My Thoughts on: Casshern (2004)

Note: This review is in fulfillment of a Patreon pledge

My apologies for being late with this review, but last night I was finally able to sit down and watch Casshern (2004), a Japanese film based on the 1973 anime of the same name. I’d never heard of this film specifically before being asked to watch it, though I had heard of Casshern Sins, a reboot of the anime that aired in 2008.

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Set in the far future, Casshern begins at the end of a fifty-year war between Europa (which uses robot armies) and the Eastern Federation. The Federation emerges victorious, but is soon fighting again when an uprising begins in Zone 7. Tetsuya Azuma (Yusuke Iseya), the son of a brilliant scientist, enlists in the army and ends up killed in action, only to be resurrected with the help of strange “Neo Cells” and gains incredible abilities as a result. The Neo Cells themselves are allegedly capable of forming new body parts, but it turns out they’re actually something else entirely.

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Having never seen Casshern before, I wasn’t sure what to expect. I do my best to give every film I watch a fair chance, but while Casshern does have its moments (more on those in a moment), by and large the film did not impress me. The biggest failing of the film is its special effects. It’s painfully obvious when CGI is being used, so much so that in several scenes it took me right out of the action because of how fake it looked. The plot is also really confusing, though I’m not sure if that’s the fault of the film itself or the subtitles (which I’ve heard aren’t the best in the world). There are multiple scenes that seem like they’re supposed to be big moments, but instead come across as head-scratchers. A good case in point: in one early scene, it seems like we’re building up to an explosion in a secret laboratory, when suddenly a stone thunderbolt crashes through the ceiling and lodges itself into the lab. Said thunderbolt is the most blatant example of a deus ex machina that I’ve seen in years because the main plot doesn’t really get going until it inexplicably arrives.

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That’s not to say that the film is all bad, there is at least one moment that I thought was very well done. In a really creepy moment, the stone thunderbolt seemingly turned the Neo-Cell body parts into whole people. The military inexplicably shows up to slaughter them but a handful escape into the mountains. The bulk of this scene is done with no dialogue (aside from some crying and screaming), only music to give a sense of what is happening. It’s the one moment in the entire film where I was completely engrossed in the story.

I will also say that, having looked at images of the original anime, there are some Easter eggs paying homage to the 1973 series. For one, you can see the helmet that Casshern wears in the anime and Tetsuya later meats a dog named ‘Friender’ which references the cyborg’s canine sidekick in the anime.

Would I recommend Casshern? I’ll put it like this: if you’re a die-hard fan of all things Casshern, then I say go for it, you’ll likely find something to love about this film. But if you’re only a casual viewer then I would recommend avoiding this one, the visual flaws and confusing plot don’t add up to anything meaningful (though you can tell they’re trying).

What did you think of Casshern (if you’ve seen it)? Let me know your thoughts in the comments below and have a great day! If you sub to my Patreon for $5 or above, you can also request a film review of your choice šŸ™‚

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Film/TV Reviews

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Disturbing Disney #20: Quasimodo is crowned ‘King of Fools’ (1996)

It’s a trope that’s almost guaranteed to appear in any Disney film: the young hero/heroine is admonished by an authority figure NOT to do something; they do it anyway and as a result they end up in big trouble. Such is the case in The Hunchback of Notre Dame (1996). The sweet Quasimodo is compelled to live in the bell tower of the cathedral by his reluctant guardian Frollo on the grounds that the outside world is evil and dangerous (a similar argument is used by Mother Gothel years later on Rapunzel). Quasimodo wants more than anything to go out among the people, so when the annual ‘Feast of Fools’ comes around, the bell ringer can’t take it anymore and sneaks out to join in the festivities.

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From the moment I watched this film in the theater, I knewĀ something bad was going to happen at some point. Either Quasimodo was going to get caught, locked up, or something. And when Frollo arrived in his carriage, I thought the moment was imminent. But then…nothing seemed to happen. True, Quasimodo was found out, but instead of being rejected, he’s crowned ‘King of Fools’ by the audience and paraded around the city (much to Frollo’s displeasure, though it seems he can’t do anything about it for the moment). For a brief moment, I actually believed that things were going to be okay…and then the real trouble started.

Suddenly, two guards lob tomatoes at Quasimodo, prompting the rest of the crowd to join in (I’m not sure if this is an annual thing or if this is just a case of mob mentality). So far the scene has just turned cruel; what makes itĀ disturbing is when the crowd ties Quasimodo down to the platform when he tries to run away, spinning him around so everyone can get a good shot at him. Even the colors turn darker (starting when Quasimodo is tied down and his hump is exposed), highlighting how wrong and terrible this situation is.

