Tag Archives: animated film

My Thoughts on: Pokémon: Arceus and the Jewel of Life (2009)

My journey through the Pokémon films continues with Pokémon: Arceus and the Jewel of Life, the 12th film in the series. This movie concludes a story arc that began in Pokémon: The Rise of Darkrai. The story follows Ash, Dawn and Brock as they arrive at the town of Michina, where strange events are taking place. In the distant past, Arceus, a legendary Pokémon with the power to create worlds, lent some of his power to revive the land Michina is built on in the form of the Jewel of Life. But when the time came to return the jewel, Arceus was betrayed, the jewel withheld. Now, thousands of years later, Arceus has returned to judge humans for their betrayal. But once again, things are not as they seem and it is up to Ash and his friends to uncover the truth.

Going in, I could’ve sworn that I never saw this particular film before. But as the story played out, it dawned on me that I remembered certain parts, so while I don’t remember the exact date, it seems I have seen Arceus and the Jewel of Life before, so it was great to revisit the story a number of years later.

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It was fascinating to see how Arceus and the Jewel of Life ties The Rise of Darkrai and Giratina & the Sky Warrior together. The film’s explanation that it was Arceus awakening that set everything into motion makes sense and it answers a question I hadn’t even thought to ask while watching The Rise of Darkrai, which was WHY had Dialga and Palkia encountered each other in the first place?

Once again, the plot of this film reminded me of a previous Pokémon film, in this case the story reminded me in part of Lucario and the Mystery of Mew. Like that film, Arceus and the Jewel of Life requires our heroes to find out the truth of what happened in the distant past. Unlike the Lucario story, Ash and company actually get to travel back to the distant past with the help of Dialga. And this is where I have my one big problem with this film. As you might expect, Ash and his friends succeed in changing the past and returning the Jewel of Life to Arceus, who gratefully leaves. But when everyone returns to the present…not only is Arceus still there, he’s still angry and fighting everyone. This makes NO sense to me. The general rule about time travel is if you change the past, you change the future at the same time. By returning the Jewel of Life to Arceus in the past, there would’ve been no reason for Arceus to be there in the present, so he should’ve been gone when Ash and his friends returned. I understand there needs to be a dramatic climax but this went way over the line of believability in my opinion.

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I also have to say, I really like how the designs of Arceus, Dialga, Palkia, and Giratina complement each other. When all four are together, you can tell they kind of belong to the same “family” of Pokémon creatures. I mention that because I think it’s a really cool example of attention to detail.

Once again, I finished a Pokémon film that I really liked by the time it was over. Arceus and the Jewel of Life is definitely one of the better films in the series, and it caps off an excellent story arc. Definitely watch this one if you get the chance (but make sure you watch the others first for full effect).

Let me know what you think about Pokémon: Arceus and the Jewel of Life in the comments below and have a great day!

See also:

My Thoughts on: Pokemon-The First Movie: Mewtwo Strikes Back (1998)

My Thoughts on: Pokémon: The Movie 2000 (1999)

My Thoughts on: Pokémon 3: The Movie: Entei – Spell of the Unown (2000)

My Thoughts on: Pokémon 4Ever- Celebi – Voice of the Forest (2001)

My Thoughts on: Pokémon Heroes: Latios and Latias (2002)

My Thoughts on: Pokémon: Jirachi—Wish Maker (2003)

My Thoughts on: Pokémon: Lucario and the Mystery of Mew (2005)

My Thoughts on: Pokémon Ranger and the Temple of the Sea (2006)

My Thoughts on: Pokémon: The Rise of Darkrai (2007)

My Thoughts on: Pokémon: Giratina & the Sky Warrior (2008)

My Thoughts on: Pokémon: Detective Pikachu (2019)

Animated Film Reviews

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Check out the YouTube channel (and consider hitting the subscribe button)

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My Thoughts on: Pokémon: Giratina & the Sky Warrior (2008)

My ongoing quest to watch all of the Pokémon has now brought me to Pokémon: Giratina & the Sky Warrior. This was the 11th Pokémon film in the series and serves as the follow up to Pokémon: The Rise of Darkrai from the year before. In this story, Ash and company (Dawn and Brock), find themselves accompanying an adorable hedgehog Pokémon named Shaymin to a special flower garden, while having to avoid the mysterious Giratina and a power-hungry individual known as Zero (who has an unhealthy interest in Giratina’s powers).

