Tag Archives: anime

Soundtrack News: Shaman King Original Soundtrack Vol. 1 Available Now

Milan Records has released the “SHAMAN KING” ORIGINAL SOUNDTRACK VOL. 1 by composer and arranger YUKI HAYASHI (My Hero Academia: Heroes RisingPretty CureStrawberry Night).  Available everywhere now, the album features music written by Hayashi for the recent reboot of the fan-favorite anime series, which will make its US debut on Netflix. 

Yuki Hayashi was born in Kyoto in 1980.  Being an active member in a men’s rhythmic gymnastics team in his early years spawned his interest in BGM while selecting songs to complement performances.  This led him to begin teaching himself music composition while at university, despite not having a background in music itself. After graduating, Yuki acquired the basics of track making under house techno DJ and sound-maker Hideo Kobayashi and started producing his first range of music accompaniments for dance sports.  His experience as a rhythmic gymnast has enabled Yuki to intuitively incorporate an eclectic range of music and produce a unique sound, empowering scenes from TV drama, animation and film.

Those called “Shamans” can interact with gods and spirits compete for the position of “Shaman King” once every 500 years in the “Shaman Fight.”  One of those shamans, Yoh Asakura, is fighting to be the “Shaman King” in this completely new TV animation. 

“SHAMAN KING” ORIGINAL SOUNDTRACK VOL. 1

TRACKLISTING – 

  1. Exalted Spiritual Fortitude
  2. SHAMAN KING
  3. SHAMAN KING (Instrumental Version)
  4. OVER SOUL
  5. Yoh’s Spirit
  6. Empathic Heart
  7. Avalanche
  8. Avalanche (Instrumental Version)

You can check out Vol. 1 of the Shaman King soundtrack from Milan Records now!

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Soundtrack News: Hikaru Utada Releases New Single “Pink Blood”, Featured as Theme Song for ‘To Your Eternity’

Milan Records has released Hikaru Utada’s new single “Pink Blood” and its accompanying music video – listen to the track HERE

Featured as the theme song for the anime television series To Your Eternity, “Pink Blood” marks Hikaru Utada’s first time providing the main theme song to an anime television series.  The music video for “Pink Blood” was directed by 谷川英司/Eiji Tanigawa of Creative Lab.TOKYO, and features a more imaginative, conceptual look

“Pink Blood” follows the hugely successful release of “One Last Kiss,” which served as the main theme song to the film Evangelion: 3.0+1.0 THRICE UPON A TIME – listen HERE. Released on March 10, “One Last Kiss” made Hikaru Utada the first-ever solo artist to keep the top spot for three consecutive weeks simultaneously in two of the Oricon chart digital categories. The track also hit the very top in the multi-genre JAPAN HOT 100 chart of Billboard JAPAN, the first time in 10 years for the artist, and it also beat her own record by charting in 33 countries and regions worldwide! The limited edition 12-inch vinyl sold nearly 50,000 units in Japan, making it the top selling vinyl in Japan this year. 

The vinyl is available for preorder now in the United States via Milan Records. 

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Soundtrack Review: Eden (2021)

Milan Records has released EDEN (Music From the Netflix Original Anime Series) by composer Kevin Penkin (Tower of GodMade in AbyssFlorence). Available for preorder now, the album features music written by Penkin for Netflix’s latest original anime series, which follows the last remaining human girl as she navigates an unfamiliar robot-inhabited world. Created by Justin Leach (Ghost in the Shell 2) and directed by legendary Fullmetal Alchemist: Brotherhood director Yasuhiro Irie, Eden debuted on Netflix on Thursday, May 27.

Kevin Penkin, based in Melbourne, is a BAFTA-nominated composer for Japanese animation and video games. He is best known for composing the award-winning score to Made in Abyss, and the music to the BAFTA award-winning game Florence. Kevin moved to London in 2013 to complete a Masters degree in Composition for Screen at the Royal College of Music. During this time, Kevin collaborated with legendary video game composer Nobuo Uematsu on a number of Japanese video game titles, which eventually led him to break into the Anime industry. After releasing his breakthrough score for Made in Abyss, Penkin continued to compose music for Japanese animation, with scores for both The Rising of the Shield Hero and Tower of God.

