Tag Archives: Star Wars

Michael Giacchino scoring Rogue One: A Star Wars Story (2016)

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Rogue One: A Star Wars Story, was a first in several ways for Star Wars. Not only was it the first anthology film, telling the story of how the Death Star plans were stolen by the Rebel Alliance, but it was also the first Star Wars film to be scored by someone other than John Williams. Instead, scoring duties went to Michael Giacchino (after Alexandre Desplat had to pull out), which had me excited but very nervous. While I’m a big fan of Giacchino’s work, the music of Star Wars has always had a special place in my heart and I was very nervous that the soundtrack wouldn’t live up to the high bar set by John Williams in the past.

 

I shouldn’t have worried because, as the scoring session linked above shows, quite a bit of care went into putting the score for Rogue One together. Giacchino was careful (for the most part) to interweave Williams’ famous music with his own creations, creating a sound that is definitely Star Wars, but also new. I’ve always enjoyed watching videos of scoring sessions, I have a goal that someday I’ll be able to watch one (or at least part of one) in person. I hope you enjoy this behind-the-scenes look at the scoring of Rogue One: A Star Wars Story. Let me know what you think about Rogue One in the comments below and have a great day!

See also:

Michael Giacchino talks The Incredibles (2004)

Michael Giacchino talks Mission: Impossible 3 (2006)

Michael Giacchino talks Ratatouille (2007)

Michael Giacchino talks Up (2009)

Michael Giacchino talks Star Trek (2009)

Michael Giacchino talks Super 8 (2011)

Michael Giacchino talks John Carter (2012)

Michael Giacchino talks Star Trek: Into Darkness (2013)

Michael Giacchino talks Jupiter Ascending (2015)

Michael Giacchino talks Jurassic World (2015)

Michael Giacchino talks Zootopia (2016)

Michael Giacchino talks Jurassic World: Fallen Kingdom (2018)

Film Composer Interviews A-H

Film Composer Interviews K-Z

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My Thoughts on: Solo: A Star Wars Story (with spoilers!) (2018)

*warning, spoilers abound, turn back if you don’t want to know!

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Considering I went in with absolutely zero expectations, Solo: A Star Wars Story was much better than I thought it would be. As expected from the previews, the film explains how Han Solo first met Chewbacca, Lando Calrissian and how he came into possession of the Millennium Falcon.

The bulk of the story revolves around Han making the famous “Kessel Run” in order to help smuggler and thief Tobias Beckett pay a debt to the fearsome crime syndicate Crimson Dawn. The situation becomes slightly complicated when he finds out his some-time girlfriend Qi’ra is now a top lieutenant in the organization.

Let’s start this review off by getting the parts I didn’t like out of the way:

-Lady Proxima: As cool as it was to see Corellia onscreen for the first time, the more I thought about the opening sequence, the more I realized it was completely unnecessary. Han’s entire escape from the planet could have been easily narrated in an opening crawl and we could’ve jumped straight into that mud planet scene where Han meets Beckett and his crew. Not only that, but why bother introducing a character like Lady Proxima (who DID look pretty cool in a gruesome way) if she’s only going to be onscreen for less than five minutes and then never be seen or heard from for the rest of the film?

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-Han running his mouth: the film pulls this stunt one time too many. If you’ve seen any of the original trilogy then you already know Han is in the habit of making boasts or promises he can’t possibly keep. The film practically beats the audience over the head with this concept and it really wasn’t necessary.

-Rio and Val: Does anyone else think we didn’t get to know these characters nearly well enough before they met their respective ends? I mean Rio’s death was hard to watch but at the same time we’d just barely gotten to know him.

Now for what I liked:

Lando Calrissian: Oh my goodness, they weren’t kidding when they said Donald Glover stole the show with his performance. From his first scene to his last, any time Lando is onscreen you can’t help but notice him. If Disney wants to do a stand-alone film about Lando then I am now perfectly okay with it (so long as Glover keeps the role). It also thrilled me to see Han and Lando playing sabaac, as that is a scene that’s played out several times in the old EU books.

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THAT scene with Lando and L3: This is one of the best scenes in the entire film and you will not be able to change my mind. L3 may have just been a droid that drove Lando crazy most of the time, but he really did care about her. Also, what happened afterward was a perfect explanation for why the Falcon’s computer is so….colorful with its language choices.

