Category Archives: Films

The Lion King “Can You Feel the Love Tonight” (1994)

There are love songs and then there are love songs, and for a long time “Can You Feel the Love Tonight” was THE love song for me. The song was created by a collaboration between Tim Rice and Elton John (in fact the pop version in the end credits is performed by the latter). Now that they’re both grown up, Simba and Nala are finally accepting their feelings for one another and coming to the realization that yes, they are in love!

The song went through several variations before it reached the form we all know and love. At one point, it was going to be sung exclusively by Timon and Pumbaa, but that idea was discarded because it was felt that the comedic nature of the duo would detract from the romantic theme of the song.

 

 I can see what’s happening
(spoken) What?
And they don’t have a clue
(spoken) Who?
They’ll fall in love, and here’s the bottom line
Our trio’s down to two
(spoken) Oh.

Ze sweet caress of twilight
There’s magic everywhere
And with all this romantic atmosphere
Disaster’s in the air

Then it was going to be sung onscreen by Simba and Nala, but THAT idea was dropped because it was felt Disney had already gone that route many, many times. Ultimately, a compromise of sorts was reached: Timon and Pumbaa begin and end the song, while Simba and Nala sing offscreen while onscreen we watch the pair grow closer together.

Can you feel the love tonight?
The peace the evening brings
The world, for once, in perfect harmony
With all its living things

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Of course it’s not as simple as Simba and Nala just falling in love, they both have mental obstacles that are initially holding them back.

So many things to tell her
But how to make her see
The truth about my past? Impossible
She’d turn away from me

He’s holding back, he’s hiding
But what, I can’t decide
Why won’t he be the king I know he is
The king I see inside?

Can you feel the love tonight?
The peace the evening brings
The world, for once, in perfect harmony
With all its living things

Can you feel the love tonight?
You needn’t look too far
Steeling through the night’s uncertainties
Love is where they are

For Simba’s part, he still blames himself for his father’s death, and he feels that if Nala knows the “truth,” she would never love him. For Nala, she can’t understand why Simba has stayed away all these years (in fact up until a few hours ago she believed Simba was long-since dead) when he is in fact the rightful king of Pride Rock. Happily, they both dismiss their mental concerns and embrace the fact that they love each other, and for tonight at least, the world is a perfect place.

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Hijinks ensued (Simba started it)

And while Simba and Nala are happy with their new-found love, Timon and Pumbaa are horrified because, if Simba falls in love, he’ll ultimately leave the oasis, which means their longtime friend will be gone forever and “doomed” (because their life motto Hakuna Matata/No worries doesn’t really make provision for love, which in itself can be home to a host of worries).

And if he falls in love tonight
It can be assumed
His carefree days with us are history
In short, our pal is doomed

I really love the inclusion of Timon and Pumbaa’s comedy as a bookend to the song (let’s face it, little kids can get squirmy during love songs, I know I did at that age). (And, I don’t know why, but I always giggle a little when Timon and Pumbaa burst into tears at the end of the song, it just seems funny to me that they’re so upset about Simba falling in love).

And that’s “Can You Feel the Love Tonight.” Let me know your thoughts on this awesome love song in the comments below!

Become a patron of the blog at: patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button

For more Lion King, see also:

The Lion King “The Circle of Life” (1994)

The Lion King “I Just Can’t Wait to be King” (1994)

The Lion King “Be Prepared” (1994)

The Lion King “Hakuna Matata” (1994)

The Lion King “Under the Stars” (1994)

The Lion King “To Die For” (1994)

The Lion King “King of Pride Rock” (1994) Pt. 1

The Lion King “King of Pride Rock” Pt. 2 (1994)

For more great Disney songs and other animated soundtracks, check out the main page here

Don’t forget to like Film Music Central on Facebook 🙂

My thoughts on: Kubo and the Two Strings (2016)

So on Saturday afternoon I finally got to see Kubo and the Two Strings and wow! Oh.my.gosh. This film is AMAZING!! It deserves every ounce of praise that it is getting and is easily the best film I have seen this year, period. I can’t sing the praises of the stop-motion animation enough, this film takes the genre to an entirely different level. In fact, the stop-motion was so fluid that for 90% of the film, I forgot that this was stop-motion entirely (there are a handful of moments where you can see the tell-tale signs that the figures are being manipulated, but I’m not really complaining).

 

As for the story, oh wow, talk about a roller coaster ride! This story had more than it’s fair share of highs and lows. The film stars Art Parkinson as Kubo, Charlize Theron as Monkey (Kubo’s protector), and Matthew McConaughey as Beetle, a strange warrior-beetle…thing. The film has a heavy emphasis on dealing with loss, the power of memories and the meaning of family. The main villain of this film is the mysterious Moon King, an otherworldly figure that is after Kubo for the most dastardly of reasons (and when the full reason is explained, I gasped in horror). To try and stop the Moon King, Kubo embarks on a journey to find a legendary suit of armor and a sword that is said to be powerful enough to defeat him.