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As someone who suffered from a lot of bullying in school, this scene has never failed to trigger me. Quasimodo’s perspective of viewing these people who were cheering him minutes ago and are now hurting him andĀ laughing while they do it is just heartbreaking. It gets even worse when Frollo forbids Phoebus from intervening, stating that “a lesson needs to be learned here.” I don’t know why I felt surprised at Frollo’s actions; on further consideration, it’s likely he felt the crowd’s treatment was far worse than any punishment he could have devised for Quasimodo.

While it’s true that Esmeralda steps in to stop the abuse, the damage has already been done. The Quasimodo that stumbles back into the cathedral is broken now in a way that he wasn’t when the film started. Before, he at least had his dream of someday going out among the people, now he doesn’t even have that.

This scene is a classic example of why I started the Disturbing Disney series and it makes for a fitting entry (the 20th in the series!)

What do you think of this scene? Does it disturb you? Let me know your thoughts in the comments below and have a good day!

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Disturbing Disney #1: The Coachman in Pinocchio (1940)

Disturbing Disney #2: The truth of Pleasure Island in Pinocchio (1940)

Disturbing Disney #3: Escaping Monstro from Pinocchio (1940)

Disturbing Disney #4: Dumbo loses his mother (1941)

Disturbing Disney #5 The death of Bambi’s Mother

Disturbing Disney #6: Faline vs. the dogs (1942)

Disturbing Disney #7: Cruella wants to do WHAT??

Disturbing Disney #8: The Whale Who Wanted to Sing at the Met (from Make Mine Music, 1946)

Disturbing Disney #9: Dr. Facilier’s Fate (The Princess and the Frog, 2009)

Disturbing Disney #10: The rat in Lady and the Tramp (1955)

Disturbing Disney #11: Clayton’s Death in Tarzan (1999)

Disturbing Disney #12: The Bear from The Fox and the Hound (1981)

Disturbing Disney #13: ā€œSmoking them outā€ in The Fox and the Hound (1981)

Disturbing Disney #14: The Salt Trap in The Jungle Book (1994)

Disturbing Disney #15: Night on Bald Mountain from Fantasia (1940)

Disturbing Disney #16: King Triton destroys Ariel’s grotto

Disturbing Disney #17: Ratigan becomes a monster in The Great Mouse Detective

Disturbing Disney #18: The Queen’s assignment for her Huntsman

Disturbing Disney #19: Cinderella’s dress is destroyed (1950)

The Great Mouse Detective “Let me be good to you” (1986)

One of my favorite Disney animated films is the underrated The Great Mouse Detective (1986) which should be held in high esteem because it paved the way for the Disney Renaissance to begin with The Little Mermaid. The story features several memorable songs, my childhood favorite being “Let Me Be Good to You.”

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The Great Mouse Detective “Let Me Be Good to You” (1986)

To recap: Basil and Dawson are searching for the hideout of the notorious Ratigan, who has taken little Olivia captive to ensure her father finishes a mysterious invention. Using his eccentric methods, Basil deduces that the entrance to Ratigan’s lair can be found at a seedy pub on the waterfront. Inside, a number of musicians are performing for the rowdy crowd with very little success, that is until a certain female mouse named Miss Kitty (Melissa Manchester) takes the stage.

“Let Me Be Good to You” starts off as a simple ballad with no hint as to what’s coming:

Dearest friends, dear gentlemen
Listen to my song
Life down here’s been hard for you
Life has made you strong
Let me lift the mood
With my attitude

Hey, fellas
The time is right
Get ready
Tonight’s the night
Boys, what you’re hopin’ for will come true
Let me be good to you

You tough guys
You’re feelin’ all alone
You rough guys
The best o’ you sailors and bums
All o’ my chums

So dream on
And drink your beer
Get cozy
Your baby’s here
You won’t be misunderstood
Let me be good to you

The audience is clearly moved, but things are just getting started! After disappearing behind the curtain, Miss Kitty returns to reveal a burlesque outfit (to the extreme delight of the audience) along with a pair of backup dancers. The song transitions to a big-band style number (the piano is completely drowned out by the brass) and features a long instrumental break while a drugged Dawson finds himself onstage dancing with the girls.