Han speaks “Wookie”: I actually liked the scene where Han speaks Wookie to Chewbacca in order to convince him that he’s a friend. I’d honestly never thought about whether he could speak it or not, but it makes sense that Han would have at least a small grasp of the language. That being said…he looked so funny speaking the language!

Dryden Vos: Vos is one of my favorite types of villain: he’s kind, courteous, the perfect gentleman right up until he stabs you in the back. At the same time he also reeks of charisma that can easily trick you into forgetting how dangerous he is. I really enjoyed Paul Bettany’s performance, I wish we’d gotten more of it (though who knows, he could always reappear in another anthology film set before this one).

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THAT cameo at the end (warning, if you don’t want to know who it is stop reading NOW!!):

Going in to the film, I was positive I’d narrowed the cameo down to two people: Boba Fett and/or Jabba the Hutt. It made sense to me that young Han would run into one of these two characters. And while the Hutt crime lord is heavily alluded to at the end of the film (there’s no other reason for going to Tatooine), he doesn’t actually appear. After Qi’ra kills Vos and assumes command of Crimson Dawn, she uses a ring to speak with Dryden’s boss who appears in a hologram. The moment this character started speaking, I perked up in my seat because I KNEW that voice and it only belonged to one character. And sure enough, the hood was eventually lifted back to reveal Maul, formerly Darth Maul (embodied by Ray Park, voiced by Sam Witwer), he who got bisected at the end of The Phantom Menace all the way back in 1999.

Now, if you’ve only seen the films, I know this cameo was very confusing for you. Here’s how Darth Maul is alive and well: George Lucas almost immediately regretted killing Maul and kept looking for a way to bring him back. During the Clone Wars animated series (2008-2013) he finally got his chance. Maul reappears in the 4th season where it is revealed that he didn’t die on Naboo but instead clung to life through the Dark Side of the Force and was eventually rescued by his brother (yes Maul had a brother) where he was given mechanical legs. There’s a lot more but that’s the gist of it. Bringing Maul back to the films is HUGE: now the door is wide open for a stand alone film about the former Sith apprentice and I couldn’t be more excited.

While there are several hooks left for a direct sequel, I don’t see it happening anytime soon. Thus far Solo isn’t turning a huge profit so Disney may not see it as worth their while to follow up on this story. I do hope though that Maul’s cameo means that a standalone Maul film is in the works. Only time will tell.

What did you think about Solo: A Star Wars Story? Let me know your thoughts in the comments below and have a great day!

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Film 101: The MacGuffin

*the links in this post contain affiliate links and I will receive a small commission if you make a purchase after clicking on my link.

If you’ve ever read in-depth about films, you’ve probably come across some variation of the following statements:

“The hero chased a series of MacGuffins for the entire story.”

“The plot twist revealed yet another MacGuffin…”

But what is a MacGuffin? Well, MacGuffin’s are plot devices that originated in literary fiction and have long since moved over to film as well. They appear as some goal, desired object, or other motivator that the protagonist (and sometimes the antagonist) pursues, very often with little to know narrative explanation as to why they desire this thing. It should also be noted that a MacGuffin’s importance comes not because of the object itself, but rather how it affects the characters and their motivations.

In most films where a MacGuffin appears, they’re usually the main focus of the film in the first act, but thereafter decline in importance, often being forgotten by the end of the story (though sometimes it will magically reappear to aid in the climax of the plot).

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There are many examples of MacGuffins in film but one of the most popular would be the search for the Death Star Plans (held by R2-D2 and C-3PO) in the original Star Wars film. From the beginning of the film (when Darth Vader chases down Princess Leia’s ship), almost to the end (when the Falcon escapes the Death Star to head to the Rebel base on Yavin 4), the plot is driven around obtaining those plans for either the Empire or the Rebellion. This is an almost identical scenario to the one in The Force Awakens where both the First Order and the Resistance are seeking the last map piece to locate Luke Skywalker.