But we don’t meet the Moon King until well into the film; first we meet two of his daughters (and I don’t believe they have any specific name) and they are, by far, two of the scariest characters I’ve seen in a long time. In fact…

*minor spoilers*

The Moon King’s daughters remind me very much of V from V for Vendetta because they both wear these smiling masks (that make them look really creepy) and they wear long black cloaks with wide-brimmed black hats. Every time I saw them, I had the nagging sensation that they looked familiar, but it wasn’t until I got home that I made the connection. I’m not saying it’s bad that they resemble V, just pointing out the similarity.

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Monkey (Charlize Theron) and Beetle (Matthew McConaughey) are hilarious, especially when they’re interacting with each other. And of course, Kubo himself is the best character in the film; he cares for his mother, he takes on this massive quest and…. *minor spoiler* he learns to use magic.

Traditional Japanese music is front and center in this film and that is something that I love! A lot of the music is generated in-story by the shamisen that belongs to Kubo and his mother. A shamisen is a traditional Japanese instrument that has three strings and is played with a plectrum (think of a really large guitar pick). As a film music scholar, I’m so pleased to see a film with non-orchestral music, as that is a rare thing these days.

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A Japanese noblewoman with a shamisen

In conclusion, Kubo and the Two Strings is an amazing film (I keep saying that but it’s true!) that everyone should go see. After the less than stellar sequels, prequels and remakes offered this summer, Kubo and the Two Strings is a breath of fresh air. 🙂

See also:

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See also: Animated Film Reviews

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The Lion King “I Just Can’t Wait to be King” (1994)

Oh Simba, Simba, Simba…now that the young lion knows about the mysterious elephant graveyards (courtesy of his devious uncle Scar), the mischievous cub is determined to find a way to go see them, despite being clearly warned by his father that he must NEVER go there. But of course, this is a Disney movie, and when did the rules ever stop a Disney hero from going where they weren’t supposed to go?

At any rate, Simba has a plan, and it involves his best friend, a girl lion cub named Nala. Claiming that he wants to go with Nala to visit the nearby water hole, the pair is allowed to set off, but are accompanied by Zazu. Needing to “ditch the dodo,” the two young cubs begin formulating a plan when the observant bird lets some unexpected news slip: Simba and Nala are betrothed/engaged/intended/affianced, in other words, some day they’re going to be married!! This actually gives the cubs the perfect opening to set their plan into motion as, when Zazu protests that betrothals are a tradition “going back generations” Simba boasts:

“Well when I’m king, that’ll be the FIRST thing to go.”

Despite Zazu’s (increasingly vocal) protests, the young prince begins to lay out exactly how he’ll run the Pride Lands when he becomes king and this is the basis of “I Just Can’t Wait to be King.”

I’m gonna be a mighty king
So enemies, beware

(spoken)
Well, I’ve never seen a king of beasts
With quite so little… hair

I’m gonna be the main event
Like no king was before
I’m brushing up on looking down
I’m working on my ROAR!

(spoken)
Thus far, a rather uninspiring thing

Oh, I just can’t wait to be king!

The song is hilarious for many reasons: Simba and Nala take every opportunity to tease poor Zazu; seemingly every animal in the Pride Lands is in on the trick and, most funny of all, Simba clearly has no idea of what it actually means to be king!

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This is understandable, I mean, after all, Simba is only a kid and not expected to know everything at this point, but he’s already at that age where he thinks he knows all he needs to know, meaning he has very unrealistic expectations of what being a king is like.

No one saying, “Do this”

No one saying, “Be there”

No one saying, “Stop that”

No one saying, “See here”

Free to run around all day

Free to do it all my way!

For example, Simba seems to believe that kings can do whatever they want, whenever they want, however they want (a belief that Scar shares believe it or not). A king’s life also consists of looking down (from atop Pride Rock), working on his roar and basically strutting around everywhere (with Nala by his side).

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Poor Zazu is completely mortified by Simba’s attitudes about being king, exclaiming “If this is where the monarchy is headed, count me OUT!!” The uptight bird can sense that the cubs are up to something, but if he ever completely figures out what’s going on it’s not until the cubs have already gotten away with it (poor guy).

The song builds and builds, until finally Simba is “enthroned” atop a massive pyramid of animals, with an unwitting Zazu set up to be squashed at the bottom. This gives the cubs enough time to slip away and head straight for the forbidden elephant graveyard.

Everybody look left
Everybody look right
Everywhere you look I’m…
Standing in the spotlight

Let every creature go for broke and sing
Let’s hear it in the herd and on the wing
It’s gonna be King Simba’s finest fling!

Oh, I just can’t wait to be king!
Oh, I just can’t wait to be king!
Oh, I just can’t wait…

To be king!

