Henry Cavill | Film Music Central

Where to even begin on a film like this? Let’s start with something simple: Mission Impossible: Fallout definitely lives up to the hype surrounding it. While it is the sixth installment in the Mission Impossible franchise, it feels as fresh as the first, with twists and turns around every corner and a climax that left me wide-eyed until the very end.

Fallout is a direct sequel to Rogue Nation and sees Ethan Hunts dealing with the consequences of capturing Solomon Lane alive at the end of that film. Similar to Ghost Protocol (the fourth film), Ethan must again stop nuclear weapons from being unleashed on the world, but this time the enemy is everywhere. One thing I really loved about this film is how it keeps you guessing as to what’s really going on. Most of the characters seem to have their own hidden agendas and just when you think you understand the status quo, the story gets turned on its head (in fact this happens several times throughout the story, my favorite instance coming just before the final act of the film).

Due to commitments to the MCU, Jeremy Renner’s character Will Brandt is absent from the story, but is hardly missed due to the awesome work done by Henry Cavill playing August Walker (more on him in a minute), a CIA agent assigned to work with Hunt. Simon Pegg returns as Benji Dunn and I think this is the most we’ve seen of Luther (Ving Rhames) since MI:2 but I could be wrong. Rebecca Ferguson also returns as Ilsa Faust and she is quickly becoming one of my favorite characters in the series. Sean Harris returns as Solomon Lane and is brilliant throughout. He actually doesn’t say that much compared to his appearance in Rogue Nation, but his words are never wasted.

*WARNING MAJOR SPOILERS FOLLOW FROM THIS POINT*

As I mentioned, the story is full of twists, one of the biggest involves the true identity of a rogue agent known only as “John Lark.” The moment August Walker begins convincing his CIA boss that Ethan is this rogue agent, something in me just knew that it was actually Walker the entire time. It’s an old trope, but a good one: the true villain sets up the hero by ascribing his own actions to someone else. The scary thing is, while I knew Ethan was innocent, there was a still a small voice in the back of my head that whispered “but it really could be him.” And that voice is right, Ethan could have easily done these things, as Walker says, he’s been disavowed and betrayed so many times, it’s a wonder he hasn’t snapped yet. And that makes me wonder if the dialogue was meant to serve as a set up for a future film where Ethan finally does go completely rogue. He’s almost crossed the line several times and it would be interesting to see what would push him over the line.

Another scene that I loved was Ethan (posing as Lark) meeting an arms dealer known as the White Widow (Vanessa Kirby). She was holding a gala in honor of her mother and I bolted upright when she referred to her mother as “Max.” If you don’t know, Max was the name given to an arms dealer/terrorist that Ethan worked with all the way back in the first Mission Impossible film in 1996. According to the trivia, it is indeed the same Max being referred to, making this one giant Easter Egg (and you don’t see that many that reference the first film). It’s also slightly mind-boggling that we’ve now gotten to working with the grown children of characters introduced in earlier films (sometimes it’s easy to forget that this franchise is 22 years old). Assuming the series continues, I have a feeling the White Widow will be returning; she was set up as one of those enigmatic figures that can pop in and out when necessary to the plot.

As for the ending…I won’t spell it out but for a split second, when the screen went white, I really thought the filmmakers had pulled an Infinity War on us. Luckily it turned out to be a colossal fake-out but for a minute I was completely wide-eyed thinking they’d actually gone and done the unthinkable. And speaking of the climax, once it gets going, you will not be able to look away until its over.

The score for Fallout was composed by Lorne Balfe (Penguins of Madagascar; Pacific Rim: Uprising), who does an excellent job with creating and maintaining tension throughout the film. There’s an especially powerful moment that comes at the conclusion of a long chase through London when Ethan is standing on top of a tower.

So in conclusion, where does Fallout fall in the ranking of Mission Impossible films? Well, based on what I saw, the new ranking is as follows:

Mission Impossible: Fallout
Mission Impossible: Ghost Protocol
Mission Impossible: Rogue Nation
Mission Impossible
MI:3
MI:2

What do you think of my new ranking? What do you think of Mission Impossible: Fallout? Did it live up to the hype? Let me know your thoughts in the comments below and have a great day!

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Hans Zimmer talks Man of Steel (2013)

After Superman Returns (2006) fell flat at the box office, Warner Bros. made the decision to reboot the Superman film franchise and cast Henry Cavill in the title role. Like Superman: The Movie decades before, Man of Steel begins on the doomed planet Krypton, where Jor-El has learned of the planet’s imminent destruction and has his infant son Kal-El sent away in a small rocket ship shortly before the planet explodes.

Before he is sent away, however, Jor-El takes steps to infuse the genetic codes of Krypton into Kal-El’s DNA (codes that are also sought by General Zod, a former friend of Jor-El). Growing up on Earth, Kal-El, now living under the name Clark Kent, wanders the country seeking a purpose in life after his foster father is killed in a tornado (he’d forbidden Clark to use his powers to save him).

Man of Steel “Sculptural Percussion” (2013)

Man of Steel “Percussion” (2013)

Clark is forced into action when General Zod and his compatriots escape the Phantom Zone and land on Earth, around the same time that Clark enters a Kryptonian scout ship discovered in the Arctic. Inside, Clark finds an AI of his real father, Jor-El, who gives him a Kryptonian uniform bearing the family symbol. Meanwhile, Zod intends to terraform Earth into a new Krypton (which would kill most if not all of Earth’s human inhabitants) and Clark must stop him before it’s too late.

Man of Steel “Strings of Steel” (2013)

Man of Steel “Solo Violinist” (2013)

As I remember it, this film got mixed reviews, and was heavily criticized for the scene where Superman kills General Zod.

The music for Man of Steel was created by veteran composer Hans Zimmer, who had initially denied rumors that he would be scoring the film. To make sure that Man of Steel stood out from previous Superman films, Zimmer did not use John Williams’ iconic “Superman March” in any way, instead creating his own original themes for the character. The five links I’ve located concern the score in general (top link) and how the various instrumental parts were devised for the score (two for the percussion and two for the strings).

I still prefer Christopher Reeve’s interpretation of Superman (and the “Superman March” will always be a favorite piece of mine), but I’ve also heard that Henry Cavill has done a good job in the role. I hope, therefore, that you enjoy listening to Hans Zimmer talking about the score for Man of Steel.