Tag Archives: film

John Debney (and Tom Morello) talk Iron Man 2 (2010)

It’s hard to create a sequel that lives up to the awesomeness that was the original Iron Man film, but Iron Man 2 did a pretty good job. The film follows Tony Stark after he publicly reveals that he is Iron Man to the world.

See, as it turns out, the palladium in the arc reactor that’s keeping Tony alive is also slowly killing him, so he begins to live life very recklessly (as he doesn’t have much time to live), to the consternation of Pepper Potts and James Rhodes, who have no idea that Tony is slowly dying. But there are other problems: Ivan Vanko, determined to seek vengeance on Stark, builds his own arc reactor and sets out to kill him. (This is also the film that introduces Natasha Romanoff, aka Black Widow) to the MCU.

Stark is also under increasing pressure to sell the designs of his Iron Man suits to the government, but he is unwilling to do so. Everything comes to a head when Tony gets drunk at a birthday party while wearing his Mark IV armor. Rhodes dons the Mark II prototype and the two fight to a stalemate which ends with Rhodes flying off with the armor to give to the Air Force. At the same time, rival Justin Hammer has enlisted Vanko to build his own set of armored suits (which he passes off as his own work), not realizing that Vanko has sabotaged them so that they can be remotely controlled by him. It’s up to Tony to stop Vanko once and for all!

While the film’s score features a healthy selection of rock songs (including two from AC/DC), the orchestral score was composed by John Debney and Tom Morello. The above video featurette details how Debney collaborated with Morello to create the score for the film.

Some have criticized the MCU for not having a “consistent” sound, which is to be expected since multiple composers have been employed to score these films, but I think each composer puts their own unique twist to each installment of the MCU, and Iron Man 2 is no exception. I hope you enjoy this behind the scenes look at the making of this film’s score.

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See also:

Film Composer Interviews A-H

Film Composer Interviews K-Z

John Debney scoring Predators (2010)

John Debney talks The Scorpion King (2002)

John Debney talks The Passion of the Christ (2004)

John Debney talks The Jungle Book (2016)

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Disturbing Disney #10: The rat in Lady and the Tramp (1955)

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Lady and the Tramp is another classic Disney film that is sadly falling by the wayside as more and more time goes on, but it has one of the more disturbing situations in the Disney canon.

Set in 1909/1910, the story follows Lady, a cocker spaniel, whose happy life with Jim Dear and his wife Darling is upended when Darling becomes pregnant and has a baby boy. With all of the attention focused on the new baby, Lady begins to feel neglected for the first time in her life. Not only that, but a brash stray named Tramp keeps nosing his way into her life as well.

Now, looking at this film, some might think that the “villain” of this film is Aunt Sarah, the mean lady with the Siamese cats, who muzzles Lady, and later locks her out of the house and keeps her tied in the yard. However, Aunt Sarah isn’t acting out of malice, she’s just being manipulated by her cats and what she believes to be right. No, the real villain of this story…is the RAT!

I can hear it now, “Rat? What rat??”

Lady-tramp-disneyscreencaps_com-7589

THAT rat!! (He’s an ugly thing isn’t he??)

The rat first appears early in the film when Lady is seen going about her morning routine (before Darling becomes pregnant and has her baby). He keeps trying to get in the house, but Lady is always there to chase him off. However, at the end of the film, when Aunt Sarah has Lady tied to the doghouse, the rat is able to slip in with ease, despite Lady barking a frantic warning (that Aunt Sarah ignores). And where is the ugly rat going? To the baby’s room of course!! Yes, that’s right, there’s a disease-ridden rat headed for the baby’s room to do only God knows what. Totally messed up right? Just wait, it gets better.

Of course Tramp comes barreling into the yard a short time later and Lady is able to tell him about the rat. Tramp goes to make the save and then we see this:

Lady-tramp-disneyscreencaps_com-7788

I wish I could get a zoom in on this rat perched on the baby’s crib, looking down at the infant like he’s going to.. *shudders* oh Disney why do you DO these things??? It’s not that the rat actually does anything, it’s the implication of what’s going to happen that makes this moment so disturbing. (And there’s also that frightening fight between Tramp and the rat that is done mostly in shadow that is SUPER disturbing too.)

