Tag Archives: Captain America: Civil War

My Thoughts on: Black Widow (2021)

It feels like an eternity since I watched Avengers: Endgame in the waning days of 2019. So much has happened since then that I genuinely forgot what it felt like to experience a Marvel movie in the theater. And then I sat down to watch Black Widow (after waiting more than a year to see it) and it all came rushing back to me, that thrill that can only come from seeing a Marvel film on the big screen.

Let me start off by saying that Black Widow was absolutely worth the extended wait. Sure, it would’ve been ideal if we’d gotten this story several years ago, or at least before Avengers: Infinity War and Avengers: Endgame, but it’s made clear multiple times that this film takes place immediately after Captain America: Civil War, so I’m willing to let it go. At least we finally got a standalone story about Black Widow that takes us deep into her past, and gives us a tantalizing look at how she (and other “widows”) were trained.

If I have one gripe with Black Widow it’s that I really wanted to see more of the Red Room training that goes into creating assassins like Natasha and Yelena. We’re given, as I said, a tantalizing glimpse, but no more. Given what’s implied about this training process, that might be for the best, but I still found myself wanting more.

Other than that, I found myself loving pretty much everything about Black Widow. The chemistry between Scarlett Johansson and Florence Pugh is off the charts and is by far one of my favorite parts of this movie. Believe the hype about Pugh’s performance as Yelena Belova, it’s all true. I’m not sure if Yelena is going to be the new Black Widow moving forward, but I could certainly see her stepping into that role in future Marvel films and I wouldn’t complain if that indeed happened. Speaking of chemistry, I really enjoyed the interplay between David Harbour (Red Guardian) and Rachel Weisz. I would happily watch a film that explored the background of these two characters, especially anything that focused more on Red Guardian. I think we all want to see a film that explores THAT story.

Another detail I liked and one that surprised me is how many funny moments there are in this film. Given the serious topics involved, I wasn’t expecting this at all, but I really liked it, it helped to break up the tension, which is always an important element that some movies neglect. After all, if you keep things too fast or too serious all the way through, it can really grate on an audience.

And make no mistake, there are some serious issues touched on in Black Widow, particularly in regards to the treatment of women. I know what I said earlier about wishing this film had come out several years earlier, but given everything that’s happened in recent years (especially the Me Too movement) I think maybe Black Widow came out at the right time after all. The film’s main villain is one of the most disturbing and revolting to appear in the entire MCU and long before he meets his demise you’ll be begging Natasha to finish him off. Speaking of villains, for what it’s worth, I really like Taskmaster’s appearance in this film. I admit I’m not familiar with the character’s comic book origins, but I like how the character was updated for this film.

Finally, I would be remiss if I didn’t briefly mention the film’s score. Lorne Balfe has constructed some gorgeous music to go with Black Widow and what I heard intrigued me enough that a full-on soundtrack review will be forthcoming. My favorite part has to be the music associated with Taskmaster and if you’ve seen the movie you probably know what I’m talking about (my soundtrack review will provide details). And one final note: I like that the movie leaves some plot threads unresolved, because it practically guarantees that we will see some of these characters again.

In conclusion, I loved Black Widow. Marvel has returned to the big screen in style and I urge everyone who hasn’t seen it yet to go see Black Widow in theaters if at all possible, this is a movie that needs to be seen on the big screen.

Let me know what you think about Black Widow in the comments below and have a great day!

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Soundtrack Review: The Predator (2018)

The Predator (2018) is the latest entry in the Predator franchise, serving as a direct sequel to Predator 2 (the film ignores Predators (2010)). The score for this film was composed by Henry Jackman, who has established himself as one of today’s top composers by fusing his classical training and his experience as a successful record producer and creator of electronic music. His work includes Captain PhillipsX-Men: First Class and Captain America: Winter Soldier; Kingsman: The Golden Circle; Wreck-It-Ralph, and Oscar-winner Big Hero 6. His most recent work can be heard in Jumanji: Welcome to the Jungle, Captain America: Civil War, and Kong; Skull Island.

Given that this is a Predator film, some of the musical elements are predictable. There is a notable martial quality to a lot of the music, exemplified by heavy brass and fast, driving rhythms (not quite to the level that Hans Zimmer has been known to employ, but similar) during the action sequences. However next to this is a level of delicacy that you would not expect to find. Jackman makes a healthy use of the strings and woodwinds throughout the score and it provides for some refreshing musical ‘breathers’ in between the bombastic moments.

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Two examples include ‘Arrival’ (the opening cue) and ‘Rory’ (the theme for McKenna’s son). I remember it surprised me greatly, sitting in the theater, when the film started with the sound of strings (I was expecting a musical ‘bang’ right from the start). To be sure, the music quickly moves into more energetic territory, but I do feel that it says something that the score started with a quieter melody (somewhat fitting as the film opens with a view of space). And ‘Rory’ might just be the cue I like best out of the entire soundtrack. Beginning with the piano and moving into strings and woodwinds, ‘Rory’ is a perfect theme for McKenna’s autistic son. It begins hesitantly (as Rory as just been tormented by some bullies) but then grows with confidence as the young kid demonstrates his abilities by resetting multiple chess boards.

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Two more cues that I’d like to highlight briefly are ‘Project Stargazer’ and ‘Beautiful Specimen.’ Both cues take place when Dr. Bracket  (Olivia Munn) is taken to see the captured Predator and contain that martial quality I referred to earlier. My favorite moment from these two comes in ‘Project Stargazer’; the music notably peaks at the moment when Bracket views the captured alien for the first time (a nice example of how the music can reflect plot developments).

Listening to the soundtrack apart from the film has reaffirmed one thing for me: Henry Jackman’s score makes The Predator a better film than it would have been without it. Of course good music can only take a film so far, but Jackman certain put in a very good effort.

What do you think of the score for The Predator? Let me know your thoughts in the comments below and have a great day!

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