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Hey, fellas
I’ll take off all my blues
Hey, fellas
There’s nothin’ I won’t do
Just for you

So dream on
And drink your beer
Get cozy
Your baby’s here
Hey boys, I’m talkin’ to you

Your baby’s gonna come through
Let me be good to you

The craziest thing about this song is it nearly got cut from the film on the grounds that it was too ‘adult’ to be in a children’s film (to which I say “Seriously? And the messed up things in The Black Cauldron, Pinocchio and Dumbo weren’t??”). They managed to keep the sequence in by arguing that since the characters in question were mice and not human, young viewers wouldn’t make the connection to anything inappropriate. And that’s true from my experience: it wasn’t until I was a lot older that I realized what I was really seeing in this scene.

The animation on Miss Kitty is really well done, especially when she’s wearing her ‘sexy’ outfit. It’s drawn in such a way that it looks revealing but it doesn’t really show anything inappropriate (although one should remember this film is set in the Victorian era and showing this much skin in public was considered scandalous in polite society).

In my opinion, over thirty years later, “Let Me Be Good to You” remains one of the best sequences of the pre-Disney Renaissance era and I hope you enjoyed reading about it. Let me know what you think about this song in the comments below and have a great day!

See also:

Disney/Dreamworks/Pixar/etc. Soundtracks A-Z

The Great Mouse Detective ā€œThe World’s Greatest Criminal Mindā€ (1986)

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My Thoughts on: Howl’s Moving Castle (2004)

If you’ve never seen any of Hayao Miyazaki’s animated films then let me tell you, you are missing out! They are masterpieces of animation with deep, thought-provoking stories and unforgettable characters. Thanks to a deal Studio Ghibli has with Disney, all of his films are readily available in the U.S.. Today I want to talk about one of my favorite Miyazaki films: Howl’s Moving Castle.

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Based on the novel of the same name by Diana Wynne Jones, Howl’s Moving Castle tells the story of Sophie (Emily Mortimer), a young girl who runs the family hat shop and seeks no adventure in her life. One night however, she’s cursed by the Witch of the Waste (Lauren Bacall) and transformed into a ninety-year old woman (Jean Simmons). Forced into a new life, Sophie eventually finds herself residing in the magical castle of Howl (Christian Bale), a powerful wizard, just as a brutal war is starting to develop.

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There are so many things to love about Howl’s Moving Castle. As with all of Studio Ghibli’s films, the animation is superb; Sophie’s transformation happens so quickly that it takes you a moment to realize it’s happened at all. Calcifer (Billy Crystal), the fire demon that powers the moving castle, is one of my favorite characters with his smart-ass remarks (“May all your bacon burn…”). The castle itself is one of the coolest magical environments you’ll ever see. Inside (once it’s cleaned up) it looks like a perfectly normal house. But if you flip a switch by the door, you can walk out into different towns! The design of the towns is a mix of late-nineteenth, early twentieth century architecture with a bit of steampunk scattered throughout (just look at the cars in this film and you’ll see what I mean). Magic is also considered a fact of life, people go to see wizards the way we go to see a doctor.

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The big message of the film is about how terrible war is. As a powerful wizard, Howl is recruited by both kingdoms to fight, but he doesn’t want to, in fact it’s revealed he spends a lot of time sabotaging the armies to make it harder to fight. The film was strongly influenced by Miyazaki’s feelings regarding the war in Iraq.

Howl’s Moving Castle really is beautiful and I highly recommend it if you haven’t seen it before. If you have seen this film, what did you think about it? Let me know your thoughts in the comments below and have a great day šŸ™‚

See also:

My Thoughts on: Castle in the Sky (1986)

My Neighbor Totoro (1988): One of My All Time Favorite Cartoons Blogathon

Animated Film Reviews

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My Thoughts on: Terminal (2018)

If you watch enough films, you’ll realize that there are some films that cannot be explained; they have to be experienced. After last night, I’m convinced that Terminal is one of those films. The film can best be described as an extremely twisted take on Alice in Wonderland (as the film is permeated throughout with references to the book). Terminal is mostly set in a train station late at night and follows a mysterious woman named Annie (Margot Robbie); a dying English teacher (Simon Pegg); two contract killers (Dexter Fletcher and Max Irons); and the peculiar cleaner that works at the station (Mike Meyers) as their paths converge in unexpected ways.