I was curious to see exactly how this film tied in to The Rise of Darkrai and was very pleased with what I found. Far too often, stories feature earth-shattering battles, only for a sequel to show the world operating as if nothing happened in the previous installment. Giratina & the Sky Warrior is nothing like that. This story makes clear that the battle between Dialga and Palkia had consequences so severe that Giratina felt obliged to get involved and hunt down Dialga himself to let the legendary creature know exactly how he felt about it. That appears to be the overriding message of this film, that actions have consequences, even if we can’t see them.

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Beyond that, I couldn’t help but notice that the story arc with Zero trying to capture Giratina held more than a passing resemblance to Lawrence III and his plot to capture Moltres, Zapdos, and Articuno in Pokémon: the Movie 2000. Zero even has a floating vessel to get around in just like Lawrence III did. Granted their motives for doing so are somewhat different, but at their core Lawrence and Zero are both trying to contain legendary Pokémon creatures. I’m not saying this similarity is bad per se, I just find it curious that Zero and Lawrence III are somewhat similar. To be fair, a little similarity here and there is to be expected, when you have a film series as long running as Pokémon, some plot elements are bound to repeat themselves.

I also have to talk about my favorite thing in this entire film: Shaymin!! For years I thought Vulpix was my favorite Pokémon but it seems I’ve been missing out all this time. Imagine my delight when I discovered a hedgehog-like Pokémon like Shaymin exists. She’s so cute it’s almost unbearable, and she can shape-shift too! I know now, if Pokémon were real, I would have a Shaymin. That being said, I’m pretty sure they’re called “gratitude Pokémon” sarcastically, because my goodness did Shaymin have an attitude! That being said, I still love Shaymin.

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The Reverse World, to put it mildly, was a mind-trip. It almost felt like being dropped into an M.C. Escher painting (well, maybe not EXACTLY like one, but close enough). I kind of love how casually Ash and his friends take being dropped into parallel dimensions, since this is the second film in a row that something like this has happened to them.

On a final note, I couldn’t help but notice that the story of Giratina & the Sky Warrior essentially ends on a cliffhanger, as the film all but states that Giratina is off to search for Dialga (presumably to continue their fight). While you couldn’t really tell that the story begun in The Rise of Darkrai would be continued, Giratina & the Sky Warrior makes it pretty obvious that the story isn’t over. On that note, I look forward to the ongoing adventures of Ash and company, and I’m curious to see how the fight between Dialga, Palkia, Giratina, and whoever else gets involved, turns out.

In conclusion, I really liked Pokémon: Giratina & the Sky Warrior. It carries on the story begun in the previous film, it has one mind-trip of a location in the Reverse World, and it has a pretty enjoyable story too. Definitely recommend it!

Let me know what you think about Pokémon: Giratina & the Sky Warrior in the comments below and have a great day!

See also:

My Thoughts on: Pokemon-The First Movie: Mewtwo Strikes Back (1998)

My Thoughts on: Pokémon: The Movie 2000 (1999)

My Thoughts on: Pokémon 3: The Movie: Entei – Spell of the Unown (2000)

My Thoughts on: Pokémon 4Ever- Celebi – Voice of the Forest (2001)

My Thoughts on: Pokémon Heroes: Latios and Latias (2002)

My Thoughts on: Pokémon: Jirachi—Wish Maker (2003)

My Thoughts on: Pokémon: Lucario and the Mystery of Mew (2005)

My Thoughts on: Pokémon Ranger and the Temple of the Sea (2006)

My Thoughts on: Pokémon: The Rise of Darkrai (2007)

