I solemnly swear that I planned to have this part posted months ago, but reality kept intervening time and time again. However, I am now happy to finally be able to share with you the conclusion to this awesome interview with film and television composer Adam Blau.
How would you describe your compositional style? More orchestral or electronic/synthetic?
It’s totally a case by case basis, I’ve written for full orchestra, like with License to Wed, which had a jazz, swingy feel for the most part. So we wrote it for a huge orchestra. And the other end of the spectrum then is the electronic stuff that I do for You’re the Worst, it is totally case by case. And with percussion stuff, my first stint with that was for a film called We Are Marshall, and there was also Yours, Mine and Ours as well.
The genre is really dictated by the material and also the budget. I would prefer to work with a live orchestra, but with most tv it is simply not in the cards (except for maybe Game of Thrones which has the budget to do it.)
What’s your favorite genre to work with? Why?
I am happy working in any genre, but I like working in comedies because it allows for working in a lot of ways, I admit I am a huge comedy junkie and I love sitcoms. But these days, if you’re doing comedy, you get to write in a number of genres and run the gamut, because writing comedy can also mean writing in a serious moment or a song, so you can try a lot of different things. One of my strengths has been being able to wear a number of different hats, learning a new genre or figuring out the core elements of a particular style and working in that new style, it’s a fun challenge trying to do that. I also enjoy the collaborative process with comedy as well.
Does one score/project stand out as your favorite?
It’s truly hard to pick a single project that I would call my favorite. I would have a hard time sitting here working day after day on shows that I don’t like so much, so I try to find something enjoyable about the project itself or the music for that project, or the people I work with, or otherwise it’s a long hard slog. But there are some standouts for me, You’re The Worst is definitely a highlight. And the people are just so spectacular to work with as well.
Me: Well thank you so much for meeting with me to talk about You’re The Worst and your work as acomposer
Adam: Thank you!
And my thanks again to Adam Blau for talking with me about his work. Again, my deepest apologies for the long delay in uploading this last part of the interview. You can follow Adam Blau on Twitter @adamblau .
For the earlier segments of the interview, see also:
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