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The Infinity Stones could be described as the ultimate MacGuffin of the entire Marvel Cinematic Universe, as possession of these objects (the Tesseract, the Aether, the Mind Stone, the Power Stone, the Eye of Agamotto) has driven a large number of the films, with the threat of Thanos coming to collect them himself growing ever larger. Just for a refresher:

-The Tesseract: Captain America: The First Avenger; Thor; The Avengers; Avengers: Infinity War

– The Aether: Thor: The Dark World; Avengers: Infinity War

-The Mind Stone: The Avengers; Avengers: Age of Ultron; Avengers: Infinity War

-The Power Stone: Guardians of the Galaxy; Avengers: Infinity War

-The Eye of Agamotto: Dr. Strange; Avengers: Infinity War

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Another MacGuffin example that appears both in literature and film is the One Ring from The Lord of the Rings. If you think about it, for the most of the story the Ring doesn’t really do anything except lie on a chain around Frodo’s neck. The entire plot revolves around destroying this Ring of pure evil before the Dark Lord Sauron can get his hands on it or before anyone else can claim it for their own, but we never really get to see it used to its full potential (though admittedly hints are given as to what it can do).

Possibly the most famous MacGuffin of all cinematic history comes in the classic Citizen Kane, when the reporter attempts to track down the meaning of Kane’s last whispered word “Rosebud.” To this end, he interviews countless former friends, lovers and associates, all in an attempt to find where this one word came from (I’m not going to tell you because the reveal is something everyone should experience for themselves).

And that’s my explanation for what a MacGuffin is. Having read through the examples, do any MacGuffins come to mind that I didn’t list? Let me know your thoughts in the comments below 🙂

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See also:

Film 101: Archetypes

Film 101: Deus ex machina

Star Wars: The Last Jedi-The Ugly

*the links in this post contain affiliate links and I will receive a small commission if you make a purchase after clicking on my link.

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My thoughts on The Last Jedi finally conclude with highlighting everything that infuriated me about this movie (aka the “ugly” parts). I have to admit this list was actually a lot bigger about a month ago, but since I’ve had time to think about it, I’ve realized there wasn’t actually that much to infuriate me. Nevertheless, certain details need to be highlighted.

  • Rey’s parentage (or the lack thereof): It was one of the biggest questions posed by fans coming out of The Force Awakens: Who is Rey and what is her connection to the Star Wars universe? It almost went without saying that a Force user with this level of power had to be related to somebody we knew. Over the last two years I heard every theory under the sun: Rey’s a Skywalker, a Solo, a Kenobi, a Palpatine (don’t even ask me how that one is possible), or (one of the most far-out), she’s the long lost great-great-great times infinity great granddaughter of some legendary Jedi from the Old Republic. It’s no surprise that when The Last Jedi finally arrived that we were all holding our breath to see who Rey was related to (because Rian Johnson had promised we would get our answer).

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The reveal was…anticlimactic to say the very least. After all of that speculation, all of the theories, it seems that Rey is actually…nobody. If Kylo Ren is to be believed, Rey wasn’t hidden on Jakku because she was this big secret Force user. According to Kylo, Rey was left on Jakku because her parents sold her for drinking money. Considering how much time I invested into these theories, I was more than a little upset by this (even though a part of me does understand why they’re going this way). Still…one has to wonder if Kylo IS being truthful. Even if her parents are “nobodies” in the great scheme of things, that doesn’t necessarily mean they’re dead or that they sold Rey for drinking money; Kylo may have just wanted her to think that so she would be more inclined to join him. Maybe they’ll clarify a little more in Episode IX (but then again maybe they won’t, after this film I’m afraid to predict anything).

  • Snoke’s premature demise: Before I begin my tirade, let me say that I DID appreciate how Snoke’s apparent death went down. The Supreme Leader is oblivious to the fact that Kylo has turned on him and is subtly maneuvering Anakin’s old lightsaber into a position to impale him. And even though I saw it happening, part of me was sure that Snoke would stop him at the last minute/second…except he didn’t. When the Supreme Leader dropped dead from this throne, my first reaction was “Oh my god, what just happened?” My second reaction was “How could you KILL him like that??” This is the moment that made me really angry because you know and I know that there has to be a backstory for this character, he didn’t just come out of nowhere. Considering we only saw the character in hologram form in The Force Awakens, we were all eagerly waiting to see what we would learn about the character in this film. But we ultimately learned nothing!! Not where Snoke came from, not why he took Kylo under his wing, not even if he’s connected to Palpatine or Darth Plagueis. I’m sorry, I don’t care how many explanations we get, you can’t just introduce this big mysterious character and then kill him before explaining where he came from!! Of course there is a theory that Snoke isn’t really dead (that he pulled a trick similar to Luke) but I don’t necessarily know if this is true.
  • Kylo’s version of the “Join me and we’ll rule the galaxy speech”: I was on cloud nine when Rey and Kylo teamed up to take out the Praetorian Guard after the death of Snoke. It was brilliantly done, and once they were all dead, it truly seemed as if Rey had gotten through to Kylo, that he was going to come with her, he’d be Ben Solo again and it would set up an epic confrontation for Episode IX…and then the Speech started. You know, the one given by Anakin in Episode III; by Vader in Episode V: the “join me, we’ll defeat *insert enemy here* together and rule the galaxy side by side.” When Kylo started on this all-too-familiar spiel with Rey, my first reaction was to groan and roll my eyes. I know part of Star Wars is to deliberately hearken back to earlier moments, but this felt completely forced and it kind of ruined the moment for me. Of course I understand that what happened is Kylo heard Rey’s advice and took it in the wrong direction, but surely they could’ve skipped “the Speech.”

