Tag Archives: Gladiator

My Thoughts on: The Last Duel (2021)

I was so excited by the idea of The Last Duel. It’s directed by Ridley Scott (he who gave us Gladiator and Alien just to name two), it was based on a true story, and its all-star cast included Matt Damon, Ben Affleck, and Adam Driver. The 2 1/2 hour run time made me a little antsy, but I’ve sat through long movies before (Avengers: Endgame being the most recent example that I can think of), so I hoped it wouldn’t be an issue. The story, for those not familiar, is based on the true story of when Jean de Carrouges and Jacques Le Gris fought a duel to the death after Carrouges’ wife Marguerite accused Le Gris of raping her. It should be a completely compelling story.

Then I actually went to the movie theater and watched The Last Duel and I left disappointed.

It’s not all bad. At its heart, The Last Duel contains a very important message about rape and being held accountable for one’s actions, even if all the world says you shouldn’t say such things. I can’t fault the film in that regard. I should also say that Jodie Comer and Adam Driver both turn in magnificent performances and the titular duel itself is a thing of beauty to behold. If you make it all the way through the movie to the duel, you will not be dissatisfied.

No, my big issue is with how the film is put together. The story elements are good, they really are, but the way they’re put together…a big chunk of the film comes across like a disjointed mess. One scene will cut to another and it’ll take you a few minutes to realize that years have passed between these two scenes. It’s just not how I would’ve imagined a story like this being told. I thought it would be one big epic like Gladiator and that’s not what we get.

The large scale format of how The Last Duel is told is interesting, I’ll give it that. The story is essentially divided into three perspectives, with each retelling of the story emphasizing (or glossing over) certain story elements based on whose perspective is being shared. It’s the classic Rashomon effect, where we see the same story from multiple perspectives, except that instead of the true outcome being left completely up to the audience to decide, it is subtly hinted that one of the viewpoints is actually the true one.

I think part of my problem is that I misunderstood what this story would be about. The trailers led me to believe that the issue at question was whether or not the rape took place. It sounded like this was going to be strictly a case of “he said/she said” with the truth ultimately left unrevealed.Maybe I should’ve known better given what I read of the real life story before going to see the movie…but that’s what I get for misreading the trailer I suppose.

I can’t in good conscience recommend The Last Duel, but I am curious to see what all of you thought about the film. Let me know in the comments below and have a great day!

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Has Gladiator’s Music Score Been Unfairly Forgotten?

“Are you not entertained?” boomed Russell Crowe in Gladiator, a movie that hit the headlines again recently, 18 years after it first hit our screens. It was after Mr. Crowe decided that it was time to sell off some of his personal effects, including a jockstrap from one of his movies and a fake Roman chariot used in Gladiator. Well, to answer your question, Mr. Crowe, we were entertained (as you can see from our review), but while we remember the classic quotes from the movie and the stunning landscape that provided a backdrop to the action, one aspect has been lost slightly in any discussions about the movie which won the 73rd Academy Award for Best Picture. That aspect is the music for the movie, which was created by a legend in his industry: Hans Zimmer.

Do casino games represent a sign of the times?

Zimmer won awards at the Golden Globes, but the critical legacy seems to have revolved around the graphics used in the movie, with more awards for the likes of best costume design picked up by Gladiator than plaudits for the score. The visual effects and costumes at the time were stand-out, but looking back, they don’t seem like anything special, especially compared to costumes and backdrops from the stunning period dramas we’ve seen from the past decade (think Downton Abbey or Versailles for good examples of this).
The music, meanwhile, when you watch the movie again, hasn’t aged at all, despite the raft of technological changes which have emerged since the movie’s production. It is the look of the movie that has arguably had the biggest impact on pop culture as well; one look at the details about this fantastic game shows that there is far more of a focus on the aesthetics of the game rather than the music, which focuses primarily on sound effects like beeps and chimes.


This Platinum Play casino review shows that the Gladiator slot reached new heights of popularity, becoming one of the most popular games from that particular operator, highlighting how the music has become something of the forgotten element of the award-winning movie.

Not the only snub to Hans

For as much as it may seem unfair, Zimmer perhaps won’t have been overly surprised by his snub. After all, he has already seen his score for Hannibal be horribly underrated. With tracks like The Battle and Now We Are Free significant pieces of music, it is still a tragedy that the blood and guts is what sticks in the mind all these years later, and that the selling off of items by Russell Crowe can still be what grabs the headlines, rather than the inspirational work of a great movie soundtrack composer.

The CV and the awards that Hans Zimmer has earned throughout his career highlight that he is a man who has clearly earned appreciation in the world of music, even if he hasn’t been able to remain memorable in public consciousness. For the time being, if you want to enjoy Hans Zimmer, you just need to watch movies as diverse as The Lion King, Inception, and, of course, Gladiator, to hear him at his finest. 

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My thoughts on: Gladiator (2000)

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My thoughts on: Gladiator (2000)


Set in the year 180 AD, the film follows the saga of General Maximus Decimus Meridius (Russell Crowe) as he is betrayed by Commodus (Joaquin Phoenix) after the latter murders his father, the Emperor Marcus Aurelius (when he revealed to Commodus that he was going to restore the Republic). Maximus is sent to be executed when he discovers what Commodus has done but he manages to escape and races back home, only to discover that his wife and son have been brutally murdered, his home burned to the ground.


Maximus is subsequently captured by slavers and becomes a gladiator in a backwater town of the Empire. Meanwhile, Commodus has returned to Rome and proceeds to enjoy life as an Emperor, giving the people an unending stream of “bread and circuses” so that no one notices that he’s really a terrible ruler.

Phoenix’s performance as the slowly-going-mad Emperor is really spine-chilling at times. He comes off as slightly buffoonish in the beginning, but once he really begins to go mad (I’m thinking of the scene where he threatens to kill his nephew unless his sister does whatever he wants), he’s quite terrifying.


Of course Maximus inevitably makes his way to Rome as a gladiator, to fight in the great Colosseum. He vainly attempts to hide his identity (fearing that he’ll be killed on the spot if recognized), but the Emperor demands to know who he is, leading to one of the greatest movie lines of all time:

My name is Maximus Decimus Meridius, commander of the Armies of the North, General of the Felix Legions and loyal servant to the TRUE emperor, Marcus Aurelius. Father to a murdered son, husband to a murdered wife. And I will have my vengeance, in this life or the next.

And vengeance he gets, though not without paying the ultimate price in return.

The score for this brilliant film was composed by the legendary Hans Zimmer. Some have noted that the music in many battle scenes bears a distinct resemblance to the music from “Mars: The Bringer of War” composed by Gustav Holst (so much so in fact that at one point the Holst Foundation sued Zimmer on the grounds that he had plagiarized Holst’s work). Also, Commodus’s triumphal entry into Rome contains music that seems to evoke two of Richard Wagner’s operas “The Rhine Gold” and “Twilight of the Gods.”

It’s been a while since I watched this movie, but it is indeed a modern classic that everyone should see at least once in their lives.

*poster is the property of DreamWorks Pictures

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