Lady-tramp-disneyscreencaps_com-7760

What do you think about the rat in Lady and the Tramp? Do you find it disturbing as well, or is it no match for what we see in Disney today? Let me know your thoughts in the comments below, I’d love to hear about it 🙂

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For more Disturbing Disney, see here

Disturbing Disney #2: The truth of Pleasure Island in Pinocchio (1940)

Disturbing Disney #3: Escaping Monstro from Pinocchio (1940)

Disturbing Disney #4: Dumbo loses his mother (1941)

Disturbing Disney #5 The death of Bambi’s Mother

Disturbing Disney #6: Faline vs. the dogs (1942)

Disturbing Disney #7: Cruella wants to do WHAT??

Disturbing Disney #8: The Whale Who Wanted to Sing at the Met (from Make Mine Music, 1946)

Disturbing Disney #9: Dr. Facilier’s Fate (The Princess and the Frog, 2009)

Disturbing Disney #11: Clayton’s Death in Tarzan (1999)

Disturbing Disney #12: The Bear from The Fox and the Hound (1981)

Disturbing Disney #13: “Smoking them out” in The Fox and the Hound (1981)

Disturbing Disney #14: The Salt Trap in The Jungle Book (1994)

Disturbing Disney #15: Night on Bald Mountain from Fantasia (1940)

Disturbing Disney #16: King Triton destroys Ariel’s grotto

Disturbing Disney #17: Ratigan becomes a monster in The Great Mouse Detective

Disturbing Disney #18: The Queen’s assignment for her Huntsman

Disturbing Disney #19: Cinderella’s dress is destroyed (1950)

Disturbing Disney #20: Quasimodo is crowned ‘King of Fools’ (1996)

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Hans Zimmer talks The Road to El Dorado (2000)

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While it wasn’t a big hit at the time, 17 years later there is still a soft spot in my heart for The Road to El Dorado. The story follows two Spanish con-men, Miguel (Kenneth Branagh) and Tulio (Kevin Kline) as they accidentally stow away on the ship of Hernan Cortes on his way to conquer whatever empires of the New World he may come across, and end up discovering the legendary city of gold, El Dorado, where they are mistaken for gods.

(I wrote about one of the film’s songs here)

Miguel and Tulio are initially content with their plan to amass as much gold as possible and then sailing away to “ascend to the heavens” in a boat they’re having the residents of El Dorado build for them, but complications quickly begin to emerge. For one, Miguel is quickly becoming enamored of life in the hidden city. And, as he points out to Tulio, leaving to live like a “king” somewhere else would be a step-down from “god.”

For another, the high priest, Tzekel-Kan, is suspicious of the pair as they do not behave as the gods are supposed to (nor are they supposed to bleed as Miguel does after cheating to win a ball game) and is determined to expose the two as frauds. There’s also the looming threat of Hernan Cortes, who will surely destroy El Dorado and enslave the populace if he can find it.

And yes, I admit, the music has something to do with why I like this film as much as I do. With the orchestral score composed by Hans Zimmer, the music is a blend of Spanish sounds (heard mostly in the beginning of the film) and a “New World” sound that takes over once Miguel and Tulio discover El Dorado. I was delighted to discover a full length behind the scenes look at creating the score for this movie, with thoughts from Hans Zimmer, Elton John (who worked with Tim Rice on the songs) and also Kevin Kline and Kenneth Branagh, the voices of Miguel and Tulio.

If you haven’t given The Road to El Dorado a try, I sincerely hope that you give the movie a chance. It has terrific animation and, as I’ve said, a wonderful musical score.

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See also:

Film Composer Interviews A-H

Film Composer Interviews K-Z

Hans Zimmer talks Hannibal (2001)

Hans Zimmer talks The Dark Knight (2008)

Hans Zimmer talks Sherlock Holmes (2009) and Sherlock Holmes: A Game of Shadows (2011)

Hans Zimmer talks Inception (2010)

Hans Zimmer (and Richard King) talk The Dark Knight Rises (2012)

Hans Zimmer talks Man of Steel (2013)

Hans Zimmer talks Interstellar (2014)

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My thoughts on Beauty and the Beast (2017)

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After a long month of delays and “life happening”, I was FINALLY able to go see Beauty and the Beast in the theater and see what all the hype and fuss is about. The short answer is: I liked it!! The long answer…well, keep reading, because I have some thoughts about all of this.

First I will start with what I liked.

