Marvel Music/Hollywood Records has released the digital soundtrack from Marvel Studios’ Black Widow. The album, featuring an original score composed and produced by Lorne Balfe (“Mission: Impossible – Fallout,” “The Crown”), is available here. Executive Soundtrack Producers are Cate Shortland, Kevin Feige and Dave Jordan. Directed by Cate Shortland and produced by Kevin Feige, Black Widow—the first film in Phase Four of the Marvel Cinematic Universe— launches simultaneously in theaters and on Disney+ with Premier Access in most Disney+ markets.
Commenting on Balfe’s score in her liner notes from the vinyl album, Shortland said, “The score is fragile at times, embodying Natasha’s fears and her longing for connection. Her tenuous bond to the earth. But then it is completely powerful and I get cold shivers at how fun and epic it is. Lorne takes us on a spectacular ride.”
According to Balfe, from the moment he first watched the reels he felt Natasha needed a musical heritage. “I wanted to introduce the soundtrack of her story,” he said. “I listened to a lot of Russian folk music—it’s a very particular sound. This music is the ghost of the past that is always with her.” Balfe wrote folk music that helped define Natasha from a musical point of view. “The instrumental DNA includes balalaikas, duduks, dombras and hurdy-gurdies,” he said. “In addition to these instruments of that geographical place, we also needed it to have a female voice.” Balfe achieved this with a 20-piece female choir, singing in Russian. “The Russian language sounds a bit hard or aggressive, but there’s something very magical about it—something beautiful and rustic.”
Led by conductor Gavin Greenaway, the score was recorded at Abbey Road Studios with 118 musicians and a 60-piece choir, consisting of both classical and gospel, featuring 40 men and 20 women. Balfe said, “Abbey Road has been the musical home to the Avengers Family for many years. With ‘Black Widow,’ there was only one studio in the world that could match the epic-ness of her story, and the largest orchestra ever recorded at Abbey Road seemed fit for the occasion.”
I’ve been listening and re-listening to Lorne Balfe’s soundtrack for Black Widow for a few hours and I’m continually blown away by how amazing this music is. Of course I could hear snippets of this during the actual film, but once you can listen to the soundtrack without the dialogue and other sound effects getting in the way, everything comes out that much clearer.
I admit I didn’t realize during the movie that there was this much of a choral presence in the score, but now that I can hear the choir, I love it. I normally wouldn’t think of using a choir in a superhero movie but for a character like Natasha Romanoff it absolutely works. One of Balfe’s goals was to create a Russian folk music sound and he definitely succeeded. Again, I really love how “Russian” this score sounds. Even when the story isn’t in Russia itself, the influence of the former Soviet Union can be heard through most of the story and that’s a brilliant way to use film music, by subtly reminding the viewer that Black Widow was originally a Russian asset. I can especially hear this sound in “Natasha’s Lullaby” and “Yelena Belova”. Speaking of “Yelena Belova” I really like this track because, as a theme for Yelena, I swear I hear an echo of “Natasha’s Lullaby” within it, which would make so much sense given the connection Natasha and Yelena have with each other.
And then there’s “From the Shadows”, the cue that prompted me to do a soundtrack review in the first place. This is the music that is most closely associated with Taskmaster. I’m not sure if it’s the proper theme for the character or not, but you do hear it most often when Taskmaster is on the screen. This is my favorite theme/cue in the entire film and I love how twisted it sounds. I’m referring to that melodic turn on what sounds like a cello. That’s the sound that I hear whenever Taskmaster is hunting down an opponent (or is on the move in general). Given what we learn about that character, it fits perfectly and I like how it reaches out to grab your ear despite everything happening on screen at the same time.
One other thing I liked is the contrast Lorne Balfe creates between his action cues. There’s plenty of action, of course, but there’s also slower moments in the music, particularly during the family moments between Natasha, Yelena, Red Guardian and Milena, and I really liked them. Moments like that give the audience a chance to breathe and there are plenty of moments like this in Lorne Balfe’s score.
This soundtrack really belongs up there with the best Marvel movie scores, it’s the perfect musical fit for Black Widow and it reminded me how good Marvel film scores can be.
1. Natasha’s Lullaby (3:24)
2. Latrodectus (2:40)
3. Fireflies (3:13)
4. The Pursuit (2:53)
5. The First Bite Is the Deepest (3:05)
6. Last Glimmer (4:19)
7. Dreykov (3:34)
8. You Don’t Know Me (2:01)
9. Yelena Belova (3:36)
10. From the Shadows (3:44)
11. Hand in Hand (2:46)
12. Blood Ties (2:54)
13. Whirlwind (3:28)
14. Arise (2:13)
15. Natasha’s Fragments (1:55)
16. A Sister Says Goodbye (4:14)
17. I Can’t Save Us (1:51)
18. Red Rising (3:57)
19. The Betrayed (5:38)
20. The Descent (2:05)
21. Faces to the Sun (1:51)
22. Natasha Soars (2:19)
23. Last Love (1:59)
24. Into the Past (4:55)
25. Broken Free (3:09)
26. A Calling (2:10)
Let me know what you think about Black Widow (and its soundtrack) in the comments below and have a great day!
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