Monthly Archives: December 2018

My Thoughts on: Peter Pan (1953)

Prior to getting a copy of Peter Pan for Christmas this year, it had been a number of years since I’d seen the film, so it was nice to sit down and revisit one of my favorite Disney films. Very loosely based on J.M. Barrie’s novel, Peter Pan follows the Darling children: Wendy (Kathryn Beaumont), John (Paul Collins), and Michael (Tommy Luske) as they fly off to Neverland with Peter Pan (Bobby Driscoll) and Tinkerbell for a series of adventures.

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Upon arriving at Neverland Peter has to deal with his long-time nemesis Captain Hook (Hans Conried), who is bound and determined to get revenge on Peter for cutting off his hand some years ago and feeding it to the Crocodile, who has been following him ever since in anticipation of getting the rest of him someday. The scenes with the Crocodile are probably my favorite apart from the flying sequences. You’re never quite sure when or where the Crocodile is going to show up, and Hook’s reactions are priceless each time he hears the “tick tock” of the clock inside the Crocodile’s belly.

Speaking of Captain Hook, he’s one of my favorite Disney villains. Hook was created at a time when Disney took a more comedic approach to their villains, so despite his many, MANY threats (including shooting a pirate in the middle of his cadenza), you never really get the impression that Hook is a major threat, because Peter will always find a way to get the upper hand. Also, I have to add that Mr. Smee is also one of my favorite characters: he’s so nice and polite that one wonders how he ended up on a pirate ship. Throughout the story, Smee tries again and again to get Hook to give up his pursuit of Peter Pan and go back to sea, and finally at the end he gives up and heads off in his own boat.

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The film does contain a number of what are now considered troubling sequences with Indians (the film employs practically every stereotype associated with Native Americans). As a child these scenes didn’t bother me because I didn’t know any better, and even now I don’t let it bother me too much only because I remind myself that the film was made in 1953 when things were very different culturally. Years afterward the animators admitted that if they could do it all over again they would animate the tribe differently.

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I feel very badly for Wendy throughout this film: she’s so eager to head off to Neverland but her adventure is hardly what she expects. First of all, she gets shot down (literally) by the Lost Boys; then the mermaids (whom she expressly wanted to see) try to drown her while Peter laughs; and worst of all, Peter ditches Wendy to celebrate with Tiger Lily. It’s no wonder Wendy decides to head for home not long afterward. I do like the reveal at the end that George Darling (the father) vaguely remembers going on his own adventure with Peter Pan and the flying pirate ship. It’s a twist that breaks the trope of parents reassuring the child that whatever happened was “just a dream.” Because in this case both parents take notice of the flying ship, which means Wendy was telling the truth!

One last thought: I love the scene at the end when Tinkerbell covers the pirate ship with pixie dust and it flies into the sky.

What do you think about Disney’s Peter Pan? Was it a favorite when you were growing up? Let me know your thoughts in the comments below and have a great day!

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Animated Film Reviews

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My Thoughts on: A Fistful of Dollars (1964)

I’ve known about A Fistful of Dollars for years from its reputation as a shameless rip-off of Kurosawa’s film Yojimbo (1961). I thought I’d seen at least part of it before, but it turns out I was remembering The Good, The Bad and the Ugly instead. So as it turns out, this was my first viewing of the film.

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If you’ve ever seen Yojimbo, the similarities between that film and A Fistful of Dollars become obvious almost immediately. A lone gunslinger rides into a rural town that is being dominated by two rival gangs. The Man with No Name (Clint Eastwood) decides to eliminate both groups by playing them off against one another. Except for minor plot differences, this is the exact story presented in Yojimbo. One difference I couldn’t help but notice is that in A Fistful of Dollars, the gunslinger initially allies with the Rojo brothers (analogous to Ushitora and his brothers); in Yojimbo, Sanjuro initially joins Sebei’s side (analogous to the Baxter family).