And those are my thoughts on what really infuriated me in The Last Jedi. Do you agree or disagree with my reasoning? Let me know your thoughts in the comments below!

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

See also:

Star Wars: The Last Jedi: The Good

Star Wars: The Last Jedi- The Bad

A Random Thought on “The Force Awakens”

Rogue One: A Star Wars Story, My Thoughts!!

Star Wars Episode I: The Phantom Menace (1999)

Star Wars Episode II: Attack of the Clones (2002)

Star Wars Episode III: Revenge of the Sith (2005)

Star Wars, the one that started it all! (1977)

Star Wars Episode V: The Empire Strikes Back (1980)

Star Wars Episode VI: Return of the Jedi (1983), the saga concludes (or does it?)

Don’t forget to like Film Music Central on Facebook 🙂

Star Wars: The Last Jedi- The Bad

*the links in this post contain affiliate links and I will receive a small commission if you make a purchase after clicking on my link.

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Today I’m going to look at parts of The Last Jedi that I considered “bad” (but not infuriating, that comes later). This likely won’t be a comprehensive list, but I’m hoping to hit the major points. Off we go!

  • The entire Canto Bight sub-plot: Part of what really bugged me about The Last Jedi is that, compared to other Star Wars films, we don’t really go anywhere for 90% of the story. Instead we spend the majority of our time in a slow-motion chase with the First Order patiently waiting for the Resistance fleet to literally run out of gas. So when Finn and Rose come up with the plot to get a hacker from Canto Bight, I was excited because we were finally getting away from skipping back and forth from the fleet to Ach-To. And while I don’t deny the planet is beautifully rendered and the chase scenes with the animals are good too, it’s all ultimately meaningless. Think about it: the entire point of bringing in a hacker was to break into Snoke’s mega-destroyer to disable the tracking system so the fleet could jump to hyperspace without being followed. Not only are Rose and Finn caught before they can do this, but the Resistance ultimately abandons their fleet to escape to Crait before squeezing onto the Millennium Falcon to finally get away. So there was really no point in Rose and Finn going to Canto Bight because we’d have arrived at the same end point regardless (in simpler terms: the Canto Bight story is pure filler to add time to the story).
  • “Holding for General Hux.”: This is just barely on the “Bad” list because I did find Poe’s teasing of the First Order funny the first time, but then the joke kept going (with Hux literally saying words to the effect of “Can you hear me now?”) and I found myself squirming with impatience (and not in a good way) for them to get on with the story. I don’t mind humor in a Star Wars film but this went on a few beats too long.
  • Captain Phasma: Is it just me or is the chrome-plated Phasma notably absent from most of this story? When they first introduced her in Episode VII, I was excited to see where they would go with her. And then this movie comes out and we get ONE fight scene; a cool glimpse at an eye under her helmet and then…does she die?? Just like that? There’s not even a shock factor because she appears in the trailers for the movie so we knew this moment was coming.
  • Luke Skywalker for most of the movie: I’m probably going to get grief for this but I had a hard time with Mark Hamill’s performance for a good chunk of his scenes. I don’t know if this is “bad” so much as it “royally subverted my expectations” but at any rate how I feel about it isn’t good so it’s on this list. It started when Luke received his father’s lightsaber, we all held our breath in anticipation of what he’d say…and then he tosses the lightsaber over his shoulder like it’s nothing. Of all the things I was expecting, it wasn’t that. I could also mention how his “training” of Rey really wasn’t what I was led to believe it was based on the trailers but that’s another argument for another list. Note though, that I say “for most of the movie” because by the end (i.e. his appearance on Crait) I’m in love with how he’s acting.
  • Where are the Knights of Ren?: Considering Kylo is considered “Master of the Knights of Ren”, you’d think we’d have seen them by now (or at least heard from them). But as of yet, except for that brief scene during Rey’s vision in The Force Awakens, we have not seen a trace of these “Knights of Ren” and now only a single film remains for them to be properly introduced and made use of. That doesn’t seem quite right to me, especially since the film seems to hint that some of them were fellow Jedi trainees at Luke’s school (he did say that Kylo didn’t kill ALL of the students).
  • The Rey/Kylo visions: On one level, this was really cool, but for the most part this came across as super AWKWARD. The one conversation where Rey is distracted because Kylo is shirtless had me groaning because it sounded like two teenagers having a telephone conversation (I mean, Kylo and Rey aren’t supposed to be teenagers…are they?). I understand the plot purpose of doing this, but there were some moments where it just felt wrong.

