (2009)

Brian Tyler talks The Expendables (2010) 

Brian Tyler talks Fast Five (2011)

Brian Tyler “Battle: Los Angeles” (2011) scoring session

Brian Tyler scoring session for Iron Man 3 (2013)

Brian Tyler “Teenage Mutant Ninja Turtles” (2014) scoring session

Brian Tyler conducting and scoring Now You See Me 2 (2016)

Brian Tyler “Power Rangers” scoring session (2017)

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