Tag Archives: Volker Bertelmann

Soundtrack Review: Stowaway (2021)

With Netflix recently releasing the soundtrack for their new film Stowaway, I had the opportunity to sit down and listen to the film’s official soundtrack. The music was composed by Volker Bertelmann (The Old Guard, Lion) and recently made available digitally.

The film’s synopsis is as follows:

In Stowaway, on a mission headed to Mars, an unintended stowaway accidentally causes severe damage to the spaceship’s life support systems. Facing dwindling resources and a potentially fatal outcome, the crew is forced to make an impossible decision.

Says Bertelmann of the Stowaway soundtrack:

“Working on Stowaway and collaborating with director Joe Penna was a special experience in many respects: Joe, who is a musician himself, gave me a lot of freedom to explore different sounds and we had a joint understanding of the purposes the music should serve. This facilitated the compositional process, which was extremely helpful given the considerable amount of music the film needed. The music for Stowaway is one of my favorite scores so far.”

Given what’s at stake in Stowaway, I was surprised at how low-key and passive a lot of the music is. There’s an underlying sense of tension of course, most notably in ‘How Much Oxygen’ but for the most part Bertelmann’s soundtrack is almost perfectly serene. The biggest exception to this comes in ‘Solar Flare’ which covers what is undoubtedly one of the climax points of the film. But even then, there’s still a polished smoothness lingering in the music that takes some of the edge off what might otherwise be a raw piece of action music.

All of this smoothness and serenity in the music confused me until I considered where the film is set. Stowaway is set entirely in space, aboard a ship bound for Mars, and it could be that Bertelmann had it in his mind to back up the interstellar background of the film with music that fit the location. After all, there’s something about space that can generate a lot of musical grace and beauty, and this film is surely no exception. It could also be that the composer wanted to remind viewers that in the grand scheme of things this conflict is barely a blip in the cosmos (or I could be overthinking it entirely). Most likely of all the options is the possibility that Bertelmann wanted the score to backup the story, but not overwhelm it with sheer depth of volume, as some film scores have been known to do.

I really enjoyed listening to the soundtrack for Stowaway. It really subverted my expectations for what I thought this movie would sound like but in the end it was really enjoyable. In some places it actually reminded me a little bit of 2001: A Space Odyssey with some of the more quiet tracks. If you get the chance to listen to the Stowaway soundtrack separate from the movie, I highly recommend doing so.

Track List

  1. Earth Rise
  2. Regaining Consciousness
  3. Favorite Spot on the Ship
  4. How Much Oxygen
  5. Setting Up the Algae
  6. It’s Literally My Job
  7. Can I Take His Place?
  8. I Was in the Fire
  9. Can You Talk?
  10. What Did You Do?
  11. The Algae Are Dead
  12. Climbing the Tethers
  13. On the Kingfisher
  14. More Than Enough Oxygen
  15. Solar Flare
  16. I Will Go
  17. Climbing the Tethers Alone
  18. Into the Solar Storm

Let me know what you think of Stowaway’s soundtrack (and the film) in the comments below and have a great day!

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Film Soundtracks A-W

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Soundtrack News: Netflix’s ‘Stowaway’ OST Available Now!

On April 23, Lakeshore Records released the soundtrack for Netflix’s sci-fi thriller Stowaway by Academy Award-nominated composer Volker Bertelmann (The Old Guard, Lion, Your Honor). The acclaimed pianist, composer, and experimental musician utilizes piano, strings and orchestra to explore a wide range of sounds that provide a rich backdrop to the mission to Mars thriller. Volker Bertelmann is an internationally acclaimed pianist, composer and experimental musician. His score for Garth Davis’s Oscar-nominated film Lion, composed in collaboration with Dustin O’Halloran, was awarded an Australian AACTA Award and received nominations for multiple awards, among others for an Academy Award, Golden Globe, BAFTA, and Critics’ Choice Award.

