Category Archives: Soundtracks

Soundtrack News: Star Wars: The Bad Batch Volume 1 (Episodes 1-8) Available Now

Star Wars: The Bad Batch, Volume 1 (Episodes 1-8) is now available from Walt Disney Records. Star Wars: The Bad Batch debuted on May 4, with new episodes releasing each Friday, streaming exclusively on Disney+. Award-winning composer Kevin Kiner composed and produced all 37 tracks on Volume 1Star Wars: The Bad Batch, Volume 2 (Episodes 9-16) is set for release on August 20.

Honored with multiple Emmy and Annie nominations, as well as 12 BMI awards, Kevin Kiner is one of the most versatile and sought-after composers in Hollywood. In creating intimate soloistic guitar music over the grim realities of the Juarez Cartel, to grand orchestral music for a galaxy far, far away, Kevin’s wide musical range has allowed him to take on such diverse projects as Netflix’s hit series “Narcos: Mexico,” “Star Wars: The Clone Wars,” Showtime’s “City on a Hill,” AMC’s “Hell on Wheels,” CW’s “Jane the Virgin,” CBS’s “CSI: Miami,” and Netflix’s “Making a Murderer.”

Kiner said of The Bad Batch:

I hope you enjoy our latest installment of Bad Batch cues from season one. Bad Batch continues to add to some of my favorite themes I’ve written for the Star Wars universe, most likely because many of these are co-written with my sons Sean and Dean (Omega’s Theme especially)! Some fun stealth music is in here with a bit of an homage to ‘The Dirty Dozen,’ or ‘The Guns of Navarone.’ I played the solo guitar viol instrument on ‘Zygerrian Camp.’ Also, check out Cad Bane is back!!!  May the Force be with you.

The series follows the elite and experimental troopers of Clone Force 99 (first introduced in Star Wars: The Clone Wars) as they find their way in a rapidly changing galaxy in the immediate aftermath of the Clone War. Members of Bad Batch, as they prefer to be called — a unique squad of clones who vary genetically from their brothers in the Clone Army — each possess a singular exceptional skill, which makes them extraordinarily effective soldiers and a formidable crew. 

Track List

1. Logo (Star Wars: The Bad Batch) (0:19)
2. Omega’s Theme (2:58)
3. Civil War About to Begin (3:21)
4. Onderon (3:06)
5. Battle Simulation (4:46)
6. Experimental Tactics (2:34)
7. Omega Warns Hunter (2:34)
8. Caleb at the Cliff (3:01)
9. End of the War (3:17)
10. Tension with Crosshair (3:54)
11. Disobeying Orders (4:52)
12. First Time in Space (2:07)
13. Nexu Attack (1:57)
14. Raising Kids (3:31)
15. Smuggled Themselves (4:47)
16. Ordo Moon Dragon (4:24)
17. First Elite Squad (3:56)
18. Financial Incentives (3:23)
19. Danger at the Market (3:13)
20. Pantora Chase (3:13)
21. Fennec Shand (2:40)
22. Zygerrian Camp (3:22)
23. Muchi Unchained (2:58)
24. Monster Challenge (2:26)
25. Decommissioned Factory (4:25)
26. Police Droids (3:36)
27. A Diversion (3:31)
28. Stranger at the Bar (1:27)
29. To Bracca (2:32)
30. Stay Above the Water Line (3:02)
31. Chip Disorders (3:34)
32. Bomb Disposal Training (2:46)
33. Incoming Vessels (2:26)
34. Fight in the Artillery Room (2:44)
35. Breakaway Plan (3:50)
36. The Bounty Hunter Is Back (2:29)
37. Cid’s Jukebox Mix Vol. 1 (4:48)

You can check out the first installment of the Star Wars: The Bad Batch soundtrack now!

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Soundtrack News: Milan Records to Release Original Motion Picture Soundtrack for ‘I Carry You With Me’ on June 25

Milan Records is excited to announce the June 25 release of the Original Motion Picture Soundtrack from the Sony Picture Classics and Stage 6 Films’ drama I Carry You With Me composed by Jay Wadley (I’m Thinking of Ending ThingsDriveways). The soundtrack is composed of 19 lush tracks, which Entertainment Weekly calls, “a wrenching score that swells and fades to the rhythms of these men’s lives.” Making their debut today exclusively via Vehlinggo ahead of Friday’s wide release are two tracks from the soundtrack – listen to “One Year” and “Ivan’s Chance” HERE. Coinciding with the film’s theatrical debut, the soundtrack will release on June 25, 2021.