My Thoughts on: Pokémon: Arceus and the Jewel of Life (2009)

My Thoughts on: Pokémon: Detective Pikachu (2019)

Animated Film Reviews

Become a patron of the blog at: patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook

My Thoughts on: Pokémon: The Rise of Darkrai (2007)

My quest to watch all of the Pokémon movies continued with Pokémon: The Rise of Darkrai, a 2007 film that is the first of 4 films set in the “Diamond and Pearl” era. This is the 10th Pokémon film overall and, to my knowledge, is the first to begin a storyline that is continued in a followup story (the rest of the films thus far have been standalone features).

Pokémon: The Rise of Darkrai is a weird one, even by Pokémon standards. The closest thing I can compare it to is the third Pokémon film with Entei and the illusory world created by the Unown. Actually, in hindsight, that’s not a bad comparison at all, since the Unown are spotted in the dimension where Dialga and Palkia are fighting. But I digress…before all of that, the story begins with Ash, Brock and Dawn (no more May and Max, I’ll miss them) traveling to Alamos Town for, what else, a Pokémon tournament. Predictably, their plans become disrupted when strange occurrences begin disrupting the town, occurrences that appear to be caused by a mysterious Pokémon known as Darkrai, though not everything is as it seems.

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I’m embarrassed to admit that it wasn’t until I watched this film that I learned what Darkrai looks like. Right up until today, I thought Palkia was Darkrai (in my defense, I’ve never played Pokémon Diamond & Pearl so there’s no way I could’ve known). That being said, Darkrai freaked me out just a little bit, though I’m hard pressed to say why. Something about his appearance is just unsettling. You know what else was unsettling? The extended nightmare sequence where the ghostly Pokémon are floating around. That’s when things really got weird in my opinion. I get that things can get strange when you have two massive Pokémon that can manipulate time and space respectively, but still, weird is weird.

One thing I did enjoy very much was Baron Alberto, which is to say I loved to hate him. Actually the entire situation with Alberto and Alice reminded me quite strongly of Gaston and Belle from Beauty and the Beast. Alberto seems to think he’s entitled to Alice’s affections and he also doesn’t seem to be able to take no for an answer. But the biggest similarity? He’s determined to blame Darkrai for everything, he even rallies the other Pokémon trainers to take down Darkrai in an almost identical manner to Gaston rallying the townsfolk to go after the Beast. Quite an interesting parallel if you ask me.

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But the thing I liked most about Pokémon: The Rise of Darkrai is the role that music plays in the climax. It was already awesome enough that the Space-Time Towers are shaped like a massive musical instrument (they vaguely remind me of a lyre), but then to have the power of music be what it takes to get Dialga and Palkia to stop fighting, that just blew me away. I feel like music doesn’t always get its just due when it comes to storytelling, and to have a story not only acknowledge but emphasize the power that music can have, that’s just something special. I loved the sequence where ‘Oracion’ plays from the Space-Time Towers; it was beautiful and so, so well done.

While Pokémon: The Rise of Darkrai did weird me out at times, I did enjoy the overall story. More than that, I’m eager to see where the story goes, since I know now that the next two films continue the story that was begun here. If you haven’t seen this one, I do highly recommend it. I’ve still yet to see a Pokémon story I didn’t like.

Let me know what you think about Pokémon: The Rise of Darkrai in the comments below and have a great day!

See also:

My Thoughts on: Pokemon-The First Movie: Mewtwo Strikes Back (1998)

My Thoughts on: Pokémon: The Movie 2000 (1999)

My Thoughts on: Pokémon 3: The Movie: Entei – Spell of the Unown (2000)

My Thoughts on: Pokémon 4Ever- Celebi – Voice of the Forest (2001)

My Thoughts on: Pokémon Heroes: Latios and Latias (2002)

My Thoughts on: Pokémon: Jirachi—Wish Maker (2003)

My Thoughts on: Pokémon: Lucario and the Mystery of Mew (2005)

