Monthly Archives: January 2020

The Twilight Zone S3 E 9: Deaths-Head Revisited

I’ve wanted to write about this particular episode of The Twilight Zone for a long time, but I hesitated because I was thinking about the right way to do it. Finally I decided to just dive in and have at it.

So here we are with Deaths-Head Revisited, one of the most powerful episodes of The Twilight Zone ever created in my opinion, not least because it deals with the aftermath of an event that was very much in living memory at the time: the Holocaust. The episode is set in Dachau (both the town and concentration camp of the same name), and sees Gunther Lutze (Oscar Beregi Jr.), a former SS officer once in charge of the camp, returning to visit its ruins and gloat over past memories. But of course, this being the Twilight Zone, Lutze is far from alone, and it’s long past time he received punishment for the crimes he committed.

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I said before that this is one of the series’ most powerful episodes and I meant it. Even Rod Serling’s introduction has a touch more bite in it than usual. Of all the despicable characters that have populated this show, Lutze is surely the worst. From the moment he enters the camp (at least until he meets a certain someone), the unrepentant Nazi is clearly in his element, strutting around as if tens of thousands of people didn’t die on the ground he’s walking on.  Every time I see this episode, I have to think that this is what Hell looked like for everyone responsible for the Holocaust.

And how Lutze’s punishment plays out is just…so fitting it’s hard to describe. The presence of their former tormentor is enough to rouse the ghosts of the dead and serve Lutze up with more than a taste of his own medicine. It would be frightening, actually, if the person at the center of it all weren’t absolutely deserving of everything he got. I should note that Oscar Beregi Jr. is absolutely brilliant in this episode, just oozing arrogance and a firm denial that he is at fault for anything.

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The biggest clue that something unnatural is going on comes the moment Lutze meets Becker (Joseph Schildkraut), a former prisoner at the camp. That Lutze doesn’t notice the following issues shows just how unrepentant and clueless he really is. First, Becker is still wearing his camp uniform, even though 17 years have passed since the war ended and there would be no logical reason for him to keep it on. Second, and more importantly, Becker hasn’t changed or aged a day since Lutze saw him last. It isn’t until nearly the end of the episode that Lutze remembers a very important truth: he killed Becker right as the war was ending, and he’s been talking to a ghost the entire time. That Lutze could ever forget that he killed the person he’s been talking to is just mind-blowing and indicative of how evil he is.

On a final note, while it might seem strange that the ghosts don’t kill Lutze, what happens instead is just as bad, if not worse. In his new condition, Lutze can’t do anything, he can’t enjoy life, he can’t talk, he certainly can’t run and hide. All he can do is be strapped to a bed in a hospital, pumped so full of sedatives he’s practically comatose. And that’s just what happens in this life, there’s so much more hinted to come once he enters the afterlife.

Everyone should see Deaths-Head Revisited at least once. It’s powerful, it’s intense, and its message is just as important today as it was then. Let me know what you think of the episode in the comments below and have a great day.

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My Thoughts on: The Mandalorian, Season 1 (2019)

As much as I love Star Wars, I will admit to being slightly dubious when I first heard about The Mandalorian, a show that is exclusive to Disney+. It’s not that I didn’t doubt the casting or talent behind the production, I was just more interested in learning if there would be any new productions featuring Ahsoka. Any doubts I did have quickly vanished once Disney+ arrived. One season in, The Mandalorian is a brilliant addition to the Star Wars universe, albeit one that’s currently left me with more questions than answers.

Let’s start with a few background details. First there’s the timing of this show: in the grand scheme of things, The Mandalorian is set 5 years post-Return of the Jedi. So the Emperor is dead, Vader is dead, there’s no Death Star, and nominally the New Republic is in charge of the galaxy. In truth though, taking out the Empire has left a power vacuum in large chunks of the galaxy, leaving many to scramble to get by as well as they can, which is where the titular Mandalorian comes in. He’s a bounty hunter, a good one too. But his bounty hunting lifestyle is turned upside down when he accepts one particular job.

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By the time the first episode was over, I was completely hooked on this show. The Mandalorian feels like Star Wars in a way that’s hard for me to put into words. From the gritty details, to the many, MANY hidden Easter eggs throughout the season, everything in this season just fits into the existing mythos. That being said, there are a few things this season left me thinking about, the first of which is baby Yoda.

I wish a camera could’ve recorded the look on my face when baby Yoda was first revealed (yes, I know that isn’t actually Yoda, but the name is cute). Of all the things I thought the asset could be…this wasn’t it. This is one of the details I have so many questions about: where did he come from? What is his name? What did the Client want with him? Was baby Yoda originally a youngling at the Temple? (hey, he’s 50 years old, that last one is technically possible) I’m hoping that at least some of these questions are addressed in season 2, because I need answers!

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Another major question, and one that I suspect will be answered next month: what the frack happened on Mandalore? Better question, what happened to Mandalore? I ask this question for several reasons. The first is that the Mandalorians are revealed to be few in number and in hiding, something that was not true the last time we saw any Mandalorians. The fact that the Darksaber is in the hands of an Imperial Moff (more on that in a moment) means that something really bad happened. Keep in mind, the last time we saw the Darksaber, it was about a year before the Battle of Yavin and it had been given to Bo-Katan Kryze by Sabine Wren. The latter was going to unite Mandalore against the Empire, a plan that obviously failed spectacularly. I’m hoping that the upcoming last season of The Clone Wars will give some insight into part of what happened to Mandalore, or at least lay the foundations for it.