A two-time winner of the Charles Ives Award from the American Academy of Arts and letters and featured in IndieWire’s 2020 and 2016’s 10 Best Scores of the Year, Jay Wadley is a NY-based composer and music producer. He recently scored Charlie Kaufman’s phycological drama/thriller I’m Thinking of Ending Things, featuring an original ballet. Other recent projects include Heidi Ewing’s I Carry You With Me, Emma Tammi’s Blood Moon (from Hulu/Blumhouse’s Into The Dark Horror Anthology Series), and Season 2 of Amazon’s Emmy®-nominated series Modern Love

“In the score for ‘I Carry You With Me,’ I aimed to create a vibrant sense of nostalgia and longing using a combination of textural electronics and piano, string orchestra and some familiar sourced sounds from the streets of Mexico,” says composer Jay Wadley.  “[Director] Heidi [Ewing] sent me a collection of sounds she recorded in the streets to inspire the sound world and make unique connections to the specific sense of time and place. One of the most prominent sounds you can hear woven into the score is the sound of the Camotero whistle from the food trucks in Mexico. I tuned and stretched out the whistle to use as a musical punctuation and thematic device to help call back to Ivan’s childhood memories working the streets with his father.”

Premiering at the 2020 Sundance Film Festival, and based on true love, I Carry You With Me is a decades spanning romance that begins in Mexico between an aspiring chef (Armando Espitia) and a teacher (Christian Vázquez). Their lives restart in incredible ways as societal pressure propels them to embark on a treacherous journey to NYC with dreams, hopes, and memories in tow.

I CARRY YOU WITH ME (ORIGINAL MOTION PICTURE SOUNDTRACK)TRACKLISTING – 

  1. I Carry You With Me
  2. Bar Franco
  3. Chiles En Nogada
  4. Sandra
  5. Complicated Boyfriend
  6. Gerardo’s Flashback
  7. You Can’t Take Him From Me
  8. Take That Off
  9. One Year
  10. We Are Not Going To Die
  11. The Letter / New York
  12. I’m Proud of You
  13. He Should Come Back
  14. Reunited
  15. Ivan’s Chance
  16. You Came To Me
  17. I Just Can’t See It
  18. Dad’s In the Hospital
  19. There’s No Path

The soundtrack album for I Carry You With Me will be released on June 25, 2021.

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Soundtrack News: ‘Wish Dragon’ Original Motion Picture Soundtrack is Available Now

Earlier this month Milan Records released Sony Picture Animations Wish Dragon Original Motion Picture Soundtrack by Philip Klein. The 25 tracks feature a number of traditional Chinese instruments – the Pipa, the Sheng, Ruan – but run through synthesizers and given a modern touch.

Speaking about working on the score, Philip Klein said, “The journey of scoring Wish Dragon began with hours of creative discussions, a fair amount of geeking out and the trial and error of musical experiments with director Chris Appelhans.”

He went on to explain, “Our mutual love of exploring lesser known music and sound guided us through generations of Chinese folk songs, instruments, artists and expression. What we ended up with over a year later was a deeply layered, thematic score; richly colored by beautiful traditional instruments, wistful textures and the might of the New Zealand Symphony Orchestra. Chris’ deep love and respect for this story and all of the brilliant filmmakers and artists behind it made my job seem like I was the one being granted a wish.”

Following an inspiring trip to China in 2006, director Chris Appelhans returned fascinated by the country’s vibrant culture and overnight modernization. He realized it was the perfect setting for a story about wishes; in a world changing so fast, the big questions about life and values were impossible to ignore. Compelled to share this unique yet universal story with audiences around the world, he knew animation was the best way to express the story’s authenticity, humor and heart. He even learned Mandarin.

Chris Appelhans had this to say about the score, “[Philip Klein] has created the kind of score that not only elevates the film, but stands on its own — iconic melodies, true soul and a timeless mix of modern and traditional elements. Every time I listen, I’m moved — and to me that’s the highest praise any music can earn.”