“I Just Can’t Wait to be King” is a fun Disney song that really brings back happy childhood memories for me (I loved pretending to be Simba). I hope you enjoyed reading about this song and have a great weekend 🙂

Become a patron of the blog at: patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button

For more Lion King, see also:

The Lion King “Be Prepared” (1994)

The Lion King “Hakuna Matata” (1994)

The Lion King “Can You Feel the Love Tonight” (1994)

The Lion King “The Circle of Life” (1994)

The Lion King “Under the Stars” (1994)

The Lion King “To Die For” (1994)

The Lion King “King of Pride Rock” (1994) Pt. 1

The Lion King “King of Pride Rock” Pt. 2 (1994)

And for more great Disney songs and films, check out the main page here 🙂

Don’t forget to like Film Music Central on Facebook

 

*all images are the property of Walt Disney Studios

The Fellowship of the Ring “The Ring Goes South/Fellowship Main Theme” (2001)

After the 9 members of the Fellowship of the Ring are assembled at the conclusion of the Council of Elrond, preparations are made for the group to leave Rivendell on their dangerous quest. (As a refresher, the Fellowship consists of: Frodo, Sam, Merry, Pippin, Gandalf, Gimli, Legolas, Boromir and Aragorn).

Arwen and Aragorn (who are very much in love, despite Elrond’s wishes) make a final farewell, but it is not a happy one. We will learn later that Elrond has pressured Aragorn into dismissing Arwen’s love, to encourage her to travel across the sea when her father makes his last journey (if Arwen were to stay in Middle Earth with Aragorn, they would never see each other again). Aragorn is also confronted (by Elrond) regarding his destiny: he is the last surviving member of the royal bloodline of Numenor; he and he alone could unite the realms of men and become King, but Aragorn swears he does not want this destiny, he has never wanted it.

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Elsewhere, Frodo and Bilbo have their last moment together and Bilbo has some gifts for Frodo: his old mithril shirt (that can repel any blow) is given to him to wear secretly under his clothes. Frodo is also given Bilbo’s elven sword Sting, which (like all Elven blades) will glow blue whenever orcs are close by (it’s curious then, that Legolas’s daggers don’t glow blue as well). As Frodo goes to put the mithril shirt on, Bilbo catches a glimpse of “his” old Ring, and he pleadingly asks to hold it one last time. When Frodo draws away however, Bilbo has a frightening “Gollum” moment that scares them both (and reveals that the Ring still has a very strong grip on the old hobbit). Guilt-ridden that his Ring has placed Frodo in this mess, Bilbo apologizes for everything that’s happened, and the two say farewell.

The Fellowship of the Ring “The Ring Goes South” (Film Scene) (2001)

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Now comes the moment the Fellowship departs, crossing the bridge that leads out of Rivendell. As they do, a theme begins to build, starting with a single French horn, and slowly building in intensity. We have actually heard snippets of this theme before, beginning when Aragorn first takes the four hobbits “into the Wild.” It is the main theme of the Fellowship and now we are to hear it in full, in all its glory, along with the famous “Fellowship passing by” scene. It’s a grand moment, but sadly very short-lived, as the music immediately begins to die away after the climax and the scene moves on.

There are some gorgeous scenic views in this short sequence, and it never fails to impress me that the entire trilogy was filmed in New Zealand; it’s the perfect setting for Middle Earth (and I fully plan on visiting the country some day if I ever get the chance).

See also: Film Soundtracks A-W

You can become a patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

For more Fellowship of the Ring, see also

The Fellowship of the Ring “The Shire” (2001)

The Fellowship of the Ring “The Wood Elves/Passing of the Elves” (2001)

The Fellowship of the Ring “The Treason of Isengard” (2001)

The Fellowship of the Ring “A Knife in the Dark” (2001)

The Fellowship of the Ring “Flight to the Ford” (2001)

The Fellowship of the Ring “Many Meetings” (2001)

The Fellowship of the Ring “The Bridge of Khazad-Dum” (2001)

The Fellowship of the Ring “Lothlorien” (2001)

The Fellowship of the Ring “In Dreams” (2001)

Don’t forget to like Film Music Central on Facebook 🙂

*all images are the property of New Line Cinema

The Lion King “The Circle of Life” (1994)

Part of what makes The Lion King so spectacular is the gorgeous animation and renderings of the African landscape. The film’s iconic sunrise opening remains a beautiful moment, even 20 plus years after the film’s initial release. The opening song “The Circle of Life” is a perfect combination of traditional African music and Western song. The opening “call” is from the Zulu language and translates to:

“Here comes a lion father, oh yes it’s a lion!/We’re going to conquer/A lion and leopard come to this open place.”

more-to-see-than-can-ever-be-seen

After this initial verse, the scene alternates between various animals found in Africa (cheetahs, rhinoceros, elephants, ostrich, antelope, etc) all awakening and beginning a mass journey towards what is ultimately revealed as Pride Rock. This visual of animals assembling to celebrate the birth of a new Prince is reminiscent (and likely inspired by) the opening scene of Bambi (1942) where all the animals of the forest gather to greet the newly born Bambi.

