Tag Archives: Colin Farrell

Soundtrack News: The Banshees of Inisherin (Original Soundtrack) is Available Now

Hollywood Records is excited to announce the release of The Banshees of Inisherin (Original Score) with music composed by Academy Award-nominated Carter Burwell. The 21-track album debuted on October 21 on all streaming platforms. Starring Colin Farrell, Brendan Gleeson, Kerry Condon, Barry Keoghan, The Banshees of Inisherin is directed and written by Martin McDonagh.

A frequent collaborator of McDonagh’s, Academy Award®-nominated composer Carter Burwell previously worked on three of his films, starting with In Bruges. He also worked on Seven Psychopaths, as well as his Oscar-nominated score for Three Billboards Outside Ebbing, Missouri, their last collaboration.

“We have similar sensibilities,” explains Burwell. “Martin’s writing is very particular – it involves a dark view of the world, a really vicious sense of humor, and a lot of humanity. That combination is something we have in common.”

McDonagh has always involved Burwell at script stage before the film is shot. “I approach every film as its own world. Even though Martin and I have done several films together and they’re all Martin McDonagh films, they’re all different.”

Initially McDonagh already had, for one section of the film, a piece in mind that’s performed by a Balinese gamelan ensemble – mostly metallic instruments. “I happen to be a big fan of gamelan music,” continues Burwell. “It’s also a bit strange for a movie taking place in Inisherin. But I kind of like the strangeness, and I found myself weaving gamelan instruments into the score as an experiment.”

In addition to the gamelan Burwell used three main instruments:  the celeste – a keyboard that plays bell sounds – the harp, and the flute. He says, “These are all very pretty, almost childlike instruments, which wouldn’t be out of place in a fairy tale. They fit Pádraic, who is a little bit of a man-child. As you follow the dark road that the story goes down, the music starts to feel more ironic. Even though these were all very light sounds, the tunes are not.”Burwell also worked with a small but strong orchestra at Abbey Road in London.

The Banshees of Inisherin follows lifelong friends Pádraic (Colin Farrell) and Colm (Brendan Gleeson), who find themselves at an impasse when Colm unexpectedly puts an end to their friendship. A stunned Pádraic, aided by his sister Siobhán (Kerry Condon) and troubled young islander Dominic (Barry Keoghan), endeavors to repair the relationship, refusing to take no for an answer. But Pádraic’s repeated efforts only strengthen his former friend’s resolve and when Colm delivers a desperate ultimatum, events swiftly escalate, with shocking consequences.

The Banshees of Inisherin Soundtrack Original Score Album

Tracklisting –

  1. Walking Home Alone 
  2. Night Falls on Inisherin 
  3. Marking The Calendar 
  4. The Island Comes To Church 
  5. Doesn’t Time Be Flying 
  6. Standing Prayer 
  7. Delivering Milk But No News 
  8. Colm Takes The Reins 
  9. Padraic Wakes – Driving Into The Rain  
  10. The First Finger 
  11. Padraic and Jenny 
  12. Padraic Keeps Quiet 
  13. Colm Throws The Balance 
  14. Jenny and The Fourth
  15. Dark Padraic 
  16. Siobhan Leaves 
  17. The Slow Passing of Time 
  18. Padraic Leaves The Church 
  19. My Life Is On Inisherin 
  20. A Smoldering New Day 
  21. The Mystery of Inisherin

Will you be checking out the soundtrack for The Banshees of Inisherin?

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My Thoughts on: The Batman (2022)

*note: this review was originally published on Patreon last month

In a word, The Batman is amazing! I was initially leery about the film running nearly three hours in length. Even though I’ve sat through films that long before (Infinity War and Endgame come to mind), there’s no getting around the fact that three hours is a LONG time to sit and watch a movie. Thankfully, I’m pleased to report The Batman doesn’t really drag at all. Three hours is really a perfect length for the story Matt Reeves is setting out to tell. In fact it reminded me almost of a play or an opera at times, because if you pay attention you can tell where each act ends and the next one begins.

Robert Pattinson makes for an incredible Batman AND Bruce Wayne. I absolutely love that this isn’t the playboy billionaire that we’ve seen in most every incarnation of Batman that’s ever made it to the screen. This version of Bruce Wayne feels so much more….I think the word is realistic? If you went through the trauma of losing your parents, you could easily withdraw into yourself the way Bruce does. Speaking of realistic, I also like how “real” all of Batman’s gadgets feel. They’re not sleek and shiny like some of the past iterations. These feel like they were cobbled together by someone learning as they go, which would make sense given that this is stated to be Batman’s second year of operation in Gotham. It’s not the “bare bones” you might expect from the very beginning, nor is it a well established operation like other films have implied, and I like that.

If I have one nitpick it’s that I wanted to see more of Andy Serkis as Alfred. I really like how Serkis plays the character, and I especially like the stern-but-loving relationship that clearly exists between Alfred and Bruce throughout the film. Hopefully the sequel will let us see more of Alfred. I also really, really liked Jeffrey Wright as James Gordon. I hadn’t realized before going in that he’d been cast for the part but my god he is PERFECT for this role. Wright perfectly balances between trusting Batman and being wary because he doesn’t know who Batman really is. That’s a relationship I really hope gets explored further in the sequel.