Track List

1. Endless Sky – Kenton Chen, Katherine Ho & Weilim Lin
2. Free Smiles – Tia Ray
3. Prologue – Philip Klein
4. Li Na Says Goodbye – Philip Klein
5. I Gotta Go – Philip Klein
6. The Goons – Philip Klein
7. All Dressed Up – Philip Klein
8. The Tea Is Ready – Philip Klein
9. Finders Keepers – Philip Klein
10. City Walk – Philip Klein
11. Aerial Acrobatics – Philip Klein
12. Din and Li Na – Philip Klein
13. Long Admits – Philip Klein
14. Din and Mom Argue – Philip Klein
15. Shanghai Showdown – Philip Klein
16. That Same Old Shikumen – Philip Klein
17. Certain Expectations – Philip Klein
18. The Wish Dragon – Philip Klein
19. Teapot Battle – Philip Klein
20. True Sacrifice – Philip Klein
21. My Last Wish – Philip Klein
22. Everything That Matters / The End – Philip Klein
23. A Tale As Old As Time (Suite I) – Philip Klein
24. A Tale as Old as Time (Suite II) – Philip Klein
25. Din’s Piano – Philip Klein

See also:

My Thoughts on: Wish Dragon (2021)

Music, Magic, and Dragons: Talking With Composer Philip Klein About Wish Dragon (2021)

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Soundtrack News: ‘The Reason I Jump’ hybrid OST Is Out Now!

Mercury KX has released the OST of the Sundance 2020 winning feature film The Reason I Jump composed by award-winning composer Nainita Desai.
This is a soundtrack that has already been nominated for both a BIFA and Cinema Eye Honors Award for Best Music Score.

Based on the best-selling book by Naoki Higashida, The Reason I Jump is an immersive cinematic exploration of neurodiversity through the experiences of non-speaking autistic people from around the world, directed by Jerry Rothwell. The film blends Higashida’s revelatory insights into autism written when he was just 13, with intimate portraits of five remarkable young people. It opens a window for audiences into an intense and overwhelming, but often joyful, sensory universe.

Like the book upon which the film is based, Desai’s score opens a door to a constellation of divergent ways of experiencing reality. The aim was to evoke the intense sensory worlds described in the book with a Dolby Atmos 360 soundtrack. Distinctions were made between the musical worlds of the different characters in the soundtrack, using different instrumentation. True to the film’s themes, Nainita sought authenticity towards Autism and Neurodiversity, Elisabeth Wiklander, cellist with the LPO is autistic and a cultural ambassador for the National Autistic Society and her contribution brought great sensitivity and perception.

“This piece is my most personal musical reflection from the film and interpretation of the characters’ experience of neurodiversity. The lyrics are inspired by text from the original book where I gave a voice to the non-verbal characters, breaking their ‘silence’. I wanted the lyricism of the strings, the delicate piano and purity of the voice to shed a gentle light on all the facets of autism explored in the film, tying Naoki’s final words together with understanding and empathy”, says Nainita Desai about the focus track ‘The Reason I Jump’

The Reason I Jump is Desai’s 7th soundtrack release but also her most personal; a hybrid OST and personal album ‘the album embodies my roots in sound design, the human voice, electronic and sonic exploration of acoustic instruments that hint at the journey I am embarking on my own with my own personal music’.

Track List

  1. Time Has No Boundaries (2:23)
  2. Beauty Is In The Detail (2:40)
  3. I, Too, Exist (3:51)
  4. Floating Into Focus (3:01)
  5. Shaking The Ropes Loose (1:24)
  6. Memories And Images (1:27)
  7. Outside The Flow Of Time (2:27)
  8. Drowning In A Sea Of Words (3:04)
  9. The Reason I Jump (3:32)
  10. Green Boxes (1:44)
  11. The Prettiness Of A Dandelion (2:08)
  12. Imaginings (1:48)
  13. Forever Swaying (3:06)
  14. Permission To Be Alive (1:42)
  15. Faulty Robot (1:34)
  16. The Sensory World (3:54)

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Soundtrack News: Luca (Original Motion Picture Soundtrack) by Dan Romer is Available Now!

Walt Disney Records releases Disney and Pixar’s Luca Original Motion Picture Soundtrack, available today. The score is composed and produced by Dan Romer (“Beasts of the Southern Wild”). A story about two teenage sea monsters who experience a life-changing summer, Disney and Pixar’s “Luca” is now streaming exclusively on Disney+ (where Disney+ is available).

The score was recorded with an 82-piece orchestra at the Newman Recording Stage, and was orchestrated and conducted by Mark Graham. Romer performed on accordion and acoustic guitar.

Dan Romer is an award-winning composer, songwriter and music producer based in Los Angeles. Romer’s scores include Disney and Pixar’s feature, Luca (Disney+) coming out Summer 2021, four-time Oscar®-nominated Beasts of the Southern Wild (Searchlight),” “Maniac” (Netflix), “The Good Doctor” (ABC), “Beasts of No Nation” (Netflix), “Atypical” (Netflix), “Ski” (A24) Wendy (Searchlight) and Emmy® award-winning series “Ramy” (Hulu). In 2018, Romer composed the music for Ubisoft’s flagship video game Far Cry 5.