The music of Stowaway has a lot of gravity, dark tension, and elevating moments, which Bertlemann created by utlizing earthy synthesizers, a prepared Steinway piano (with only one string tuned), and elements of sound design.

Says Bertelmann of the Stowaway soundtrack:

“Working on Stowaway and collaborating with director Joe Penna was a special experience in many respects: Joe, who is a musician himself, gave me a lot of freedom to explore different sounds and we had a joint understanding of the purposes the music should serve. This facilitated the compositional process, which was extremely helpful given the considerable amount of music the film needed. The music for Stowaway is one of my favorite scores so far.”

Track List

  1. Earth Rise
  2. Regaining Consciousness
  3. Favorite Spot on the Ship
  4. How Much Oxygen
  5. Setting Up the Algae
  6. It’s Literally My Job
  7. Can I Take His Place?
  8. I Was in the Fire
  9. Can You Talk?
  10. What Did You Do?
  11. The Algae Are Dead
  12. Climbing the Tethers
  13. On the Kingfisher
  14. More Than Enough Oxygen
  15. Solar Flare
  16. I Will Go
  17. Climbing the Tethers Alone
  18. Into the Solar Storm

You can purchase the Stowaway soundtrack here and it is available now!

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Soundtrack News: ‘Ammonite’ Original Motion Picture Soundtrack Available November 13

Milan Records today announces the November 13 release of Ammonite (Original Motion Picture Soundtrack) with music by Dustin O’Halloran and Volker Bertelmann. Available for preorder now, the album features music written by the duo for director Francis Lee’s critically-acclaimed film starring Kate Winslet and Saoirse Ronan. The nine-track album features music co-composed by O’Halloran and Bertelmann, who previously teamed on the Academy® Award, BAFTA, and Golden Globe® Award-nominated score for 2016’s LionA Christmas Carol and more.

Of the soundtrack, composers O’Halloran and Bertelmann had the following to say:

 “Writing music for Ammonite was a smooth and natural process. We already knew from director Francis Lee’s previous work this would be a score full of emotion and restraint. Because the film is a period piece, it also meant finding a tone and instrumentation that would work in this world. The overall length of music recorded is somewhat shorter than our other scores; therefore, we used many natural sounds, so when the pieces arrive, it feels meaningful. We decided for a small chamber group of strings and piano as our palette and worked from there. Francis’s original idea was to find a single piece of music playing in parts and come to a full suite at the end. In some ways, this was how we approached it, save for a few moments of score specific to the scene. We found the strong acting that both Kate and Saoirse brought meant we needed to offer space, and try not to overstep. The last piece of music in the film, during the museum scene, represented a full understanding of the emotions that played out between the two characters.”

Ammonite tells the story of acclaimed self-taught paleontologist Mary Anning, who works alone on the wild and brutal Southern English coastline of Lyme Regis in the 1840s. The days of her famed discoveries behind her, she now hunts for common fossils to sell to rich tourists to support herself and her ailing widowed mother. When one such tourist, Roderick Murchison, arrives in Lyme on the first leg of a European tour, he entrusts Mary with the care of his young wife Charlotte, who is recuperating from a personal tragedy. Mary, whose life is a daily struggle on the poverty line, cannot afford to turn him down but, proud and relentlessly passionate about her work, she clashes with her unwanted guest. They are two women from utterly different worlds. Yet despite the chasm between their social spheres and personalities, Mary and Charlotte discover they can each offer what the other has been searching for: the realization that they are not alone. It is the beginning of a passionate and all-consuming love affair that will defy all social bounds and alter the course of both lives irrevocably.

AMMONITE (ORIGINAL MOTION PICTURE SOUNDTRACK)TRACKLISTING – 

  1. Fossils
  2. Strong Enough
  3. Dig
  4. Leave
  5. Boat
  6. Post
  7. Beach
  8. End
  9. Aria – Peter Gregson

The soundtrack for Ammonite is available for preorder now and will be released on November 13, 2020.

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