My Thoughts on: Pokémon Ranger and the Temple of the Sea (2006)

My Thoughts on: Pokémon: Giratina & the Sky Warrior (2008)

My Thoughts on: Pokémon: Arceus and the Jewel of Life (2009)

My Thoughts on: Pokémon: Detective Pikachu (2019)

Animated Film Reviews

Become a patron of the blog at: patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook

My Thoughts on: Pokémon: Lucario and the Mystery of Mew (2005)

After a lengthy delay (largely due to the ongoing coronavirus pandemic that temporarily killed any desire to watch and review anything), my quest to watch all of the Pokémon movies continued with Pokémon: Lucario and the Mystery of Mew. This is the eighth Pokémon film in the series and it came out in 2005. The story follows the ongoing adventures of Ash, Pikachu, Brock, May and Max as they help a Pokémon called Lucario unravel the mystery of why he was sealed away by his master, Sir Aaron, a thousand years ago. And oh yes, did I mention Mew puts in an appearance?

I’ve yet to see a Pokémon film that I didn’t like, but this definitely has to be my favorite after the first three films (which in my mind will always be the best). The story is fairly straightforward: Ash and company stumble onto an adventure, Team Rocket inevitably tags along, and Ash must to do something to save the immediate area. The story’s setting is out of this world. There’s a beautiful castle, the phenomenal Tree of Beginning that looks like a tree but is actually made of stone and crystal, and (I can’t mention this enough) some completely adorable scenes with Mew. I’ve loved Mew ever since the first Pokémon movie and this story has more than enough of the adorable critter in it.

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I really like how this story uses “time flowers” as a way of looking into the past to find out what happened without resorting to true flashbacks every five minutes. It’s really interesting how the story actually seems to employ the “unreliable narrator” trope. That is, it forces you to question if you can really believe the accepted version of what happened to Sir Aaron, or if Lucario’s version of events is actually correct. The truth, once it’s revealed, is pretty heart-wrenching (but I’m discovering that’s par for the course for Pokémon films).

My favorite visual in the film has to be the secret world inside the Tree of Beginning. It’s amazing how many of these Pokémon films involve secret worlds where Pokémon thrive without any interference from humans. This one is particularly well put together, and I genuinely wished it was a real place I could explore, that’s how beautiful it was. On a separate note, it’s also fun to watch all of the Pokémon interact with each other. Even though all they do is repeat their own names, you still get an idea of what they’re saying.

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The one character that surprised me the most in this story was Kidd Summers. When she initially started snooping around the castle, I was convinced that she was the bad guy for this film, the kind that would ingratiate herself with Ash and company before revealing her true colors. But not only was that not true, now that I think about it, there really isn’t a villain in this story (and no, Team Rocket doesn’t count, they don’t even really try anything this time). That shows what a good film this is, when you get totally engrossed in the story despite there not being a villain for our heroes to go against.

If you’re looking for Pokémon films to try outside of the first three films, I highly recommend watching Pokémon: Lucario and the Mystery of Mew. The story was excellent and the animation was spot-on. This was truly a great story about the world of Pokémon and I hope you get the chance to check it out.

Let me know what you think about Pokémon: Lucario and the Mystery of Mew in the comments below and have a great day!

See also:

My Thoughts on: Pokemon-The First Movie: Mewtwo Strikes Back (1998)

My Thoughts on: Pokémon: The Movie 2000 (1999)

My Thoughts on: Pokémon 3: The Movie: Entei – Spell of the Unown (2000)

My Thoughts on: Pokémon 4Ever- Celebi – Voice of the Forest (2001)

My Thoughts on: Pokémon Heroes: Latios and Latias (2002)

My Thoughts on: Pokémon: Jirachi—Wish Maker (2003)

My Thoughts on: Pokémon Ranger and the Temple of the Sea (2006)

My Thoughts on: Pokémon: The Rise of Darkrai (2007)

My Thoughts on: Pokémon: Giratina & the Sky Warrior (2008)

My Thoughts on: Pokémon: Arceus and the Jewel of Life (2009)

My Thoughts on: Pokémon: Detective Pikachu (2019)

Animated Film Reviews

Become a patron of the blog at: patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook

My Thoughts on: Onward (2020)

Onward is a film that I’ve been pretty excited about ever since it was announced because, let’s face it, in a world dominated by ongoing franchises, sequels, reboots, etc., you don’t see wholly original stories all that often. This is one such example and it lived up to pretty much all of my expectations.

