Tag Archives: Justin Hurwitz

Justin Hurwitz talks La La Land (2016)

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Justin Hurwitz talks La La Land (2016)

While Justin Hurwitz (whose recent works include First Man) does talk about the scory of La La Land, this is less of a one-on-one interview and more of a group discussion where cast (like Ryan Gosling), crew, directors and etc. talk about the qualities of the La La Land score.

As stated in the video, the music for La La Land does call back to an earlier time in Hollywood when film music focused on melody most or all of the time. That’s not to say that today’s film scores don’t have melody, but it’s not nearly to the same extent (and many action scores don’t feature proper melody at all).

Seeing the depth of music in La La Land‘s score really drives home just how talented Justin Hurwitz is (I can see now why the film took home the Oscar for Best Original score).

I hope you enjoy this behind the scenes look at the score for La La Land. Let me know what you think of the score in the comments below and have a great day!

See also:

Film Composer Interviews A-H

Film Composer Interviews K-Z

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First Man “The Landing” (2018)

Ever since I finished watching First Man in the IMAX theater, one piece of music will not leave my mind: the music for “The Landing.” While a more thorough soundtrack review is likely coming in the near future, I’d like to highlight this piece in its own article because it is that good.

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“The Landing” comes at what I feel is the true climax of the film; this is the moment we’ve been waiting for since the film started, watching Neil (Ryan Gosling) and Buzz (Corey Stoll) land on the moon. From the moment the LM (Lunar Module) detaches to head down to the surface, a melodic ostinato begins to play (an ostinato is a relatively brief melody that repeats over and over again). Remember in my review of the film how I said parts of First Man reminded me of Interstellar? This scene is one such example, as I saw a definite similarity to the docking scene in “No Time For Caution.” Both scenes have music with a repeating melody that also serves to ramp up the tension as the scene moves forward. In First Man, even though it’s the same notes, Justin Hurwitz subtly alters the theme by making it louder; emphasizing certain notes; interweaving horns and inserting an overlaying melody that comes and goes; with the effect that as the LM comes closer and closer to the surface, you are subconsciously inching to the edge of your seat, driven on by the music you’re hearing.

First Man “The Landing” (2018)

With the landing scene itself, I really like how, in the latter part, the camera flips back and forth between Neil, the surface and the gauge marking how much fuel is left. Working with the music, all of those elements together make for a riveting scene that is one of the best in the film.

What did you think of the landing scene in First Man? Let me know your thoughts in the comments below and have a great day!

See also:

Film Soundtracks A-W

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

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