The casting: Disney nailed the casting in my opinion, especially with Belle, Maurice, Gaston and Beast. Luke Evans in particular was very believable as the egomaniacal and downright despicable Gaston, though his singing style caught me by surprise (more on that in a minute). I really liked Josh Gad as Le Fou too. And while I initially wasn’t too sure about Le Fou being the first gay character in Disney canon, once I saw it, I realized that it worked super well and it isn’t “in your face” at all! And Gaston is so oblivious to it all that it is really quite funny.

An expanded story: I absolutely loved that Disney filled in some gaps in the story with this version. Showing the Beast’s transformation (including what came immediately before) was well done, as it gave a good idea of what life in the castle was like before the Enchantress came. And speaking of, I liked that we see more of the Enchantress beyond the prologue. Of course in the animated film we don’t get to “see” the Enchantress at all, we only see her depicted in the stained glass pictures. But when “Agathe” rescued Maurice and took him to her home in the woods, I knew instantly that this had to be the Enchantress in disguise, because witches and other magical types would be living in the woods with owls and other magical things, and the only witch in this story is the Enchantress.

But most of all, I really love that we finally got a backstory for Belle as to where she came from and why she and her father had to come to “this poor provincial town” in the first place. In this version, Maurice used to be a painter living in Paris with his wife and newborn daughter, when his wife contracted the plague, forcing Maurice to flee with his daughter so they didn’t all die.

Another added twist (that actually comes from the Broadway play) that I liked is that every time a rose petal falls, the castle crumbles a little more and the enchanted servants become ever more object-like. And I have to say that the scene where our enchanted friends momentarily become regular objects made me cry, because for a moment I thought they were going to give us an unhappy ending.

Homage to the past: As I suspected, this film pays homage to Jean Cocteau’s 1946 version of the Beauty and the Beast story, primarily with Maurice’s initial encounter with the castle, and also somewhat in the look of the castle too. For example, those lights out front that are held by stone arms? That image comes straight from the 1946 film. The rose pavilion out front with statues of the deer and hounds on top? That too is copied almost exactly from the film. In fact, the entire arrangement of Maurice being allowed to come in and help himself to food and shelter, only being attacked when he dares to take a rose, is the exact set-up seen in the 1946 film.

The music: Of course I’m going to be all over this music, the original Beauty and the Beast soundtrack is one of my favorite film soundtracks ever, and I was happy to hear the music I loved largely unchanged. And the new songs were all beautiful, nothing felt out of place. I do have one gripe however; when Belle goes to the West Wing, the iconic “West Wing theme” is missing. I was really disappointed as that is one of my favorite musical cues from the animated film.

Now for what I didn’t like:

The fight between Gaston and the Beast: maybe I’m nitpicking, but the entire scene with Gaston, the Beast and Belle at the end of the film didn’t carry nearly the same emotional weight as the original did. I’m not sure why that is, but Gaston’s death didn’t feel nearly as satisfying, nor did his fatal attack on the Beast. For that last part, I think that had something to do with the fact that it was more shocking for the Beast to be stabbed in the side than to be shot in the back at a distance. Also, Gaston standing on the crumbling rampart felt something like an afterthought. Truthfully, when I saw that we were seeing more of the Enchantress, I was secretly hoping that she was going to punish Gaston by cursing HIM instead. Or, barring that, I was curious to see if Disney would use the original plan for Gaston’s death, which involved him being stalked and killed by wolves.

How Gaston gets Maurice locked up, and Belle’s attempted rescue: In the animated original, Maurice really does come across (a little bit) as an insane person raving about a Beast taking his daughter. But in THIS version, Gaston tries to have Maurice killed by tying him up and leaving him in the woods, thinking the wolves will get him. When Maurice makes it back to town almost a week later, he tells the townspeople exactly what happened and they are all suspicious of Gaston (and rightfully so). But simply because Gaston says it didn’t happen, the townspeople just take his word for it? I know everyone is supposed to hang on every word Gaston says, but this really is pushing it. And then there’s when Belle comes racing in, still in her ball gown, to rescue her father. You would think everyone would take one look at the sumptuous clothes she’s dressed in and realize, “Oh my gosh, I don’t understand how, but she’s telling the truth!” Nope! Belle gets thrown in the padded wagon too.

But these are really only minor nitpicks for me. While I do admit that I still like the animated film better, I can also say that this Beauty and the Beast was a well-done adaptation.

Final thoughts:

Le Fou switching sides during the fight in the castle was just epic, as was Mrs. Potts comment “You’re too good for him (Gaston)”

The transformation scene was just wonderful/amazing/spectacular. And I loved the shot where the castle is restored to its former glory.

