Tag Archives: film music

Frozen “In Summer” (2013)

Frozen has some genuinely funny moments scattered throughout its story, and one of the funniest happens with Olaf’s song “In Summer.” To recap, while making their way to Elsa’s ice castle in the mountains, Anna and Kristoff encounter Olaf, a living snowman that Elsa unwittingly made while fleeing Arendelle. Olaf is an interesting character in that he is a snowman fascinated with summertime and heat, two things that are definitely not healthy for a being made of snow.

Yet, Olaf seems blissfully unaware of the fact that experiencing summertime and heat is impossible for someone like him, as he breaks into song about all the things he can’t wait to experience when summer arrives.

Bees’ll buzz
Kids’ll blow dandelion fuzz
And I’ll be doing whatever snow does in summer

A drink in my hand
My snow up against the burning sand
Prob’ly getting gorgeously tanned in summer

I’ll finally see a summer breeze blow away a winter storm
And find out what happens to solid water when it gets warm

And I can’t wait to see
What my buddies all think of me
Just imagine how much cooler I’ll be in summer

Dah-dah, da-doo, a-bah-bah-bah bah-bah-boo

The hot and the cold are both so intense
Put ’em together, it just makes sense!

Rrr-raht da-daht dah-dah-dah dah-dah-dah dah dah doo

Winter’s a good time to stay in and cuddle
But put me in summer and I’ll be a…happy snowman!

When life gets rough, I like to hold on to my dream
Of relaxing in the summer sun, just lettin’ off steam

Oh, the sky will be blue
And you guys will be there too
When I finally do what frozen things do in summer!

Kristoff: I’m gonna tell him.
Anna: Don’t you dare!

In summer!

Olaf is so delightfully clueless throughout the entire song. It’s also really funny to see a snowman dancing through a field of dandelions. Of course the answer for what “frozen things do in summer” is evident throughout, but Olaf either won’t acknowledge it or just doesn’t get it. The funniest moment of all, in a semi-dark way, is at the very end when Olaf sings about “But put me in summer and I’ll be a…happy snowman!” The rhyme, of course, should be puddle to go with cuddle in the preceding line, but Olaf deftly sidesteps the rhyme and goes his own way.

“In Summer” is a really funny interlude before things start to get dark in the story. Let me know what you think about “In Summer” in the comments below and have a great day!

See also:

Frozen “Frozen Heart” (2013)

Frozen “For the First Time in Forever” (2013)

Frozen “Love is an Open Door” (2013)

Frozen “Let it Go” (2013)

Disney/Dreamworks/Pixar/etc. Soundtracks A-Z

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Frozen II “All is Found” (2019)

I’ve mentioned before that Frozen II is full of music, and it doesn’t take long for the songs to begin. Right at the very beginning of the film we get a song from Queen Iduna as she sings to the young Anna and Elsa (in a scene that is clearly set before the childhood accident that kicks off the events of Frozen). To help her daughters sleep, Iduna sings a song called “All is Found.”

It’s a beautiful song, and one that foreshadows the main story to come, where Anna, Elsa, and company go off to find Ahtohallan, the “river of memory.” It foreshadows much more also, including Elsa’s dive for information on the past of Arendelle, and also take note of the line “when all is lost, then all is found.” If you think about it, things get pretty bleak for our heroes before the answers begin to make themselves known. I love that the movie starts with a song that hints at everything to come.

Where the north wind meets the sea
There’s a river full of memory
Sleep my darlings safe and sound
For in this river all is found

In her waters deep and true
Lie the answers and a path for you
Dive down deep into her sound
But not too far or you’ll be drowned

Yes she will sing to those who hear
And in her song all magic flows
But can you brave what you must fear
Can you face what the river knows

Where the north wind meets the sea
There’s a mother full of memory
Come my darling homeward bound
When all is lost, then all is found

This song also serves as a bridge between the past and present, as a swift reprise of the song brings us flying to Arendelle where Queen Elsa continues to rule (though not as free of doubt as she pretends to be). While “All is Found” isn’t anywhere close to the level of “Into the Unknown” or “Show Yourself”, it is a lovely little song and a fine addition to the Frozen II soundtrack.

Let me know what you think about “All is Found” in the comments below and have a great day!