I love the next verse:

From the day we arrive on the planet
And blinking, step into the sun
There’s more to see than can ever be seen
More to do than can ever be done

There’s far too much to take in here
More to find than can ever be found
But the sun rolling high
Through the sapphire sky
Keeps great and small on the endless round

It’s a perfect summation of life, there is so much to do/see/touch/experience, that even living life to the absolute fullest, we still couldn’t experience all of it, which is amazing when you think about it.

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I love the sweeping view of the landscape when Zazu flies up to Mufasa

It’s the Circle of Life
And it moves us all
Through despair and hope
Through faith and love

Till we find our place
On the path unwinding
In the Circle
The Circle of Life

Up at Pride Rock, King Mufasa (James Earl Jones) is awaiting the arrival of Rafiki, a mandrill who serves as an advisor to the king and also presents the new Prince to the animals of the Pride Lands whenever a new one is born. The newborn Simba is absolutely adorable and somewhat bewildered by everything going on around him. Rafiki pronounces his blessing and proceeds to take the lion cub out to the ledge so that all the animals can see him and bow in homage. It’s a wonderful moment, and this remains one of my favorite Disney songs.

I hope you enjoy “The Circle of Life,” let me know your thoughts in the comments below!

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button

For more Lion King, see also:

The Lion King “Be Prepared” (1994)

The Lion King “Hakuna Matata” (1994)

The Lion King “Can You Feel the Love Tonight” (1994)

The Lion King “Under the Stars” (1994)

The Lion King “To Die For” (1994)

The Lion King “King of Pride Rock” (1994) Pt. 1

The Lion King “King of Pride Rock” Pt. 2 (1994)

For more great Disney songs and films, check out the main page here

Don’t forget to like Film Music Central on Facebook 🙂

The Fellowship of the Ring “Many Meetings” (2001)

After barely (and I mean barely) escaping the clutches of the Black Riders, Frodo awakens after several days in the hidden valley of Rivendell, home of Elrond (Hugo Weaving), the near-legendary son of Earendil, brother to Elros (the first king of Numenor and Aragorn’s distant ancestor), and the father to three children: Elladan, Elrohir and Arwen (Liv Tyler, more on her later).

The visual introduction to Rivendell is stunning, but I am sad to report that the location (with all the waterfalls) does not exist in real life, making Rivendell one of the few locations not to be completely based in a real-life environment. The musical backdrop is full of tranquil choral voices which highlight the fact that Rivendell is a place where one can find peace of mind, no matter what they’ve gone through (and recently Frodo has gone through quite a lot).

As the name of this piece implies, many meetings take place in this scene: Frodo is reunited with Sam, Merry and Pippin, who are all overjoyed to see Frodo recovered, but, to Frodo’s joy, there is one more meeting (more like a reunion), as he sees a considerably aged Bilbo sitting and working on his book (appropriately, there’s a brief refrain of “The Shire” at this moment). The two sit and talk for a while, and Frodo finally accepts that, however much he wanted to be like Bilbo as a child, his own adventure was turning into something completely different.

 

Keep in mind now that Frodo (at this stage) believes his part in the story is ending. The Ring, so far as he knows, should be safe in Rivendell, therefore he and Sam and the others should be ready to go home to the Shire before long. Unfortunately, the hobbits are soon to discover that they aren’t going home any time soon.

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Meanwhile, Elrond and Gandalf have been holding their own meeting and Elrond lays out the cold, hard truth: the Ring cannot possibly stay in Rivendell, not with Sauron AND Saruman looking for it. Between the two forces Rivendell would fall sooner or later, and it’s not really up to the Elves to fix the situation anyway. After living in Middle-Earth for thousands of years, most of the Elven peoples are leaving, heading across the Sea to the Undying Lands. Someone else will have to resolve the situation with the Ring.

Gandalf believes he has a solution then “It is in Men, that we must place our hope.” But Elrond is dubious (and in his mind rightfully so). You see, he was there, 3000 years ago, when Isildur defeated Sauron and cut the Ring from his hand. Elrond took the Numenorean prince into the heart of Mount Doom and begged him to destroy the Ring on the spot, and end evil for all time. But even in those few minutes of possessing the One Ring, Isildur’s heart had been corrupted and he refused. Ever since, Elrond has lost faith in any “strength” that Men may possess.

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A council is being called and delegations from all corners of Middle Earth are arriving: we see Boromir (Sean Bean), riding in from Gondor; Legolas (Orlando Bloom) from the Woodland Elves in Mirkwood; Gloin and Gimli (John Rhys-Davies) to represent the dwarves. Together, hopefully, they will be able to decide what to do with the One Ring.