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One undeniable positive about Terminal is that it looks amazing from start to finish. Based on the noir style, the scenes contain vibrant pops of color set against dark backgrounds (my particular favorite is Annie’s bright red coat). There’s also a wonderful use of neon lighting. On the other hand, I spent most of the film watching this beautiful display of color and wondering what on Earth I was watching. The film’s biggest weakness is it takes a very long time to connect the dots and reveal how these characters are all connected. Now, that being said, once the filmĀ does reach this point, things begin to make sense very quickly.

The final twenty minutes of the film are where things really get crazy (and that’s saying something in a film that’s full of crazy moments). Several twists are revealed in succession, from the expected (I pegged one twist about halfway through the film) to the “oh my god I did not see that coming.” In fact there are so many reveals at the end that it’s almost like watching a mini-movie separate from everything that just happened. There was probably a more straightforward way to incorporate these last twists but I can’t complain too loudly because the film made sure to cover every loose end.

If you’re willing to wait for the payoff, Terminal is a very enjoyable film. It’s not perfect by any means, but the flaws aren’t big enough to ruin the experience. If you’ve seen Terminal, what did you think about it? Let me know your thoughts in the comments below and have a great day!

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Film Reviews

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My Thoughts on: The Meg (2018)

When I first saw the trailer for The Meg, I thought one of two things would happen if I saw this movie. One, I would be scared out of my mind or two, I’d be laughing like crazy because of the ridiculous material. It promised to be a semi-interesting film at any rate, as it featured the oft-visited Ā science fiction scenario of a prehistoric Megalodon wreaking havoc in the modern world. Well, having returned from seeing The Meg, I wish I could say the film did one or the other, or was even a combination of both.

But I can’t.

Don’t get me wrong, there are some good elements to The Meg. There are some gorgeous underwater scenes showing life in the Mariana Trench and a shot of a shark cage appearing very small in the vast ocean. Actually, the film even starts with a semi-plausible scenario that sets up how a Megalodon could have survived all these years in the modern ocean. And in terms of the cast, Jason Statham does an admirable job with the material he’s given. In fact, the show is almost completely stolen by child actorĀ Shuya Sophia Cai. However, despite these good qualities, I can’t overlook the messier aspects of the story.

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The big problem with The Meg is, it doesn’t seem to know what sort of film it should be. At times it feels like a dark comedy, with any tension relieved by humorous quips (including a Finding Nemo reference). And yet there are also moments where it seems the filmmakers were trying to emulate the terror of Jaws or the scarier aspects of Deep Blue Sea (which might not be the best example but I got strong reminders of that film in particular). If the film had just committed one way or another, The Meg would have been a comfortably enjoyable B-film. Unfortunately it just didn’t work out that way.

And those are my thoughts on The Meg. What do you think of this film? Let me know your thoughts in the comments below and have a great day!

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Film Reviews

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My thoughts on: Sunshine (2007)

Sunshine is a notable science fiction film for several reasons. For one, it has one of the best scores you will ever hear in the genre (it even gives Interstellar a run for its money). For two, it’s actually built on a fairly realistic premise; like Discovery in 2001: A Space Odyssey, the Icarus II is a believable-looking ship with plausible technology onboard. Unfortunately, the third thing that makes it notable is that the entire plot goes to pieces in the last act (more on that in a little bit).

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The plot of Sunshine takes place in 2057 and centers on a plot to restart the sun after it begins to die, slowly freezing the Earth in the process. The plan is to launch a massive nuclear bomb into the Sun with the goal of bringing the star back to life. The Icarus II is the Earth’s last chance, as the Icarus I mysteriously disappeared seven years earlier. Predictably, the second Icarus discovers the first Icarus and things become weird once they link up with the other ship.

The fact that the ships are called Icarus should be a pretty big clue that things are going to end badly for the crew. In Greek mythology, Icarus was the sun of the inventor Daedalus, who could build all kinds of amazing things. In order to escape captivity, Daedalus built two sets of wings using feathers and wax. While flying away, Icarus flew too close to the sun causing the wings to fall apart and Icarus fell to his death.