And those are the highlights of what I thought was bad about Star Wars: The Last Jedi! Did I leave anything significant out? Do you agree/disagree? Let me know your thoughts in the comments below!

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

See also:

Star Wars: The Last Jedi: The Good

Star Wars: The Last Jedi-The Ugly

A Random Thought on “The Force Awakens”

Rogue One: A Star Wars Story, My Thoughts!!

Don’t forget to like Film Music Central on Facebook 🙂

Star Wars: The Last Jedi: The Good

*the links in this post contain affiliate links and I will receive a small commission if you make a purchase after clicking on my link.

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I have been trying for a long time now to gather my thoughts on Star Wars: The Last Jedi, which says a lot about the film given how I was able to gush over Rogue One pretty easily. I’ve finally decided on a way to get my thoughts out there: rather than dumping everything into a single post (which is my usual method), I’m going to break this review up into what I liked (the good); what I didn’t like (the bad); and what downright infuriated me (the ugly). So this post will be highlights of what I liked in Star Wars: The Last Jedi.

  • The return of Yoda: I LOVED this scene! When the camera panned over to reveal a familiar set of pointy ears with a familiar blue haze, my first reaction was “OMG yes it’s YODA!!” Somehow I just knew that we would see the deceased Jedi Grand Master before the movie was over (and for the record, I did not know about Frank Oz talking about the film before release, this was a complete surprise to me). This scene, combined with Luke’s reunion with R2-D2 were the two times I really felt like the “old” Luke from the original trilogy was back. The way he griped to Yoda like a pouting child, only to be whacked on the head with Yoda’s cane was just priceless! Bringing in Yoda was an excellent decision on Rian Johnson’s part.
  • Rey+Kylo+Throne Room = EPIC: Leaving aside what happened immediately before this scene, the fight between Kylo and Rey and the Praetorian Guard was absolutely beautiful. It’s kind of scary how well those two work together on short notice (if Rey ever did align herself with Kylo they might just be unstoppable). This is one of those scenes that helps to make Star Wars so special.
  • Luke’s final stand: In hindsight, I should have known that Luke wasn’t actually on Crait. All the hints were thrown out there beforehand: Kylo and Rey can see each other when they aren’t really there, they can even touch and it feels real. Not to mention Kylo’s ominous hint that “the strain (of projecting yourself) would kill you.” But I was so caught up in the moment of seeing Luke Skywalker, the legendary Jedi Master, walking out to face the First Order that I really didn’t think about how he got there or when. I just assumed that (off-screen), he’d thought about Rey’s words (and Yoda’s), raised up his X-Wing and hotfooted it to Crait where he could sense everything going down. One big clue that this was an illusion? Luke’s appearance is identical to how he looked on the night Kylo destroyed the new Jedi temple. That alone should have told me something was up (at the time I assumed that Luke had cleaned himself up before heading out). Even when the First Order fired on him at point blank range, I still didn’t get it. I just thought “Well he’s a Jedi Master, he can dodge and deflect anything.” It was only when Kylo went to slash Luke through the middle, clearly made contact, and Luke was still standing that I realized it…he wasn’t really there, he never had been. And I don’t feel disappointed by this revelation (because some have told me that this ruins the last meeting between Luke and Leia because Luke “wasn’t really there.”) I disagree; Leia knew the whole time (I’m sure) that Luke was only an illusion, but that didn’t matter. She could see him, and touch him, and it was their way of saying goodbye. And speaking of goodbyes…
  • Binary sunset: The revelation that Ach-To has twin suns like Tatooine was unexpected, momentarily confusing, but ultimately satisfying. Luke’s face as he took the sunset in said it all. In that moment, he was thinking back over everything: the sunset he saw on Tatooine the night before his life changed forever; saving Leia, destroying the Death Star, going to save his father, it all flashed through his mind. And then…with his work done, he vanished. This moment destroyed me, as I’d dared to hope that we’d sidestepped seeing Luke die when it was revealed that Luke wasn’t really on Crait. It didn’t help that Carrie Fisher had passed away the year before (so after her death and watching Han and now Luke die onscreen, it was pretty emotional for me).
  • The Supreme Leader is dead (?): Finally, I have to share my thoughts on the scene when General Hux discovers that Supreme Leader Snoke is (apparently) dead. He seemingly accepts Kylo’s version of events (that Rey killed him when it was really Kylo) and begins to lament that the Supreme Leader is dead, they have no leader now, when a furious Kylo seizes Hux with a Force choke and queries “The Supreme Leader is dead? Catching on, Hux chokes out “Long live the Supreme Leader!” I liked this scene because of how it played out. Hux is oblivious to the fact that Snoke’s death (his apparent death anyway) means that Kylo is now in charge. I’m calling it now: Kylo and Hux will come to blows before Episode IX is over, especially if Hux figures out that Kylo is the one who killed Snoke.

