Tag Archives: HBO

Soundtrack Review: The Musical Anthology of His Dark Materials (2019)

*apologies for taking so long to get this one out, I meant to publish this one weeks ago but November has been a very busy month for me, I hope you enjoy it!

In The Musical Anthology of His Dark Materials, an introduction to the music from the television series, composer Lorne Balfe delves into the story and character themes from His Dark Materials, the new adaptation of Philip Pullman’s trilogy. Lorne Balfe (Mission Impossible: Fallout, The Lego Batman Movie, Churchill) is a Grammy Award-winning, EMMY and BAFTA nominated composer. Whether on an impossible mission, the heartbreak of the Queen, the perils of the cape crusade or the soul of a genius, Lorne Balfe creates a musical voice that reflects the characters and the stories that embody them.

Available on digital as of November 2019, this collection features a number of key musical themes that appear throughout the HBO series. Presented on this soundtrack album are the opening title theme, together with key character themes for the young protagonists Lyra, Roger and Will and the adults Mrs. Coulter, Lord Asriel and Lee Scoresby. Other themes present the majestic locations of Oxford and Svalbard, the people that Lyra encounters on her epic journey, the Gyptians, the Witches of Lake Enara, the machinations of The Magisterium, and The Alethiometer, the device that helps set all the events in motion.

“Since the beginning, myself and the rest of the music team knew we wanted a mixture and a hybrid,” says Lorne. “What I wanted people to feel when listening to the music is they don’t necessarily know if it’s real or not or whether it’s in the present or in the past. There are no rules and musically, it’s constantly evolving. Another crucial element we strived to accomplish was to always have a clear journey of each character’s theme. I wrote their themes separately as a journey, so that we knew musically what would happen throughout the series.”

The timeless nature of the music is evident right away. You literally can’t tell what time period this is taking place in. Sometimes the music sounds contemporaneous, other times it seems to snap back to the Renaissance (or what sounds like the Renaissance). This does a great job of muddling the senses and creating a musical environment for the alternative world that His Dark Materials takes place in. If the show is half as good as this  soundtrack, then this is an amazing show indeed.

Let me know what you think about His Dark Materials (and the soundtrack) in the comments below and have a great day!

Tracklisting:
1. His Dark Materials
2. The Alethiometer
3. Lyra: The Child of Prophecy
4. The Settling of a Daemon
5. Scholastic Sanctuary
6. The General Oblation Board
7. The Life of Roger Parslow
8. The Machinations of Lord Boreal
9. A Gilded Cage
10. The Strength of Gyptians
11. A Plea to Fate
12. The Legacy of Svalbard
13. Mrs. M. Coulter
14. The Magisterium
15. The Path Foretold
16. Release the Spy-Fly
17. The Tales of Lee Scoresby
18. The Compass Points North
19. The Witches of Lake Enara

See also:

Film Soundtracks A-W

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Soundtrack Review: Euphoria (2019)

A soundtrack album featuring music from the first season of the HBO series Euphoria is now available from Milan Records, an imprint of Sony Music Masterworks. The album features music by multiplatinum-selling artist and producer Labrinth. Euphoria marks Labrinth’s first-ever project as lead composer. Written and recorded in close collaboration with the show’s writer Sam Levinson, his original compositions feature prominently throughout the series as a sonic companion to the show’s angst-driven narrative.  The resulting 26-track collection is a genre blending mix of gospel, soul and electronic influences, indicative both of Labrinth’s imitable style as well as the show’s deeply moving storyline.

Regarding the soundtrack album, Labrinth had this to say:

My experience with Euphoria has made me a better musician. It was a dream come true to give wings and add magic to the different storylines. It was a collaborative effort among Sam Levinson, the crew and the cast – I only added texture to an already phenomenal show. I hope that anyone who listens to the music embraces feeling something.

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Euphoria, if you didn’t know, follows a group of high school students as they navigate love and friendships in a world of drugs, sex, trauma and social media. It is an American adaptation of an Israeli show of the same name, and all episodes are written by Sam Levinson.

I haven’t seen the show myself, but having taken a peek at the soundtrack, I can say that the music is definitely interesting. It’s not traditional in the slightest, but that’s a good thing since I firmly believe that not all music should sound the same (for example, not all shows need to sound like Game of Thrones). If you’re a fan of Labrinth’s work, or just a fan of the series in general, I think you will like this soundtrack album very much.

