Tag Archives: Andy Bean

Soundtrack Review: Kid Cosmic and the Sonic Courage (2021)

Yesterday (February 26th) Netflix released the official soundtrack album for Kid Cosmic titled: Kid Cosmic and the Sonic Courage-Music by Andy Bean from the Netflix Original Series. Andy Bean is an Emmy-nominated songwriter, composer, and multi-instrumentalist specializing in music for animation. Through his work with The Two Gentlemen Band, Andy landed his first composing gig scoring Disney’s Emmy-nominated animated series, Wander Over Yonder. His frantic banjo-driven sci-fi scores and heartfelt songwriting for the show earned him two Annie award nominations. For his latest project, Netflix’s Kid Cosmic, Andy created much of the soundtrack under the guise of a fictional 70s psychedelic garage punk band, Dr. Fang & The Gang. The propulsive rock and roll score combines with the show’s distinctive art style to create exhilarating musical-action sequences unique in children’s television. 

The soundtrack album includes 20 songs by fictional bands conceptualized by show creator Craig McCracken (The Powerpuff GirlsFoster’s Home for Imaginary Friends) and Andy Bean (Muppet BabiesWander Over Yonder), playing with the idea that the show was scored as if they pulled existing music from the Kid Cosmic world.

Speaking about how the series’ unconventional score was dreamed up, Bean said:

“Craig [McCracken] described his vision for Dr. Fang and The Gang (the fictional band that provides much of the score) to me more than five years ago, and I started writing songs in character as the group immediately – even before I knew any other details about the show. We wanted the music in Kid Cosmic to sound like it was being pulled from an old record in The Kid’s collection. This is that record!”

I don’t know if I’ve ever heard a soundtrack quite like this one. The music for Kid Cosmic and the Sonic Courage really does sound like a collection of records that comes straight from the insane world of Kid Cosmic. I’ll be honest, I usually prefer soundtracks that are purely instrumental (it’s nothing personal, just the way I am), but for this collection I’m willing to make an exception because it just sounds so good! Each song puts me right back into the story of Kid Cosmic and his friends. It wasn’t until listening to the songs apart from the animation that I realized just how much these songs by this faux-band dominate the story in the best way possible.

It’s really no wonder I enjoyed watching Kid Cosmic so much. Aside from being a great story, the music in this soundtrack is just so upbeat and happy that after a few tracks you can’t help but smile and bop your head to the beat.

My favorite track out of all of these is ‘The Kid’ (aka The Kid Cosmic Theme). Not only is this the perfect theme for the show, with its off the wall energy, but it’s also the perfect theme for the Kid himself. This music is just like the Kid, it’s non-stop go go go and it just pumps you up, just like the Kid pumps himself up with his boundless enthusiasm for all things superhero. I also really like ‘Rosa Y Rolla’, because it reminds me of Rosa, my second favorite character in the show. The way ‘Rosa Y Rolla’ is put together I can just imagine Rosa in her giant form stopping around the desert and wreaking havoc as only a giant 4 year old can.

If I have one gripe about this soundtrack, it’s that it doesn’t appear to include all of the instrumental music used in the show. Specifically, I would have loved to hear the dark sci-fi music (from the episode where the spaceship is discovered) in its own separate track, and maybe those will be released some day in the future. For now, Kid Cosmic and the Sonic Courage is a great collection of the music of Kid Cosmic and the perfect way to experience Andy Bean’s wonderful songs.

Hopefully season 2 of Kid Cosmic is on the way and will give us even more of Dr. Fang and the Gang.

Kid Cosmic and the Sonic Courage Track List

  1. The Kid (Kid Cosmic Theme) (2:01)
  2. Vacation Boogie (2:55)
  3. Airborne Shuffle (2:11)
  4. The Gravity Ball (2:38)
  5. Galactic Interference (2:44)
  6. Somebody Call the Doctor (1:59)
  7. Talkin Tuna (2:50)
  8. Groundspeed Hustle (2:33)
  9. Desert Jungle (2:24)
  10. Here Comes the Gang (1:50)
  11. I’ll Do the Best That I Can Do (1:56)
  12. Fetch Me My Bicycle (1:46)
  13. The Kid (Live) (2:09)
  14. Tuna on the Road (2:05)
  15. Rosa Y Rolla (2:03)
  16. The Papa G Stomp (2:54)
  17. Papa G’s Jam (1:44)
  18. Greasy Spoon Space Gal (2:02)
  19. Superkid Surf Party (2:01)
  20. Party Back at My House (2:13)

Kid Cosmic follows the adventures of an imaginative and enthusiastic boy who lives with his free-spirited Grandpa in a sparsely populated desert town. The Kid’s dreams of being a hero seem to come true when he discovers 5 Cosmic Stones of Power in a wrecked spaceship. He forms a team of local heroes to stop an onslaught of alien attacks to steal back the stones. Though the Kid and his team are the good guys, they’re really bad at it,and the Kid learns that his fantasy of being a hero is very different from the reality of what it actually means to become one.

Let me know what you think about Kid Cosmic and Kid Cosmic and the Sonic Courage in the comments below and have a great day!

See also:

My Thoughts on: Kid Cosmic: Season One (2021)

A New Music for Superheroes: Talking with Composer Andy Bean about Kid Cosmic (2021)

TV Soundtracks

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A New Music for Superheroes: Talking with Composer Andy Bean about Kid Cosmic (2021)

Recently I had the opportunity to talk with composer Andy Bean about his work on the Netflix animated series Kid Cosmic, which premiered on Netflix on February 2nd, 2021.