Luca director Enrico Casarosa turned to Romer to help set the stage and convey the youthful point of view of the main character, Luca. “I love his style—his accordion skills—and his ability to blend his style with the nuances of Italian music for this score,” said Casarosa.

The film is set on the Italian Riviera during the late 1950s, early 1960s. However, said Romer, “Enrico wanted something that felt like more of a nod, or a memory, than something that felt historically accurate. He told me what he really wanted was a more Italian-sounding version of the style of music I already make, which was very exciting and freeing!”

The composer especially liked working on the film’s dream sequences where Luca soars to great heights—feeling the freedom he craves. “They called for the most lush instrumentation, and usually the most wild rhythms,” he says.

Romer added, “It was an absolute joy getting to make such a melodically driven score and I’m excited for everyone to see the film.”

Track List

1. Meet Luca (4:08)
2. Did You Hide? (1:04)
3. The Curious Fish (1:39)
4. You Forgot Your Harpoon (0:39)
5. Phantom Tail (2:09)
6. Walking Is Just Like Swimming (2:02)
7. Vespa è Libertà (1:42)
8. You Hold the Ramp (0:59)
9. Silenzio Bruno (0:41)
10. That’s the Dream (2:05)
11. The Bottom of the Ocean (1:52)
12. Take Me, Gravity (1:44)
13. Portorosso (1:36)
14. Signor Vespa (1:17)
15. This Isn’t Any Old Race (2:55)
16. Buonanotte, Boys (1:27)
17. Land Monsters Everywhere (0:55)
18. Buongiorno Massimo (3:03)
19. The Out of Town Weirdo Tax (1:48)
20. Rules Are for Rule People (1:08)
21. How Humans Swim (1:03)
22. Not Our Kid (0:49)
23. Telescope (2:46)
24. Beyond the Solar System (1:02)
25. We Don’t Need Anybody (1:54)
26. The Sea Monster (3:33)
27. I Wish I Could Take It Back (4:01)
28. The Portorosso Cup (7:34)
29. How to Find the Good Ones (5:14)
30. Go Find Out for Me (1:39)

You can digitally download the soundtrack for Luca through any major digital music service. Enjoy!

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Soundtrack News: Varese Sarabande Releasing ‘Paycheck’ (The Deluxe Edition) on CD

John Powell burst into film scoring with a magnificent, emotional and modern soundtrack to John Woo’s iconic hit, Face/Off (1997). Six years later, Woo and Powell reunited for Paycheck (2003), a sci-fi techno-thriller based on a 1953 short story by Philip K. Dick (Blade Runner, Total Recall).

Ben Affleck stars as a programming engineer who undergoes a voluntary memory wipe to protect his client’s secrets—but upon going to collect his paycheck, he is given an envelope of seemingly random trinkets and items. He must use these clues to unearth the terrible secrets of his own project.

By 2003, John Powell had already scored The Bourne Identity and had his finger on the pulse of the modern action-thriller score. Paycheck blends synth and pop-rhythms with orchestral scope and, most importantly, Powell’s impeccable sense of taste. Despite almost non-stop action and suspense, he focuses on emotion and utilizes melody to elevate the proceedings.

“I’ve always wanted to do a ballet, so I had been fascinated by choreographers and dance for quite some time. I utilized that conversation with John [Woo] as an inspiration to create the drama of a danced story,” says John Powell.

He explains, “This album has everything on it. It gives me a slight panic attack looking at how much music there is on this album. It all sounds very good to me and at the same time like utter nonsense. I’ve always tried to be better at harmony. A lot of composers I admire have this incredible sense of harmonic flow and flexibility. When I achieve that on occasion, it makes me happy.”

Paycheck was released by Varèse Sarabande at the time of the film. This 2-CD set Deluxe Edition greatly expands the playing time to over 95 minutes, and features new liner notes by Daniel Schweiger, incorporating new interview comments with Powell.