Now excluding the fact that this film is a rip-off, A Fistful of Dollars is a really good film. It wasn’t the first spaghetti western ever made, but it was the first to become really big, which is why director Sergio Leone is often credited as the founder of the genre. Eastwood’s performance as the Man with No Name is really something to see: he doesn’t say much but his expressions say plenty. I’m still not quite sure if he enjoys what he’s doing or if he just sees it as something that needs to be done.

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Ennio Morricone’s score for the film provides a perfect complement to the action though, in atypical fashion, a large portion of the score was actually written before most of the film was created. I like how whenever the gunslinger does something like sits in a chair or shifts his cigar in his mouth, the music plays a little trill that comments on it.

If you’ve never seen a spaghetti western before, A Fistful of Dollars is a good place to start. One word of warning though: the film is obviously dubbed (it was filmed silent and the voices looped in after the fact) so yes you’re going to see mouths that don’t match up to the words. In fact the actors in this film spoke a plethora of languages: there were Germans, Austrians, Italians, Spaniards and Americans of course. And most if not all spoke their lines in their own languages (I can only imagine what filming a scene was like).

Let me know what you think about A Fistful of Dollars in the comments below and have a great day!

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My Thoughts on: Westworld Season 1 (2016)

As a lifelong fan of the science fiction genre (so much so that I made it my specialty in graduate school), I knew it would only be a matter of time before I watched this show. I was curious from the start to see what an adaptation of the 1973 Westworld film would look like and yet I hesitated a long time before finally starting the series. I think deep down I delayed because I was afraid I wouldn’t like the story, as it is very easy to do robot/A.I. run amuck badly. But it turns out I was worried over nothing: Westworld‘s first season is sheer brilliance.

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In ten episodes, we are introduced to the unbelievably lavish park that is Westworld, a place where the obscenely wealthy can come live out whatever fantasy they desire, from the innocent pleasures of living on a homestead to more depraved activities up to and including murder and rape. The human guests can act as they please since the robotic ‘hosts’ are incapable of harming them. In such an environment, many guests let loose with repressed fantasies of murder and sexual freedom (the series comments several times that most guests come to either “shoot or f*ck” whatever they want) in a way that can be very disturbing to watch (this show does not hold back on showing blood).

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The plot is divided between several arcs that follow different characters. The primary hosts we follow are Dolores (Evan Rachel Wood), her programmed lover Teddy (James Marsden), Maeve, a saloon madam (Thandie Newton) and recurring visits from Hector (Rodrigo Santoro) and his group of bandits. On the human side, in the park, we follow the mysterious Man in Black (Ed Harris) and a newcomer to the park named William (Jimmi Simpson), whose coming to the park with Logan (Ben Barnes), his future brother in law. Outside of the park, Dr. Robert Ford (Anthony Hopkins) is the director of the park and is assisted by Bernard (Jeffrey Wright). The show clearly takes place sometime in the future as the technology is far beyond anything that currently exists, but it’s not known how far in the future we are, as so far as I know, no year is ever given.

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It is clear from the first episode that there is something odd going on in the park, with the hosts in particular, but it takes almost the entire season before enough pieces come together to provide answers. That’s not a bad thing: half of the reason I love Westworld is because the fragmented plot arcs keep you guessing at the truth and eager to see the next piece of the puzzle (so to speak). And when the answers do begin to come, you start to question everything you’ve seen in the series. Not only that, there are some twists that lead you to wonder if anyone in this series is actually human. Like many films and tv series that explore the concept of A.I., the border between robots and humans becomes so thin that it is practically non-existent (unless one of the hosts has a glitch).

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Anthony Hopkins turns in a magnificent performance, a particularly favorite moment coming at the end of episode 7 “Trompe L’Oeil.” In that episode, Hopkins switches from affable to pure menace so effortlessly that I was glued to the screen for the entirety of the scene. The episode also features one of my favorite plot twists in the season, simply because there’s almost no hint that it’s coming.

If you like robots and science fiction, then I think you will enjoy Westworld season one. The plot is very well crafted and as I said before will keep you guessing almost until the end. I’m looking forward to watching season two.