Another thing, holy crap the Darksaber has made its live-action debut and I still can’t quite believe it. For those who might not know, the Darksaber is a legendary lightsaber made by a Mandalorian Jedi named Tarre Vizsla thousands of years ago during the Old Republic. Unlike traditional lightsabers, the Darksaber has a black blade, one shaped to look like a sword. The Darksaber eventually became associated with the rule of Mandalore itself, with would-be leaders challenging for the right to wield the blade and rule the planet. It cannot be overstated how important the Darksaber is to any surviving Mandalorians. Once it gets out that Moff Gideon has the Darksaber….oh heads will roll in an attempt to get it back.

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And speaking of Moff Gideon…who is he? How did he get his hands on the Darksaber?? And am I the only one who noticed that his armor bears a distinct resemblance to Vader’s? I’m secretly hoping Gideon gets introduced in the last season of The Clone Wars, because I need to learn more about this character as soon as possible.

Hopefully all of these ramblings demonstrate that I really, really liked The Mandalorian and I’m really excited for season 2 when it arrives this fall.

Let me know what you think about The Mandalorian in the comments below and have a great day!

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My Thoughts on: Tarzan the Ape Man (1932)

While I started the Tarzan films somewhat out of order, I did eventually make my way to Tarzan the Ape Man, the first Tarzan film starring Johnny Weissmuller all the way back in 1932. The film looks at how Tarzan and Jane first met, and establishes that the titular character lives way up high on an escarpment deep in Africa, a place filled with treasures that many from the outside world would crave if only they could get to them. Like an elephant graveyard loaded to the brim with ivory…

Now believe it or not, but I actually didn’t like this film as much as some of the others, particularly Tarzan and His Mate. Don’t get me wrong, Tarzan the Ape Man is a good film, and any film series has to start somewhere. But I think the fact that Tarzan and Jane’s relationship isn’t an established thing really bothered me while watching this film. Also, while Weissmuller’s Tarzan generally doesn’t talk very much, he speaks even less in this film. It’s just awkward, for me, to go from the later films back to the first one, where most of the things I’m used to seeing (Tarzan and Jane’s treehouse, Boy, Tarzan and Jane’s relationship) simply aren’t there.

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That being said, Tarzan the Ape Man does a good job of setting up the basic template that the rest of the Weissmuller films follow. One circumstance or another leads to a group reaching Tarzan’s escarpment, the group meets Tarzan, adventures of various kinds ensue, and the bad guys are suitably punished. It’s not a bad setup for a plot, and it does serve as a good opening for Tarzan’s adventures. Although if you’re hoping for an onscreen explanation of how Tarzan got to the top of the escarpment, then you’re in for a disappointment because it isn’t brought up. For all we know, this version of Tarzan is also secretly Lord Greystoke, but as it’s never brought up it doesn’t really matter where he came from either.

Also, I really like Jane’s introduction in this film. You can tell from her very first appearance that this is not the typical woman, in fact she’s just right for someone like Tarzan. If anyone else had gone into the jungle, the story just wouldn’t have worked out. So Jane is bold, adventurous (and she knows how to use a gun!), and willing to take chances the average woman wouldn’t.

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All told, you will like Tarzan the Ape Man. As far as origin stories for Tarzan and Jane, it does a good job of setting up the scenario. Neil Hamilton and C. Aubrey Smith do a good job of rounding out the main cast as Harry Holt and James Parker (Jane’s father) respectively. In fact Hamilton reprises his role in Tarzan and His Mate. Just be sure to watch this film first before you see the others.

Let me know what you think about Tarzan the Ape Man in the comments below and have a good night!

See also:

My Thoughts on: Tarzan and His Mate (1934)

My Thoughts on: Tarzan Escapes (1936)

My Thoughts on: Tarzan Triumphs (1943)

My Thoughts on: Tarzan and the Amazons (1945)

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My Thoughts on: A Christmas Carol (1984)

Earlier, during the holidays, I sat down and watched the 1984 version of A Christmas Carol, with George C. Scott starring as Ebenezer Scrooge. As near as I can remember, this is the first time I’ve ever seen this particular version of the story, which is by far the most complete version of “A Christmas Carol” that I’ve seen to date. For context, I should mention that the version I’m most familiar with are Mickey’s Christmas Carol and The Muppet Christmas Carol, both of which are good but they also leave out quite a bit of material as I’ve now discovered.

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A Christmas Carol includes sequences and details I never knew about before, including Ebenezer’s beloved sister Fan, and the fact that her untimely death is why Scrooge isn’t particularly fond of his nephew Fred (most versions I’ve seen omit that detail). And then when Scrooge is spending time with the Ghost of Christmas Present, I never knew he visited his nephew Fred’s home and watched them play games. All of these details have really expanded the story for me and made me love it that much more. This film also, in my opinion, has the scariest incarnation of The Ghost of Christmas Yet to Come that I’ve seen in a long time. To be sure, I haven’t seen a version yet that doesn’t have a scary version of this character, but this one is particularly dark.

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I also really enjoy George C. Scott’s interpretation of Ebenezer Scrooge. I know many famous actors have taken on the role, and given that I only know Scott best for his work in Patton, I wasn’t sure how he would do playing Scrooge. But after watching this film, I found myself really enjoying his performance. Scott’s version of Scrooge is particularly cold and nasty in the beginning, and even after being visited by the first two Ghosts, Scrooge doesn’t seem particularly close to being redeemed. It’s only after being visited by the terrifying Ghost of Christmas Yet to Come (who can only communicate with terrifying metallic shrieks), that Scrooge finally sees the error of his ways.

If you’re looking for a version of “A Christmas Carol” that is particularly faithful to the original story, then you can’t go wrong by watching this one. Let me know what you think about it in the comments below and have a great day!

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