Thousands of years in the future, a city known as “Eden 3” is inhabited solely by robots whose former masters vanished a long time ago. On a routine assignment, two farming robots accidentally awaken a human baby girl from stasis questioning all they were taught to believe — that humans were nothing more than a forbidden ancient myth. Together, the two robots secretly raise the child in a safe haven outside Eden.

Of the soundtrack for EDEN, composer Kevin Penkin had the following to say:

“Eden is one of those projects that I will cherish forever. The love put into this project not only from the team, but also the musicians, is humbling. Being able to work with people who gave so much trust in the direction of the music is something I will forever cherish. Please enjoy the unique world of Eden, as we combine the unique worlds of a 3D-printed 6-string violin, female voices and electro-acoustic sound-sources. We have tried to put our best foot forward to honor the amazing work of this team.”

The music for Eden is intensely beautiful and not at all what I imagined it would sound like. Though that may be my fault as I saw the story’s premise of two robots caring for a human child and immediately imagined that the music would focus on all of the robots and be more mechanical in nature. However, judging by what I’ve heard, Kevin Penkin went in the opposite direction entirely. The music for Eden is highly reminiscent of the countryside and nature, which makes sense since a) the name of the series references the Garden of Eden and b) the robots in question are programmed to do farm work so they would be out among nature anyway.

Another detail I noticed, and I really need to start asking composers about this is, a lot of these tracks are really short, like 30-45 seconds. I’ve said it before and I’ll say it again, a track that is less than a minute long doesn’t give you a whole lot of time to get into it. By the time the music really gets going…it’s over. I really need to start asking why some tracks are so short, as these can contain some of my favorite musical ideas, but they stop short when it feels like they could go on much longer.

I also love how the strings come together in this soundtrack. The strings I’m hearing sound so beautiful and unique, this has to be the 3-D printed six-string violin that the composer references. The music this instrument creates is unbelievable: it sounds like a perfect fusion of East and West in that the strings sound like a traditional Western instrument but the music itself is in an Eastern mode. The blending of musical styles creates such a treat for the ears that I literally can’t stop listening to this music.

I highly recommend checking out the music for Eden and I hope you enjoy it.

EDEN (MUSIC FROM THE NETFLIX ORIGINAL ANIME SERIES)

TRACKLISTING –

  1. The Garden of EDEN
  2. Genesis
  3. The Capsule Under the Tree
  4. Recharge
  5. Ocean Way
  6. Reprogram
  7. Sunrise Over the Cube
  8. Uncle John
  9. Sara
  10. VR
  11. Valhalla
  12. EDEN 3
  13. Dreams
  14. Chasey
  15. Return to Base
  16. EDEN.Waltz
  17. Sunset
  18. Liz Projections
  19. ZERO
  20. Appledrop
  21. Penrose Steps, A.I. Bloom
  22. Password:
  23. Truth Is
  24. EDEN ZERO
  25. Archive
  26. Mama & Papa
  27. Detonation
  28. Removal
  29. 4
  30. Dr. Fields
  31. Memory Fields
  32. The Place Where Everyone Laughs
  33. SARA GRACE
  34. Rain
  35. Demolition
  36. Red vs Blue
  37. Strawberry Blonde
  38. The Girl in the Field
  39. The Robotic Code of Ethics

Let me know what you think about Eden and its soundtrack in the comments below and have a great day!

See also:

TV Soundtracks

Become a Patron of the blog at patreon.com/musicgamer460

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Music from the Netflix Original Anime Series ‘EDEN’ Out Today!