The story is set in a fantasy world turned on its head. Imagine a world filled with unicorns, mermaids, elves, fairies, even manticores…but modernized. Instead of using magic, modern technology took over. Enter Ian and Barley Lightfoot (Tom Holland and Chris Pratt respectively), two brothers who have an amazing opportunity thrust upon them: the chance to be reunited with their late father for one day only. This revelation sends the brothers on an insane quest to achieve the impossible.

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I’m not sure where to even start because there is so much to love about Onward. First of all, Tom Holland and Chris Pratt are fantastic together. I’ll bet anything they recorded lines together because the chemistry between the two is off the charts. Also, there’s something just inherently funny about all of these fantasy creatures living in a modern suburban environment. I know this is hardly the first story to put fantasy creatures in a modern setting, but the way Onward does it is just a lot of fun. Outside of the Lightfoot brothers, my favorite character is the Manticore, she is in one of my favorite moments in the entire film.

The setting of New Mushroomton is beautifully rendered and contains a lot of Easter Eggs. I won’t spoil any of them but there’s one pretty early in the film that made everybody in the theater laugh. Also, fans of Dungeons and Dragons will likely love this movie because one of the major plot elements is basically straight out of a D&D book (the film doesn’t call it that but the reference is obvious). And the one spoiler I will mention: the fact that all of the spells in the roleplaying book are real is just funny.

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The quest, once it gets started, is mostly hilarious though (this being Disney/Pixar) there are some serious twists and turns before it’s all over. Onward deals several emotional gut punches, none of which I can discuss for spoiler reasons, but believe me when I say that you will need tissues before the end credits roll. It’s very satisfying to watch Ian and Barley grow throughout the story. The ending will probably surprise you, by the way, but I do understand why Disney/Pixar went the route they did. It’s very atypical for this kind of story, and it’s nice that the studio tried something new.

All in all, I highly recommend Onward to anyone wanting to have a good time at the movies. I would be more than willing to go see a sequel, as this is a world I very much want to visit again. Bravo to everyone who helped create such a beautiful story and bravo to Disney/Pixar for creating something original!

Let me know what you think about Onward in the comments below and have a great day!

See also:

Animated Film Reviews

Become a patron of the blog at: patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

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Disturbing Bluth #7: Charlie Dreams of Hell in All Dogs Go to Heaven

Oh boy….let’s talk about this shall we?

I’ve made no secret of the fact that Don Bluth’s animated films have given birth to some of my worst childhood nightmares, and All Dogs Go to Heaven is a prime example. Aside from Charlie being brutally murdered in the film’s opening act, the most disturbing part of this entire film is a sequence that takes place mid-film, when Charlie has a nightmare about falling into Hell. It’s a very real prospect, since Charlie’s impulsive act in winding up a certain watch and escaping Heaven means he’s forbidden from returning there, meaning Hell is the only place he can go when he dies.

The sequence starts ominously, with the faint voice of Annabelle (the dog who welcomed Charlie to Heaven) repeating “You can never come back, you can never come back…” before suddenly Charlie is thrown headlong into a nightmarish landscape that quickly opens up to reveal the mouth of Hell.

And then it gets worse.

After being dragged into the mouth of Hell, Charlie falls into a demonic boat surrounded by lava, fire, and brimstone. It’s a nightmarish image, and the ominous music certainly doesn’t help. Oh yes, and there’s also a skeletal monster onboard that lunges and snaps at Charlie. But then comes the worst of all: from out of the flames and lava comes what can only be described as a terrifying Hellbeast, one that breathes fire and causes other, smaller demons to appear and torment Charlie.