See also:

Frozen II “Into the Unknown” (2019)

Frozen II “Show Yourself” (2019)

Disney/Dreamworks/Pixar/etc. Soundtracks A-Z

Become a patron of the blog at: patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook

The Little Mermaid “Les Poissons” (1989)

As a general rule, I pride myself on having a pretty good memory where Disney’s animated films are concerned. Having grown up on them, and seen most of them dozens of times each, I can quote most of the songs in each film, if not entirely then at least their general premise. That’s why I’m so ashamed to say…I completely forgot about “Les Poissons” in The Little Mermaid. And when I say forget, I mean I completely forgot this sequence even existed (except for a vague memory of Sebastian being coated with flour).

Today I’m rectifying this lapse in memory by looking at a short song that would be purely funny in any other film, but actually takes on aspects of horror given the audience (Sebastian). The premise is simple: Sebastian, sneaking into the castle to keep an eye on Ariel, finds himself (to his horror), in the kitchen, where Chef Louis is happily preparing food for Prince Eric and company. Chef Louis was voiced by the late René Auberjonois, and at first appears to be a completely harmless character. That is until he starts chopping fish. Given how Sebastian has already sung a song to Ariel (“Under the Sea”) hinting at what happens to fish on land, this song is like all of the crab’s worst nightmares brought to life.

 

Nouvelle cuisine
Les Champs-Élysées, Maurice Chevalier

Les poissons, les poissons
How I love les poissons!
Love to chop
And to serve little fish.

(*Chop, chop, chop!*)

First I cut off their heads
Then I pull out their bones.
Ah mais oui, ça c’est toujours délice.

(Sebastian gags)

Les poissons, les poissons
Hee-hee-hee, hon-hon-hon
With a cleaver I hack them in two.

(Sebastian examines a dead fish’s head and gasps)

I pull out what’s inside
And I serve it up fried.
God, I love little fishes, don’t you?

chef-louis1.jpg

(Louis adds cooked fish to a platter)

Here’s something for tempting the palate
Prepared in the classic technique.
First you pound the fish flat with a mallet.

(Louis pounds the table hard)

Then you slash off their skin.
Give their belly a slice.
Then you rub some salt in
‘Cause that makes it taste nice.

Wow, for being a mere chef, Louis really does like to swing that cleaver around doesn’t he? Given how most of this song is scene from Sebastian’s perspective, the shadows, the entire scene really does come across as something like horror (and for a crab like Sebastian, that’s exactly what it would be). And like any horror film, it only gets worse for our little crab…
(Louis removes a leaf from the counter and finds Sebastian hiding underneath)

(Spoken) Zut alors ! I have missed one!

(Louis picks up Sebastian)

Sacrebleu ! What is this?
How on earth could I miss
Such a sweet little succulent crab?

Quel dommage, what a loss!
Here we go in the sauce.
Now some flour-I think just a dab.

chef-louis-little-mermaid.png

(Sebastian sneezes)

Now I stuff you with bread.
It don’t hurt, ’cause you’re dead
And you’re certainly lucky you are.

(Sebastian spits out the stuffed crab filling)

‘Cause it’s gonna be hot
In my big silver pot
Tootle-loo, mon poisson, au revoir!

In fitting Disney fashion, Sebastian quickly gets his revenge on Chef Louis, and a hilarious chase ensues, bringing the brief episode of “Les Poissons” to a close. Having rewatched the video several times, I can’t believe I ever forgot about this scene and I’m glad I finally revisited it. Let me know what you think about this song in the comments below and have a great day!

See also:

The Little Mermaid “Daughters of Triton” (1989)

The Little Mermaid “Part of Your World” (1989)

The Little Mermaid “Poor Unfortunate Souls” (1989)

The Little Mermaid “Vanessa’s Song” (1989)

Disney/Dreamworks/Pixar/etc. Soundtracks A-Z

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Frozen II “Into the Unknown” (2019)

*warning: spoilers for Frozen II below

The other song that I really liked the most in Frozen II is “Into the Unknown”, Elsa’s first big solo in the story. In this song, Elsa addresses the mysterious voice that has been calling her in a voice that only she can hear. The song takes place late at night when everyone is asleep, everyone except Elsa, who can’t sleep due to the voice’s incessant calling.