PURCHASEU.S. – https://www.varesesarabande.com/products/john-powell-paycheck-the-deluxe-edition-2-cd 

Int’l – https://intl.varesesarabande.com/products/john-powell-paycheck-the-deluxe-edition-2-cd

Paycheck (The Deluxe Edition): Original Motion Picture SoundtrackMusic Composed by John PowellDisc One:

  1. Paycheck: Main Title From The Motion Picture (3:29)
  2. A Kiss Of Flexible Morality (1:10)
  3. Memory Wipe (0:54)
  4. A Good Life (1:05)
  5. Party Of Two (0:32)
  6. Portents Of Crystal Balls (2:11)
  7. Injection (0:32)
  8. A Second Chance (1:54)
  9. You’re Done (1:16)
  10. Freeze Frames (1:59)
  11. Hot Seat (7:39)
  12. The Ring (0:42)
  13. That’s You (0:31)
  14. Twenty Items (5:39)
  15. Lucky Number (2:01)
  16. Wolfe Pack (4:01)
  17. The Third Rail (3:28)
  18. Reservations (3:25)
  19. Mirror Message / Imposter (8:43)

Disc Two:

  1. Hog Chase, Part 1 (3:18)
  2. Hog Chase, Part 2 (4:06)
  3. I Don’t Remember (1:33)
  4. I Don’t Remember (Alternate Version) (1:35)
  5. Tomorrow’s Headlines (4:27)
  6. Return to Allcom (3:13)
  7. Future Tense (7:58)
  8. Bio Lab Bash (3:08)
  9. Fait Accompli (6:39)
  10. One Big Payback (5:37)
  11. Uma’s Tune (Bonus Track) (2:55)

You can check out (and purchase) the deluxe edition soundtrack for Paycheck now!

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Soundtrack News: Quinceañero Original Motion Short Film Soundtrack Out Now

PHX Music has digitally released the Original Motion Short Film Soundtrack to Justin Floyd’s vision come to life, in the musical Quinceañero. The music is composed by Max Aruj and Steffen Thum, with lyrics by Antonio Sol, and songs performed by cast of the film. The album comprised of eight richly melodic Latin songs, including the film’s focus track “Ve El Momento” (“See the Moment”). The film recently premiered at Los Angeles Latino International Film Festival (LALIFF), as part of its Latinx Inclusion Series, in partnership with Netflix.

Max Aruj is a composer born and raised in Los Angeles. His latest feature release is Crawl, produced by Sam Raimi, and directed by Alexandre Aja. Aruj joined the Assassin’s Creed universe for the recently released Wrath of the Druids. Other upcoming releases this year include Eytan Rockaway’s Lansky, starring Harvey Keitel, and Jonathan Hensleigh’s The Ice Road, starring Liam Neeson. Aruj co-produced Gryffin’s Deluxe orchestral album (2020). He composed additional music on Mission: Impossible – Fallout for Lorne Balfe, and on The Crown, for Hans Zimmer and Rupert Gregson-Williams. This past year he wrote additional music on HBO’s His Dark Materials.

Steffen Thum is a composer for film, TV, games, commercials and mixed media, based in Berlin. He wrote the scores for feature films Crawl (Paramount) and iBoy (Netflix), as well as TV series This Is Football (Amazon) and Story of God (National Geographic), among others. Steffen’s music can be heard in over 60 international productions, including Mission Impossible: Fallout, Bad Boys for Life, Ad Astra, The Lego Batman Movie, The Crown, and His Dark Materials.

In the 20-minute whimsical musical, Gabriel is on the verge of his 15th birthday and dreams of having his own quinceañera, a tradition reserved for girls. When his father – steeped in tradition – sets himself against the quinceañero, the timid boy will have to rally his family to make his dream come true.

Composer Max Aruj had the following to say:

“Having director Justin Floyd entrust us to bring his vision to life in a new style was both exciting and horrifying. But having an amazing team in Steffen and Antonio, made the process a blast. Additionally, writing a song like ‘Ve El Momento’ was a first – I never thought I’d get to do that, but here we are!”

Steffen Thum added:

“Writing a musical is a particular kind of challenge, going beyond just scoring to picture, as we’ve done before, so it was a bit of a daunting task. It was Justin’s vision and strong ambition that pulled us in, while Antonio’s expertise was crucial in getting the lyrics right. It all grew from there, and our actors and dancers brought the songs to life beautifully.”

Track List: 

  1. Ve El Momento
  2. The Magic of Youth
  3. La Quinceañera
  4. Can I Be
  5. Brother My Brother
  6. Symphony in Q
  7. I’m Proud of You
  8. El Quinceañero

You can find the soundtrack album for Quinceañero on iTunes here.

Let me know what you think about Quinceañero and its music in the comments below and have a great day!

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Soundtrack News: Varese Sarabande Releasing ‘The Matrix’ (The Complete Edition) on CD

Varèse Sarabande Records is thrilled to announce one of its June 2021 CD Club titles: The Matrix (The Complete Edition) by Don Davis. This title is available as of June 11, exclusively on VareseSarabande.com and internationally on Intl.VareseSarabande.com.