Let me know what you think about Euphoria, and the soundtrack, in the comments below and have a great day!

EUPHORIA – SCORE FROM ORIGINAL HBO SERIES
TRACKLISTING –
1. New Girl
2. Formula
3. Preparing For Call
4. Forever
5. Planning Date
6. Nate Growing Up
7. Home From Rehab
8. We All Knew
9. Say Goodnight
10. Shy Guy
11. Following Tyler
12. Still Don’t Know My Name
13. Kat’s Denial
14. Slideshow
15. Family Vacation
16. Grapefruit Diet
17. WTF Are We Talking For
18. Euphoria Funfair
19. The Lake
20. Maddy’s Story
21. Demanding Excellence
22. McKay & Cassie
23. Gangster
24. When I R.I.P.
25. Arriving at the Formal
26. Virgin Pina Coladas

See also:

Film Soundtracks A-W

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

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My Thoughts on: Westworld Season 1 (2016)

As a lifelong fan of the science fiction genre (so much so that I made it my specialty in graduate school), I knew it would only be a matter of time before I watched this show. I was curious from the start to see what an adaptation of the 1973 Westworld film would look like and yet I hesitated a long time before finally starting the series. I think deep down I delayed because I was afraid I wouldn’t like the story, as it is very easy to do robot/A.I. run amuck badly. But it turns out I was worried over nothing: Westworld‘s first season is sheer brilliance.

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In ten episodes, we are introduced to the unbelievably lavish park that is Westworld, a place where the obscenely wealthy can come live out whatever fantasy they desire, from the innocent pleasures of living on a homestead to more depraved activities up to and including murder and rape. The human guests can act as they please since the robotic ‘hosts’ are incapable of harming them. In such an environment, many guests let loose with repressed fantasies of murder and sexual freedom (the series comments several times that most guests come to either “shoot or f*ck” whatever they want) in a way that can be very disturbing to watch (this show does not hold back on showing blood).

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The plot is divided between several arcs that follow different characters. The primary hosts we follow are Dolores (Evan Rachel Wood), her programmed lover Teddy (James Marsden), Maeve, a saloon madam (Thandie Newton) and recurring visits from Hector (Rodrigo Santoro) and his group of bandits. On the human side, in the park, we follow the mysterious Man in Black (Ed Harris) and a newcomer to the park named William (Jimmi Simpson), whose coming to the park with Logan (Ben Barnes), his future brother in law. Outside of the park, Dr. Robert Ford (Anthony Hopkins) is the director of the park and is assisted by Bernard (Jeffrey Wright). The show clearly takes place sometime in the future as the technology is far beyond anything that currently exists, but it’s not known how far in the future we are, as so far as I know, no year is ever given.

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It is clear from the first episode that there is something odd going on in the park, with the hosts in particular, but it takes almost the entire season before enough pieces come together to provide answers. That’s not a bad thing: half of the reason I love Westworld is because the fragmented plot arcs keep you guessing at the truth and eager to see the next piece of the puzzle (so to speak). And when the answers do begin to come, you start to question everything you’ve seen in the series. Not only that, there are some twists that lead you to wonder if anyone in this series is actually human. Like many films and tv series that explore the concept of A.I., the border between robots and humans becomes so thin that it is practically non-existent (unless one of the hosts has a glitch).

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Anthony Hopkins turns in a magnificent performance, a particularly favorite moment coming at the end of episode 7 “Trompe L’Oeil.” In that episode, Hopkins switches from affable to pure menace so effortlessly that I was glued to the screen for the entirety of the scene. The episode also features one of my favorite plot twists in the season, simply because there’s almost no hint that it’s coming.

If you like robots and science fiction, then I think you will enjoy Westworld season one. The plot is very well crafted and as I said before will keep you guessing almost until the end. I’m looking forward to watching season two.

Final thoughts:

-I ended up feeling sorry for the Man in Black by the end of the season. Even though he was warned multiple times that what he was searching for wasn’t meant for him, he persists anyway and is eventually disappointed.

-Teddy (James Marsden) has so many death scenes it’s almost ridiculous. To be fair though, he pulls it off beautifully each time.

-I can’t stand Logan (Ben Barnes) and I feel like he deserves everything he gets.

What do you think of the first season of Westworld? Let me know your thoughts in the comments below and have a great day!

See also:

TV Reviews

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