Tag Archives: Sicario

Soundtrack Review: Sicario: Day of the Soldado (2018)

I find the soundtrack of Sicario: Day of the Soldado to be an interesting case. All things being equal, I feel certain that Jóhann Jóhannsson would have returned to score the followup to Sicario, but his untimely death made that impossible. Instead, Hildur Guðnadóttir (who worked with Jóhannsson on the first film) scored the sequel.

Hildur Guðnadóttir is an Icelandic cello player, composer and singer who has manifested herself at the forefront of experimental pop and contemporary music (e.g. with the band Múm). In her solo works she draws out a broad spectrum of sounds from her instrument, ranging from intimate simplicity to huge soundscapes. Her career as a film composer is soaring, having recently scored HBO’s limited series, Chernobyl.

180629-sicario-2-ac-1059p_3db53cba4f4b4669fd18a8e8fac0464d.fit-760w.jpg

Regarding the soundtrack for Sicario: Day of the Soldado, Guðnadóttir had this to say:

I think SOLDADO is more emotional than the previous film, and the score follows that direction. This one is a bit more of a ‘classical’ score, with musical themes that follow certain emotional landscapes. That is something that was important to Stefano [Sollima, director],” Guðnadóttir explained that Sicario: Day of the Soldado has “a bit of a different feel as a score because the function of it is different. That is also a direction that was important to Stefano. He was also very vocal about the fact that he did not want to recreate the Sicario soundtrack, so he often wanted to go in very different directions from Sicario.

With all due respect, I feel inclined to disagree with the above statement. Having listened to the soundtrack, this score feels very similar to the original Sicario, and I confess I didn’t get the feeling of a classical score. However, I actually don’t mind the similarities to the original score, because I felt a great sense of musical continuity listening to the soundtrack. As with the first Sicario, the music was simple, concise, reflecting the tension and angst that both of these films are known for. The music is very “lean” which is totally appropriate for this kind of film. In a film like Sicario: Day of the Soldado, a lush orchestral score would feel totally out of place. This is a story dominated by violence and the “kill or be killed” mentality. Everything is stripped down to the bare minimum, including the music, and I really like that because of how well it fits.

Perhaps I’ve misinterpreted the score (it has been a while since I watched the first Sicario), but that’s my impression of the score for Sicario: Day of the Soldado. Please don’t misunderstand, I enjoy listening to it very much, and I feel that it is very much in line with the score for the original Sicario. If there are musical departures, I’m simply not noticing them.

Let me know what you think of Sicario: Day of the Soldado and the soundtrack in the comments below and have a great day!

See also:

My thoughts on: Sicario (2015)

Film Soundtracks A-W

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook 🙂

 

Advertisements

My thoughts on: Sicario (2015)

*the links in this post contain affiliate links and I will receive a small commission if you make a purchase after clicking on my link.

A1GdxURr+uL._SY550_

I was inspired to watch Sicario after seeing the trailer for Sicario: Day of the Soldado (scheduled to be released on June 29th). I’d been warned by multiple friends and fellow bloggers that the film had some exceptionally violent moments in it, but I decided it was worth the risk to my psyche to see what this film was all about (it would also help me determine if the sequel was really worth seeing).

And my first thought after the credits rolled was “Oh yeah! That sequel is DEFINITELY worth seeing!”

I would be completely lying if I said parts of Sicario didn’t shock me to the core (I literally jumped at the beginning when that explosion happened and the “house of horrors” before that nearly did me in) but the story pulled me in deep enough that I needed to see where it was going despite my initial discomfort.

0a2b5767fbacf9bf97af96cf03d30566

If you haven’t seen it, Sicario was directed by Denis Villeneuve (Blade Runner 2049, Arrival) and follows FBI agent Kate Macer (Emily Blunt) as she is suddenly sucked into the dark world of the Mexican drug cartels and the forces working to take them down by any means necessary. Her boss recommends her to a task force led by Matt Graver (Josh Brolin) and his partner Alejandro (Benicio del Toro). The assignment, she’s told, is to apprehend Manuel Diaz (Bernardo Saracino), a top lieutenant in the Sonora cartel. The truth, however, of what is really going on, is far more complicated.

An ongoing trope in Sicario is that things are not as they appear to be, there is something very dark and ugly at work and if you keep digging you’re going to find some very uncomfortable truths. Kate learns this the hardest way possible, even though she questions the assignment from the beginning, her desire for justice leads her along until she is in way over her head (and it nearly gets her killed several times). Kate is obviously the audience surrogate for this story (though she handles it way better than I would’ve).

 

Shop Movies + Spend $35, Get Free Shipping

 

My favorite character in the film is actually Alejandro Gillick, Graver’s “bird dog.” He doesn’t talk much, but once he’s introduced he’s a near-constant presence on the screen. And when he does talk, or really, when he does anything at all, it’s usually something of consequence to the story. Alejandro is initially presented as an assassin/enforcer type who is only doing this because he is ordered to/wants to. But it eventually comes out that everything he’s done for the last number of years is all part of his plan to get revenge on the cartel for murdering his wife and daughter. I think deep, deep down, Alejandro doesn’t like what he’s become, but now that his family is gone he doesn’t care anymore, he just wants revenge. Benicio del Toro blew me away with his performance and he is why I’m excited to watch the sequel this summer. Knowing that he lost a young daughter, it makes sense why (in the trailer) he’s so unwilling to kill this young girl (but I digress…).

lead_960

Besides the “house of horrors” at the beginning of the film (I’m talking dead bodies literally stuffed into the walls), there are some truly shocking moments throughout the film. For instance, when Kate is headed into Ciudad Juarez with the task force, there’s a shocking moment when we see several dismembered bodies hanging from a bridge. Then there’s a moment where a would-be love scene between Kate and a new acquaintance turns into an almost-murder scene in a matter of seconds (I admit I was not prepared for how vicious that scene got). The scene that bothered me the most though, was near the end when Alejandro confronted the boss of the cartel who was at dinner with his family. I knew he was going to kill them all, and I even understood why (they took his family, so he’ll take away this family to get even) but I still really didn’t like it. I mean after all, what did the kids do? They didn’t do anything, but then again that’s the point. In the world of Sicario, you don’t have to have done anything wrong to wind up dead. Simply being in the wrong place at the wrong time is reason enough.

Before I forget, there is one scene that bothered me and that’s what happened at the border crossing. As the team is escorting a prisoner into the United States from Mexico, they’re caught up in traffic just over the border and note several cars tailing them (armed to the teeth with guns). In short order, a lot of cartel members wind up dead surrounded by cars full of regular civilians, yet I never hear anyone reacting to what happened (no screams, no one else gets out, etc.) Yes I know the team is armed with military grade weapons, but shouldn’t someone have reacted to what happened besides Kate? Maybe I’m missing the point, but that part bothered me.

I did enjoy Sicario; it’s a thought provoking film about the lengths people are willing to go to get justice or control certain situations and what that does to certain people in the meantime. I mean, from a certain point of view, Matt Graver and his team are just as bad as the cartel (in terms of killing and violence). I can’t wait to see what happens to Alejandro in the sequel.

What did you think of Sicario? Let me know your thoughts in the comments below and have a great day!

You can become a patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

For more film reviews see also: Film/TV Reviews

Don’t forget to like Film Music Central on Facebook 🙂