Once again, I did enjoy Beauty and the Beast, it is a good film, if not quite the equal of the animated original.

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Alan Silvestri talks FernGully: The Last Rainforest (1992)

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FernGully: The Last Rainforest is one of my favorite animated films that doesn’t come from the Walt Disney studio. It tells the story of Crysta, a fairy who lives in the untouched rainforest of FernGully.

She is learning to use magic as she will one day be the leader of the fairies. According to their legends, fairies and humans used to be very close until an evil spirit named Hexxus drove them away, presumably to their extinction.

Of course the humans didn’t go extinct, and they’re very close to FernGully even now in the form of loggers cutting the forest down acre by acre. And when the tree containing the spirit of Hexxus is destroyed and the evil spirit is set loose, it’s up to Crysta and her new human friend Zak to stop him.

I absolutely LOVE the music for FernGully, it was composed by Alan Silvestri (of Back to the Future fame) and it will stick with you long after the story is over. One of my favorite pieces from the score is “The Spirit of the Trees” and I hope to talk about that piece at some time in the future. But for now, I have a behind the scenes look at making the overall score that I think you will enjoy.

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See also:

Film Composer Interviews A-H

Film Composer Interviews K-Z

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The Two Towers “Last March of the Ents” (2002)

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I think we can all agree that the Ents are one of the greatest things about The Two Towers. After Merry and Pippin rescue themselves from the Uruk-hai, they head into Fangorn Forest and run straight into Treebeard, de facto leader of the few Ents that remain in Middle Earth. Ents…are like trees, sort of. They resemble different varieties of trees, but they have legs, and eyes and they can talk too. Oh and they live for a really LONG time. So long in fact, that regular events in Middle Earth like war very rarely bother them. They’d just as soon let the humans, elves and other races sort it out among themselves, despite the pleas Merry keeps making to them.

But just as Treebeard is set to take Merry and Pippin to a place where they can safely head off to the Shire, Pippin has an idea: he tells Treebeard to take them south past Isengard, having a fairly good idea of what the Ent will run into on the way.

See, while the Ents have been busy deep in the forest, Saruman the wizard has been busy having the forest surrounding Isengard chopped down as fuel for the furnaces helping to produce weapons and armor for his army. So when Treebeard comes to the slopes nearest the wizard’s tower, he emerges to find that acres of forest have been chopped down and completely destroyed, trees that he had known since they were seedlings.

That does it!! Exclaiming that “a wizard should know better” Treebeard lets out a howl of pain and anger that summons all the remaining Ents to his side as he explains to the hobbits:

“There is no curse in Elvish, Entish or in all the tongues of Men, for this treachery.”

Now the Ents will go to war, as they have not done for ages. But there is no optimism here: as the females of their species disappeared centuries ago, there are no more Ent children. Whatever losses they suffer in the coming battle will only hasten the extinction of their race, hence the reason this is called “the last march of the Ents.”

The Ents Attack Isengard

I love the scene when all the Ents are striding across the ruined plain, the Ent theme sounding clear in the background. This is one of those moments that is absolutely pure Tolkien and I never get tired of it. It’s such a sad theme, sad and bittersweet, but it matches the Ents perfectly.

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For more of The Two Towers, see also:

The Two Towers “Lament for Theodred” (2002)

Disturbing Disney #9: Dr. Facilier’s Fate (The Princess and the Frog, 2009)

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Ever since the Evil Queen fell screaming to her death in Snow White and the Seven Dwarfs (1937), there has been a tradition of Disney villains meeting a particularly gruesome fate by the end of the story. And few are more gruesome or disturbing than what happens to Dr. Facilier in The Princess and the Frog (2009).

Facilier is a witch doctor operating in New Orleans, making a living by promising his “clients” one thing and then trapping them into something else entirely. His latest victims are Prince Naveen and Tiana, who have both been turned into frogs. But they’re small fry compared to Facilier’s big plan: capturing the souls of everyone in New Orleans for his “friends on the other side”, the dark voodoo spirits. These spirits are impatient for Facilier to deliver what he has promised and at one point make it clear that if the witch doctor does not deliver, then it will be HIS soul in jeopardy.