Final thoughts:

-I ended up feeling sorry for the Man in Black by the end of the season. Even though he was warned multiple times that what he was searching for wasn’t meant for him, he persists anyway and is eventually disappointed.

-Teddy (James Marsden) has so many death scenes it’s almost ridiculous. To be fair though, he pulls it off beautifully each time.

-I can’t stand Logan (Ben Barnes) and I feel like he deserves everything he gets.

What do you think of the first season of Westworld? Let me know your thoughts in the comments below and have a great day!

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My Thoughts on: The Favourite (2018)

Having not seen any of Yorgos Lanthimos’ work before now, I went into The Favourite excited, but not sure what to expect. The film caught my attention because it’s set during the reign of Queen Anne of Great Britain (1665-1714), a royal that you don’t usually see depicted in film. The film is based on the true story of Queen Anne (Olivia Colman) and the struggle between two of her court favorites: Sarah, Duchess of Marlborough (Rachel Weisz) and Abigail Masham (Emma Stone), her cousin. The film traces Abigail’s rise at court alongside Sarah’s simultaneous fall along with the various intrigues going on at the British court in the early 18th century.

 

The film is undeniably beautiful, both visually and musically (the soundtrack features a number of classical compositions that would have been appropriate for the time period). I love the dresses that Sarah and Abigail wear. I also like the attire Sarah wears whenever she goes shooting or riding (the tricorn hat and the grey coat). Most of the costumes are black, white or shades of grey, and I like that generally muted color palette.

One thing that surprised me is how sexual the film was. I knew there was going to be some romantic intrigue from the previews, but I had no idea (or I wasn’t paying enough attention) that there would be so much between Sarah and the Queen (and later Abigail and the Queen!) Watching Sarah and Abigail each manipulate Anne in their own way leads you to feel nothing but sympathy for the unhappy monarch. Having lost 17 children, all Anne wants is to be loved but she certainly doesn’t get any from Sarah, who at times is downright abusive in her behavior. I’m not sure if we’re supposed to feel any sympathy for Sarah or not (I certainly didn’t).

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Overall I enjoyed The Favourite very much, but I have some trouble with the ending. Given the story up to that point, the last scene felt like a strange way to end the film and I wasn’t quite sure what message I was supposed to receive from it (though I suspect a rewatch would help to enlighten me). That still didn’t stop me from enjoying the film and I highly recommend it if you haven’t seen it yet. Colman, Stone and Weisz fully deserve all of the nominations they’ve received thus far.

What did you think of The Favourite? Let me know your thoughts in the comments below and have a great day!

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Reviewing Looney Tunes: Bugs’ Bonnets (1956)

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Released: January 14th, 1956

Directed by: Chuck Jones

Bugs’ Bonnets is a cartoon that isn’t as well known as some of the other Jones classics (like the Rabbit Season trilogy for example), but it is still a great cartoon in my opinion. The scenario for this cartoon is half-story (Elmer hunting Bugs) and half-documentary (looking at how different hats can change your personality). Since this is a cartoon, the hats instantly change Elmer and Bugs’ personalities, with hilarious results. One interesting piece of trivia: in this cartoon Elmer suddenly knows how to pronounce his “R’s” correctly. My favorite examples in this cartoon include:

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-Bugs wears an Army sergeant’s helmet and gives Elmer a chewing out (“Alright dog face, how come every other private in this man’s army’s got a rifle and YOU’VE got a gun?”) In response, Elmer ends up wearing a hat reminiscent of General MacArthur, announcing “I have returned.”

-Bugs (in a game warden’s hat) chides Elmer for “shooting sergeants out of season.”

-Elmer (in a cop’s hat) threatens Bugs (in a “gangster” fedora) while the latter tries to buy Elmer off with a bribe. Before he can give the money back, Bugs’ hat is replaced with a judge’s wig, prompting Bugs to believe Elmer is trying to bribe HIM!