Few blockbusters can claim to be as influential as The Matrix (1999), written and directed by the Wachowskis. From its super high concept that has wormed its way into the public’s imagination (what if we’re all just living in a computer simulation?), to Keanu Reeves’ iconic hero Neo, to the brilliant, jaw-dropping and story-based visual effects, The Matrix delivered on all fronts. Its three films grossed over $1.6 billion worldwide, and a fourth is on the way.

The Matrix demanded a score that was as unique, sophisticated and imaginative as its concept and action—and that’s exactly what composer Don Davis delivered. Davis, who scored the Wachowskis’ Bound (1996), reinvented the symphonic language of the action blockbuster by drawing on cutting-edge concert-hall minimalism and his own background as an avant-garde composer, while maintaining the energy, pace and density required of a studio action film.

From the clashing-brass “reflections,” to the racing strings, pounding percussion and flittering, repeating musical “cells,” the Matrix score fits hand-in-glove with the film’s concept of a computer-controlled reality—and offers a unique musical thumbprint that is recognizable sometimes only from a single note or chord. It is the rare commercial triumph that is also an artistic landmark.

“One thing the Wachowskis did want was something new and different. Every director will tell you they want that something new and different until they actually hear it. But I took that to heart, and it was clear that a unique approach really was right for that film. I’ve kept my hand in composing concert music from the beginning, so I was aware of what was going on in that arena. [We] were working in a style that some were calling ‘postmodern,’ which seemed to be fitting for a postmodern film like The Matrix. And I saw this as an opportunity to take it in a stylistic direction that wouldn’t work in other films but specifically did work in this film,” says composer Don Davis.

The Matrix was released by Varèse Sarabande at the time of the film, and then in a Deluxe Edition that fit as much of the score as possible on one CD. By popular demand, this new 2-CD set presents the complete score. This version is also available through Record Store Day 2021 as a 3-LP set releasing on July 17. Visit RecordStoreDay.com to find a participating retailer. Liner notes feature a new interview with Don Davis conducted by Kaya Savas.

*Standard CD limited to 2,000 copies *SACD limited to 1,000 copiesPURCHASE

U.S. 2-CD – https://www.varesesarabande.com/products/don-davis-the-matrix-the-complete-score-2-cd 

U.S. 2-SACD – https://www.varesesarabande.com/products/don-davis-matrix-the-the-complete-score-2-sacd 

Int’l 2-CD – https://intl.varesesarabande.com/products/don-davis-the-matrix-the-complete-score-2-cd?currency=USD 

Int’l 2-SACD – https://intl.varesesarabande.com/products/don-davis-matrix-the-the-complete-score-2-sacd

The Matrix: The Complete Edition (Regular and SACD): Original Motion Picture Score Music Composed, Orchestrated & Conducted by Don Davis

Disc One:
Logos / The Matrix Main Title (0:55)
Trinity Infinity (6:00)
Neo Con Brio (0:32)
Follow The White Rabbit (0:15)
Neo On The Edge (3:24)
Through The Surveillance Monitor (0:59)
Unable To Speak (1:14)
Bait And Switch (3:16)
Switched For Life (3:36)
Switched At Birth (2:43)
Switches Brew (2:27)
Cold Hearted Switch (1:40)
Nascent Nauseous Neo (4:00)
A Morpheus Moment (1:39)
Bow Whisk Orchestra (1:23)
Domo Showdown (1:13)
Switch Or Break Show (1:05)
Shake, Borrow, Switch (0:39)
Switch Works Her Boa (0:56)
Bring Me Dinner (0:39)
The System (0:37)
Freeze Face (1:52)
Switch Woks Her Boar (2:07)
Cypher Cybernetic (0:59)
Ignorance Is Bliss / Cyber Cyphernetic (1:51)
See Who? (0:26)

Disc Two:
Switch Out (3:01)
Boon Spoy (1:08)
Oracle Cookies (1:30)
Threat Mix (6:05)
Exit Mr. Hat (2:57)
On Your Knees, Switch (4:43)
Mix The Art (2:10)
Whoa, Switch Brokers (4:01)
The Cure (1:35)
It’s The Smell (1:57)
The Lobby (0:27)
No More Spoons (1:02)
Dodge This (1:08)
Fast Learning (0:44)
Ontological Shock (4:16)
That’s Gotta Hurt (5:17)
Surprise (4:06)
He’s The One Alright (6:56)

Enjoy experiencing the complete score of The Matrix courtesy of Varese Sarabande Records!