Milan Records today released the EDEN (Music From the Netflix Original Anime Series) by composer Kevn Penkin (Tower of God, Made in Abyss, Florence). Available for preorder now, the album features music written by Penkin for Netflix’s latest original anime series, which follows the last remaining human girl as she navigates an unfamiliar robot-inhabited world. Created by Justin Leach (Ghost in the Shell 2) and directed by legendary Fullmetal Alchemist: Brotherhood director Yasuhiro Irie, Eden debuted on Netflix on Thursday, May 27.

Kevin Penkin, based in Melbourne, is a BAFTA-nominated composer for Japanese animation and video games. He is best known for composing the award-winning score to Made in Abyss, and the music to the BAFTA award-winning game Florence. Kevin moved to London in 2013 to complete a Masters degree in Composition for Screen at the Royal College of Music. During this time, Kevin collaborated with legendary video game composer Nobuo Uematsu on a number of Japanese video game titles, which eventually led him to break into the Anime industry. After releasing his breakthrough score for Made in Abyss, Penkin continued to compose music for Japanese animation, with scores for both The Rising of the Shield Hero and Tower of God.

Thousands of years in the future, a city known as “Eden 3” is inhabited solely by robots whose former masters vanished a long time ago. On a routine assignment, two farming robots accidentally awaken a human baby girl from stasis questioning all they were taught to believe — that humans were nothing more than a forbidden ancient myth. Together, the two robots secretly raise the child in a safe haven outside Eden.

Of the soundtrack for EDEN, composer Kevin Penkin had the following to say:

“Eden is one of those projects that I will cherish forever. The love put into this project not only from the team, but also the musicians, is humbling. Being able to work with people who gave so much trust in the direction of the music is something I will forever cherish. Please enjoy the unique world of Eden, as we combine the unique worlds of a 3D-printed 6-string violin, female voices and electro-acoustic sound-sources. We have tried to put our best foot forward to honor the amazing work of this team.”

EDEN (MUSIC FROM THE NETFLIX ORIGINAL ANIME SERIES)

TRACKLISTING –

  1. The Garden of EDEN
  2. Genesis
  3. The Capsule Under the Tree
  4. Recharge
  5. Ocean Way
  6. Reprogram
  7. Sunrise Over the Cube
  8. Uncle John
  9. Sara
  10. VR
  11. Valhalla
  12. EDEN 3
  13. Dreams
  14. Chasey
  15. Return to Base
  16. EDEN.Waltz
  17. Sunset
  18. Liz Projections
  19. ZERO
  20. Appledrop
  21. Penrose Steps, A.I. Bloom
  22. Password:
  23. Truth Is
  24. EDEN ZERO
  25. Archive
  26. Mama & Papa
  27. Detonation
  28. Removal
  29. 4
  30. Dr. Fields
  31. Memory Fields
  32. The Place Where Everyone Laughs
  33. SARA GRACE
  34. Rain
  35. Demolition
  36. Red vs Blue
  37. Strawberry Blonde
  38. The Girl in the Field
  39. The Robotic Code of Ethics

Enjoy the music of EDEN, which is available now.

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My Thoughts on: Demon Slayer: Kimetsu no Yaiba the Movie: Mugen Train (2020)

I was so excited when my local movie theater opened back up that I started booking tickets for pretty much everything, including Demon Slayer: Kimetsu no Yaiba the Movie: Mugen Train. Given how popular the movie has been, I was excited to check it out, even though I haven’t seen any of the Demon Slayer anime before.

As it turns out, maybe I should have checked out the anime and/or the manga first because I feel like that would have really helped me enjoy the movie more. Don’t get me wrong, it’s not a bad movie, it’s just….it’s not really my style if that makes sense. Some of the fighting animations were spectacular, but the story overall, I just didn’t like it. It felt too uneven, especially the last part.

No, really, the last fight scene of the film feels like it should belong to a completely separate story. Just when I thought the movie was drawing to an end, a completely DIFFERENT character steps in and all I can think is “Who is this guy and why are they introducing him NOW when the story is almost over?” Sure, the fight itself was pretty dramatic, but it didn’t feel like it belonged to the movie as a whole.