Ah ah, ah ah
Ah ah, ah ah
Ah ah, ah ah ah ah

I can hear you but I won’t
Some look for trouble
While others don’t
There’s a thousand reasons
I should go about my day
And ignore your whispers
Which I wish would go away, oh oh

Ah ah, ah ah

Oh

Ah ah ah ah, ah

frozen2-into-the-unknown.jpg

Now what’s interesting about this song is that Elsa is turning the conventions of this song-type onto its head. Most Disney characters would simply sing about how they’re curious about this voice and want to go on an adventure. But Elsa openly defies this idea, saying “I’ve HAD my adventure (i.e. the first Frozen), go bother somebody else.” And yet, at the same time, Elsa also verges into traditional territory, admitting that she wants to follow the voice, but she’s afraid of the consequences. And this fear is understandable, since Elsa is queen and she has an entire country to think about.

You’re not a voice
You’re just a ringing in my ear
And if I heard you, which I don’t
I’m spoken for, I fear
Everyone I’ve ever loved is here within these walls
I’m sorry, secret siren, but I’m blocking out your calls
I’ve had my adventure, I don’t need something new
I’m afraid of what I’m risking if I follow you

Into the unknown
Into the unknown
Into the unknown

Ah, ah, ah, ah, ah

Ah

Ah ah ah ah, ah, ah

What do you want? ‘Cause you’ve been keeping me awake
Are you here to distract me so I make a big mistake?
Or are you someone out there who’s a little bit like me?
Who knows deep down I’m not where I’m meant to be?
Every day’s a little harder as I feel my power grow
Don’t you know there’s part of me that longs to go

Into the unknown?
Into the unknown
Into the unknown

571ea74f-f2ac-4857-8811-3706937cda1b-FROZEN_2_TRAILER_Desktop_Thumbnail.jpg

Another detail I like about this song is how Elsa imitates the voice at the end of each verse (the third time she sings “Into the Unknown” her voice ululates like the voice, showing how it’s slowly but surely influencing her).

Ah ah ah ah
Ah ah ah ah

Whoa oh oh
Are you out there?
Do you know me?
Can you feel me?
Can you show me?
Ah ah ah ah

Ah ah ah ah

Ah ah ah ah

Ah ah ah ah

I also really like the sequence where Elsa…for lack of a better description enters the magic world where her ice magic seems to come alive around her. Apparently this somehow grabs the attention of the spirits (according to Elsa’s own explanation moments after this song ends) but I still don’t entirely understand how that happened. Storytelling issues aside, the “magic world” is beautifully rendered, and provides a brilliant example of how Elsa is literally getting lost in her magical abilities.

Ah ah ah ah
Ah ah ah ah
Ah ah ah ah
Ah ah ah ah

Where are you going?
Don’t leave me alone
How do I follow you (Ah ah ah ah, ah ah ah ah)
Into the unknown? (Ah, ah, ah!)

Having listened to this song a number of times, I can see why people are comparing it to “Let it Go” from the first film. It’s definitely a similar song in style, but the tone, to me, is different. “Let it Go” was about Elsa proclaiming her new identity and letting go of the past. “Into the Unknown” is about Elsa hesitating to follow a destiny that might take her away from all that she knows and loves, quite a different story than the first song. But while different, I don’t love it any less, and in fact I really enjoy the back and forth that Elsa has with the voice by the end of the song.

Let me know what you think about “Into the Unknown” and Frozen II in the comments below and have a great day!

See also:

Frozen II “All is Found” (2019)

Frozen II “Show Yourself” (2019)

My Thoughts on: Frozen II (2019)

Disney/Dreamworks/Pixar/etc. Soundtracks A-Z

Become a patron of the blog at: patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook

 

Frozen II “Show Yourself” (2019)

*WARNING: major plot spoilers for Frozen II. DO NOT continue if you haven’t seen the film yet!

Of all the songs featured in Frozen II, one of my immediate favorites was “Show Yourself”, a song that comes late in the film as Elsa sets off to discover just who has been calling her and upending her life as the queen of Arendelle. After (literally) harnessing the Nokk, the water spirit, Elsa rides across the Dark Sea to Ahtohallan, a river of memory preserved in the form of a glacier.