Speaking of relationships, I love love LOVED the chemistry between Robert Pattinson and Zoe Kravitz. The Batman/Catwoman relationship is one of my favorites in comics and it was done so well here. 

Back to the story itself for a minute, I couldn’t understand at first why a few people were comparing The Batman to a horror film…and then I saw the Riddler for the first time in the movie and I suddenly understood. I think we could definitely make the argument that The Batman is a superhero horror film. Certainly many of the segments involving the Riddler felt like they came right out of the depths of the horror genre (there’s one scene that felt like it came right out of SAW) and that’s not a bad thing. Given the twisted villains that can and have appeared in Batman stories in the past, it’s a wonder Batman films don’t dip into horror more often. I still prefer the bowler hat-wearing Riddler from the 1960s TV show, but I did enjoy how he was presented in this film as a part-brilliant/part insane serial killer. 

What really made the Riddler unsettling for me is that, underneath the madness…he has a point. The most twisted thing about this film is that the Riddler is actually trying to do a *good* thing he’s just chosen the most twisted and sadistic way possible to do it, which I suppose makes the Riddler pure Machiavellian (the ends justify the means). That is….that’s how it feels right up until the last twist of the last act. I won’t say more than that, except to mention that I haven’t made up my mind if Reeves included one twist too many in this film, I’m going to need to watch a few more times and see if if plays out the same for me in repeat viewings.

I sincerely hope we see more of Colin Farrell’s Penguin in future films (I know there’s already a series greenlit about the character). If you didn’t know the casting, you’d never know it was Colin Farrell under all that makeup. I hated this look when it was first revealed, but seeing it in context, in the film, it works. The Penguin isn’t quite the suave criminal he’s appeared as in other films or shows, but he clearly has aspirations to being such and that helped the character grow on me throughout the film.

One final character I have to highlight and that’s John Turturro as Carmine Falcone. Turturro’s Falcone drips malice from the moment you meet him, but it’s a subtle kind. You can almost be suckered in to believing that Falcone isn’t that bad a guy, despite being a crime lord, until the last act lays everything bare. 

All of this is to say that The Batman is well worth the three hours you spend in the theaters and is easily one of the best, if not THE best Batman movies ever made (and I do not say that lightly).

Let me know what you think about The Batman in the comments below and have a great day!

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Film Reviews

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Soundtrack News: ‘After Yang’ Soundtrack from A24 Available Now

Milan Records has released After Yang (Original Motion Picture Soundtrack) with an original score by Aska Matsumiya and contribution from Ryuichi Sakamoto. Aska Matsumiya is a LA-based Japanese composer and producer who has excelled across film, television, advertising and music production. Aska provided the score for the Amazon feature film, I’m Your Woman for director Julia Hart.

In addition, she partnered with A24 and acclaimed director Kogonada on his film After Yang starring Colin Farrell, collaborating with composer Ryuichi Sakamoto. In television, Aska worked on the HBO limited series Betty with longtime collaborator Cyrstal Moselle. Aska has collaborated with countless brands in the advertising space, including Porsche, Chanel, Hermes, Miu Miu & Prada, and also scored the short film I’m Here for Spike Jonze.

Available everywhere now, the album features score music written by Matsumiya for the A24’s newest science fiction drama about a human family and their android child. Inspired by the film’s futuristic setting and subject matter, Matsumiya utilized A.I. technology throughout her scoring process, feeding both her own compositions and Sakamoto’s contribution into a special A.I.-driven software developed by Luke Fischbeck (of Lucky Dragons) that generated infinite musical variations. Several of the A.I.-generated variations were incorporated into the final score, with three specific tracks composed primarily by the technology.

Forward-thinking in composition, the score remains grounded in poignant and delicate instrumentation to create a body of music befitting the film’s onscreen narrative and themes. Directed by Kogonada and starring Colin Farrell and Jodie Turner-Smith, After Yang is available now in theaters and streaming on Showtime.

Of the soundtrack, composer Aska Matsumiya had the following to say:

“In terms of instrumentation, the score consists of piano, cello, marimbas and lots of synths. After speaking with director Kogonada, I think the concept was that we wanted to make sure that the sound was both new and futuristic, but also very human at the same time. We wanted to create a sort of paradox, echoing the sentiment that in the future, often what we actually want is to be more human and return to the essence of humanity. Which is why we ended up mixing the very human-like, warm instrumentation with the more futuristic synth work and A.I. variations.”

When his young daughter’s beloved companion — an android named Yang — malfunctions, Jake (Colin Farrell) searches for a way to repair him. In the process, Jake discovers the life that has been passing in front of him, reconnecting with his wife (Jodie Turner-Smith) and daughter across a distance he didn’t know was there.



