Tag Archives: soundtrack

Snow White and the Seven Dwarfs “Whistle While You Work” (1937)

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Snow White and the Seven Dwarfs “Whistle While You Work” (1937)

Previously, Snow White had just escaped to the forest and made friends with the animals therein. Now she needs a place to stay and the animals are more than happy to help out. Unbeknownst to everyone (including the animals apparently), this cottage is actually the home of the seven dwarfs: Doc, Happy, Sneezy, Sleepy, Bashful, Grumpy and Dopey. Based on the evidence, that house was never cleaned a day in its life. Snow White, of course, has a plan to fix all that so she and the animals decide to clean the house for the “children” so that when they come back, maybe they’ll let her stay. This idea serves as the introduction for “Whistle While You Work.”

Just whistle while you work
And cheerfully together we can tidy up the place
So hum a merry tune
It won’t take long when there’s a song to help you set the pace

And as you sweep the room
Imagine that the broom is someone that you love
And soon you’ll find you’re dancing to the tune
(Spoken: Oh, no, no, no, no! Put them in the tub)
When hearts are high the time will fly so whistle while you work

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I can’t tell you how many times I sang this song to myself as a child while I cleaned my room or did a chore. It was funny because at the time I couldn’t whistle so I’d sing the verse and then blow air frantically to try and whistle the tune (but I digress…). Of course in the movie the song is accompanied by funny scenes of the animals (along with Snow White) cleaning the filthy cottage. My particular favorite is seeing the chipmunk winding up the spider’s web like a ball of yarn only to have the spider come down to object! This is where we leave Snow White for now, as it’s finally time to meet the seven dwarfs.

Let me know what you think of “Whistle While You Work” in the comments below and have a great day!

See also:

Snow White and the Seven Dwarfs “I’m Wishing/One Song” (1937)

Snow White and the Seven Dwarfs “With a Smile and a Song” (1937)

Snow White and the Seven Dwarfs “Heigh Ho” (1937)

Snow White and the Seven Dwarfs “Bluddle-Uddle-Um-Dum/The Washing Song” (1937)

Snow White and the Seven Dwarfs “The Silly Song” (1937)

Snow White and the Seven Dwarfs “Some Day My Prince Will Come” (1937)

Disney/Dreamworks/Pixar/etc. Soundtracks A-Z

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Snow White and the Seven Dwarfs “With a Smile and a Song” (1937)

Evolution of Disney : Snow White and the Seven Dwarfs Part 1

Snow White “With a Smile and a Song” (1937)

Of course for the Queen, seeing the Prince in love with Snow White is the last straw and she arranges to have the young Princess murdered out in the countryside. Fortunately for us, the Huntsman has a conscience and Snow White runs deep into the forest where she encounters a large group of forest animals (interesting how they can understand humans, isn’t it?) Now trying to cheer herself up, Snow White sings “With a Smile and a Song” to remind herself (and her new animal friends) about how being positive can help you get through tough times. As with the earlier songs, the vocal part is relatively simple.

With a smile and a song
Life is just a bright sunny day
Your cares fade away
And your heart is young

With a smile and a song
All the world seems to waken anew
Rejoicing with you
As the song is sung

There’s no use in grumbling
When raindrops come tumbling
Remember, you’re the one
Who can fill the world with sunshine

When you smile and you sing
Everything is in tune and it’s spring
And life flows along
With a smile and a song

I enjoy this song as much as the others, but something about it has always bothered me. Caselotti’s voice is so high-pitched in this song that, to my ears, some of the words come across as unintelligible. It still sounds beautiful but it would be nice to understand all of the lyrics. It’s also interesting to compare the animation of the animals in this film to their super-realistic appearance in Bambi. While it’s true that Disney wasn’t going for realism in Snow White, everything is still recognizable (deer look like deer, rabbits like rabbits, etc.)

“With a Smile and a Song” is a nice, peaceful interlude after Snow White’s terrifying run through the forest (which really needs to be covered in Disturbing Disney) and easily sets up a transition for the princess to travel to the cottage of the seven dwarfs. Let me know what you think about “With a Smile and a Song” in the comments below and have a great day!