Every inch of me is trembling
But not from the cold
Something is familiar
Like a dream I can reach
But not quite hold

I can sense you there
Like a friend I’ve always known
I’m arriving, it feels like I am home
I have always been a fortress
Cold secrets deep inside
You have secrets too
But you don’t have to hide

Show yourself
I’m dying to meet you
Show yourself
It’s your turn

Are you then one I’ve been looking for all of my life?!
Show yourself!
I’m ready to learn…
Ah-ah-ah-ah

Ah-ah-ah-ah-ah

So far so good. This feels like we’re finally reaching the true climax of the story and rightly so. This voice has haunted Elsa since the beginning of the story, and now it appears that we’re finally going to see who this voice belongs to. And it appears that the owner of the voice is close at hand as Elsa chases it farther into the ice.

I’ve never felt so certain
All my life I’ve been torn
But I’m here for a reason
Could it be the reason I was born?
I have always been so different
Normal rules did not apply
Is this the day?
Are you the way
I finally find out why!!?

Show yourself!
I’m no longer trembling!
Here I am
I’ve come so far!
You are the answer I’ve waited for
All of my life!

Oh, show yourself
Let me see who you are…
Come to me now
Open your door
Don’t make me wait
One moment more!

Right about now, however, is where things began to go slightly sideways for me. On its own, I absolutely love every moment of this song. However, taken in context with the film, this part doesn’t make too much sense. Of course I see the revelation they’re going for, that Elsa is the 5th spirit, but at this point in the story I have no idea how we’ve gotten to that point. And the fact that I’m aware of this during the song made it lose just a little something for me (beautiful moment though it is).

Oh, come to me now
Open your door
Don’t make me wait
One moment more!

Where the northwind meets the sea

(Ah-ah-ah-ah)

There’s a river

(Ah-ah-ah-ah)

full of memory

And of course this is the moment where I (temporarily) put aside my confusion and just completely teared up. This moment is beautiful, with the song coming in, and Elsa somehow coming face to face with the spirit of her mother. I don’t understand how this is possible (and it could have been slightly better explained), but it is.

Come my darling, homeward bound

I am found!

Show yourself!
Step into your power
Grow yourself
Into something new

You are the one you’ve been waiting for

All of my life

All of your life

Oh, show yourself

You

Ah-ah-ah-ah!
Ah-ah-ah-ah
Ah-ah-ah-ah
Ah-ah-ah-ah
Ah-ah-ah-ah!!!

Despite a few storytelling flaws, “Show Yourself” remains a powerful song and one of my favorite moments in the entire film. Let me know what you think about “Show Yourself” in Frozen II and have a great day!

See also:

My Thoughts on: Frozen II (2019)

Frozen II “All is Found” (2019)

Frozen II “Into the Unknown” (2019)

Disney/Dreamworks/Pixar/etc. Soundtracks A-Z

Become a patron of the blog at: patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook

Soundtrack Review: Little Women (2019)

The soundtrack for Sony Picture’s Little Women will be available on all formats starting December 13th, and can currently be preordered. The soundtrack for Little Women was composed by Alexandre Desplat, known for previous works like Godzilla (2014), Isle of Dogs, The Golden Compass, and The Secret Life of Pets, just to name a few.

Of the soundtrack for Little Women, composer Alexandre Desplat says:

“To capture the life of these four young girls on their path to adulthood, I have called in the four hands of two pianists. They are surrounded by a chamber orchestra, which keeps us in the intimate world of these ‘little women.’  We recorded the score in New York City with the most wonderful musicians whose musicality and virtuosity went beyond my expectations.”

“Working with him has been a dream,” adds Greta Gerwig of working with Desplat on the score.  “From the first sketches he sent me to listening to him record the glorious score with an orchestra in New York, every step of the process has been a joy. He has taught me how to work with a composer: how to listen, how to give notes, how to wait for it to develop, how to step away, how to dive in. I am a better filmmaker for having worked with him, and I sincerely hope that it is not the last time.”

“For Little Women, Greta envisioned a musical without lyrics. From the beginning, Alexandre had to be the musical voice of the film,” says Spring Aspers, President of Sony Pictures Motion Picture Group, Music. “The resulting score is both dynamic and intimate making it the perfect complement to this exquisite retelling. I can’t wait for audiences to come together to experience this film.”

Be sure to pick up a copy of Alexandre Desplat’s soundtrack for Little Women when it becomes available on December 13th, 2019. And be sure to go see Little Women when it arrives in theaters on December 25th.

Once you see Little Women and hear its soundtrack, let me know what you think about it in the comments below. Also, are you excited to see this movie? Let me know what also in the comments and have a great day!