Tauriel In LOTR

Howard Shore hit the nail on the head when he wrote the music for “Many Meetings.” The piece functions in the same way that “Lothlorien” does after the Moria scenes, since Rivendell immediately follows the frantic chase in “Flight to the Ford.” Now that the danger is (temporarily) passed, everyone has a chance to breathe and relax and the music encourages this feeling. Truthfully, I could listen to this music for several hours and not find it boring. I also love how everything in Rivendell seems to be infused with a golden light (in a similar vein, Lothlorien is predominately silver), and everything feels warm and very much alive.

That’s all for me today, I am beginning to feel better, but still not quite 100%. I hope you enjoyed “Many Meetings”

You can become a patron of the blog at: patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

See also: Film Soundtracks A-W

For more Fellowship of the Ring, see also:

The Fellowship of the Ring “The Shire” (2001)

The Fellowship of the Ring “Shadow of the Past” (2001)

The Fellowship of the Ring “The Wood Elves/Passing of the Elves” (2001)

The Fellowship of the Ring “The Treason of Isengard” (2001)

The Fellowship of the Ring “A Knife in the Dark” (2001)

The Fellowship of the Ring “Flight to the Ford” (2001)

The Fellowship of the Ring “The Ring Goes South/Fellowship Main Theme” (2001)

The Fellowship of the Ring “The Bridge of Khazad-Dum” (2001)

The Fellowship of the Ring “Lothlorien” (2001)

The Fellowship of the Ring “In Dreams” (2001)

Don’t forget to like Film Music Central on Facebook  🙂

*all images are the property of New Line Cinema 

The Lion King “Hakuna Matata” (1994)

Driven from his home in the Pride Lands, Simba finds himself in a lush oasis (separated from his home by a wide desert). But he is not alone: this place is already home to a meerkat named Timon and a warthog named Pumbaa (they’d found Simba passed out not far away and brought him back with them).

Horribly guilt-ridden, Simba doesn’t want to stay, but Timon and Pumbaa persuade them to change his mind by teaching him a new lesson “You have to put the past behind you…when the world turns its back on you, you turn your back on the world!” All of this can be summarized in the two word motto the pair use: “Hakuna matata” which means “No worries.” It’s also the title of the song the pair sing to introduce Simba to his new home and their way of life.

Hakuna Matata, what a wonderful phrase!
Hakuna Matata, ain’t no passing craze
It means no worries for the rest of your days
It’s our problem-free philosophy
Hakuna Matata!

I love “Hakuna Matata.” It’s a hilariously funny Disney song and the perfect way to lighten the mood after the darkness and despair of the wildebeest stampede. Timon and Pumbaa are the perfect comedy relief, a pair of wonderful characters. As a kid, I loved singing along with this particular track, and even now, thinking of it makes me smile.

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Abiding by the rule of “hakuna matata”, Timon and Pumbaa don’t let anything bother or upset them. No one bothers them and they don’t bother anybody else. We also find out why Pumbaa in particular separated himself from the world.

Why, when he was a young warthog…
When I was a young warthog!

He found his aroma lacked a certain appeal
He could clear the Savannah after every meal
I am a sensitive soul
Though I seem thick-skinned
And it hurt that my friends never stood downwind
And oh, the shame!
He was ashamed!
Thought of changing my name!
Oh, what’s in a name!
And I got downhearted!
How did you feel?
Every time that I…

Hey, Pumbaa! Not in front of the kids!
Oh, sorry.

Hakuna Matata! What a wonderful phrase!
Hakuna Matata, ain’t no passing craze
It means no worries for the rest of your days
Yeah, sing, kid!
It’s our problem-free…
philosophy!
Hakuna Matata!

It looks like Pumbaa used to live in the Pride Lands, however, being particularly flatulent, no one wanted to be around the poor warthog, and an embarrassed Pumbaa retreated to the oasis. Another verse was going to tell Timon’s story, but the song was already running long so that verse was cut.

One big change that Simba has to get used to is a new diet: the oasis, while a lush place, is home to no other wild life, no antelope, zebras or hippos, not anything that Simba is used to eating. As Timon says “Kid, if you’re going to live with us, you have to eat like us.” And what do Timon and Pumbaa eat? Grubs!! (Bugs and worms, that is). Simba is grossed out by the idea, but he finally tries one and finds….it’s not so bad!

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Now comes one of my favorite visual moments in the film. During a montage representing the passing of time, Simba transforms from a cub, to a young adult, to a fully grown adult lion with a beautiful mane. The adult Simba has fully embraced “hakuna matata” and is seemingly content to live out the rest of his days in this isolated paradise. And Timon and Pumbaa are thrilled to have a friendly lion that’s looking out for them, and not at all interested in eating them.