Andy Bean is an Emmy-nominated composer, songwriter, and multi-instrumentalist. He began his career barnstorming across the U.S. and Europe for nearly a decade with The Two Man Gentlemen Band before landing a gig writing music for the Disney animated series, Wander Over Yonder. He is currently songwriter and composer for Netlix’s Kid Cosmic, Disney’s Puppy Dog Pals, and Disney’s Muppet Babies re-boot. Between the latter two, he’s written over three-hundred songs across dozens of genres and scored over one-hundred episodes.

Enjoy this interview about his work on Kid Cosmic!

How did you get started with being a composer?

I was writing songs and performing with The Two Man Gentlemen Band back in 2012 when I was asked to submit a theme song demo for Craig McCracken’s last show, Wander Over Yonder. Craig and the team liked the theme song and asked me if I wanted to try composing for the show and I said… sure! Half the show was frantic banjo music, which I was comfortable with. The other half was synth-driven space orchestral stuff, which I’d never done before. I was a total novice writing and producing music for TV, so I basically locked myself in a room for 6 months and figured it out the best I could.

So I just finished watching season 1 of Kid Cosmic and I loved it! I have to ask, were you really not told anything about the premise aside from “imagine a 70s garage band”? How do you start composing for a show from that kind of starting area?

That’s definitely how it started. As Wander Over Yonder was finishing, I met with Craig and he basically said, “I’ve got this new idea for a show, but I’m not going to tell you that much about it. Just that the main character in the show has a favorite band called Dr. Fang and The Gang, and I’d like you to start writing music for them.” He showed me a drawing of the band and gave me some references – some older stuff and some contemporary fuzzed out garage bands – and I started writing music that night. I was a songwriter first before ever writing music for TV, so a “write songs like this” assignment was in my wheelhouse.

Of course, as I learned more about the show I started tailoring ideas to particular characters and refining the sound. But a handful of the tunes that I wrote early on are part of the score and soundtrack.

What was it like working with Craig McCracken again after Wander Over Yonder?

It’s great! On both shows we’ve worked on together, he’s given me really specific guidance on the concept he has in mind for the show’s sound. Then he gives me an incredible amount of creative license to figure out the nuts and bolts of it. For me, that balance of clear guidance and creative freedom is my favorite way to work. And just as importantly, we seem to be on the same wavelength musically. We like the same kinds of stuff.

It sounds like the story was written to accommodate your music, which doesn’t happen all that often. How did the process of making the story and music work together happen? Were there any unexpected difficulties?

Not so much the story, but I know Craig and the team built specific scenes around certain songs. Before writing and storyboarding started on season 1, I gave the team all the stuff I’d been working on while we were in development – songs and score sketches. I had some ideas about how they’d use some of them – fast rock songs for action scenes for example – but they also incorporated some of the ambient desert score stuff I did in really cool and surprising ways. So for me, it was great. I wrote a bunch of music then sat back and watched the incredible artists working on the show build super cool scenes around it.

Of course, the stuff I wrote ahead of time only covered a portion of the score. So one of the challenges was trying to match the energy and spontaneity of the early tracks when I was writing new music to picture. Most of the songs on the soundtrack were written before production started . But a handful are extensions of shorter pieces I wrote to picture.

How much time did you spend working on the music for Kid Cosmic? Where did the musical ideas start and how did it branch out as you kept writing the music?

Years. I started contributing musical ideas in late 2015 and actual scoring to picture didn’t start until late 2019. During that whole period, I was kicking around musical ideas and submitting demos whenever I had time in my schedule. The abnormally long development period allowed for a lot more experimentation than if I’d come on closer to post production. A lot of time was spent trying to incorporate synth and spacey sci-fi elements into the garage rock sound we started with. The songs ‘Galactic Interference’ and ‘Groundspeed Hustle’ are examples of that.

Also, If I write a bunch of songs in a short period of time, they tend to sound way too similar. So, getting to space out the writing over a long period helped with that.

What instruments are used in the musical score?

Traditional rock band instruments – guitars, drums, bass, organ – make up a lot of it. I leaned pretty heavy on some fuzz effects for guitar and vocal sounds. Distorted vocals with a slap-back echo are a big part of the Dr. Fang and the Gang sound.

I also got to work some pedal steel guitar into the desert country stuff. That’s always been a favorite instrument of mine, and I learned how to play just for the show. The rest of the score is a mix of traditional orchestral score, and synth-heavy stuff for the more sci-fi-y parts.

Did you create specific musical themes for each of the Local Heroes? As I watched the show I thought I heard musical ideas that recurred for different characters, particularly Rosa and Kid Cosmic.


Absolutely. The Kid has his theme. Papa G’s got a few hippy country cues I use for him. And Rosa’s got a recurring cue, too. We worked up most of those early on.

What inspired the “serious sci-fi” part of the score? For example, the awesome music when Kid Cosmic and the group are exploring the wrecked ship, it sounds like regular science-fiction music. It’s all dark and ominous and really fun for me to listen to, and I’d love to know how that came about.

Thanks, that episode was fun to work on. That was some great guidance from Craig and the team, to score an episode featuring a cat who can see the future with something John Carpenter-y.

Do you have a favorite part of the soundtrack?

“Greasy Spoon Space Gal” is one of the jukebox source tunes I wrote for the show. That kind of simple country rockabilly with silly lyrics is right up my alley.

Thanks again to Andy Bean for taking the time to talk with me about his work on Kid Cosmic!

See also:

My Thoughts on: Kid Cosmic: Season One (2021)

Composer Interviews

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook 🙂