LITTLE WOMEN (ORIGINAL MOTION PICTURE SOUNDTRACK)
TRACKLISTING –
1. Little Women

2. Plumfield

3. The Beach

4. Christmas Morning

5. Dance On The Porch

6. Ice Skating

7. The Book

8. Father Comes Home

9. Christmas Breakfast

10. Amy

11. Friedrich Dances With Jo

12. Telegram

13. Theatre In The Attic

14. Laurie Kisses Amy

15. Friedrich

16. Laurie And Jo On The Hill

17. Young Love

18. Meg’s Dress

19. Carriage Ride

20. Laurie

21. The Letter

22. Snow In The Garden

23. Jo Writes

24. Amy, Fred, Meg And John

25. Dr March’s Daughters

26. It’s Romance

See also:

Film Soundtracks A-W

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Soundtrack Review: Midway (2019)

The soundtrack to Roland Emmerich’s epic film Midway is now available digitally and will be available on CD November 22nd. The highly anticipated action drama, starring Woody Harrelson, Luke Evans, Nick Jonas, and Mandy Moore, premiered in US theaters via Lionsgate, alongside the soundtrack release. The film centers on the Battle of Midway, a clash between the American fleet and the Imperial Japanese Navy, which marked a pivotal turning point in the Pacific Theater during WWII. The film, based on the real-life events of this heroic feat, tells the story of the leaders and soldiers who used their instincts, fortitude and bravery to overcome the odds.

The soundtrack for Midway was composed by Thomas Wander and Harald Kloser. Regarding the soundtrack, they had this to say:

“We agreed that the music for Midway should not be a traditional wall-to-wall orchestral score, with sweeping action cues where every change in mood and sentiment will be followed musically. We also set ourselves the goal that the orchestral pieces should be limited to the emotional moments of the film. Early on we asked our long-time collaborator Tommy Schobel to create some sort of musically driven sound design, using synth-based versions of sounds old war planes would make, but in a way so they make sense within the bigger picture of the score. When you hear these cues in the film, married with all the sound effects, it all becomes — quoting our re-recording mixer Greg P. Russel — ‘A Thing.’”

The soundtrack also features two contributions by singer Annie Trousseau. Here’s what she had to say about working on the soundtrack for Midway:

“I was asked by Harald and Roland if I had any big band songs recorded and would I be interested in performing a song in Midway. This was all happening last minute because they had just added a scene with a singer. Of course, I said yes immediately! Harald had pretty early on decided that “Jersey Bounce” would be the instrumental. “All or Nothing at All” was my top pick for the vocal track because it was the most fitting lyrically and emotionally for the film, and I just fell in love with the melody and Frank Sinatra’s 1939 version with the Harry James orchestra. What an honor to be the one singer asked to do this. We purposely did only two or three live takes of each song so we could keep the live feel. I’m very happy with the outcome. In preparation, I studied the enunciation of the era and did my best to give it that extra 1940s vintage sensibility. I was in heaven in a musical world and setting that allowed me to shine in a genre that I adore and respect so much. It’s been the best experience to work beside such amazing talents. Almost everyone in the film is also a musician! Such a dream come true for me.”

While it’s true, after listening to the score, that this is definitely not a wall-to-wall orchestral score such as what you might normally find for an epic film of this magnitude, I think movie audiences will appreciate the music just as much. It oozes with tension in various places, which makes sense given how pivotal the Battle of Midway proved to be. Everything hinged on this one fight going exactly right, and it feels like that is reflected somewhat in the musical score.

TRACK LISTING
1. Nobody Wants A War
2. Midway Main Theme
3. See You In China
4. Morgue
5. Getting Some Fun Out Of Life – Performed By Annie Trousseau
6. Pearl Harbour
7. This Is It
8. Bombing Six
9. What’s Their Target
10. Attack On Midway
11. Good Luck Sir
12. Jersey Bounce – Performed by Annie Trousseau (Instrumental)
13. They’ll Follow You Anywhere
14. Still Night Submarine
15. Above The Clouds
16. Dogfight
17. The Last Dive
18. This Is For Pearl
19. Victory Lap
20. Best Returns
21. Abandon Ship
22. Midway End Titles
23. All Or Nothing At All – Performed by Annie Trousseau

Let me know what you think of Midway (and its soundtrack) in the comments below and have a great day!

See also:

Film Soundtracks A-W

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