See also:

Snow White and the Seven Dwarfs “I’m Wishing/One Song” (1937)

Snow White and the Seven Dwarfs “Whistle While You Work” (1937)

Snow White and the Seven Dwarfs “Heigh Ho” (1937)

Snow White and the Seven Dwarfs “Bluddle-Uddle-Um-Dum/The Washing Song” (1937)

Snow White and the Seven Dwarfs “The Silly Song” (1937)

Snow White and the Seven Dwarfs “Some Day My Prince Will Come” (1937)

Disney/Dreamworks/Pixar/etc. Soundtracks A-Z

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook

Snow White and the Seven Dwarfs “I’m Wishing/One Song” (1937)

Evolution of Disney : Snow White and the Seven Dwarfs Part 1

Snow White “I’m Wishing/One Song” (1937)

It’s hard to imagine, but there was a time when Disney did not completely rule the world of animation and children’s movies. Back in the 1930s, Disney was seen as a small studio that created funny cartoons, but little else. Of course Walt Disney had bigger plans, including an idea for making a full-length film that was completely animated (something unheard of at the time). What was once known as “Disney’s Folly” became known to history as Snow White and the Seven Dwarfs.

Released in 1937, the titular character is voiced by the singer Adriana Caselotti. She sings several songs over the course of the film, the first of which is “I’m Wishing,” sung to her bird friends as she gets water from the well in the castle courtyard. The melody is relatively simplistic, with many leaps from the tonic to the dominant (D to A) and back again. Before the melody returns for a final reprise (just before the Prince interjects), there is a lovely interlude where Caselotti shows off her vocal prowess and sings a call and response with her “echo” in the well.

Evolution of Disney : Snow White and the Seven Dwarfs Part 1

The song serves as a good introduction for the character: she’s a young (at least teenage) girl who’s clearly done her best to be happy, but still dreams of finding true love (and probably getting away from her stepmother the Queen). The music for this song (and most of the others) was composed by Frank Churchill, who’s last work would prove to be the score for Bambi in 1942.

You wanna hear a secret?
Promise not to tell?
(sung)
We are standing by a wishing well
Make a wish into the well
That’s all you have to do
And if you hear it echoing
Your wish will soon come true

I’m wishing
(I’m wishing)
For the one I love
To find me
(To find me)
Today
(Today)

I’m hoping
(I’m hoping)
And I’m dreaming of
The nice things
(The nice things)
He’ll say
(He’ll say)

I’m wishing
(I’m wishing)
For the one I love
To find me
(To find me)
Today

It’s amazing how lifelike Snow White looks (and remember this was 1937, before computers, all of this was done BY HAND). By the way, look at the Prince below, doesn’t he remind you just a little of Prince Philip from Sleeping Beauty? This charming song is immediately followed by “One Song” sung by the unnamed Prince (his role was supposed to be larger but Disney wasn’t entirely convinced that his animators could bring a male character to life convincingly so this is the first and last time we see him until the end of the movie, where he again sings “One Song”).

Evolution of Disney : Snow White and the Seven Dwarfs Part 1

Like “I’m Wishing,” “One Song” is a simple melody, well-suited for a tenor’s voice, that clearly sets out what the Prince is saying (i.e. I’ve fallen in love with you at first sight). The melody is again very simple, with a medium range of notes. Disney songs have a tendency to be very simple melodically (the idea was that this made them more appealing to children).

Now that I’ve found you
Here’s what I have to say

One Song
I have but one song
One song
Only for you

One heart
Tenderly beating
Ever entreating
Constant and true

One love
That has possessed me
One love
Thrilling me through

One song
My heart keeps singing
Of one love
Only for you

 The only question I have is, if the Prince really loves Snow White that much, why didn’t he just take her away right then and there? Where did he go after this song ends? Nevertheless, it is a sweet moment (and the look on the Queen’s face when she sees the Prince wooing her stepdaughter is priceless!) Originally, there was going to be an idea that the Prince was supposed to be coming to court the Queen, which would also explain her outrage at seeing him woo Snow White, but the idea was ultimately dropped.

What do you think of “I’m Wishing” and “One Song”? Let me know your thoughts in the comments below and have a great day! This is going to be the start of me re-formatting my earliest blog posts. When I first started, I wasn’t sure what the blog would look like, so I experimented with some different formats. Now I’m going to fix my early work to match what I do now. Hope you enjoy!