Fast forward to the climax of the film: Facilier tempts Tiana with everything she ever wanted if she will only give back a magic amulet that allows the witch doctor’s current spells to work. When Tiana refuses and attempts to smash the amulet, Facilier changes her back into a frog (he’d temporarily made her human again) and prepares to finish her off. But having learned about what it means to be a frog, Tiana uses her sticky tongue to seize the amulet back and smashes it into oblivion!!

This is a big problem for Facilier. The voodoo spirits had made it clear that they would not help him any more once they gave him that amulet, he would have to deliver what he promised….or else. But with the amulet smashed, it was now impossible for Facilier to deliver New Orleans to the voodoo spirits, so the spirits come to collect Facilier in their place.

Welcome to Hell Dr. Facilier

As someone brilliantly commented on YouTube, “when a villain’s theme song is used against them, you know they’re screwed.” The voodoo spirits come crawling out of the earth, singing a refrain from Facilier’s song “Friends on the Other Side”, and keep asking “Are you ready?” , to which Facilier keeps pleading that he is NOT ready, this is only “a minor setback in a major operation”, he can still deliver what the spirits want, “I just need a little more time” he pleads. But then the head voodoo spirit appears and his glare makes it clear, he is DONE with waiting. The shadows literally grab hold of Facilier and drag him screaming to Hell via the mouth of the head voodoo spirit. The entire way Facilier is pleading for his life, screaming “I promise I’ll pay ya’ll back, I PROMISE!!” And with a final scream, he is pulled into Hell and the mouth of the voodoo spirit slams shut!!

The scene gives me goosebumps every single time I watch it. For all the bravado Facilier has shown up until now, he is completely terrified when he realizes that the voodoo spirits are coming for HIM and him alone.

It’s really a disturbing way to go, being dragged alive into Hell, where he’ll suffer who knows what for all eternity. And this is why Dr. Facilier’s demise is part of the list of Disturbing Disney. What do you think of Facilier’s death at the hands of the voodoo spirits? Does it send chills down your spine? Let me know in the comments below, I’d love to hear what you think about it 🙂

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For more Disturbing Disney, check out the main page here

Disturbing Disney #2: The truth of Pleasure Island in Pinocchio (1940)

Disturbing Disney #3: Escaping Monstro from Pinocchio (1940)

Disturbing Disney #4: Dumbo loses his mother (1941)

Disturbing Disney #5 The death of Bambi’s Mother

Disturbing Disney #6: Faline vs. the dogs (1942)

Disturbing Disney #7: Cruella wants to do WHAT??

Disturbing Disney #8: The Whale Who Wanted to Sing at the Met (from Make Mine Music, 1946)

Disturbing Disney #10: The rat in Lady and the Tramp (1955)

Disturbing Disney #11: Clayton’s Death in Tarzan (1999)

Disturbing Disney #12: The Bear from The Fox and the Hound (1981)

Disturbing Disney #13: “Smoking them out” in The Fox and the Hound (1981)

Disturbing Disney #14: The Salt Trap in The Jungle Book (1994)

Disturbing Disney #15: Night on Bald Mountain from Fantasia (1940)

Disturbing Disney #16: King Triton destroys Ariel’s grotto

Disturbing Disney #17: Ratigan becomes a monster in The Great Mouse Detective

Disturbing Disney #18: The Queen’s assignment for her Huntsman

Disturbing Disney #19: Cinderella’s dress is destroyed (1950)

Disturbing Disney #20: Quasimodo is crowned ‘King of Fools’ (1996)

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Star Trek VI: The Undiscovered Country “Main Theme” (1991)

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After Star Trek V: The Final Frontier went FLOP at the box office, it was very nearly the end of the Star Trek films. But the studio managed to persevere and plans were laid to make a sixth film. Initially, Star Trek VI was going to be a prequel, featuring Kirk and co. at the Academy (which later became the basic plot of Star Trek (2009)), but that was scrapped in favor of a final adventure with the original Enterprise crew.

Star Trek VI: The Undiscovered Country “Main Theme” (1991)

Now when it came to scoring Star Trek VI, director Nicholas Meyer had some trouble finding a composer. Jerry Goldsmith was so disappointed after Star Trek V that he currently wanted nothing to do with the project. James Horner felt that his career had advanced beyond Star Trek, so he declined as well. With no other alternatives, Meyer looked to a pile of demo tapes sent in by other composers wishing to work on the project and he ultimately selected a tape sent in by composer Cliff Eidelman, as he felt his music best captured the “spirit of Star Trek”.

