Yearly Archives: 2016

The Great Mouse Detective “The World’s Greatest Criminal Mind” (1986)

great_mouse_detective

It pains me to see that The Great Mouse Detective (1986) often falls under the radar of Disney fans. The film is really quite important to the history of animated film: after the debacle of The Black Cauldron (1985), Disney’s animation department was at serious risk of being eliminated. But the great success of The Great Mouse Detective the next year proved to the powers-that-be that Disney could still find success in animation and because of this, a little film called The Little Mermaid was given the green light (paving the way for the Disney Renaissance).

Based on a series of children’s books entitled Basil of Baker Street by Eve Titus, the film follows the adventures of the titular “great mouse detective” Basil, who lives in a tiny home at 221B Baker Street (sharing his residence with Sherlock Holmes and Watson). When Basil’s eccentric life is interrupted by Dr. Dawson and a little girl named Olivia whose father was kidnapped, Basil finds himself thrust into the greatest case of his career: stopping that master of crime, Professor Ratigan!!

tumblr_msj9ntENU31s3bzqro1_500

Ratigan might just be one of the greatest animated Disney villains, as he was brought to life by the master of horror himself, Vincent Price. Price had always wanted to be a Disney villain, and in an interview he gave, he called his performance as Rattigan as one of his favorites. In fact, Price’s acting influenced how the character was animated. Originally, Rattigan was going to be this rather weak-looking and snivelling character, but Price’s unforgettable voice changed all of that.

Mouse-detective-disneyscreencaps.com-1724

Ratigan, as his name implies, is a very large rat; but in a world where mice make up the majority of the population, he has taken great pains to pass himself off as a mouse, and won’t stand to be referred to as a rat. “The World’s Greatest Criminal Mind” serves as Ratigan’s introduction to the audience, as well as highlighting how evil and devious he is.

The Great Mouse Detective “The World’s Greatest Criminal Mind” (1986)

The song begins with a spoken prologue, where Ratigan informs his gang that the time has come for his greatest plan to be put into motion, “the crime to top all crimes.” All we know for now is that it will take place on the Queen’s Diamond Jubilee and that it will be “a night she will never forget” and that he will be “the supreme ruler of all Mousedom!!” This declaration begins the song proper, as Ratigan brags about all the crimes he’s done before: robbing the Crown jewels, drowning widows and orphans and robbing many other places based on the amount of treasure laying around.

From the brain that brought you the Big Ben Caper
The head that made headlines in every newspaper
And wonderous things like the Tower Bridge Job
That cunning display that made London a sob

Now comes the real Tour de Force
Tricky and wicked of course
My earlier crimes were fine for their times
But now that I’m at it again
An even grimmer plot has been simmering
In my great criminal brain

Mousedetective239

During this part of the song, one detail that sticks out right away is Bartholomew, the really, really drunk gang member who is more interested in lapping up the champagne instead of listening to Ratigan’s plan and song.

Even meaner? You mean it?
Worse than the widows and orphans you drowned?
You’re the best of the worst around
Oh, Ratigan
Oh, Ratigan
The rest fall behind
To Ratigan
To Ratigan
The world’s greatest criminal mind!

Oh, Ratigan
Oh, Ratigan
You’re tops and that’s that
To Ratigan
To Ratigan

In fact, he gets so drunk, that as the gang is preparing to toast Ratigan mid-song, Bartholomew pipes up “To Ratigan the world’s greatest rat!!”

Of course Ratigan is not amused. And as the rat in mouse’s clothing tells his drunken lackey “…I’m afraid you’ve gone and upset me. You know what happens when someone upsets me…” he pulls out a bell and gives it a ring, and as this very action causes the rest of the gang to squeak in terror, you know something bad is coming.

GMD06

As it turns out, Ratigan has a rather fat cat at his beck and call. As the overfed kitty stalks up for her next meal, the oblivious Bartholomew launches into a spine-chilling refrain of “Oh Ratigan, Oh Ratigan, you’re the tops and that’s that…” This use of the song is what we musicologists call “musical irony”, in that the lyrics praising Ratigan are contrasted with the increasingly sinister sounds that are building to the mouse’s death by cat. To further add to the suspense, you don’t actually see the moment happen: all the audience see’s is the shadowy profile of Bartholomew suspended above the cat’s mouth and then….*GULP* Now thoroughly cowed, the gang hysterically launches into the final verse (lest Rattigan summon the kitty again) and the status quo in Ratigan’s lair is re-established.

Even louder
We’ll shout it!
No one can doubt what we know you can do
You’re more evil that even you
Oh, Ratigan
Oh, Ratigan
You’re one of a kind
To Ratigan
To Ratigan
The world’s greates criminal mind!!!

Seeing how casually Rattigan can dispose of anyone who “upsets” him (though we don’t really get to see him upset until the climax), this one sequence has made it clear that Rattigan is very, very dangerous (a lot more dangerous than even Basil is aware of). And also because of this scene, Ratigan remains one of my favorite Disney villains.

Become a patron of the blog at: patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

*all images are the property of Walt Disney Studios

See also:

The Great Mouse Detective “Let me be good to you” (1986)

The Great Mouse Detective “Goodbye, So Soon” (1986)

For more great Disney songs check out the main page here: Disney A-Z

Don’t forget to like Film Music Central on Facebook 🙂

Beauty and the Beast “The West Wing” (1991)

From the moment Beast informed Belle that she could go anywhere in the castle except the West Wing (with no other explanation than “It’s forbidden!”), it was a foregone conclusion that Belle would go to the West Wing and that she would get caught. This is a long-standing trope in film that when something is explicitly forbidden, the character will go anyway and get caught by somebody at some point (case in point: Ariel was forbidden to have anything to do with humans, but she kept a grotto full of human things, and we all know how that turned out; Simba was forbidden to go to the elephant graveyard, Quasimodo couldn’t leave the bell tower, etc.)

I absolutely love the music for this scene. Purely orchestral, it highlights the danger of what Belle is doing (because we have no way of knowing where the Beast is right now), and also the growing curiosity to see what IS in the West Wing. As Belle walks down the hallway, she passes by a lot of broken statues that all resemble different beasts. Actually, that’s by design: practically every “beast” statue you see in the castle comes from a concept drawing when the animators were designing the look of the beast. My personal favorite is a statue of a giant snake (when Belle is looking in horror at all of the ugly statues in the hallway, just before she bursts into tears, look to the right and you’ll see it in an alcove).

 

Finally, Belle comes to a large door and for a moment there’s a breath of tension, as if the Beast might appear at any second, but Belle’s curiosity wins and she pulls the door open to reveal the forbidden West Wing. It’s in a shambles, but Belle presses forward anyway (as a child, my heart would always stop when she knocked the table over). And it’s here that she discovers two things: a heavily ripped portrait of a handsome man, with very familiar blue eyes (in reality a portrait of what the Beast really looks like), but just as Belle seems to make the connection, she notices something else, it’s the magic rose!!

cherry_in_beauty_and_the_beast__chapter_7_by_perkygoth14-d72mgig

The shot of Belle walking up to the bell jar is just beautiful, and for a moment, it almost looks like the rose is rotating to “look” at her (and maybe it is, it IS a magic rose after all). Of course, Belle then does the worst possible thing she could do, which is to remove the jar and try to touch the rose itself, and that’s when everything goes wrong in a hurry.

When I was young, I didn’t quite understand the magnitude of what Belle almost did. I knew that Beast was angry because she’s gone where she wasn’t supposed to, but something was going over my head. It was only when I was older that I realized that the reason Beast kept the rose in a jar was to protect it from any outside force inadvertently knocking off the petals more quickly and thus shorten the time he has left to break the spell. If Belle had touched the rose, she might have done just that, and that is what really infuriates Beast, who as expected, appears just as Belle is reaching out, and he is beyond angry!

Now, while Belle is in trouble and Beast does have a right to some anger (since she did disobey him), it’s also true that Beast never told Belle why she couldn’t go into the West Wing, so Beast’s roar of “Do you realize what you could have done??” can never be answered because no, Belle doesn’t realize what could have happened because Beast didn’t tell her! All of this is too much for Belle to take and she runs from the castle (literally), swearing “Promise or no promise, I can’t stay here another minute!”

I’m sure there will be a counterpart to this scene in the live-action version of the film (and I can’t wait to see how it plays out!)

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

*all images are the property of Walt Disney Studios

For more Beauty and the Beast, see:

Beauty and the Beast “Belle” (1991)

Beauty and the Beast “Belle (reprise)” (1991)

Beauty and the Beast “Gaston” (1991)

Beauty and the Beast “Be Our Guest” (1991)

Beauty and the Beast “Something There” (1991)

Beauty and the Beast “Human Again” (1991)

Beauty and the Beast “Beauty and the Beast/Tale as Old as Time” (1991)

Beauty and the Beast “The Mob Song” (1991)

Beauty and the Beast “Battle on the Tower” (1991)

Beauty and the Beast “Transformation” (1991)

For more great Disney songs and films, check out the main page here: Disney Films & Soundtracks A-Z

Don’t forget to like Film Music Central on Facebook 🙂

A Random Thought on Ocean’s 11 (2001)

MV5BMTY0Mzg4MzgwN15BMl5BanBnXkFtZTgwNDk0MzkxMDE@._V1_SX640_SY720_

Where has this movie been all my life?? That was my first thought when I finished watching Ocean’s Eleven (2001), a heist film starring George Clooney, Brad Pitt and Matt Damon, amongst many others (I can’t believe this movie is fifteen years old already!)

Clooney stars as Danny Ocean, a thief and con-artist just released from jail with a plan already in mind: rob three Las Vegas casinos in one night. It just so happens that all three casinos are owned by Terry Benedict (Andy Garcia), who just happens to be dating Ocean’s ex-wife Tess (Julia Roberts). To pull this heist off, Ocean has to assemble a crew of the best in the business, eleven in total. At stake: $160,000,000 (divided 11 ways).

The crew consists of:

  • Danny Ocean (George Clooney)
  • Rusty Ryan (Brad Pitt)
  • Linus Caldwell (Matt Damon)
  • Basher Tarr (Don Cheadle)
  • Frank Catton (Bernie Mac)
  • Turk Malloy (Scott Caan)
  • Virgil Malloy (Casey Affleck)
  • Saul Bloom (Carl Reiner)
  • Reuben Tishkoff (Elliott Gould)
  • Livingston Dell (Eddie Jemison)
  • “The Amazing” Yen (Shaobo Qin)

OceansEleven2001-Still2.jpg

From the very beginning, you can tell that this story is going to be an insane ride. Clooney, as the suave Danny Ocean, and Brad Pitt, as the eternally-eating Rusty Ryan, are the perfect onscreen bromance and henceforth I will watch any movie if I know those two actors are in it. I especially love how these two are always completing each other’s sentences, it’s like they share a brain.
 
The plot is, admittedly, a little convoluted in some points, but the humor is undeniable. The smug/overconfident Terry Benedict doesn’t stand a chance against Ocean and his crew.

1007454288

I highly recommend the entire trilogy of Ocean’s films, they’re all extremely funny and well worth viewing more than once or twice.

Become a Patron of the blog at patreon.com/musicgamer460

See also: Film/TV Reviews

A Random Thought on Ocean’s 13 (2007)

Like Film Music Central on Facebook at www.facebook.com/filmmusiccentral

The Sword in the Stone “Mad, Madam Mim” (1963)

You know how a lot of Disney movies have been adapted into Broadway plays? Like Beauty and the Beast, The Little Mermaid, Aladdin, etc. ? Well, one film that I wish would be turned into a Broadway show is The Sword in the Stone (1963), a Disney animated feature that was released after Disney’s Golden Age and long before the Disney Renaissance at the end of the 1980s. This film generally slips under the radar but it still contains some amusing and memorable moments.

Based on T.H. White’s book The Once and Future King (1958), The Sword in the Stone tells the story of a young page named Wart (real name Arthur, voiced by Rickie Sorensen, and Richard and Robert Reitherman) who meets a strange wizard named Merlin (Karl Swenson) and a talking owl named Archimedes (Junius Matthews). Merlin is convinced that Wart has a big future in front of him, but it won’t come to pass unless he gets a proper education (that Merlin will provide).

Casa_MadamMim

The Sword in the Stone “Mad Madam Mim” (1963)

Wart’s “education” can be divided into several segments based on the animal he is turned into (and the appropriate lesson he learns): a fish (brains are better than brawn); a squirrel (Love is the greatest force on Earth); a bird (knowledge and wisdom are real power). It’s this last segment, where Wart become a bird that really wants me to see this story as a stage show because THIS is where we meet Madam Mim (Martha Wentworth), a slightly-deranged witch who is as evil as Merlin is good. Wart (still in bird form) ends up falling down her chimney by mistake while fleeing a hawk and quickly comes to the witch’s attention. Hearing that the Wart is acquainted with Merlin (“the world’s most powerful bungler” as she puts it), Mim decides to prove to Wart that SHE is the most powerful, and not Merlin, by performing a song that I would dearly love to see rendered on the stage.

Mim

With only a touch, I have the power
Zim zaba rim bim, To wither a flower
I find delight in the gruesome and grim
(Oh, that’s terrible.)
(Thank you, my boy. But that’s nothing, nothing for me!)
‘Cause I’m the magnificent, marvelous, mad Madam Mim

(You know what? I can even change size.)

I can be huge; Fill the whole house
I can be teeny, small as a mouse
Black sorcery is my dish of tea
It comes easy to me,
‘Cause I’m the magnificent, marvelous, mad Madam Mim!

Mim demonstrates various abilities: she can change size (from giant to very tiny), make herself even uglier than she already is (by her own admission) and also change herself into someone beautiful as well. I’m not sure how a live show would accommodate all of these changes exactly, but I’m sure it could be done somehow.

 (Hahahaha! Marvelous, boy! Marvelous! Hahohoho! Hey, lad. Did you know I can make m’self uglier yet?)
(That would be some trick, er… I mean, uh…)
(Wanta’ bet? BOO! You see? I win, I win! Aren’t I hideous, boy? Perfectly revolting?)
(N- Yes, m’am.)
(But you ain’t seen nothin’ yet. Watch this.)

I can be beautiful, lovely and fair
Silvery voice, long purple hair
La la la la, la la la la la
La la la la la, la la la la la la la
But it’s only skin deep, for Zim zaberim ZIM
I’m an ugly old creep; the magnificent, marvelous, mad, mad, mad, mad Madam Mim!

After her song, Mim demands to know which one is better, but Wart still believes that Merlin is the best because his magic is for good (Mim doesn’t like this at all). Recognizing that Merlin sees something “good” in the boy, Mim declares that for her that’s “bad” and therefore she’ll have to destroy him. Moving in for the kill, Mim demonstrates one more ability, she can change into animals just like Merlin can, and what animal do you use to catch a bird? A CAT!!!

swordinthestone01

Fortunately for Wart, Merlin steps in shortly afterward…

I absolutely love this song, it’s pure Disney madness from beginning to end. If “Mad Madam Mim” were performed on a Broadway stage today, who do you think could pull it off the best? I’m not sure myself, but I’d love to hear your thoughts about it 🙂

*all images are the property of Walt Disney Studios

Become a patron of the blog at: patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

See also:

The Sword in the Stone “Higitus Figitus” (1963)

The Sword in the Stone “That’s What Makes the World Go Round” (1963)

The Sword in the Stone “A Most Befuddling Thing” (1963)

For more great Disney songs and films, check out the main page here: Disney Films & Soundtracks A-Z

Don’t forget to like Film Music Central on Facebook 🙂

Beauty and the Beast “Human Again” (1991)

“Human Again” is a musical number created by Alan Menken and Howard Ashman that originally occupied the position that “Something There” now does. Written in the tempo of a fast waltz, the song features a number of enchanted objects (led by Lumiere, Cogsworth, Mrs. Potts, and the Wardrobe with her own verse) singing about how they could be human again now that Belle and Beast are growing closer together.

This song was ultimately cut from the original version of the film because of pacing issues and length (the entire sequence was approximately 11 minutes long!!). It also presented an issue because the number implies that a very long passage of time is occurring, which doesn’t make sense since it’s already been established that Maurice is out in the woods looking for Belle (and it wouldn’t make sense for him to be out there alone for months). So the decision was made to cut “Human Again” and replace it with the shorter and to-the-point “Something There.”

The number was first restored for the Beauty and the Beast Broadway production in 1994 and ultimately was restored to the film for the 2002 Special Edition DVD release (it is placed between “Something There” and the ballroom scene).

For the restoration, all the original cast members from the film were reunited to record the song and careful work was done on the animation to ensure it merged in seamlessly with the rest of the film. I’m glad they did this when they did, as Jerry Orbach (the voice of Lumiere) sadly passed away two years later.

I like “Human Again,” it’s a fun musical number and features some great shots of different areas of the castle being cleaned up. In fact, re-inserting this sequence does help to explain why the West Wing is suddenly much tidier when Beast takes Belle to see the magic mirror after their dance (because various servants are shown cleaning the room up). There’s also a hysterical moment when the footstool-dog comes across a pillow-cat and gives chase, tracking dirt into the newly cleaned ballroom!

Enchanted-Objects-Roll-Call-Pillow-Cat

Run pillow-kitty, run!!!

Believe it or not, we’ve actually made our way through all the songs of Beauty and the Beast, but I’m not done with this film just yet. There’s a few musical moments that I still want to explore: “The West Wing”, “Battle on the Tower”, and especially “The Transformation.”

*all images are the property of Walt Disney Studios

Become a patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

For more Beauty and the Beast, see:

Beauty and the Beast “Belle” (1991)

Beauty and the Beast “Belle (reprise)” (1991)

Beauty and the Beast “Gaston” (1991)

Beauty and the Beast “Be Our Guest” (1991)

Beauty and the Beast “Something There” (1991)

Beauty and the Beast “Beauty and the Beast/Tale as Old as Time” (1991)

Beauty and the Beast “The Mob Song” (1991)

Beauty and the Beast “The West Wing” (1991)

Beauty and the Beast “Battle on the Tower” (1991)

Beauty and the Beast “Transformation” (1991)

For more great Disney songs check out the main page here: Disney A-Z

Don’t forget to like Film Music Central on Facebook 🙂

Beauty and the Beast “Something There” (1991)

“Something There” is a fun, if brief, interlude for our main characters before the romance of the ballroom scene and the drama that follows afterward. Before the song proper commences, there’s a funny scene where Belle and Beast are meeting for breakfast and Belle discovers that Beast is…slightly out of practice using silverware, let’s just put it that way. However, Belle finds a compromise and we next shift to the pair taking a walk through the snow covered garden while Belle feeds the birds.

 

Neither Belle nor Beast sing aloud, this song is really an expression of their thoughts regarding each other. Belle is finding that Beast is really sweet and is just on the cusp of recognizing that she feels love for him as well, even though he’s “no Prince Charming.”

There’s something sweet
And almost kind
But he was mean and he was coarse and unrefined
And now he’s dear, and so unsure
I wonder why I didn’t see it there before

She glanced this way
I thought I saw
And when we touched she didn’t shudder at my paw
No it can’t be, I’ll just ignore
But then she’s never looked at me that way before

New and a bit alarming
Who’d have ever thought that this could be
True that he’s no Prince Charming?
But there’s something in him that I simply didn’t see

Beast, at the same time, is delighted that Belle isn’t scared of him anymore, though he still doubts that romance could develop between them. At the same time, he does admit that Belle is looking at him somewhat differently, so maybe there is hope after all.

maxresdefault

Then Lumiere, Cogsworth and Mrs. Potts get into the act and they sing a verse of their own as they observe the pair in a rather one-sided snowball fight (Belle wins), with their own hope growing that soon the enchantment will be broken.

Well, who’d have thought?
Well, bless my soul
Well, who’d have known?
Well, who indeed?
And who’d have guessed they’d come together on their own?
It’s so peculiar. We’ll wait and see, a few days more
There may be something there that wasn’t there before

Poor little Chip though can’t figure out why everyone is so excited and Mrs. Potts shushes him with “I’ll tell you when you’re older.”

It really is an adorable moment, you can tell that something is building between the pair, and it might just be love, but neither will say as much yet.

735798_1321427060017_500_241

I really like the moment where Belle sings “New, and a bit alarming!” Just the way she emphasizes that last word shows how unsure she still is about this (which is understandable, Beast doesn’t fit the traditional mold of a sweetheart). And I absolutely LOVE the moment when Belle looks back and discovers that Beast is covered in birds!!!

For next time, I’ll look at a song that initially didn’t make the final cut, but thanks to the special edition, we have it now! Get ready for “Human Again” !

*all images are the property of Walt Disney Studios

Become a patron of the blog at: patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

For more Beauty and the Beast, see:

Beauty and the Beast “Belle” (1991)

Beauty and the Beast “Belle (reprise)” (1991)

Beauty and the Beast “Gaston” (1991)

Beauty and the Beast “Be Our Guest” (1991)

Beauty and the Beast “Human Again” (1991)

Beauty and the Beast “Beauty and the Beast/Tale as Old as Time” (1991)

Beauty and the Beast “The Mob Song” (1991)

Beauty and the Beast “The West Wing” (1991)

Beauty and the Beast “Battle on the Tower” (1991)

Beauty and the Beast “Transformation” (1991)

For more great Disney songs and films, check out the main page here: Disney Films & Soundtracks A-Z

Don’t forget to like Film Music Central on Facebook 🙂

My Thoughts on: Star Wars: Return of the Jedi (1983)

Until the release of The Force Awakens (2015), Return of the Jedi stood as the definitive conclusion to the Star Wars saga. And what a conclusion it had to be, there were multiple loose ends to tie up: Han Solo had to be rescued from Jabba the Hutt; Luke needed to reconcile/accept the fact that his father was Darth Vader; the Rebel Alliance needed to defeat the Imperial fleet and most importantly, the Emperor needed to be defeated.

It might seem strange that the Emperor would choose to build another Death Star (considering what happened to the first one), but then again I can only presume that this one had been modified to have no weaknesses like before, that’s why it had to be destroyed before it was completed.

databank_speederbike_01_169_c4204c29

Return of the Jedi Speeder Chase (1983)

For a long time Return of the Jedi was my favorite Star Wars film: it has the speeder chase, Ewoks, and it also has that final confrontation between Luke, Vader and the Emperor. I know some people don’t like the Ewoks, but I love them, they’re cute (The scene between Leia and Wicket is awesome). I have a goal to visit the forest they used for filming the speeder chase, it looks absolutely gorgeous!.

Return of the Jedi- The Emperor’s Throne Room (1983)

The final duel comes at the climax of the movie. While the Rebel Alliance attempts to put their plans into motion, Luke has turned himself in to Vader and is taken to see the Emperor. Considering this is the first movie to have the Emperor in the flesh, he’s quite menacing (the eerie music accompanying him helps with that impression a great deal). The Emperor insists that Luke is on the edge of falling to the Dark Side of the Force and that he is already a servant to him (which Luke denies). The whole time, Luke’s light saber is kept in plain sight, tempting Luke to try and take it and strike the Emperor down. While Luke resists for a while, he inevitably gives in and the duel commences.

As with the Cloud City duel, Vader is portrayed by Bob Anderson, with a number of different camera angles used during the fight (to great effect I might add). There’s an interesting moment towards the end, when Luke has vaulted up onto a catwalk and is looking down at Vader. Someone (I wish I could say who to give proper credit, but I honestly don’t remember) pointed out that this mirrors the situation at the conclusion of the Mustafar duel in Revenge of the Sith, where Obi-Wan has the high-ground above Anakin, but Anakin jumps anyway and that’s when he loses. Now that Luke is in the same position as Obi-Wan was, Vader has seemingly learned his lesson and instead of jumping up after him, he throws his lightsaber instead.

Now, the big moment in this duel is when Luke finally snaps and attacks Vader in a fury when the Dark Lord threatens his sister (who we all know to be Leia). However, this detail had NOT been established when the script was written. All Lucas had written for this point was “Vader taunts Luke/Luke snaps and attacks.” They’d always put off exactly WHAT Vader does to cause this issue, and finally it got down to the wire and they had to come up with a reason, and as they considered what Vader could possibly say that would get Luke to go off, and finally the light bulb went off as they realized “Leia is his sister and Vader threatens Leia!” That’s right, up until that moment, Leia had NOT been identified as Luke’s sister, and I’m tempted to say that the only reason she was identified as such is because they needed a reason for Luke to snap. That being said, I’m still not entirely convinced that Vader knew that Leia was Luke’s sister. In the dialogue, he only discovers that a sister exists and refers to her strictly in the abstract as “she.” He may never have made the connection that Leia and Luke’s sister were one and the same.

maxresdefault

Return of the Jedi- Final Duel (1983)

Return of the Jedi- Final Duel (Soundtrack Version) (1983)

One moment in the duel that I’ve heard get a lot of flak is the very end, when Vader 1) discovers that Luke has a twin sister and 2) teases that he’ll get her to join the Dark Side if he won’t, inciting Luke’s fury. The problem (people argue) is, considering how powerful Vader came across in Empire Strikes Back, how is it that Luke can suddenly overpower him? It does seem odd, and for a while I couldn’t answer this argument at all, until I gave it some thought. There are several ways to solve this puzzle, and I’ll list a few here:

Solution #1: Vader’s lightsaber skills aren’t what they used to be. Yes I know how he came across in Empire Strikes Back, but in that duel Luke wasn’t fully trained and he certainly didn’t have control of his emotions (which is key if you’re going to engage in a duel with a Sith Lord). If you think about it, it’s really been close to 20 years since Vader has faced an equally powerful and skilled opponent, his fighting skills had to have deteriorated over time.

Solution #2: Vader’s connection to the Force (which helps his fighting abilities) is severely weakened. If we (reluctantly) assume that the midichlorians are canon, then Vader can’t possibly have as strong a connection to the living Force as he used to. By my calculations, the only human parts of Vader left are his torso and his head, which would have severely decreased his midichlorians, and thus his ability to use the Force.

Solution #3: Vader is not fully committed to killing Luke. Vader seemingly has no problem with potentially killing Luke in Empire Strikes Back; as he tells the Emperor “He will join us or die.” But now, in Return of the Jedi, it’s become obvious that Vader is torn between his son and his duty to the Emperor. This emotional conflict (which Luke can sense) is throwing Vader off, influencing his fighting abilities.

Solution #4: Luke is simply more powerful in the Force than Vader. Being his son, this is certainly possible, and unlike Vader, Luke has only lost a hand at this point. Also, he is fully engaging in the Dark Side of the Force and his fury has magnified his abilities many times over.

Any of these could be viable solutions (or a combination of all four), and therefore I have no trouble with Luke overwhelming Vader at the end. This is really the first moment where the music plays into a lightsaber duel in the same way that “Duel of the Fates” and “Battle of the Heroes” will in the prequel films. The chorus is eerie and foreshadowing: by attacking Vader in anger, Luke is basically throwing himself off of a cliff into the Dark Side, and if he’d cut off Vader’s head instead of his hand, there would’ve been no going back. The Emperor knows this, that’s why he pushes Luke to finish the job. But for once, the Emperor has gravely miscalculated. The last time he tried this (pushing Anakin to kill Dooku), he was able to succeed because Anakin had no blood connection to Dooku, in fact, he had every reason in the world to kill him. But with Luke…he’s asking Luke to kill his own father, and that’s something the Jedi can’t do, no matter what Vader has done.

Of course the Emperor responds by trying to kill Luke with Force Lightning, and the sight of his own son being tortured finally snaps Anakin back into existence and he throws the Emperor down the core shaft, where he (presumably) dies (but I have my own theories about that which I’ll discuss another time, especially now in the wake of The Rise of Skywalker).

To summarize the ending, Luke and Anakin make their way to the shuttle, but the former Sith Lord has been too badly injured and makes a last request to see Luke “with his own eyes”, leading to an all too brief reunion between father and son. I honestly wasn’t sure what to think when Luke went through the motions of taking the helmet and mask off. Considering how terrifying Vader looked (and sounded), there was no telling what might be found underneath the mask. I thought Sebastian Shaw’s brief performance as the redeemed Anakin was good though. The final touch on this scene that I’ll mention is, just after he dies, there is a final refrain of the Imperial March, plucked out on a harp. It’s fitting and symbolic of how Anakin was finally brought back to the Light Side of the Force.

Return of the Jedi- ORIGINAL ending (1983)

Now, the ending of Return of the Jedi…well, I have a lot to say (I probably need to make a separate post on my feelings regarding the various changes). I for one, liked the original ending with the cute Ewok sound. True, what John Williams created to replace it is also good, but I didn’t feel the change was necessary. I did like how Luke looked back and saw the ghosts of Obi-Wan and Yoda with Anakin appearing to join them (I still think it was wrong to put Hayden Christensen in that scene, but at least they didn’t put Ewan McGregor in Obi-Wan’s place too). And at the very end, all the heroes are together, celebrating, the Empire has been overthrown…or has it?

For over thirty years the impression was given that the Empire was dead and the good guys had won. But now, with the Expanded Universe being discarded and a new Star Wars Universe coming out instead, we know this isn’t true. The victory at Endor was not total, and it now seems that the fight is far from over.

I still like watching Return of the Jedi, even though Empire Strikes Back is now my favorite, and I hope that someday, somehow, I can watch the original cut of this film again. Hope you enjoyed this, I know it ran a little long (but then again I had a lot to say, lol).

*all images are the property of 20th century Fox/Walt Disney Studios

Become a patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

See also:

Star Wars Episode I: The Phantom Menace (1999)

Star Wars Episode II: Attack of the Clones (2002)

Star Wars Episode III: Revenge of the Sith (2005)

Star Wars, the one that started it all! (1977)

Star Wars Episode V: The Empire Strikes Back (1980)

My Thoughts on: Solo: A Star Wars Story (with spoilers!) (2018)

Rogue One: A Star Wars Story, My Thoughts!!

My Thoughts on: Star Wars: The Rise of Skywalker (2019)

Don’t forget to like Film Music Central on Facebook 🙂

My Thoughts on: Star Wars (1977)

I have to start this post with a significant piece of irony: everyone knows that the Star Wars franchise is now owned by Disney, but did you know that it was almost that way from the beginning? Believe it or not, when George Lucas created Star Wars, he initially thought of it as a Disney film and took the story to Disney (back in 1976)…and Disney turned him down!! Over thirty years later, they bought the entire franchise from Lucas for a sweet $4 BILLION dollars (of course no one could’ve foreseen that before the movie premiered in May of 1977).

e948_classic_star_wars_movie_posters1

Star Wars (1977) was a cinematic revolution on multiple levels. Along with the release of Jaws (1975), Star Wars introduced Hollywood to the concept of a “blockbuster”: a single film on a relatively small budget that brings in HUGE profits (Hollywood still exists on this model today). The film also proved revolutionary in the realm of special effects; raising the bar so high that hitherto successful stop-motion films fell flat in the wake of this phenomenon (an example being Sinbad and the Eye of the Tiger (1977)). Using what was then state of the art technology, George Lucas created lightsabers, huge starships that filled the screen, lasers that blew up planets and fantastic droids of all shapes and sizes. (of course many of these practical effects were ruined by the later updates, but that’s a discussion for another time).

The original Star Wars is responsible for introducing audiences worldwide to a “galaxy far, far away” and the adventures of Luke Skywalker, who finds himself thrust into a life of adventure after two droids crash land on his home planet. Not only that, but old Obi-wan “Ben” Kenobi reveals that he was once a Jedi Knight, the same as Luke’s father. According to Ben, Luke’s father was betrayed by a fellow Jedi named Darth Vader and murdered! As if these revelations weren’t enough, Luke must also rescue Princess Leia and safely deliver the plans for the dread Death Star battle station into Rebel hands before the Imperial fleet discovers the location of the hidden base (wow, there’s a lot going on!) Then there’s the climactic battle to destroy the Death Star, the nefarious Darth Vader on the prowl in his specially designed fighter, and the question of whether the base can be destroyed in time!

Star Wars Original Trailer (1977)

The cast was a mixture of old stars and complete strangers. Among the notable actors appearing were Alec Guinness as Obi-Wan Kenobi and Peter Cushing as Grand Moff Tarkin. The three principal leads went to complete strangers: Mark Hamill as Luke Skywalker, Harrison Ford as Han Solo and Carrie Fisher as Princess Leia.

Of course, for me, the film music scholar, Star Wars also gave composer John Williams the chance to create some legendary music.Keep in mind that prior to Star Wars, science fiction music was largely considered to sound “futuristic” and “alien”, as in the complete opposite of a traditional orchestra (check out the soundtrack for Forbidden Planet on YouTube and you’ll see what I mean). From the minute the overture sounds at the beginning, you just KNOW that this film is something different. And truthfully, it’s somewhat wrong to call Star Wars “science fiction”, “space opera” is really the preferred way to describe this genre, both musically and visually.

Absolutely no one expected Star Wars to do very well at the box office, 20th Century Fox was essentially going out on a limb by agreeing to distribute the film at all. In fact, Lucas convinced himself that the film was going to bust and even told Steven Spielberg (who was working on Close Encounters of the Third Kind (1977)) that his film would surely blow Star Wars out of the water. And then the movie came out…and the movie world has never been the same since. It blew away all expectations and made a killing at the box office (my dad remembered the original film played at the local cinema for well over a YEAR after release). I remember, being rather young, asking my dad just how successful the first Star Wars was (since he saw it in theaters the first time). He put it to me like this: the original film (he said) was so profitable, that George Lucas, and Hamill, Ford and Fisher could have retired then and there and been set for life. It’s a pretty accurate statement, but I for one am glad that Lucas kept going because otherwise we wouldn’t have gotten The Empire Strikes Back.

I wish I could remember the first time I saw this movie, I can’t even tell you how old I was, but I can imagine that I sat there, bug-eyed, as this huge drama played out in front of me. I was fortunate in that my parents had recorded a copy of the original, unaltered Star Wars on a VHS tape, and so that was the version I knew first.

Trivia time!!!

There’s a very good reason why James Earl Jones dubbed over David Prowse as Darth Vader: Prowse has an exceptionally noticeable Welsh accent that, unfortunately, makes him sound the complete opposite of menacing. Allegedly, Prowse had no idea he’d been dubbed over until he watched the premiere of the film.

Darth Vader as voiced by David Prowse

Peter Cushing/Tarkin’s boots pinched his feet horribly so he wore them only when a full body shot was absolutely required. Any other time that he is on camera and his feet are not visible…he’s wearing slippers.

Right up until the first day of filming, Luke was still known as “Luke Starkiller”

Obi-Wan was NOT supposed to die in the original script. He was supposed to make it off the Death Star with everyone else and help begin Luke’s proper training with Yoda in the next installment. What happened is, Lucas looked at the outline of the story and realized that for the rest of the film and a big chunk of the (intended) sequel, Obi-Wan had absolutely nothing to do so, in an 11th-hour decision, Lucas decided to kill the character off (a decision that Guinness was not pleased with).

As strange as it might look, that is a real sword fighting style that Obi-Wan is using against Darth Vader.

This is the only Star Wars film (prior to The Force Awakens) where the Emperor does not appear in some way or another (Tarkin makes a few passing comments about the Emperor dissolving the Imperial Senate, but that is all).

*all images belong to either 20th century Fox/Walt Disney Studios

Don’t forget to like Film Music Central on Facebook!

See also:

My Thoughts on: Star Wars: The Rise of Skywalker (2019)

My Thoughts on: Solo: A Star Wars Story (with spoilers!) (2018)

Rogue One: A Star Wars Story (2016), My Thoughts!!

Beauty and the Beast “Beauty and the Beast/Tale as Old as Time” (1991)

I admit I’ve been putting this particular song off because it’s really my favorite (and I was afraid of not being able to do it justice). But having re-watched the movie for inspiration, I feel confident enough to proceed now.

“Beauty and the Beast” (also known as the Dancing scene) is the culmination of the Beast’s efforts to forge a relationship with Belle. The magical rose is already well on the way to wilting, so it is imperative that Beast confess his love at just the right moment.

The beginning of this scene is just beautiful as Belle comes down the stairs in her golden dress (fact: I loved this dress so much as a kid that I begged my mother to make one for me so I could be Belle too). The Beast, meantime, has made a complete transformation from the mostly-wild creature we first met, to a perfect gentleman.

As the pair walk to dinner, the entire moment is graced with a song by Mrs. Potts (Angela Lansbury), and here comes one of the craziest stories I ever heard about a Disney song (it might just beat the story I told about “Gaston” too). See, the writers and director knew that this moment was pivotal to the story, if they got any part wrong it just wouldn’t work. And therein lay the problem for a long time, they just couldn’t figure out WHO should sing this song. For a while it was going to be Lumiere, but since he’d already performed “Be Our Guest”, it didn’t feel quite right for him to be narrating this moment. Cogsworth was also considered, as well as a Lumiere-Cogsworth duet, but that REALLY didn’t feel right.

Eventually, they felt that Angela Lansbury (as Mrs. Potts) would be just right, however, the actress did NOT want to do it; she didn’t feel right with it, didn’t think she could do the song justice, etc. In short, she politely refused. But the director knew that there was no one else to turn to, so…he used a trick. The director and Alan Menken approached Angela Lansbury and said something to the effect of “We know you don’t want to perform the song, and that’s fine. But could you please do a run-through anyway, just so we have something to help pace the scene?” The actress agreed to that and did a single run-through of the song…and that is what you hear in the final movie. Oh, I’m so glad they convinced her to do it too, it just couldn’t have worked without her.

Tale as old as time
True as it can be
Barely even friends
Then somebody bends
Unexpectedly

Just a little change
Small to say the least
Both a little scared
Neither one prepared
Beauty and the Beast

Beauty-and-the-beast-disneyscreencaps.com-7353

This scene is also notable for the use of CGI in the main ballroom (the room and especially the chandelier being computer generated). There had initially been two ideas for a CGI scene, one being the ballroom scene, and the other being the climactic battle on the tower. Well, it turned out that the technology of 1991 was not quite ready to render the tower battle realistically, so the ballroom became their sole chance to show off what computer animation could do. There was even a plan B if the animation ultimately didn’t work: the animators planned to use an “Ice-capades” theme (i.e. Belle and Beast would’ve been dancing in a spotlight with darkness all around) if for some reason the computer animation failed.

Ever just the same
Ever a surprise
Ever as before
Ever just as sure
As the sun will rise

Tale as old as time
Tune as old as song
Bittersweet and strange
Finding you can change
Learning you were wrong

Certain as the sun
Rising in the east
Tale as old as time
Song as old as rhyme
Beauty and the Beast

Tale as old as time
Song as old as rhyme
Beauty and the Beast

I think this could be the perfect Disney scene, there isn’t a flaw anywhere, and Angela Lansbury’s rich voice perfectly complements what is going on. I especially love, during the “bittersweet and strange” verse, when the camera is panning down from the ceiling and showing Belle and Beast twirling, fully engrossed in the moment. Should I ever get married some day, I fully plan on this song being “the first dance song” during the reception (because it’s perfect).

I’m not sure what the live-action remake will do as an equivalent for this scene, but, however good it looks, it’ll be hard pressed to top this, that’s for sure.

Next time there’s “Something There” that wasn’t there before (oh what could it possibly be!)

*all images are the property of Walt Disney Studios

Become a patron of the blog at: patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

For more Beauty and the Beast, see:

Beauty and the Beast “Belle” (1991)

Beauty and the Beast “Belle (reprise)” (1991)

Beauty and the Beast “Gaston” (1991)

Beauty and the Beast “Be Our Guest” (1991)

Beauty and the Beast “Something There” (1991)

Beauty and the Beast “Human Again” (1991)

Beauty and the Beast “The Mob Song” (1991)

Beauty and the Beast “The West Wing” (1991)

Beauty and the Beast “Battle on the Tower” (1991)

Beauty and the Beast “Transformation” (1991)

For more great Disney songs, check out the main page here: Disney A-Z

Don’t forget to like Film Music Central on Facebook 🙂

Hans Zimmer (and Richard King) talk The Dark Knight Rises (2012)

the-dark-knight-rises-final-poster

Hans Zimmer (and Richard King) talk The Dark Knight Rises (2012)

The finale of The Dark Knight film trilogy saw composer Hans Zimmer return to score the film. Co-composer James Newton Howard declined to return for this film (as he felt Zimmer and Nolan would work better together) but the main theme that he helped create still remains in the film.

Zimmer admits that he kept Selina Kyle’s theme ambiguous and also that he took Bane’s theme in a completely different direction than what had been seen in the previous installments of the series.

This interview clip that I found features not only Zimmer, but Richard King as well, as they talk about the various sounds and musical themes heard in the film.

Like The Dark Knight (2008), I admit that I haven’t actually seen this film, but I’ve heard from so many that it is good, that I’ve placed the entire trilogy on my “to watch” list. Please enjoy this interview for The Dark Knight Rises (2012).

*all images are the property of Warner Bros. Studios

Become a Patron of the blog at patreon.com/musicgamer460

See also:

Film Composer Interviews A-H

Film Composer Interviews K-Z

Don’t forget to like Film Music Central on Facebook 🙂