See also:

Snow White and the Seven Dwarfs “With a Smile and a Song” (1937)

Snow White and the Seven Dwarfs “Whistle While You Work” (1937)

Snow White and the Seven Dwarfs “Heigh Ho” (1937)

Snow White and the Seven Dwarfs “Bluddle-Uddle-Um-Dum/The Washing Song” (1937)

Snow White and the Seven Dwarfs “The Silly Song” (1937)

Snow White and the Seven Dwarfs “Some Day My Prince Will Come” (1937)

Disney/Dreamworks/Pixar/etc. Soundtracks A-Z

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook

Michael Giacchino talks John Carter (2012)

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Michael Giacchino talks John Carter (2012)

Few Disney films have flopped harder in the last decade than John Carter, an adaptation of Edgar Rice Burrough’s Barsoom novel A Princess of Mars. The film follows the titular character, a Civil War veteran, as he finds himself flung to the dying planet of Barsoom (Mars) and the conflicts taking place therein. The film was meant to be the first of a trilogy, but when John Carter bombed at the box office (costing Disney $200 million in the process), all future sequels were cancelled.

The score for John Carter was composed by Michael Giacchino, who routinely turns in good work, including for this film. While many aspects of the film were criticized, Giacchino’s score was praised for sounding “fresh and adventurous.” In this interview (I apologize for the audio cutting in and out), Giacchino discusses a few details of how the score came together, including the director’s desire to express emotions through the music and which characters should get their own themes. I’d really hoped to find some scoring sessions from this score, and if I ever find some I’ll make sure to attach the links, because it sounds like some good music.

I hope you enjoyed this short interview about the music of John Carter. Let me know what you think about John Carter in the comments below and have a great day!

See also:

Michael Giacchino talks The Incredibles (2004)

Michael Giacchino talks Mission: Impossible 3 (2006)

Michael Giacchino talks Ratatouille (2007)

Michael Giacchino talks Up (2009)

Michael Giacchino talks Star Trek (2009)

Michael Giacchino talks Super 8 (2011)

Michael Giacchino talks Star Trek: Into Darkness (2013)

Michael Giacchino talks Jupiter Ascending (2015)

Michael Giacchino talks Jurassic World (2015)

Michael Giacchino scoring Rogue One: A Star Wars Story (2016)

Michael Giacchino talks Zootopia (2016)

Michael Giacchino talks Jurassic World: Fallen Kingdom (2018)

Film Composer Interviews A-H

Film Composer Interviews K-Z

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook

Daniel Pemberton talks The Man from U.N.C.L.E (2015)

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Daniel Pemberton talks The Man from U.N.C.L.E (2015)

I’m fairly certain that The Man from U.N.C.L.E served as my introduction to the film music of Daniel Pemberton. I first watched the film about three years ago and while the story took some time to grow on me, the score immediately grabbed my attention. Pemberton (I’ve since discovered), has this talent for creating quirky and memorable scores that stick in your mind. Such is the case with the score for The Man from U.N.C.L.E.

In the making of featurette which you can access above, Daniel explains that director Guy Ritchie requested a score in which every cue feels iconic. And on that point alone I think the composer succeeded, because none of the music in this film feels “throwaway,” it all feels very necessary. You’ll also learn that Pemberton employed a lot of unique instruments to create the film’s distinctive 1960s-like sound. While there are traditional orchestral elements in certain places, the lion’s share of the music comes from non-traditional instruments, which is really cool.

I hope watching this behind-the-scenes video gives you an even deeper appreciation of Daniel Pemberton’s score for what I consider a highly underrated film. Let me know what you think of the music for The Man from U.N.C.L.E in the comments below and have a great day!

See also:

Daniel Pemberton talks Steve Jobs (2015)

Daniel Pemberton talks King Arthur: Legend of the Sword (2017)

Film Composer Interviews A-H

Film Composer Interviews K-Z

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook

The Three Caballeros “The Three Caballeros” (1944)

*note: in the context of this song “gay” means happy/carefree

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I’m not sure if I’ve mentioned it before, but during the 1940s Disney released a lot of what were called “package films.” While ostensibly released as a single feature, package films actually contained a series of separate animated shorts connected by a plot line. This happened because Disney found themselves with a lot of material that was too long to be regular cartoons and too short to be standalone features. This is how The Three Caballeros came into being. The common thread is that Donald Duck is celebrating his birthday and while opening his presents he learns about Mexico and South America via his friends José Carioca (a Brazilian parrot) and Panchito Romero Miguel Junipero Francisco Quintero González III (a Mexican rooster).