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While this cartoon is more a string of gags than anything else, that doesn’t stop it from being really funny. What do you think of Bugs’ Bonnets? Let me know your thoughts in the comments below and have a great day!

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Reviewing Looney Tunes

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Reviewing Looney Tunes: Bully for Bugs (1953)

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Released August 8th, 1953

Directed by: Chuck Jones

Half of the reason I love Bully for Bugs so much is the crazy story behind how it got made in the first place. According to the late, great Chuck Jones, the idea came to him when producer Eddie Selzer, out of the blue, came to his work area and proclaimed “cartoons about bullfighting are NOT funny, so don’t make any!” Upon Selzer leaving to go back to his office, a bewildered Jones turned to his fellow animator and wondered aloud “WOULD a bullfighting cartoon be funny?” The funny thing is, according to Jones, since Selzer proved to be wrong on just about anything involving cartoons, they figured a bullfighting cartoon would actually be hilarious. So, to get some research done (as nobody in the department had ever seen a bullfight in person), Jones flew down to Mexico City to watch a bullfight for himself.

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Up until the fight started, Jones had the idea that the matador would be the villain of the story, while the bull would be the sympathetic character. This notion flew straight out the window when Jones saw a massive bull come charging into the arena to face off against this itty bitty matador who was maybe 100 lbs soaking wet. From that moment, Jones knew exactly how the story needed to play out. (The story comes from Jones’ autobiography Chuck Amuck and commentary for Bully for Bugs found in the Looney Tunes Golden Collection).

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This cartoon is another example of Bugs taking a wrong turn at Albuquerque and winding up in the middle of a bullfighting ring instead of the Coachella Valley Carrot Festival. In the ring, a hapless matador is being chased around by a huge bull (much to the displeasure of the crowd. And speaking of the crowd, that’s a real bullfighting crowd you’re hearing in the cartoon, they recorded some audio in Barcelona, Spain and looped it into the final product). Being oblivious to the fact that he’s way off target, Bugs ends up on the wrong side of the bull, who promptly knocks him clean out of the arena (inspiring Bugs to proclaim “Of course you realize THIS means war!”) The enraged rabbit returns as a matador to give the bull his comeuppance as only Bugs can deliver it. For a while it’s an even back and forth between the two (and one of Bugs’ tricks actually backfires on him in spectacular fashion). Finally, just when Bugs seems cornered, he gets the upper hand and eliminates the bull once and for all by building an elaborate trap that sets the bull up to encounter some TNT.

Bully for Bugs is another classic Chuck Jones cartoon that never gets old no matter how many times you watch it. Let me know what you think about this cartoon in the comments below and have a great day!

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Reviewing Looney Tunes

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Reviewing Looney Tunes: Ali Baba Bunny (1957)

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Released: February 9th, 1957

Directed by: Chuck Jones

Of the many achievements Chuck Jones accomplished during his lengthy career, one of them was raising the pairing of Bugs Bunny and Daffy Duck into a comedic art form that has yet to be truly matched in animation. Ali Baba Bunny is a famous example of this pairing and one of my many personal favorite cartoons.

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In Ali Baba Bunny, Bugs and Daffy are en route to Pismo Beach (California) and somehow end up tunneling through the Arabian desert, where a wealthy sultan has just finished sealing his treasure inside a magic cave. Having set the burly Hassan to guard the treasure (“Or the jackal shall grow fat on thy carcass!”) the sultan departs, shortly before Bugs and Daffy unwittingly break into the cave by tunneling under the entrance. This cartoon features Daffy during his “greedy beyond all reason” phase and it is used to great comedic effect. For example, when the pair emerge from the burrow and realize this is NOT Pismo Beach, Daffy is almost instantly mesmerized by the giant pile of treasure in front of him, while Bugs is completely oblivious. This leads to one of my favorite Daffy Duck lines:

Daffy: It’s mine you understand? Mine, mine, ALL MINE! Get back in there! Down! Down! Down! Go! Go! Go! Mine! Mine! Mine! Mwahahahahahahaha!! *zooms off to the treasure*

Bugs (still oblivious): Ehhhhh, what’s up Duck?