  1. In My Breath
  2. Welcome to Family of 4
  3. Yang & Mika
  4. Chasing Yesterday
  5. Mizuiro Memory (A.I. Version)
  6. Yang & Mika (A.I. Version)
  7. Ada’s Synth
  8. Butterflies
  9. In the World of My Breath
  10. Yang Eternal (A.I. Version)
  11. Memories of Ada
  12. In My Breath Again
  13. Mizuiro
  14. After the Rain
  15. Memory Bank – Ryuichi Sakamoto
  16. The End Walk (featuring RHYE)

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Thoughts on Fantastic Beasts and Where to Find Them (2016)

WARNING: Spoilers abound especially towards the end so if you haven’t seen this film and DON’T want to know…turn back now!!!

Well…of all the surprises I was expecting/hoping for this year, Fantastic Beasts and Where to Find Them was definitely the biggest! I say this because I originally had no plans to see this film at all. With all due respect to the legions of Harry Potter fans, this is one film franchise I just couldn’t get into. But then, due to a podcast commitment, I decided to give this film a chance and wow!!! I’m so glad I did!

The magical world in 1920s America is beautifully realized, with one of my favorite parts being the magical speakeasy (with a house elf singer no less, at least, I think she was a house elf, please correct me if I’m wrong). My only complaint is the insistence on calling non-magical people “no-maj’s”. I mean, seriously, that just sounds stupid. Can’t Muggle just be the universal term for people with no magic? But really, that was my only major complaint (well, there is one other minor issue, but I’ll come to that momentarily).


The Beasts are beautifully rendered, and their home inside the magical suitcase is one of the highlights of the film (James Newton Howard outdid himself with a beautiful score). For most of the film, my favorite Beast was the Niffler, a creature that somewhat resembles a mole, and has an insatiable desire for all things shiny and valuable (to put it bluntly, he’s a kleptomaniac who likes to swipe gold and jewelry). In fact, there’s a hilarious sequence where Newt Scamander (a brilliant Eddie Redmayne) attempts to get the Niffler out of a jewelry store with “bull in the china shop” consequences.

But then Newt introduces us to the Thunderbird and I knew I’d found my favorite magical creature. The Thunderbird is a huge, gorgeous creature with gold and silver in its feathers (and according to Newt is a native of Arizona) that has the power to generate thunderstorms, hence its name. Seeing a bird like that made me wish (again) that this magical world really did exist. The other beasts are also well-done (one creature had to be tracked down in a zoo, leading to a funny moment where Newt has to imitate a mating ritual to lure the beast back into the suitcase).

And then there’s the American wizards and witches….Tina and Queenie are an interesting pair of sisters (I love Queenie, I really do), and it was cool to see how life went on in their apartment (with all the magical activity). The President of MACUSA (Magical Congress of the United States of America) is a reasonably good person who just wants to protect her fellow witches and wizards from a populace that would most likely lynch them all if the truth ever got out. And then there’s Percival Graves (Colin Farrell), a high-ranking Auror with his own agenda. He’s initially presented as a stern, but reasonable man. If someone presents him with firm evidence of something, he’ll act on it. But there’s a lot more to Graves than meets the eye (more on that shortly).


And I can’t forget Jacob Kowalski, the “No-maj” of the story who becomes tangled up in this magical adventure (to his growing delight). He simply wants to open a bakery because that’s what he loves to do, but a chance encounter with Newt changes everything. He really steals the show at several points throughout the story, and I hope he turns up in the sequel, I really do.


Back to Percival Graves: it turns out he’s hunting through New York City for a certain child, one that contains incredible power that’s been repressed into what’s known as an “Obscurious.” Graves is desperate to find this individual and is using a young man named Credence to help him do it. It turns out that Credence had magical parents (at least his mother was magical) but his mother died giving birth to him and he was adopted by a cruel no-Maj woman who beats him every chance she gets. Graves has promised Credence that if he can find this child, Graves will take him away to the magical world and teach him magic. But once Credence believes the child in question is his foster sister Modesty, Graves abandons him, believing Credence to be a Squib (child of magical parents but with no talent for it themselves).

Well…as it turns out, Credence had the repressed power all along (much to Graves’ surprise) and though Graves (and Newt) attempt to save Credence, other Aurors swoop in and kill him. Newt had been suspicious of Graves for a while and after binding the Auror with one of his creatures, he uses a revealing spell and…surprise surprise, Graves is actually the notorious wizard Grindelwald played by Johnny Depp!! I’m not sure how I feel about this casting choice to be honest, I mean it COULD be okay, but he’s onscreen for maybe five minutes maximum so you can’t really gauge how he’s going to play the character yet. I’m actually a little disappointed because I’d gotten used to Colin Farrell and I would’ve been intrigued to see him continue in the role.

Final verdict: Fantastic Beasts and Where To Find Them was an enjoyable ride that’s left me excited for the sequels that are sure to follow.

See also:

Nicholas Hooper “Harry Potter and the Half-Blood Prince” scoring session (2009)

Alexandre Desplat talks Harry Potter and the Deathly Hallows Part 1 (2010)

Live-Action Films/TV

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