Once Panchito joins the party, he leads his friends in singing “The Three Caballeros.” In this song, Panchito praises the life of a caballero and how he is always loyal to his friends (unless there’s a girl involved, in which case forget it!) The rhythm and last verse of this song come from Ay, Jalisco, no te rajes!, a popular Mexican ranchera song released in 1941.

The Three Caballeros “The Three Caballeros” (1944)

A running gag throughout the song is Donald trying (and failing) to imitate José and Panchito. For example, he flops to the ground when the others fly, and he can’t summon a guitar out of thin air (instead he gets a saxophone, a trumpet, and a double bass).

We’re three caballeros
Three gay caballeros
They say we are birds of a feather
We’re happy amigos
No matter where he goes
The one, two, and three goes
We’re always together

We’re three happy chappies
With snappy serapes
You’ll find us beneath our sombreros
We’re brave and we’ll stay so
We’re bright as a peso
Who says so?
We say so!
The three caballeros

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Ooooh!
We have the stars to guide us
Guitars here beside us
To play as we go
We sing and we samba
We shout, ¡Ay caramba!
What means “Ay caramba”?
Oh, yes! I don’t know

Ooooh!
Through fair and stormy weather
We stand close together
Like books on a shelf
And pals though we may be
When some Latin baby
Says yes, no, or maybe
(wolf whistle)
Each man is for himself!

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¡Ay, Jalisco no te rajes!
Me sale del alma
Gritar con color
Abrir todo el pecho
Pa’ echar este grito
¡Qué lindo es Jalisco!
Palabra de honor!

The end of the song made me laugh for years when I was growing up. At the end, when the song has supposedly finished, Panchito keeps right on holding that last note (and truthfully, a well-trained singer can theoretically hold a note indefinitely). José and Donald try everything to make Panchito stop, but nothing affects the rooster, until he appears to shrink away and disappear. Just when the pair think he’s gone though, the rooster reappears with a gigantic piñata!

What do you think about “The Three Caballeros”? Let me know your thoughts in the comments below and have a great day!

See also:

Disney/Dreamworks/Pixar/etc. Soundtracks A-Z

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook

Pinocchio “When You Wish Upon a Star” (1940)

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Pinocchio “When You Wish Upon a Star” (1940)

As Disney’s second animated feature film, Pinocchio is responsible for creating one of the company’s most memorable songs. Since its release, “When You Wish Upon a Star” has become the official anthem for the Walt Disney Company (a snippet plays right before the start of every Disney movie) and has been covered numerous times. But the original version was performed by Cliff Edwards (the voice of Jiminy Cricket) and became an instant hit. In fact, “When You Wish Upon a Star” was the first Disney song to win an Academy Award, taking home the Oscar for Best Song.

The song arrives at the start of the film and takes us through the opening credits until we come to Jiminy Cricket himself, singing the last part of the song by the Pinocchio storybook.

When you wish upon a star
Makes no difference who you are
Anything your heart desires
Will come to you

If your heart is in your dream
No request is too extreme
When you wish upon a star
As dreamers do

Fate is kind
She brings to those who love
The sweet fulfillment of
Their secret longing

Like a bolt out of the blue
Fate steps in and sees you through
When you wish upon a star
Your dreams come true

The song is also reprised at the end of the film while everyone is celebrating Pinocchio’s transformation into a real boy. To be perfectly honest, this song always makes me cry every time I hear it, so much so that there are times I have to skip over it so I can watch the film without bawling.

Here’s an interesting piece of trivia: if you look closely at the background of the picture with Pinocchio’s book, you’ll see two books titled Alice in Wonderland and Peter Pan. Both of these stories would be released as Disney films in the following decade (1951 and 1953 respectively).

What do you think of “When You Wish Upon a Star”? Let me know your thoughts in the comments below and have a great day!

See also:

Pinocchio “Little Wooden Head” (1940)

Pinocchio “Hi Diddle Dee Dee (An Actor’s Life for Me!)” (1940)

Pinocchio “I’ve Got No Strings” (1940)

Pinocchio “Hi Diddle Dee Dee (reprise)” (1940)

Disney/Dreamworks/Pixar/etc. Soundtracks A-Z

Disturbing Disney #1: The Coachman in Pinocchio (1940)

Disturbing Disney #2: The truth of Pleasure Island in Pinocchio (1940)

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook