On March 5, Milan Records and Sony Music Masterworks released Pacific Rim: The Black (Music from the Netflix Original Anime Series) by composer Brandon Campbell. Available everywhere now, the album features score music written by Campbell for Netflix’s newest anime series from Legendary Television and based on Legendary and Guillermo del Toro’s blockbuster film franchise Pacific Rim. Continuing the tale of epic battles between monsters and robots in an exciting new style, Pacific Rim: The Black made its global debut yesterday and is available now to watch exclusively on Netflix.
Of the soundtrack, composer Brandon Campbell had the following to say:
“Our showrunner, Greg Johnson, wanted a score that encompassed bits of DNA from the original Pacific Rim film while still being unique enough to support the struggles and triumphs of Taylor and Hailey. We created a hybrid orchestral score with the heavy themes and melodic material that will hopefully resonate with Pacific Rim fans, while including more intimate and emotional musical moments that accompany our characters as they make their way across The Black. I hope my music brings you back into the world of the awesome power of the Kaiju and Jaeger, but also into the hearts of Taylor and Hailey.”
I meant to check out this soundtrack a solid month ago and I regret that life got in the way to delay me because the music for Pacific Rim: The Black is good, really good. While I haven’t heard the soundtracks for either Pacific Rim movie (a terrible shortcoming I know), there are moments sprinkled throughout this soundtrack that sound so “big” they can only come from and/or be inspired by the original movie soundtracks. This is great, as thematic continuity between films and a television series is a proven way to help audiences get invested in the new story. Put it like this: if the story sounds like it comes from the same universe, then it becomes easier to accept the story as belonging to that universe, even if none of the regular movie characters show up.
What’s really interesting to me aside from that is the musical connection to other kaiju movies that I swear I can hear. For example, in ‘Kaiju Messiah’, there’s a musical sequence that sounds eerily similar to music I’ve heard in Godzilla (2014), Godzilla: King of the Monsters (2019) and Godzilla vs Kong (2021) whenever Godzilla is in action. I don’t know if this is deliberate or not, but it would make sense since the story of Pacific Rim is about fighting kaiju (which is what Godzilla is, albeit in a different story).
Another thing I really like about the music for Pacific Rim: The Black is how descriptive it is. Which is to say it paints an evocative picture of how desolate this setting is, and how dangerous. There’s nothing generic about this music, you know that it belongs to science-fiction just by listening to it. It would’ve been so easy for Netflix to commission music that was bare-bones acceptable, but they didn’t do that, they got music that carries its share of the story, and that is so important. You need the music to drive the final nail home of where this story is taking place, what is this world like? The wrong music, as I’ve said many times before, can break a decent story, and by all accounts this is the best music possible for Pacific Rim: The Black.
PACIFIC RIM: THE BLACK (MUSIC FROM THE NETFLIX ORIGINAL ANIME SERIES)
- The Black
- They Always Come Back
- Jaeger Breaker
- The Drift
- I’ve Had Worse Benders
- Mind Heist
- Ghost Pilot
- Shadow Basin
- Bogan Boogie
- Never Coming Back
- The Most Powerful Man in The Black
- Hunter Vertigo
- Just Calm Down
- Kajiu Messiah
- Atlas Destroyer
It’s a shame I didn’t get to this soundtrack a month ago, but better late than never right? I really enjoyed checking out the music for Pacific Rim: The Black, and you should check it out right away if you get the chance, as it is currently available.
Let me know your thoughts on Pacific Rim: The Black (and its soundtrack) in the comments below and have a great day!
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