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This creature is terrifying, horrifying, the last thing you’d expect to see in a children’s movie (which All Dogs Go to Heaven is supposed to be don’t forget). The thing is…I think this isn’t the only time we see this creature. Look at the picture of the Hellbeast again and notice the reddish fur/skin and the jutting chin. Look at all familiar? If it does, it’s because that’s awfully similar to Red, the demonic villain of All Dogs Go to Heaven 2. I admit Red isn’t nearly as demonic in appearance, but I have a theory that this appearance in Hell is how Red really looks while his appearance in the sequel is the appearance he chooses to wear while on Earth.

Thankfully, the nightmare comes to an end as the boat sinks back into the lava, trying to take Charlie with it. The sequence barely lasts two minutes but it makes quite the impression. For years this scene scared me out of my mind, and to this day I don’t understand why anyone would think a little kid could handle something like this. On the one hand, I do get that Bluth was trying to get across how scared Charlie is of going to Hell (hence why he’s so protective of that watch), but surely there was another way to do it that didn’t involve…this. I can’t overstate how messed up this entire scene is. I’ve wanted to write about this one for a while, and I hope my words did justice to how disturbing it all is.

Let me know what you think about Charlie’s nightmare of Hell in the comments below and have a great day!

See also:

Disturbing Bluth #1: The Secret of NIMH (Overview and Trivia)

Disturbing Bluth #2: The Secret of NIMH: Dragon the (Demon) Cat

Disturbing Bluth #3: The Great Owl in The Secret of NIMH (1982)

Disturbing Bluth #4: Jenner in The Secret of NIMH (1982)

Disturbing Bluth #5: The House is Sinking in The Secret of NIMH (1982)

Disturbing Bluth #6: Meeting Brutus in The Secret of NIMH (1982)

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FernGully: The Last Rainforest “Toxic Love” (1992)

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FernGully: The Last Rainforest “Toxic Love” (1992)

It’s a shame that FernGully: The Last Rainforest is such an underrated film today because it features one of the more terrifying animated villains of the 90s: Hexxus, the spirit of destruction. Hexxus is voiced by Tim Curry (and I don’t think any actor could have done it better) and was originally sealed away in a tree by Magi many thousands of years ago. However, when that tree is cut down by humans, Hexxus escapes as a literal ball of slime and slips into the Leveler machine to regain his strength. Once inside, the dark spirit feeds off the pollution the machine gives off until he regains his form as an oily, black spirit. He’s so delighted with the Leveler that he sings about how this can help him get revenge at last.

Hit me one time!
Hit me twice!
Oh, aaah!
Ooohh
That’s rather nice!

Oil and grime
Poison sludge
Diesel clouds and
Noxious muck
Slime beneath me
Slime up above
Ooh, you’ll love my
(Ah-ah-ah)
Toxic love

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I see the world
And all the creatures in it
(All the creatures in it)
I suck ’em dry
And spit ’em out like spinach

‘Cause greedy human beings
Will always lend a hand
With the destruction of this
Worthless jungle land
And what a beautiful machine
They have provided
To slice a path of doom!
With my sweet breath to guide it

Filthy, brown
Acid rain
Pouring down like
Egg chow mein
Slime beneath me
Slime up above
Ooh, you’ll love my 
(Ah-ah-ah)
Toxic love

Now while Hexxus, in his spirit form, comes off as this suave (but thoroughly evil) being, let’s not forget that he initially manifests as a skeleton (a form he returns to at the climax of the film). Hexxus is the personification of destruction and pollution and he hates all living and growing things. If he had his way, the Earth would be reduced to a lifeless wasteland. It’s a scary thought and “Toxic Love” is a scary song. It’s a reminder that if we continue to build destructive machines, we in turn can release destructive forces that cannot be controlled upon the world.

What do you think about “Toxic Love”? Let me know your thoughts in the comments below and have a great day!

See also:

FernGully: The Last Rainforest “Spirit of the Trees” (1992)

Disney/Dreamworks/Pixar/etc. Soundtracks A-Z

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Check out the YouTube channel (and consider hitting the subscribe button)

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Thumbelina “Let Me Be Your Wings” (1994)

In one of Don Bluth’s last animated ventures (the studio closed the following year), Thumbelina follows the titular character as she lives a relatively happy life with her mother in the countryside. The one thing that makes Thumbelina unhappy, however, is the apparent reality that she is the only person her size (she’s only as big as a thumb after all). All of this changes one night when Thumbelina meets the fairy prince Cornelius, who is enchanted by her singing. The pair go for a whirlwind ride on the prince’s bumblebee where he proceeds to woo her with “Let Me Be Your Wings.”

 

Let me be your wings
Let me be your only love
Let me take you far beyond the stars

Let me be your wings
Let me lift you high above
Everything we’re dreaming of will soon be ours

Anything that you desire
Anything at all
Everyday I’ll take you higher
And I’ll never let you fall

Let me be your wings
Leave behind the world you know
For another world of wondrous things
We’ll see the universe and dance on Saturn’s rings
Fly with me and I will be your wings

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“Let Me Be Your Wings” is the quintessential romance song. As Thumbelina has no wings of her own, Cornelius vows he’ll be her “wings” instead and give her everything she ever wanted. Of course, this song does suffer from the flaw found in a lot of pre-2000 animated films in which we have a hero (Cornelius) professing love to a heroine (Thumbelina) that he’s only just met. Of course you can be attracted to someone right away, but professing eternal love and wanting to marry right away? It’s not exactly a realistic depiction of love is it? However, putting that aside, it’s easy to feel happy for Thumbelina as Cornelius shows her a night to remember. Given what happens next though, I’ve always found myself wishing that Cornelius had just whisked her away to the fairy kingdom then and there (which would have avoided so many problems).

What do you think of “Let Me Be Your Wings”? Let me know your thoughts about the song in the comments below and have a great day!

See also:

Thumbelina “Marry the Mole” (1994)

Disney/Dreamworks/Pixar/etc. Soundtracks A-Z

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Thumbelina “Marry the Mole” (1994)

Despite earning a Golden Raspberry Award for Worst Original Song (the only award Thumbelina picked up), I really like the song “Marry the Mole.” As the title implies, the song features Mrs. Fieldmouse (Carol Channing) convincing Thumbelina (Jodi Benson) as to why she should marry Mr. Mole (who is admittedly very wealthy but also cynical and blind as a bat). From Mrs. Fieldmouse’s point of view, love is highly overrated and it is far better to marry someone who can take care of you financially. I think Mrs. Fieldmouse really believes she wants the best for Thumbelina (even if she does call her stupid more or less later in the song) but it’s still depressing to think of a life where you marry someone ONLY for their money. After all, what’s the good of being fabulously rich if you’re locked up in a dark hole way underground?

 

Ms. Fieldmouse: Love? Love is what we read about in books, my dear.

“Here Comes the Bride” is a lovely little ditty

But marrying for love is a foolish thing to do

‘Cause love won’t pay the mortgage or put porridge in your bowl

Dearie, Marry the Mole!

True, it’s a fact, that he’s not exactly witty

He’s blinder than a bat, but at least his eyes are blue

His breath may be alarming, but he’s charming, for a troll

Dearie, Marry the Mole!

Romeo and Juliet

Were very much in love when they were wed

They honored every vow; so where are they now?

They’re dead, dead! Very, very dead!

Poor Thumbelina, your brain’s so itty bitty!

I hate to seem a pest, but I know what’s best for you

Just think of all the ways that you can decorate a hole!

Take my advice; I’ll bring the rice!

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Dearie, Marry the Mole!

Marry the Mole!

Mar-ry that Mole!

M is for money!

Thumbelina: Oh!

Ms. Fieldmouse: L-E!

