Sequels are always a risky business; no matter how successful the original, there’s always the chance that a follow-up story will fall totally flat and ruin the story forever. Thankfully, such was not the case with Hannibal (2001), the follow-up to The Silence of the Lambs (1991). Set ten years after the original story, Clarice Starling (now played by Julianne Moore) must locate Hannibal Lecter before a surviving victim (played brilliantly by Gary Oldman) tracks down the serial killer to exact his gruesome revenge. While it’s true that this film was met with mixed reviews by the critics, I found Hannibal to be a very thrilling story, especially the last third. Anthony Hopkins is such a compelling presence when he’s onscreen, and he plays the role with so many layers that you can watch the film multiple times and see a new interpretation each time.
Of course the film wouldn’t be nearly as good without its musical score, which was composed by Hans Zimmer. In this wonderful interview, both Zimmer and director Ridley Scott talk about the music and how it came together. Scott believes that the music is just as important as the dialogue and so the score is crafted accordingly. Hannibal marked the fourth time that the director and composer collaborated on the same project, and you can tell that they’ve developed a good working relationship with each other.
Zimmer describes Hannibal as a “haunting story” and that the music must be haunting as well to match it, and I believe he totally succeeded in accomplishing this. One thing about Hannibal (the character) that always fascinated me is his love of the classical, be it art, poetry or music. The score reflects this to a large degree, as Hans Zimmer wrote several choral pieces in an early classical style for certain scenes involving the titular character. It was amazing to learn about the score for this haunting film, and I hope you enjoy it as well.
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Hans Zimmer talks The Road to El Dorado (2000)
Hans Zimmer talks The Dark Knight (2008)
Hans Zimmer talks Sherlock Holmes (2009) and Sherlock Holmes: A Game of Shadows (2011)
Hans Zimmer talks Inception (2010)
Hans Zimmer (and Richard King) talk The Dark Knight Rises (2012)
Hans Zimmer talks Man of Steel (2013)
Hans Zimmer talks Interstellar (2014)
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A criminally underappreciated film and adaptation. Along with having a score to die for. Sorry, couldn’t resist, but I am a fan of this film (even if Ridley Scott and the former Starling, Jodie Foster, balked at author Thomas Harris’ more bizarre finale). I also think this is an underrated Julianne Moore performance. Every time she’s onscreen, I don’t miss Jodie, at all.
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I love Julianne Moore in this film (though I also like Jodie Foster too, they’re both good for their own reasons) but for me the big draw is always Anthony Hopkins.
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