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Soundtrack News: ‘Occupation Rainfall’ Original Motion Picture Soundtrack Now Available on iTunes

Kaleido Sound is excited to announce the release of the Original Motion Picture Soundtrack for the Lionsgate action sci-fi film, Occupation Rainfall, composed by Frederik Wiedmann (The Dragon Prince, Acts of Vengeance).

Wiedmann has been inspired by film composition since he first heard John Barry’s score to Dances With Wolves at the age of 12. Wiedmann is the composer behind the hit Disney Junior show Miles from Tomorrowland, as well as the critically acclaimed Netflix animated fantasy series The Dragon Prince, which is from the writers of the popular series: Avatar: The Last Airbender. Wiedmann has been a main stay in the DC cinematic universe, starting with his work on Green Lantern: The Animated Series, for which he earned two consecutive Annie Awards nominations. His success on the series led to further popular Warner Bros’ DC projects such as, Justice League: The Flashpoint Paradox, Son of BatmanDeath of SupermanJustice League: Gods and MonstersBatman: Gotham by Gaslight among others.

Directed by Luke Sparke, Occupation Rainfall takes place two years into an intergalactic invasion of earth. Survivors in Sydney, Australia, fight back in a desperate ground war. As casualties mount by the day, the resistance and their unexpected allies, uncover a plot that could see the war come to a decisive end. With the Alien invaders hell-bent on making earth their new home, the race is on to save mankind.

Regarding the soundtrack for Occupation Rainfall, composer Frederik Wiedmann had the following to say:

“This project was a huge musical canvas with a lot of room for creativity left for the composer, which made my heart race with excitement. From the first moment I saw a few snippets of it, I knew that this was going to be one epic ride. 

Luke Sparke, the director, and I spotted about 117 minutes for this 2-hour Sci-fi film, for which we both agreed that we’d need a big orchestra. It wasn’t an easy task to organize an orchestra of this scale due to COVID-19, but we managed to record in London at AIR studios, as well as in Macedonia at the FAMES scoring stage to create the sound we both wanted. 

The movie is certainly action-packed, with stunning visual effects and performances by the actors. But underneath the blood-pumping, adrenalin-spewing blockbuster facade of the film, lies a bigger, more philosophical question of “how far would you go for the greater good?”. I did my musical best to accompany the depth of this theme, using an array of thematic material, to underline the difficult choices that our characters inevitably face, as well as their emotional journey throughout the film.”

TRACK LISTING

  1. The Worst Is Yet To Come (2:10)
  2. Taking Fire (2:13)
  3. You’re Our Last Chance (2:42)
  4. Freed (2:09)
  5. Sydney (3:19)
  6. Gearing Up (2:46)
  7. Hail Of Fire (4:07)
  8. Ambushed (3:04)
  9. Sydney Destroyed (1:21)
  10. In The Outback (2:31)
  11. Hit Them With The Crossfire (2:16)
  12. Alien Pursuit (3:25)
  13. Red Sky (3:01)
  14. Apex Predator (4:18)
  15. The Village (1:53)
  16. Restricted Area (4:32)
  17. The Mob (3:15)
  18. The Command Ships (2:37)
  19. They Are Here (3:02)
  20. An Evolutionary Accident (4:19)
  21. Project Rainfall (2:09)
  22. Overrun (2:47)
  23. Avoiding Disaster (2:50)
  24. Guns And Blades (2:05)
  25. Kal’i Attack (1:35)
  26. The Standoff (1:38)
  27. Wing Commander Heyes (2:56)
  28. Behind Closed Doors (2:11)
  29. The Ascend (2:24)
  30. For Humanity (2:27)
  31. Reunited (3:10)

Check out the soundtrack for Occupation Rainfall, available on iTunes, and have a great day!

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Soundtrack Review: Ratchet & Clank: Rift Apart (2021)

Milan Records has released Ratchet & Clank: Rift Apart (Original Soundtrack) with music by Mark Mothersbaugh and Wataru Hokoyama.  Available everywhere now, the album features music written by Mothersbaugh and Hokoyama for the latest installment in the PlayStation® video game franchise that released on June 11, 2021.

Of the soundtrack, composer Mark Mothersbaugh says:

“It takes an army to create a soundtrack for a video game these days, and there are a number of writers, arrangers, orchestrators, players, synth programmers that were involved.  For games in general, you have to be aware that a particular level and the music embedded in it will sometimes be around for a long time, so you want to make sure your themes and melodies are iconic.  The video game genre is very satisfying because of the craftsmanship involved and the attention to detail. Ratchet & Clank: Rift Apart is probably the best game score I ever got to work on.”