But Simba’s quiet, carefree life is about to come to an emphatic end when a person out of his past makes an unexpected appearance (oh who could it possibly be!!)

Become a patron of the blog at: patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button

For more Lion King see also:

The Lion King “Be Prepared” (1994)

The Lion King “Can You Feel the Love Tonight” (1994)

The Lion King “I Just Can’t Wait to be King” (1994)

The Lion King “The Circle of Life” (1994)

The Lion King “Under the Stars” (1994)

The Lion King “To Die For” (1994)

The Lion King “King of Pride Rock” (1994) Pt. 1

The Lion King “King of Pride Rock” Pt. 2 (1994)

And for more great Disney songs and films, check out the main page here: Disney Films & Soundtracks A-Z

Don’t forget to like Film Music Central on Facebook 🙂

The Fellowship of the Ring “A Knife in the Dark” (2001)

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The Fellowship of the Ring “A Knife in the Dark” (Soundtrack Only) (2001)

After Strider brings the four Hobbits to the former watchtower of Amon Sul (also known as Weathertop in the book), he gives all of them swords and then (predictably), leaves to have a look around. What happens next never fails to boggle my mind.

Keep in mind that everyone is aware that the Black Riders are hot on their trail and they do NOT want to be discovered by them. Why then, would they think it was a good idea to make an open campfire that could be seen for miles away? Frodo, jolting awake, discovers the fire and stamps it out, but it’s too late, the Riders have discovered them and converge on Weathertop.

It’s only now that the music really gets going. As the Hobbits run into the ruined watchtower, swords drawn, the strings take a spin-chilling leap into the upper register. I like to think that if the sensation of the hair on the back of your neck standing up was translated into sound, it would sound exactly like that. I also call this “Creepy-crawly music.”

Of course Frodo is the first to see the Black Riders appearing out of the darkness (in a moment that I absolutely love). The way they move in near unison, levelling their swords at the hobbits, it’s just scary! And the music does everything it can to heighten the tension, reinforcing that these Black Riders are really bad news.

The hobbits don’t stand a chance of course: Sam is blown away, Merry and Pippin are quickly knocked aside, leaving Frodo face to face with the leader of the Black Riders (a figure later named as the Witch King of Angmar). He knows that Frodo has the Ring, and he’s determined to get it. Terrified, Frodo slips the ring on and discovers what the Riders really look like. Instead of faceless black figures, the Riders are transformed into white, ghostly wraiths, skeletal shadows of the men they once were.

Weathertop-Nazgûl

All wear crowns on their head, and the leader looks almost handsome (in a ghostly way). I imagine that in life the Witch King had a silver tongue and knew how to be persuasive. I say that because at first he tries to coax/coerce Frodo into giving him the Ring, using all of his will to draw the ring within a finger’s length of his hand. But Frodo’s strength is greater than he realized and when Frodo is able to draw his hand back, the enraged Witch King takes the more direct approach: he stabs Frodo in the shoulder with his dagger.

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But before the Witch King can finish the job, here comes Strider!! And he’s come prepared for battle, not only does he have his sword, but also a flaming torch (the Black Riders aren’t fond of fire). Strider single-handedly wipes out (or scares off) the Riders, using his torch to set one on fire, out-dueling another and ending the fight by throwing the torch straight into the head of the last remaining Rider. The danger is gone, for now anyways, but there’s a big problem: the Morgul Blade has critically wounded Frodo. The only way to save him now is to get him to Rivendell as fast as possible. The chase is on!

“A Knife in the Dark” is not one of the biggest musical cues in The Fellowship of the Ring (it’s certainly not as memorable as, say, “The Shire”), but it fulfills its purpose in making the scene on Weathertop as terrifying as possible.

That’s all from Middle Earth!

See also: Film Soundtracks A-W

You can become a patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

For more Lord of the Rings, see also:

The Fellowship of the Ring “The Shire” (2001)

The Fellowship of the Ring “Shadow of the Past” (2001)

The Fellowship of the Ring “The Wood Elves/Passing of the Elves” (2001)

The Fellowship of the Ring “The Treason of Isengard” (2001)

The Fellowship of the Ring “Flight to the Ford” (2001)

The Fellowship of the Ring “Many Meetings” (2001)

The Fellowship of the Ring “The Ring Goes South/Fellowship Main Theme” (2001)

The Fellowship of the Ring “The Bridge of Khazad-Dum” (2001)

The Fellowship of the Ring “Lothlorien” (2001)

The Fellowship of the Ring “In Dreams” (2001)

Don’t forget to like Film Music Central on Facebook  🙂

*all images are the property of New Line Cinema

The Lion King “Be Prepared” (1994)

In case you hadn’t noticed, I love talking about Disney villains. The more devious they are, the better I like them, and there are few more devious, more conniving and more loathsome than Scar, Mufasa’s evil brother in The Lion King (1994).

Scar (voiced to perfection by Jeremy Irons) holds an eternal grudge that Mufasa is King of Pride Rock instead of him, and when the birth of Simba makes it certain that he’ll never be king, Scar decides to take matters into his own hands. First, he simply tries to get rid of Simba by tricking him into visiting the elephant graveyard (which also happens to be the home of the hyenas, and a place Mufasa had warned the young cub to never go).

 

After Mufasa saves Simba and Nala in the nick of time, the battered hyenas reconvene in their lair and are joined by a disappointed Scar. The cubs had been perfectly set up to be killed, but the hyenas still blew it. However, as the hyenas are quick to point out, there wasn’t much they could do against Mufasa, did Scar expect them to kill him too?

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Shenzi, Banzai and Ed: continuing a long tradition of smart villains having dumb henchmen

Well as a matter of fact, yes that’s precisely what Scar wants. He proceeds to lay out his plan, which is the basis of “Be Prepared” (one of my favorite villain songs ever!!)

Before I get started with the song itself though, I have something of a bombshell to drop. I’ve heard two versions of how this song was recorded, but they both equal the same thing: that is NOT Jeremy Irons’ voice once the song begins (not for all of it at least). The first version of the story I heard is that Jeremy Irons DID record a portion of the song, but threw his voice out after the line “You won’t get a sniff without me!” And the rest was subsequently recorded over by Jim Cummings. However, I later read an article about dialogue dubbing and Jim Cummings told the story of how he recorded the ENTIRE “Be Prepared” song because the final product was simply not that good, so they asked him to dub it over. As Cummings has no reason to lie, I’m inclined to believe that this version of the story is probably the true one. Who knew?

I know that your powers of retention
Are as wet as a warthog’s backside
But thick as you are, pay attention!
My words are a matter of pride

It’s clear from your vacant expressions
The lights are not all on upstairs
But we’re talking kings and successions
Even you can’t be caught unawares!

So, prepare for the chance of a lifetime
Be prepared for sensational news
A shining, new era
Is tiptoeing nearer
And where do we feature?
Just listen to teacher

I know it sounds sordid
But you’ll be rewarded
When at last, I am given my dues
And injustice deliciously squared
Be prepared!

Anyways, back to the song. Scar has apparently been planning this for years, looking for his best opportunity to take Mufasa (and now Simba) out of the picture, leaving him as king. Scar won’t be able to do it alone though, he needs the help of the hyenas, and he has the perfect inducement for them to join him: “Stick with me” he says “And you’ll NEVER go hungry again!” The hyenas are thrilled, and in a shocking moment, the camera reveals that there are actually HUNDREDS of hyenas, all cheering “Long live the king!”

It’s great that we’ll soon be connected
With a king who’ll be all time adored
Of course, quid pro quo, you’re expected
To take certain duties on board

The future is littered with prizes
And though I’m the main addressee
The point that I must emphasize is
You won’t get a sniff without me!!!

With an army of hyenas at his command, the odds are squarely in Scar’s favor. And speaking of Scar, the conniving lion is promising these hyenas the moon, telling them everything they’ve ever wanted to hear. They’ll have more food then they’ve ever had before, but they’d better stick with him or they won’t get anything!

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It all sounds good, except what Scar is proposing will destroy the balance of the Pride Lands. The hyenas aren’t aware of this though, so they happily pledge allegiance to King Scar, rejoicing in all the food they are about to enjoy.

So prepare for the coup of the century
Be prepared for the murkiest scam (Oooh… la, la, la!)
Meticulous planning (We’ll have food!)
Tenacity spanning (Lots of food!)
Decades of denial (We repeat!)
Is simply why I’ll (Endless meat!)

Be king, undisputed
Respected, saluted
And seen, for the wonder I am
Yes, my teeth and ambitions are bared
Be prepared!

 

The song ends in a grand display of flames and hyenas, all laughing over their impending victory (“Be Prepared” is the recurring theme of this song, as well as its title). Scar clearly loves to put on a good show, and he talks a really good game. And deep down, I’m sure Scar truly believes that he’ll be the best king ever. And the whole time I watched this in the theater (20 + years ago), I was thinking that there’s no way Scar was going to get away with this. That somehow, Mufasa was going to figure it out and put a stop to everything (I was five, I was really naive). Of course Scar’s plan is going to work, otherwise there wouldn’t be much of a plot *sighs.*

“Be Prepared” is a great Disney villain song, relatively short and to the point. It establishes Scar as one of the more despicable Disney villains (I mean plotting to kill your own brother and nephew is pretty dastardly) and is all around really enjoyable. I hope you like listening to it.