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Just like in the myth, the Icarus ship gets right up to the sun and in the end, everyone dies. But it’s how the story gets to that point that bothers me. The thing is, up until the last act begins, Sunshine is a fantastic science fiction film with no real problems to speak of (it even includes Chris Evans in a pre-Captain America appearance). But when the film addresses what happened to the crew of the Icarus I…that’s where things go sideways in a hurry. In a matter of minutes, Sunshine goes from a reasonable sci-fi story to a slasher horror film where a mysterious killer picks off the crew one by one (the ones who don’t die by the killer’s hand perish due to a number of reasons, the most gruesome being exposure to the vacuum of space). I could almost forgive this sudden shift in the film were it not for the fact that it comes almost completely out of left field. There’s a small piece of footage early in the film that hints at a problem, but no real indication that the plot will go in this direction. It’s almost like the writers hit upon a great concept but weren’t able to come up with a satisfactory ending so they copped out and went the sci-fi/horror route. And this is why I will always say Sunshine is a good film that could’ve been great.

Despite its less than perfect ending, I still recommend Sunshine to anyone who hasn’t seen it before. Trust me when I say the music will blow you away. The cast also does an admirable job with what they have to work with.

What do you think of Sunshine? Let me know your thoughts in the comments below and have a great day!

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Film/TV Reviews

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My Thoughts on: The Hollow Crown ‘Richard II’ (2012)

There are many film adaptations of Shakespeare that I enjoy, but my favorite would have to be The Hollow Crown, a BBC production of Shakespeare’s second tetralogy of history plays. The story begins with the reign and downfall of Richard II (grandson of Edward III) and concludes with the reign of Henry V as he attempts to conquer France. The series features an all-star cast and is a must see for fans of Shakespeare’s history plays.

Richard II stars Ben Whishaw (the new Q in the James Bond films) as the titular king in the last few years of his reign. Richard, in my opinion, believes that he is a good king, but his actions are so ruled by his whims that it eventually drives the kingdom into rebellion against him. This rebellion is led by his cousin, Henry Bolingbroke (Rory Kinnear), the future Henry IV, who is incensed that, after his father John of Gaunt (Patrick Stewart) died, King Richard ransacked his estate to pay for a war in Ireland. Henry returns from exile ostensibly to claim his birthright as Duke of Lancaster, but it quickly turns into an outright war for the throne of England itself. Stewart’s role as John of Gaunt (a younger son of Edward III) is well-played but ends rather quickly. It’s a shame, because it’s a pleasure to see Patrick Stewart performing Shakespeare.

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The contrast between Whishaw’s Richard and Kinnear’s Henry could not be more striking. Richard is presented as preening, elegant, almost effeminate. For most of the play he wears immaculate white robes, and on the one occasion that he does wear armor, it’s gold-plated (not exactly practical for fighting). Henry, by contrast, is burly and muscular, not afraid to get dirty if the job requires it. It is emphasized that Henry does not want to hurt Richard (who is his cousin after all), but is only doing what he believes is best for the kingdom. In the course of a monologue, Richard finally concedes the crown to his cousin and Henry is crowned Henry IV of England.

There are several liberties taken with the depiction of certain characters, most notably with Richard’s queen. Presented here as a grown woman, in truth she was only 10 years old at the time of Richard’s death (they got married when she was 7). There is also an appearance by David Bradley (Walder Frey in Game of Thrones) in the small role of a gardener.

In conclusion, Richard II is a good start to The Hollow Crown, one that I highly recommend. If you’ve seen Richard II, what did you think about it? Let me know your thoughts in the comments below and have a great day šŸ™‚

See also:

See also:

My Thoughts on: The Hollow Crown ā€˜Richard III’ (2016)

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My thoughts on: The Merchant of Venice (2004)

When you hear about Shakespeare being adapted to film, you generally think of three plays: Romeo and Juliet, Hamlet and Macbeth. And to be fair, there have been several outstanding film adaptations of all three plays over the years. But allow me to draw your attention to one of Shakespeare’s comedies that was brought to the big screen in 2004: The Merchant of Venice.

The story is lesser known today compared to some of the other plays (this is the first time the play has ever been adapted specifically for film) but the story is no less powerful. Bassanio (Joseph Fiennes) is an impoverished nobleman in love with the wealthy Portia (Lynn Collins). Portia is bound by her late father’s will to marry whoever chooses which of three caskets contains her picture. To get the money necessary to woo her, Bassanio uses the credit of his friend Antonio (Jeremy Irons) to borrow money from the Jewish moneylender Shylock (Al Pacino). Shylock is one of Shakespeare’s great villains and in this film he is played to perfection by Pacino as not only a villain, but also a tragic figure.