Of the soundtrack, composer Wataru Hokoyama says:

“It was just so much fun working on such an epic game like Ratchet & Clank: Rift Apart.  The depth of the worlds that the game took place in allowed us to write in so many varieties of style.  Working with the teams at Insomniac Games and Sony Interactive Entertainment was so amazing.  They’re full of great people who love and enjoy what they do, and they welcomed us as members of their big family throughout the project.  The feeling of ‘Let’s have so much fun co-creating the world of Ratchet & Clanksound together’ felt so special, and it became one of the most memorable video game projects for me.  It’s important for me to mention that it was Mark Mothersbaugh who brought me on board with this game project.  Mark has been like a fatherly figure to me in my music career.  We’ve done multiple blockbuster films together, and it’s such an honor to have my name credited next to the DEVO legend.  I look forward to our future collaborations.”

Built from the ground up for the PS5™ console by acclaimed studio Insomniac Games, Ratchet & Clank: Rift Apart is a brand new, interdimensional adventure.  Go dimension-hopping with Ratchet and Clank and help them stop a robotic emperor intent on conquering cross-dimensional worlds, with their own universe next in the firing line. Jump between action-packed worlds and beyond at mind-blowing speeds – complete with dazzling visuals and an insane arsenal as the intergalactic adventurers blast onto the PS5™ console.  Join a cast of familiar faces and some new allies – including Rivet, a mysterious new playable female Lombax resistance fighter who is just as determined to take out the robotic scourge.

After listening to this soundtrack, I think I owe the Ratchet & Clank video game series a big apology. Now, to be fair, I don’t know what the earlier games sound like, but I do know I wasn’t expecting anything as epic and glorious as what I hear in Ratchet & Clank: Rift Apart. Mothersbaugh and Hokoyama have created some genuinely special music that instantly grabs your attention and pulls you into the story. And it must be quite the story, because this music really does feel epic, perhaps not to the same degree as, say, God of War or Horizon Zero Dawn, but it’s definitely attempting to push the boundaries of where the story can go.

One thing I really like in the music for Ratchet & Clank: Rift Apart is the musical continuity. There’s a distinctive main theme that recurs throughout the soundtrack, and it’s used to pull everything together. In that way, the music for this game is almost like a symphony in some places, as this main theme opens the soundtrack, appears throughout, and comes back in at the end in climactic fashion. For those reasons, I have to call out “Rift Apart” and “Culmination at Corson V” as two of my favorite tracks on the entire soundtrack. Both feature what is unquestionably the score’s main theme and they’re a lot of fun to sit and listen to (I can only imagine what hearing this music in the game will be like, as the game is a PS5 exclusive and I only have a PS4).

But it’s not all grand and epic sounds in this score either, which is another detail I like. For instance, in “Cascading Enropic Fissure” there’s a musical moment in there that sounds very retro, in fact it almost sounds like the composers are quoting music from an older Ratchet & Clank game (which may very well be the case). I like how this particular track seems to highlight the past. It’s a nice change of pace from the rest of the soundtrack.

And then, I absolutely have to highlight “Join Me At the Top”, the final track on this soundtrack. I’m not sure who all is participating in this piece but it sounds like a musical number that is being sung by the game’s villain and it is absolutely DELIGHTFUL. This is seriously like something out of a Broadway musical. I don’t know why this song is part of the soundtrack or how it fits into the game but after listening to it, I could honestly listen to a whole album of songs just like this one. What a fantastic way to bring the soundtrack album to a close.

I highly recommend checking out the soundtrack to Ratchet & Clank: Rift Apart. It’s beautiful and one of the best video game soundtracks I’ve heard so far this year.

RATCHET & CLANK: RIFT APART (ORIGINAL SOUNDTRACK)
TRACKLISTING –

  1. Rift Apart
  2. Festival of Heroes
  3. A Most Nefarious City
  4. Sweet Home Sargasso
  5. Ride Through the Omniverse
  6. Ode to Nefarious
  7. Meet me at Zurkie’s
  8. Urfdah Mesa Major
  9. Blizar Prime’d and Ready
  10. Molonoth Means Paradise
  11. Cascading Entropic Fissure
  12. A Tale of Two Cordelions
  13. Glitch in the System
  14. A Late Arrival
  15. The Battle for Sargasso
  16. Urfdah Mesa Minor
  17. Y’Ardolis
  18. Zordoom and Gloom
  19. Culmination at Corson V
  20. Join Me at the Top

Let me know what you think of Ratchet & Clank: Rift Apart and its soundtrack in the comments below and have a great day!

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Video Game Soundtracks

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