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The glittering world of the Russian Imperial Family came crashing down almost 100 years ago, when Tsar Nicholas II abdicated, he and his family were arrested, and later summarily executed. The ultimate fates of the Tsar, his wife, their four daughters, Olga, Tatiana, Maria and Anastasia, and the crown prince Alexei were left unknown for decades, which gave rise to rumors and stories that some of the family had survived after all. The most well known story is that of Anastasia, the youngest daughter of Nicholas II. Rumors persisted for decades that the Grand Duchess had survived execution and was out there in the world somewhere. While ultimately disproven when the family’s remains were discovered in 1991, the story continued to be told both on screen and on stage.
Don Bluth’s 1997 film Anastasia is one such recounting. It imagines a world where, while attempting to flee on a train with her grandmother Marie (played to perfection by Angela Lansbury), Anastasia falls and strikes her head, losing all memory as well as being left behind. Not knowing who she is, she grows up in poverty, with half-remembered songs and images her only clues as to where she came from. Anastasia is a musical film (and is sometimes confused for a Disney film) and my favorite song has to be “Once Upon a December.”
In it, Anastasia is exploring an abandoned palace while looking for Dmitri (a former servant boy who is now working with a con man to find a “fake” Anastasia to claim a large reward) and she reminisces over her fragmented memories.
Anastasia’s words conjure up a spectral ball as ghostly figures descend from the ceiling to take part in a dance, all dressed in the finery and glamour of the lost Imperial Russia. The royal family comes to “life” as well, with Anastasia’s four sisters dancing around her before finding partners. Anastasia, in the meantime, transforms into the grown-up princess she should have become, dancing with a partner of her own while her father strides onto the dance floor, all bowing to him (while her mother and brother wait in the background. As the song winds down, Anastasia and Nicholas share a brief dance before the magic is shattered and the figures vanish.
I like to think of this song (and the scene as a whole) as being an homage of sorts to the old world of royalty, balls, and Imperial courts that was irrevocably broken after the First World War. It was an age of palaces, princes and princesses, nobles beyond count that had lasted for over a thousand years, and it will never come again, except in our memories. Hence, my favorite verse is at the end:
“Far away, long ago/glowing dim as an ember/things my heart used to know/things it yearns to remember…”
This scene really is one of the best in the film, and I hope you enjoy watching and listening.
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