I both love and hate that Mrs. Fieldmouse uses Romeo and Juliet as an example of why you shouldn’t marry for love. On the one hand, as soon as she mentions the couple you know where that verse is going (the lovers wind up dead). But then again, Romeo and Juliet is about the worst example of “love” you can possibly choose. Allegedly, Romeo and Juliet meet and fall in love in a matter of days (and that’s being generous), get married and promptly kill themselves (that’s an oversimplification but more or less accurate). They barely knew each other so it’s doubtful they truly loved each other (but then again one could also make that argument about Thumbelina and Cornelius’s love since they’ve only met once but that’s besides the point).

What do you think about “Marry the Mole”? Let me know your thoughts about this song in the comments below and have a great day!

See also:

Disney/Dreamworks/Pixar/etc. Soundtracks A-Z

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My Thoughts On: Spider-Man: Into the Spider-Verse (2018)

*note: To be fair I’m trying to keep spoilers to a minimum

I have a confession to make: while I’ve seen the original Spider-Man trilogy and I enjoy Tom Holland’s performance in the MCU, I’m actually not the biggest fan of Spider-Man (not sure why, it’s just not my first choice when it comes to picking a superhero movie to watch). On that basis, I was nervous going into the theater, because despite the critical acclaim surrounding the film, I wasn’t sure I was going to like it. Now after having seen it, I can definitely say that I *do* like, love and enjoy Spider-Man: Into the Spider-Verse, but it took me a little bit to get into the film.

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I’m convinced that I must suffer from secondary embarrassment (feeling someone else’s embarrassment/awkwardness as if it were my own), because without fail, every time I see a superhero go through that awkward phase where they’re trying to figure out what’s happened to them (like what happens with Miles), instead of finding it funny (which I think we’re supposed to), I find it all very awkward and hard to watch. Happily, the film doesn’t linger on this part for too long. But before I move on to what I loved about this film, I have to make it clear that I found the sequence (after Gwen loses some of her hair) where Miles is overwhelmed by the fact that the entire school knows what happened and is laughing at him to be very triggering for me (having gone through extensive bullying and isolation during grade school). Again, I’m happy and relieved that the film didn’t linger on this aspect.

Now for what I loved, which is quite a lot: first, I love the animation style of this film, especially after Miles is bit by the spider. Once Miles begins to change, the film resembles an actual comic book, down to thought-bubbles and commentary boxes. It’s incredible to watch and for the first time I felt like a studio had actually succeeded in bringing a comic book to life.

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Second, I’m in LOVE with the other Spider-People. To be honest, apart from Spider-Gwen, I didn’t really know anything about these other versions of Spider-Man but I loved all of them. Seeing Spider-Gwen in action makes me really excited for the Spider-Women spin off (which will include Gwen, Spider-Woman and Silk). I loved Spider-Ham a lot more than I thought I would (especially when he whips out the anvil and mallet during the final fight). I’d never heard of Peni Parker but it was cool to see a character drawn in an anime style

Third, the film certainly does not lack for surprises. In hindsight, I should’ve seen the outcome of that first Spider-Man fight coming. Anytime you hear a character say “No matter what happens, I always manage to get back up” that should tell you something bad is coming. I also was not expecting Liv to be revealed as Dr. Octopus (to be honest, that was the first moment I really began to enjoy the film). But the surprise that got me the most was the reveal of the Prowler’s identity. Composer Daniel Pemberton wrote a heart-wrenching piece of music for this moment that makes it just so devastating.

 

A full-length review of Into the Spider-Verse‘s score will have to wait until I have a chance to listen to it again, but I can say the score is amazing. Daniel Pemberton did a fantastic job creating a score that is engaging and keeps you engrossed in the story. I also like that the score includes rap and hip-hop songs (meant to represent the music Miles would listen to).

In conclusion, Spider-Man: Into the Spider-Verse is a fantastic film, and I can see why it’s being called the greatest Spider-Man film ever made. Let me know what you think of this film in the comments below and have a great day!

See also:

Animated Film Reviews

Become a patron of the blog at: patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook