Sigourney Weaver | Film Music Central

As long as I live I will never forget the first time I saw Alien. I was in college, it was my sophomore year and I was feeling really bored and in the mood for something new. There was an Alien marathon on TV and I decided to just sit down and try them (since I’d never seen them before). And for the record, I did know about the chestburster scene going in, I just didn’t know where in the film it would be.

Alien, if you’ve never seen it before, is a dark, gritty piece of science fiction horror that is about as far from the sanitized utopia of Star Trek as you can get. The story follows the crew of the Nostromo, a commercial space tug hauling a massive shipment back to Earth. The ship is clean (for the most part) and functional, but it’s not what you’d call elegant. There are no sleek lines or holographic displays here; this is a ship that feels real. The crew is abruptly pulled from stasis when the ship’s computer “Mother” detects a transmission coming from LV-426, a barren moon. There they stumble across the wreckage of an alien spacecraft which is carrying a strange cargo of eggs…and the situation deteriorates from there.

The story is almost literally a case of “curiosity killed the crew.” Once Kane (John Hurt) is attacked by the alien face hugger, Ripley (Sigourney Weaver) is the only sensible one who wants to follow protocol and keep Kane in quarantine until they can determine if it’s dangerous. Ash (Ian Holm), the science officer, overrules Ripley and allows Kane to come on board, setting the events for the rest of the film into motion. The facehugger implants an egg, which quickly develops into the iconic alien (in gruesome fashion) and one by one the crew is picked off. If they hadn’t been so hellbent on investigating the alien ship in the first place, no one would have died (probably). Though given how ruthless the Company (later retconned to the Weyland-Yutani Corporation) is implied to be, if the crew had returned with nothing they probably would have met with some kind of “accident” back on Earth.

Part of what makes the first Alien film so terrifying is how little you really see of the alien itself. This was done by design as director Ridley Scott wanted audiences to see the alien as a terrifying figure and not just “some guy in a rubber suit” (which is exactly what the alien was, but watching the film you’d never know that). There is also no way of knowing when the alien is going to appear next.

My two favorite examples involve the death of Captain Dallas (Tom Skerritt) and the climax of the film. In the first scene, Dallas is stalking the alien with a flamethrower…or at least he thinks he is. At an intersection of the ship, Dallas turns with a light and the last thing you see is a jump cut of the alien lunging out of the darkness (it always makes me jump too, even though I KNOW the shot is coming, the way it’s timed always puts me on edge). The second example is even scarier because it’s also a false ending: Ripley has escaped the Nostromo by the skin of her teeth and is preparing to enter a stasis pod until she can be rescued. Just as everyone’s relaxed…THERE’S THE ALIEN! It’s hand literally pops out of the wall as it had burrowed itself into the side of the shuttle to escape detection. Fun fact about this scene? If you examine the wall of the shuttle while Ripley is getting changed, you can just see him sitting there before the moment happens (but you have to look carefully, he’s camouflaged very well).

One scene that makes me intensely uncomfortable is the scene where Ash tries to murder Ripley. I know it was probably designed to make the audience squirm but that doesn’t make it any easier to sit through (in brief, Ash tries to suffocate Ripley by forcing a rolled up magazine down her throat), in fact many times I just skip the scene entirely.

And of course I have to mention Jerry Goldsmith’s fantastic score, which is minimal to be sure, but very effective. Actually, the opening credits were supposed to feature a theme that was more orchestral and Romantic in tone, but Ridley Scott didn’t like it so Goldsmith was obliged to recompose the opening to what you hear in the final cut (he would also grouse that while the first piece took weeks to compose, the piece that made it into the film took all of ten minutes to put together). Despite the difficulties, the score was nominated for a Golden Globe, a Grammy Award and a BAFTA Award (though unfortunately it didn’t win).

Alien is one of those rare films that you can watch over and over and still be scared every single time; it’s definitely one of those films you must see at least once in your life. If you have seen Alien, let me know what you think about it in the comments below and have a great day!

See also:

My Thoughts on: Aliens (1986)

Film Reviews

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*warning, I’m discussing the endings of multiple films so I suppose I should include a spoiler warning

You’ve seen it before: after a long and arduous battle, the bad guy (or group of bad guys) is defeated/killed and the surviving heroes all breathe a sigh of relief as they prepare to return to their mostly normal lives. But wait…what’s that noise? Oh no one of the bad guys isn’t dead and here he comes again!! That, in a nutshell, is the essence of a false ending in film. For a few minutes it seems like the story is wrapping up but it’s actually the prelude to another fight (or in some cases another full act of the story).

False endings are extremely common in horror films and are usually employed to lure the audience into a false sense of security (believing the danger is passed) before using a final jump scare that often takes the last surviving character. In non-horror examples, false endings are usually employed as an excuse to stretch out the ending of a film, either for dramatic or comedic reasons. There are far too many examples for an exhaustive list, but I will do my best to list some of the most notable examples from film history:

The Ten Commandments (1956): There’s a scene towards the end of the film when Rameses returns after his army is destroyed in the Red Sea. He vowed to kill his wife when he returned but when she points out that he failed to kill Moses, he flings the sword down and slumps onto his throne, his only explanation being “His god…IS God.” The way this scene ends, it could almost be viewed as the end of the film, as Moses and his people have safely crossed the Red Sea and Rameses has been thoroughly chastised for his hubris. But then the scene shifts back to the desert and the final act of the film truly begins.

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Alien (1979): This is probably one of the more famous examples. Ripley (Sigourney Weaver) has destroyed the Nostromo, escaping with her cat into a small shuttle. The danger seemingly passed, she prepares to put herself back into stasis to await rescue when OMG the Alien’s hand shoots out from a wall revealing it had stowed away on the escape ship. This leads to a final battle where a terrified Ripley must blow the Alien into space.

Aliens (1986): An equally notable example: the colony on LV-426 was blasted into oblivion with only Bishop, Hicks, Newt and Ripley escaping alive. They make it back to the Sulacco and prepare to get medical help for Hicks before setting a course for home when suddenly…Bishop is impaled from behind, revealing the fearsome Alien Queen stowed away and she’s madder than ever!

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The Lord of the Rings: The Return of the King (2003): As anyone who has seen this film knows, the end of this film has multiple false endings, with it seemingly taking forever to reach the true ending of Frodo sailing away into the West while Sam returns home to his family.

The Descent (2005): This is possibly one of the cruelest false endings ever made. Sarah barely manages to escape the cave with her life and speeds away in her car. Suddenly she sees Juno, one of her dead companions sitting in the passenger seat which causes Sarah to snap awake and realize…it was all a dream, she’s still in the cave and the monsters are closing in.

John Wick (2014): A notable recent example comes in the first John Wick film. After fulfilling his mission and killing Iosef in revenge for killing his dog, the weary assassin prepares to return home. He’s even given a new car as ‘compensation’ for everything. All seems to be well…until Viggo learns that Marcus could’ve killed Wick several times before this and chose not too. When he informs Wick that he’s going after Marcus, the film shifts back into action and we get almost a full act of action and violence before finally reaching the true ending (Wick saves a dog from being put down and limps for home).

Atomic Blonde (2017): It could be argued that the ending sequence of this movie contains several false endings. For a few minutes it seems like the film is going to end with the revelation that Lorraine was Satchel all the time only to shift into an attempted assassination by her Russian handlers (which she escapes), leading to the shock revelation that Lorraine is actually American CIA (and there’s no way of knowing if that’s the actual truth but it’s where the film ends).

Other films with notable false endings include: Spectre (2015); A Nightmare on Elm Street (1984); 47 Meters Down (2017) and Final Destination 2 (2003).

What do you think of these false endings? Are there any examples you can think of that I didn’t list? Please let me know your thoughts in the comments below and have a great day!