Eidelman’s music is a big part of why I love The Undiscovered Country so much. It’s dark, occasionally eerie, and chock full of tension at all the right moments. And the main theme is a perfect introduction to this score. The music plays over the opening credits before the story proper begins and instantly lets you know that this isn’t like the other Star Trek films. Jerry Goldsmith’s bright fanfare is absent, Horner’s beautiful strings aren’t there. What we have instead is a dark motif that will recur throughout the film.

As the credits move on towards the end, the music becomes more and more tense, and it will later come out that what we are hearing is the music from the final battle between Captain Kirk and General Chang. The tension builds higher and higher, until finally the music ends on almost a literal cliffhanger, as the music cuts off just before a huge explosion fills the screen (talk about starting a story off with a bang!)

I really enjoy the main theme of Star Trek VI: The Undiscovered Country, it is an underrated gem in the musical canon of Star Trek. I hope you enjoy listening to this theme as well.

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Disturbing Disney #8: The Whale Who Wanted to Sing at the Met (from Make Mine Music, 1946)

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Make Mine Music is the 8th animated feature in the Disney canon and for the most part has been completely forgotten today. Unlike other animated films, which consist of a single story, Make Mine Music is an anthology, that is, it is a collection of unrelated animated shorts that all heavily feature music in some way. The most famous short from this film (in my opinion) is Peter and the Wolf (narrated by Sterling Holloway), but the finale piece is what I’d like to draw to your attention.

The Whale Who Wanted to Sing at the Met (quite the mouthful to say) concludes Make Mine Music and is without a doubt one of the most disturbing pieces of animation you will ever see. The story is about Willie, a large sperm whale who has the gift of singing grand opera and dreams of starring at the famous Metropolitan Opera in New York City (how a whale would do that I don’t know, but it’s Disney so why not?).

As Willie continues to sing for any ships that pass by (or for the local seagulls), word eventually spreads back to the city that there is a whale with tremendous operatic talent. This news reaches the ears of the famed head of the Metropolitan opera, Tetti-Tatti, who quickly (and wrongly) deduces that Willie must have SWALLOWED a talented opera singer, and he must go rescue him straight away!!

Tetti-Tatti sails out with a harpoon boat to “rescue” the (non-existent) opera singer, and Willie, thinking this is an audition, goes to perform for him. The crew, enthralled by Willie’s singing, does everything they can to stop Tetti-Tatti from firing the harpoon (up to and including sitting on him). We then see a montage of Willie’s operatic career, implying that Tetti-Tatti changed his mind and accepted that Willie COULD sing opera.

But then…just as Willie is performing the role of Mephisto from Faust, we see Tetti-Tatti appear amongst the flames (Mephisto is a devil), harpoon poised to strike…and then he fires!!!! In the midst of his singing Tetti-Tatti fires and KILLS WILLIE!!!!! I mean brutally kills him too, there’s a shot of Willie thrashing away over the sea, harpoon embedded (albeit it’s at a great distance, we can’t see it clearly) and then the sad truth that a great talent has been extinguished forever, on Earth anyway. The “silver lining” is that Willie can sing on forever in Heaven (hence his appearance below as a member of the heavenly choir) but for me that doesn’t make up for the fact that a singing whale was killed, KILLED!!! Up until this point it was just another cartoon, you don’t expect the main character to actually DIE!!

Yes, I know they called the story “tragic” from the outset, but “tragic” doesn’t have to equal death. I mean come on Disney!! Let me tell you, when I first saw this, the ending traumatized me, and that’s why this story belongs in the list of “Disturbing Disney.”

I am dying of curiosity to know what you think of this cartoon and of the ending. Did it disturb you just as much as it does me? Please let me know in the comments below.

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For more Disturbing Disney, see also:

Disturbing Disney #1: The Coachman in Pinocchio (1940)

Disturbing Disney #2: The truth of Pleasure Island in Pinocchio (1940)

Disturbing Disney #3: Escaping Monstro from Pinocchio (1940)

Disturbing Disney #4: Dumbo loses his mother (1941)

Disturbing Disney #5 The death of Bambi’s Mother

Disturbing Disney #6: Faline vs. the dogs (1942)

Disturbing Disney #7: Cruella wants to do WHAT??

Disturbing Disney #9: Dr. Facilier’s Fate (The Princess and the Frog, 2009)

Disturbing Disney #10: The rat in Lady and the Tramp (1955)