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button

For more great Disney songs and films, check out the main page here: Disney Films & Soundtracks A-Z

For more of The Lion King, see also:

The Lion King “Hakuna Matata” (1994)

The Lion King “Can You Feel the Love Tonight” (1994)

The Lion King “The Circle of Life” (1994)

The Lion King “Under the Stars” (1994)

The Lion King “To Die For” (1994)

The Lion King “I Just Can’t Wait to be King” (1994)

The Lion King “King of Pride Rock” (1994) Pt. 1

The Lion King “King of Pride Rock” Pt. 2 (1994)

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*all images are the property of Walt Disney Studios

The Fellowship of the Ring “Lothlorien” (2001)

In the wake of Gandalf’s unexpected demise, the Fellowship is understandably devastated. Howard Shore has flipped an emotional switch musically and we’ve gone from full-on battle mode to deep mourning. And why not, Gandalf was a dear friend and counselor, they were clearly counting on his help the closer they came to Mordor.

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All of the Fellowship are scene in mourning and we see various ways grief can manifest itself: anger (Gimli), shock (Legolas), simple tears (Sam, Merry and Pippin). But the most painful one of all is Frodo; when he looks back and the tears are streaming down his face, that is the look of someone who has lost a part of himself. The music here is simple and effective in conveying how deep an impact this had on everyone.

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But the mourning period is cut short. Aragorn reminds everyone that nightfall is coming soon, and then the orcs will swarm the countryside looking for them. If they have any hope of surviving to the next day, they need to reach the woods of Lothlorien in the distance.

The Fellowship of the Ring “Lothlorien” (Soundtrack only) (2001)

The moment the Fellowship enters the forest, you know this is a special place, though not in the same way that Rivendell was special. Rivendell was a haven, whereas Lothlorien is more a place of power, a very deep power. The background is full of chants and an almost oriental feel with what is either a lute or a sitar in the background. The elves of Lothlorien appear out of nowhere and the initial meeting does not go smoothly. The leader of the group, Haldir, can sense the evil in the One Ring and doesn’t want them to enter any further into the forest. Aragorn manages to vouch for the entire group and they are taken into the heart of Lothlorien, to Caras Galadhon “The heart of Elvendom on Earth, realm of the Lord Celeborn and Galadriel, Lady of Light.”

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The Fellowship of the Ring “Entering Lothlorien” (Film Scene) (2001)

Once they reach the Elven city, the music changes again, as we are greeted by the sight of enormous trees, with dwellings on every branch. And it’s here as they climb the neverending staircase that I noticed something. Listen to the choir as they climb up; doesn’t that pattern of chords sound familiar? I wasn’t sure where I’d heard it before, so I began searching the rest of the soundtrack. That’s when I got back to “Shadow of the Past” (our first visual introduction to Mordor post-Prologue”) and I gasped. The chord pattern for Lothlorien and Mordor are IDENTICAL. Different instruments to be sure, but the same chords nevertheless.

The Fellowship of the Ring “Caras Galadhon” (Film Scene) (2001)

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This is HUGE, and it took me several days to process what exactly this meant. Consider what we learn about Galadriel. She too has a ring of power (Nenya, the Ring of Adamant), and is quite likely the most powerful Elf still living in Middle-Earth, and quite possibly one of the oldest. If anyone possessed the power to successfully claim the One Ring and rule Middle Earth AND defeat Sauron in the process, it would probably be Galadriel. And I think this is why Howard Shore chose to use the same chords for both locations, as a subtle reminder that, however beautiful Lothlorien is, it has the potential to become a second Mordor.

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Musical revelations aside, the music continues to build in beauty until the Fellowship is assembled at the topmost platform below a staircase. And from that staircase comes a couple that practically glows with their own light (I love that moment when Celeborn and Galadriel appear and take each other’s hand). The music slowly descends as the rulers of Lothlorien descend to meet the Fellowship, with the winds fading into the background as Galadriel’s face is revealed (showing Frodo that she is the one he heard in his head earlier).

I absolutely love the scenes set in Lothlorien, it’s the perfect “calm moment” after Moria and the last restful moments we see before the breaking of the Fellowship. And one last thought: Cate Blanchett was the perfect casting choice for Galadriel, as she nails the part.

See Also:

The Fellowship of the Ring “The Shire” (2001)

The Fellowship of the Ring “Shadow of the Past” (2001)

The Fellowship of the Ring “The Wood Elves/Passing of the Elves” (2001)

The Fellowship of the Ring “The Treason of Isengard” (2001)

The Fellowship of the Ring “A Knife in the Dark” (2001)

The Fellowship of the Ring “Flight to the Ford” (2001)

The Fellowship of the Ring “The Bridge of Khazad-Dum” (2001)

The Fellowship of the Ring “Many Meetings” (2001)

The Fellowship of the Ring “The Ring Goes South/Fellowship Main Theme” (2001)

The Fellowship of the Ring “In Dreams” (2001)

See also: Film Soundtracks A-W

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook 🙂

*all images are the property of New Line Cinema