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Only Bugs would be oblivious to all THIS

Of course there is the small matter of Hassan who is quite angry that someone is trying to take his master’s treasure. Despite Bugs’ best efforts to keep Daffy out of trouble (which include masquerading as a genie who “gives” Hassan the treasure for HIS own), Daffy keeps getting on the guard’s bad side, especially when he makes a run for it with a giant diamond! This leads Bugs to finally corner Daffy and demand to know (“What is it with you anyway?” to which Daffy replies “I can’t help it, I’m a greedy slob, it’s my hobby.”) This is probably one of the most honest answers Daffy has ever given regarding his greed (a fit of honesty likely brought on by the fact that Hassan wants to chop him to pieces).

I also love this cartoon because it has one of the greatest twist endings ever seen in a cartoon: Daffy appears to have it made. Hassan is gone, the treasure is loaded up ready to go, when the greedy duck finds a mysterious lamp in the back of the cave. For some reason, when a genie appears (and even calls Daffy “Master”!!) The duck explodes with rage and accuses the genie of wanting his treasure. This is why I say Daffy is greedy beyond all reason, because wouldn’t you think the duck would be happy to have a magic genie at his disposal? I suppose not, and boy does the duck pay for it!

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“I’m rich! I’m a happy miser!”

Ali Baba Bunny, as I’ve said before, is one of my favorite Chuck Jones cartoons, and I hope you’ve enjoyed reading about it. Let me know what you think about this cartoon in the comments below and have a great day!

See also:

Reviewing Looney Tunes

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Reviewing Looney Tunes: Broom-Stick Bunny (1956)

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Released February 25th, 1956

Directed by: Chuck Jones

Broom-Stick Bunny has long been one of my favorite Looney Tunes cartoons, as it features the debut of June Foray in the role of Witch Hazel (Bea Benaderet performed the voice in Hazel’s first appearance in Bewitched Bunny). This is actually Foray’s second time playing a character by this name (with this voice no less) as she originated the character in the 1952 Donald Duck cartoon Trick or Treat (and in truth she was initially reluctant when Chuck Jones invited her to play his version of Witch Hazel, but she eventually came around to the idea).

In this cartoon, it’s Halloween night and Bugs Bunny is out trick-or-treating disguised as a witch (complete with a green mask). Meanwhile, Witch Hazel is brewing up a potion while frequently consulting her magic mirror to make sure she’s still the “ugliest of them all” as she’s terribly afraid of getting pretty as she gets older. One of my favorite running gags in this cartoon is Witch Hazel’s obsession with ugliness and talking about beauty in opposite terms (examples include: “Who undoes your hair?” “I’m going to worm all your ugly secrets out of you” and my personal favorite “LIKE it? Why it’s practically HIDEOUS!!”)

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The story starts as a comedy of errors when Bugs Bunny appears at Witch Hazel’s door and the befuddled witch thinks the rabbit is a REAL witch (leading to my other favorite line: “Witch? I don’t remember seeing HER at any of the union meetings.”) but it quickly turns serious when Hazel realizes that not only is Bugs a rabbit, but he’s also the last ingredient needed to complete her potion, leading to a wild chase throughout the house.

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In the end, of course, Bugs gets the upper hand and we’re treated to seeing what a pretty Witch Hazel looks like (fun fact: according June Foray’s commentary, the animators modeled the pretty Hazel on her actual appearance, particularly in the hairstyle as it was one she liked to wear at the time). It’s so funny to hear the now-pretty witch say in the sweetest sounding voice “Magic mirror on the wall, who’s the ugliest one of all?” The gag is heightened when the genie in the magic mirror gives chase on a flying carpet and the pair go flying off into the night.

Of all the Witch Hazel cartoons, Broom-Stick Bunny remains my favorite, and I hope you’ve enjoyed reading about it. Let me know your thoughts about this cartoon in the comments below and have a great day!

See also:

Reviewing Looney Tunes

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