Maybe I’ll appreciate the movie better if/when I check out the anime. However, right now I have to admit I’m pretty disappointed. I feel like they could’ve done a better job of making the movie enjoyable for viewers who perhaps haven’t seen the anime yet.

Let me know what you think about Demon Slayer: Kimetsu no Yaiba the Movie: Mugen Train in the comments below and have a great day!

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Animated Film Reviews

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Soundtrack News: ‘Puella Magi Madoka Magica’ Soundtrack Albums Available Now

Milan Records celebrates the tenth anniversary of the critically-acclaimed anime franchise Puella Magi Madoka Magica with the first-ever digital release of music featured in the series, movie and the mobile game “Magia Record.” Included within the release are three albums of music from the Aniplex title, including two albums featuring music from the series and movie as well as one album from Magia Record: Puella Magi Madoka Magica Side Story, a mobile game based on the anime with its own original storyline. The release arrives as part of title’s 10th anniversary project, celebrating the original 2011 airdate of the fan-favorite show.

Puella Magi Madoka Magica Ultimate Best and Puella Magi Madoka Magica Music Collection include a mix of score music composed by Yuki Kajiura, original vocal tracks sung by the series cast as well as additional tracks by J-pop artists ClariS and Kalafina. Meanwhile the Magia Record: Puella Magi Madoka Magica Side Story Music Collection includes score music written for the mobile game side story by various artists as well as a vocal track by J-pop artist TrySail.

ABOUT PUELLA MAGI MADOKA MAGICA

She has a loving family and best friends, laughs and cries from time to time… Madoka Kaname, an eighth grader of Mitakihara Middle School, is one of those living such a life. One day, she had a very magical encounter. She doesn’t know if it happened by chance or by fate yet. This is a fateful encounter that can change her destiny – this is a beginning of the new story of the magical witch girls.

PUELLA MAGI MADOKA MAGICA ULTIMATE BEST TRACKLISTING –

1.Connect –ClariS

2.Mata Ashita –Madoka Kaname*

3.Credens Justitiam –Yuki Kajiura

4.Sis Puella Magica! –Yuki Kajiura

5.And I’m Home (Original Master Version) –Sayaka Miki** & Kyoko Sakura***

6.Magia –Kalafina

7.Luminous–ClariS

8.She is a Witch–Yuki Kajiura

9.Hikarifuru–Kalafina

10.Naturally–Madoka Kaname* & Sayaka Miki**

11.Akogaresaita–Madoka Kaname*

12.Mebius Ash–Homura Akemi****

13.Yumeoto –Madoka Kaname* & Homura Akemi****

14.Stairs–Mami Tomoe***** &Kyoko Sakura***

15.mada dameyo–Yuki Kajiura

16.Noi!–Yuki Kajiura

17.Colorful–ClariS

18.Kimino Ginno Niwa–Kalafina

PUELLA MAGI MADOKA MAGICA MUSIC COLLECTION TRACKLISTING –

1.Prelude to Act 1–Yuki Kajiura

2.Scaena Felix–Yuki Kajiura

3.Postmeridie–Yuki Kajiura

4.Conturbatio–Yuki Kajiura

5.Puella In Somnio–Yuki Kajiura

6.Salve, Terrae Magicae–Yuki Kajiura

7.Desiderium–Yuki Kajiura

8.Gradus Prohibitus–Yuki Kajiura

9.Credens Justitiam–Yuki Kajiura

10.Sis Puella Magica!–Yuki Kajiura

11.Inevitabilis–Yuki Kajiura

12.Pugna Cum Maga–Yuki Kajiura

13.Vocalise Op. 34 No. 14–Yuki Kajiura

14.Umbra Nigra–Yuki Kajiura

15.Venari Strigas–Yuki Kajiura

16.Agmen Clientum–Yuki Kajiura

17.Signum Malum–Yuki Kajiura

18.Serena Ira–Yuki Kajiura

19.Incertus–Yuki Kajiura

20.Ave Maria–Yuki Kajiura

21.Decretum–Yuki Kajiura

22.Anima Mala–Yuki Kajiura

23.Mata Ashita–Madoka Kaname*

24.And I’m Home (Original Master Version)–Sayaka Miki** & Kyoko Sakura***

25.Connect (Game Instrumental Version)–ClariS

26.Prelude to Act 2–Yuki Kajiura

27.Amicae Carae Meae–Yuki Kajiura

28.Clementia–Yuki Kajiura

29.La Fille Aux Cheveux De Lin–Yuki Kajiura

30.Pugna Infinita–Yuki Kajiura

31.Confessio–Yuki Kajiura

32.Cor Destructum–Yuki Kajiura

33.Terror Adhaerens–Yuki Kajiura

34.Symposium Magarum–Yuki Kajiura

35.Numquam Vincar–Yuki Kajiura

36.Quamobrem?–Yuki Kajiura

37.Surgam Identidem–Yuki Kajiura

38.Nux Walpurgis–Yuki Kajiura

39.Sagitta Luminis–Yuki Kajiura

40.Cubilulum Album–Yuki Kajiura

41.Taenia Memoriae–Yuki Kajiura

42.Pergo Pugnare–Yuki Kajiura

43.Connect–ClariS

44.Magia–Kalafina

45.Numquam Vincar (Live Version)–Yuki Kajiura

MAGIA RECORD: PUELLA MAGI MADOKA MAGICA SIDE STORY MUSIC COLLECTION TRACKLISTING –

1.Inception –Ryo Furukawa

2.Infinite Battle –Ryo Furukawa

3.First Contact –Yasuhisa Inoue

4.Awaken –Kyohei Ozawa

5.Place to Hunt –Yasuhisa Inoue

6.Intermediate–Naoki “naotyu-” Chiba

7.Welcome to Mirrors–Naoki “naotyu-” Chiba

8.Repeat Days –Yasuhisa Inoue

9.Memories –Yasuhisa Inoue

10.Twilight –Yasuhisa Inoue

11.To Remember –Kyohei Ozawa

12.Remain –Kyohei Ozawa

13.Coordinator –Yasuhisa Inoue

14.Lost Tension –Kyohei Ozawa

15.Anxiety –Yasuhisa Inoue

16.Touch One’s Heart –Kyohei Ozawa

17.Be Terrified –Ryo Furukawa

18.Creation –Yasuhisa Inoue

19.Wings of Magius –Yasuhisa Inoue

20.Full Moon –Yasuhisa Inoue

21.The Imaginator –Yasuhisa Inoue

22.Uwasa-san –Yasuhisa Inoue

23.The Lecture –Yasuhisa Inoue

24.Into the Territory –Kyohei Ozawa

25.Hotel Fenthope –Kyohei Ozawa

26.Thought of You –Kyohei Ozawa

27.Battle Fields –Ryo Furukawa

28.Initiation Battle –Yasuhisa Inoue

29.The Crow –Tatsuhiko Saiki

30.Magical Artist –Kyohei Ozawa

31.Calculated Future –Yasuhisa Inoue

32.Last Dungeon –Ryo Furukawa

33.Reunion –Ryo Furukawa

34.The Other Side –Yasuhisa Inoue

35.Battle Bell–Naoki “naotyu-” Chiba

36.Depth in the Mirror–Naoki “naotyu-” Chiba

37.One Day She Meets–Naoki “naotyu-” Chiba

38.Sunshine of the Mind –Kyohei Ozawa

39.Day of Rest –Yasuhisa Inoue

40.Plot –Ryo Furukawa

41.Farewell –Tatsuhiko Saiki

42.Complex Home –Kyohei Ozawa

43.Painful Memories–Naoki “naotyu-” Chiba

44.Inerasable –Kyohei Ozawa

45.This Morning –Tatsuhiko Saiki

46.There is –Kyohei Ozawa

47.Little Trick –Kyohei Ozawa

48.Hot Summer Day –Kyohei Ozawa

49.Kakawari –TrySail

See also:

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Soundtrack Review: Pacific Rim: The Black (2021)

On March 5, Milan Records and Sony Music Masterworks released Pacific Rim: The Black (Music from the Netflix Original Anime Series) by composer Brandon Campbell.  Available everywhere now, the album features score music written by Campbell for Netflix’s newest anime series from Legendary Television and based on Legendary and Guillermo del Toro’s blockbuster film franchise Pacific Rim.  Continuing the tale of epic battles between monsters and robots in an exciting new style, Pacific Rim: The Black made its global debut yesterday and is available now to watch exclusively on Netflix.   

Of the soundtrack, composer Brandon Campbell had the following to say:

“Our showrunner, Greg Johnson, wanted a score that encompassed bits of DNA from the original Pacific Rim film while still being unique enough to support the struggles and triumphs of Taylor and Hailey. We created a hybrid orchestral score with the heavy themes and melodic material that will hopefully resonate with Pacific Rim fans, while including more intimate and emotional musical moments that accompany our characters as they make their way across The Black. I hope my music brings you back into the world of the awesome power of the Kaiju and Jaeger, but also into the hearts of Taylor and Hailey.”

I meant to check out this soundtrack a solid month ago and I regret that life got in the way to delay me because the music for Pacific Rim: The Black is good, really good. While I haven’t heard the soundtracks for either Pacific Rim movie (a terrible shortcoming I know), there are moments sprinkled throughout this soundtrack that sound so “big” they can only come from and/or be inspired by the original movie soundtracks. This is great, as thematic continuity between films and a television series is a proven way to help audiences get invested in the new story. Put it like this: if the story sounds like it comes from the same universe, then it becomes easier to accept the story as belonging to that universe, even if none of the regular movie characters show up.

What’s really interesting to me aside from that is the musical connection to other kaiju movies that I swear I can hear. For example, in ‘Kaiju Messiah’, there’s a musical sequence that sounds eerily similar to music I’ve heard in Godzilla (2014), Godzilla: King of the Monsters (2019) and Godzilla vs Kong (2021) whenever Godzilla is in action. I don’t know if this is deliberate or not, but it would make sense since the story of Pacific Rim is about fighting kaiju (which is what Godzilla is, albeit in a different story).

Another thing I really like about the music for Pacific Rim: The Black is how descriptive it is. Which is to say it paints an evocative picture of how desolate this setting is, and how dangerous. There’s nothing generic about this music, you know that it belongs to science-fiction just by listening to it. It would’ve been so easy for Netflix to commission music that was bare-bones acceptable, but they didn’t do that, they got music that carries its share of the story, and that is so important. You need the music to drive the final nail home of where this story is taking place, what is this world like? The wrong music, as I’ve said many times before, can break a decent story, and by all accounts this is the best music possible for Pacific Rim: The Black.

PACIFIC RIM: THE BLACK (MUSIC FROM THE NETFLIX ORIGINAL ANIME SERIES)
TRACKLISTING

  1. The Black
  2. They Always Come Back
  3. Jaeger Breaker
  4. The Drift
  5. b0y
  6. Shane
  7. Boneyard
  8. I’ve Had Worse Benders
  9. Mind Heist
  10. Dismei
  11. Ghost Pilot
  12. Shadow Basin
  13. Bogan Boogie
  14. Memories
  15. Never Coming Back
  16. The Most Powerful Man in The Black
  17. Hunter Vertigo
  18. Just Calm Down
  19. Kajiu Messiah
  20. Copperhead
  21. Atlas Destroyer

It’s a shame I didn’t get to this soundtrack a month ago, but better late than never right? I really enjoyed checking out the music for Pacific Rim: The Black, and you should check it out right away if you get the chance, as it is currently available.

Let me know your thoughts on Pacific Rim: The Black (and its soundtrack) in the comments below and have a great day!

See also:

TV Soundtracks

Become a Patron of the blog at patreon.com/musicgamer460

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Soundtrack Review: DOTA: Dragon’s Blood (2021)

On March 25th, Netflix released their new original anime DOTA: Dragon’s Blood, with a score by composer Dino Meneghin (Teen Wolf, Lore), based on the massively popular online MOBA video game DOTA 2. Dino is best known for his television score for MTV’s Teen Wolf, adapted from the classic Michael J. Fox films, as well as several episodes of the hit Amazon Prime Original horror anthology series Lore. In addition to his work in television, Meneghin also scored SNL alumni Taran Killan’s action comedy feature film Killing Gunther with Arnold Schwarzenegger and the short films The Tow and Prom.

Although the series is set in the fantasy DOTA universe, the score isn’t the kind of sweeping, orchestral music typically found in the genre. Composer Dino Meneghin wanted a different kind of score more akin to Tangerine Dream or the old Heavy Metal cartoons. Meneghin set to work creating an entirely unexpected score for the series driven by synths and oftentimes abstract but still able to pull the emotional weight of the story.

Speaking about his experience working on the series, Meneghin said:

“DOTA has been one of the best musical experiences of my career so far. Ashley Miller, Netflix, and Studio MIR were collaborative, open-minded, and willing to take chances with the score. Getting a chance to dive so deeply into a world loved by so many players and fans has been an incredible experience, and I hope the viewers will see and hear how much love we put into it.”

The music for DOTA: Dragon’s Blood really isn’t what you’d expect for a fantasy series. I was fully prepared for the full orchestral experience, as that often pairs well with these kinds of stories, but Meneghin didn’t go in that direction. Instead, what he’s put together is more pared down, while remaining intricate. There is a distinct hint of the fantastical if you listen to the music all the way through, but it’s not big and lush like, say, Game of Thrones. No, the music for DOTA: Dragon’s Blood….it almost reminds me of the music for Blade Runner, in spirit if not in actual texture. The way the synths form a background to the melody, it really does remind me of that science-fiction story, and that’s not a bad thing.

This may sound weird, but hearing the synths in the music had me thinking that perhaps the music is, in its own way, paying homage to DOTA’s digital roots as an online game. The synths make me think of a virtual world, which is how DOTA started, and I like how Meneghin weaves the artificial tones in and out of the musical score for DOTA: Dragon’s Blood.

I really enjoyed listening to the music for DOTA: Dragon’s Blood, it’s been a pleasant surprise and one that everyone should check out when they get the chance.

Let me know what you think about DOTA: Dragon’s Blood in the comments below and have a great day!

See also:

Soundtrack Review: Teen Wolf (2011-present)

TV Soundtracks

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Soundtrack News: ‘My Hero Academia’ Season 5 EP Out Now!

Milan Records released My Hero Academia Season 5 (Original Series Soundtrack EP) with music by composer and arranger Yuki Hayashi (My Hero Academia: Heroes Rising, Pretty Cure, Strawberry Night) on March 31, 2021.

Yuki Hayashi was born in Kyoto in 1980.  Being an active member in a men’s rhythmic gymnastics team in his early years spawned his interest in BGM while selecting songs to complement performances.  This led him to begin teaching himself music composition while at university, despite not having a background in music itself. After graduating, Yuki acquired the basics of track making under house techno DJ and sound-maker Hideo Kobayashi and started producing his first range of music accompaniments for dance sports.  

Available everywhere now, the EP features music written by Hayashi for the fifth season of the critically-acclaimed, hugely popular anime series. Hayashi returns to the My Hero Academia universe after scoring all four seasons of the hit anime television series as well as the first two film installments, My Hero Academia: Two Heroes and My Hero Academia: Heroes Rising. Based on Kōhei Horikoshi’s well-loved manga series, the fifth season of My Hero Academia premiered March 27.