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The first part of the film revolves around Bassanio as he plans to woo Portia and several suitors who attempt to win the heiress for themselves only to choose the wrong casket. As this is a comedy, naturally when Bassanio arrives he chooses the correctly and Portia is his. It all seems too easy, but I think it’s meant to be that way to provide the audience with some happy, romantic moments before the drama unfolds. The latter part of the film deals with Antonio’s trial before the Duke of Venice. When Shylock lent the money to Bassanio, it was under the condition that, if Antonio could not pay it back, he would have to give up a pound of his flesh in recompense (hence the phrase “He took his pound of flesh.”) I don’t think Shylock actually intended to follow through…at first. But after his daughter Jessica (Zuleikha Robinson) runs away to elope with Lorenzo (Charlie Cox), the moneylender has turned very bitter and is determined to have revenge on Antonio no matter the cost.

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Al Pacino really brings his acting skills to bear in the trial scene, where he (as Shylock) persists in demanding the letter of the law be fulfilled, even when Bassanio returns with twice the money necessary to repay the loan. Shylock firmly believes that the law is on his side (even if his actions are morally reprehensible). Underneath his bitterness however, you can see that Shylock is deeply hurt that his daughter has left him. Unable to accept that his daughter is happy with a Christian man, Shylock firmly sticks to his demand of a pound of flesh from Antonio (I have to point out that Jeremy Irons delivers an excellent performance in this scene as a man who is trying very hard to steel himself for the inevitable but who deep down is terrified of the painful manner in which he will die).

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As this is a comedy, the story ends well for everyone except Shylock. Due to a careful reading of the law, not only does he not get his pound of flesh, but he also loses his wealth and his place in the Jewish community. Despite being the nominal villain of the story, you can’t help but feel bad for Shylock at the end. He pursued vengeance and lost everything in the process.

The film uses Shakespeare’s flowery language but please don’t let that put you off. The play contains two of the best monologues ever written (“The quality of mercy” during the trial scene and “Hath not a Jew eyes?”) and if you give the story a chance I believe you’ll fall in love with the story as I have. I also want to highlight the music of the film, there are several examples of late Renaissance music throughout the film, with lutes, guitars and singing. I really hope you give this film a try, you won’t regret it.

And those are my thoughts on The Merchant of Venice. If you’ve seen it, what did you think of the film? Let me know your thoughts in the comments below and have a great day!

See also:

See also:

Film/TV Reviews

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My Thoughts on: Sailor Moon Super S: The Movie (1995)

This weekend I got to see the third and final Sailor Moon movie, Sailor Moon Super S along with the animated short “Ami’s First Love.” This…slightly strange short follows Ami/Sailor Mercury as she studies for her high school entrance examinations. Ami becomes obsessed when another student (known only as “Mercurius”) consistently earns the same score as her. It’s mostly cute, but it turns weird when a spirit decides to possess Ami and she thinks the spirit is Mercurius. Still, it’s cool to see a new Sailor Moon short.

Sailor Moon Super S focuses slightly more on Chibi-usa than the other two films. The relationship between Chibi-usa and Usage has always intrigued me; Chibi-usa is Usagi’s daughter from the distant future yet they behave more like siblings when they’re together (I know Usagi is only a teenager right now, but if I knew I was with my future daughter I’m pretty sure it would affect my behavior). At any rate…the plot of Super S reveals that children all over the world are disappearing. In fact they’re being lured away by flute-playing fairies onto large airships that bear them away to parts unknown. Meanwhile, Chibi-usa meets a strange boy named Pearl (who is also a fairy) and the two bond.

When the mysterious fairies come to Tokyo, Chibi-usa is one of the children lured away, drawing the attention of Usagi and the other sailor guardians. A fight ensues, but Chibi-usa is forcibly taken away and the rest of the story is devoted to rescuing her from Marzipan Castle (where the other children have been taken).

I enjoyed this film, but not quite as much as the first two. I’m not sure if it was because of the candy-themed villains or something else, but I couldn’t get into the story as much (though it’s always fun to watch the guardians transform and do their attacks). There’s still plenty of humor to be found, including a moment where Sailor Moon and Sailor Chibi Moon both awkwardly fall to Earth after the magic of the Legendary Silver Crystal wears off. I’d also like to think that Pearl and Chibi-usa meet again in the future (they’re clearly quite taken with each other).

And those are my thoughts on Sailor Moon Super S. What did you think of this film? Let me know your thoughts in the comments below and have a great evening!

See also:

Thoughts on Sailor Moon R: The Movie

My thoughts on: Sailor Moon S

Animated Film Reviews

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