And those are my highlights for what was good in Star Wars: The Last Jedi. Of course there was more that I liked than this, but if I listed everything the post would be several thousand words longer!

Which parts of Star Wars: The Last Jedi did you think were good? Let me know your thoughts (on the good only) in the comments below!

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook 🙂

See also:

Star Wars: The Last Jedi- The Bad

Star Wars: The Last Jedi-The Ugly

A Random Thought on “The Force Awakens”

Rogue One: A Star Wars Story, My Thoughts!!

Star Wars, the one that started it all! (1977)

Star Wars Episode V: The Empire Strikes Back (1980)

Star Wars Episode VI: Return of the Jedi (1983), the saga concludes (or does it?)

“Jyn Erso and Hope” from Rogue One, my thoughts…

*the links in this post contain affiliate links and I will receive a small commission if you make a purchase after clicking on my link.

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I can’t believe it’s been nearly two months since I saw Rogue One. Since then, I have been turning over portions of the score in my mind, particularly “Jyn Erso and Hope”, the main theme for our badass heroine.

From the moment I first heard it, something wiggled in the back of my mind and said “I’ve heard something like this before.” But for the longest time I couldn’t think of what that something was.

Then I went back and listened again, and finally it dawned on me: I know EXACTLY where I’ve heard this melody before (granted it wasn’t the exact same, but the core is still intact).

“Jyn Erso and Hope” is, to put it simply, a variation on “Across the Stars”, the love theme for Padme and Anakin from Episode II/III. Here, let the music speak for itself:

Here is “Jyn Erso and Hope”

and here is “Across the Stars”

To my ears, it sounds like Giacchino took components from “Across the Stars” and rearranged a few notes. But if enough of a similarity remains, the mind will remember and try to supply the missing parts (that’s how I knew I’d heard the theme somewhere else).

I don’t think there’s any hidden symbolism behind this, as it makes no sense for there to be any connection between Anakin/Padme and Jyn (though part of me does wonder if Jyn’s mother was a Jedi, she DID have a kyber crystal after all).

I’m not particularly surprised that Giacchino borrowed from another piece of Star Wars music; this is a practice that dates back to the dawn of film music (they don’t really talk about it, but everyone knows about it), but a part of me wishes that he had done a better job of disguising the theme if he wanted to do something like that.

I’m interested to hear what all of you think about this: do you hear the similarity? Or do you hear a connection to another piece? I love discussing film music like this 🙂

See also: Film Soundtracks A-W

Become a patron of the blog at: patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook 🙂

See also:

Rogue One: A Star Wars Story, My Thoughts!!