MY HERO ACADEMIA SEASON 5 (ORIGINAL SERIES SOUNDTRACK EP)
TRACKLISTING –

  1. Go, Plus Ultra
  2. So Classmate Were Born Of Worthy Competition
  3. Successor
  4. A VS B
  5. “QUIRK” DON-PACHI Great Exchange
  6. What To Inherit

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Soundtrack News: The Promised Neverland Season 1 & 2 Soundtracks Available Now

Milan Records today releases The Promised Neverland (Season 1 & 2 Original Soundtrack) with music by Takahiro Obata.  Available everywhere now, the album features music written by Obata for the fan-favorite anime series, which just debuted its second season earlier this year.  With a total of 61 tracks, it collects all of Obata’s original music from both seasons, including the hugely popular “Isabella’s Lullaby” introduced in season 1 as well as “The Evil-Blooded Girl (Main Theme),” which premiered earlier this week via Funimation.

Of the soundtrack, composer Takahiro Obata says:

“I’m glad that the fans of The Promised Neverland are paying attention to the music as well. We would like to thank everyone for making the release of Season 1 & 2 Original Soundtrack possible! I hope you enjoy it!”

Freedom is beautiful, but brutal. Fifteen children escape Grace Field House, a false paradise, hoping for a chance at freedom. Instead, they encounter plants and animals they have never before seen, and are chased by demons. The outside world is so beautiful, and yet is almost too cruel to face. Even so, the children refuse to give up. They are guided in their search for better lives only by a message from Minerva and a pen Norman left behind in order to fulfill their promise to return to the House to save those of their family who are still trapped within.

THE PROMISED NEVERLAND ORIGINAL SOUNDTRACK (COMPLETE EDITION)

TRACKLISTING –

DISC 1 –

  1. Introduction
  2. As a Soft Morning Sunrise
  3. Tag
  4. Studying for Exams
  5. Cold-hearted Isabella
  6. Training For Escape
  7. Tight Tension
  8. Isabella’s Lullaby
  9. Demon’s Manifestation
  10. Emma’s Sorrow
  11. Dancing Krone
  12. 63194 (Emma’s Theme)
  13. The Promised Neverland Main Theme 1
  14. GF House
  15. 81194 (Ray’s Theme)
  16. Tension
  17. Corpse Found
  18. Krone’s Scheme
  19. Existence of an Insider
  20. Emma’s Agony
  21. Isabella’s Lullaby (No Vocal Version)
  22. Krone on the GF String
  23. The Promised Neverland (Pf solo Version)
  24. Prison Break
  25. Strategy for escape
  26. Emma’s Determination
  27. Grandma and Demons
  28. Isabella’s Lullaby (Mandolin Version)
  29. Analysis for escape
  30. 22194 (Norman’s Theme)
  31. Their Own Thoughts
  32. Reasoning for escape
  33. Ray’s Retaliation

DISC 2 –

  1. The Deep Forest
  2. Guidance of Minerva’s Pen
  3. The Adventures of Ugo
  4. Threat of the Demon
  5. Ray Against Demons
  6. Mujika and Sonju (Instrumental Version)
  7. Mujika and Sonju (Vocal Version)
  8. The Promise Between Humans and Demons
  9. Training
  10. An Unlikely Friendship
  11. Nat King Cool
  12. Nat King Ballade
  13. Happy Family Circle
  14. Invasion
  15. Crisis
  16. Isabella’s Return
  17. The Temple Ruins
  18. The Evil-Blooded Girl (Main Theme)
  19. Isabella’s Lullaby (Arabic Version)
  20. Isabella’s Lullaby (Orchestra Version)
  21. Norman’s Lament
  22. The Promised Neverland Main Theme 2
  23. The Promised Neverland (Epf solo Version)
  24. Touch off (Short Version)
  25. Zettai Zetsumei (TV edit)
  26. Lamp (TV edit)
  27. Identity (short version)
  28. Mahou (Anime Size)

The soundtrack for seasons 1 & 2 of The Promised Neverland is available now!

See also:

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