Tag Archives: Oscar Isaac

My Thoughts on: Operation Finale (2018)

It feels like an eternity since I last went to the theater but yesterday I finally managed to go see Operation Finale, a dramatized account of how Mossad agents captured Nazi war criminal Adolf Eichmann in 1960. The film is partially sourced from Eichmann in My Hands, a memoir by Peter Malkin (played by Oscar Isaac in the film) and primarily takes place in 1960 (with a prologue in 1954 and an epilogue in 1961).


First let me say, if you come into this film expecting a lot of action (fighting, shootouts, etc.) then you are going to be disappointed. While there is an air of tension throughout the story (especially in the latter half of the film when the agents are trying to smuggle Eichmann out of Argentina), it doesn’t really express itself with direct violence.

Oscar Isaac does a passable job as Mossad agent Peter Malkin though I’m not entirely satisfied with his performance. In my opinion Isaac makes too many wisecracks throughout the film and they feel out of character. However, I have no complaints for the scenes Isaac shares with Ben Kingsley, they are some of the best moments in the film. And speaking of Kingsley…


Ben Kingsley as Adolf Eichmann is by far the best part of Operation Finale (as I suspected he would be). Eichmann (as Kingsley portrays him), is a man who has thoroughly convinced himself of how things ‘actually’ happened during the Nazi regime. He worked at a desk, nothing more. The truth, however, is revealed by what we see. Even as Eichmann peddles this falsehood, we the audience see him traveling into the woods to oversee hundreds of Jews being murdered in a ditch. And despite his age, Eichmann remains very dangerous, as seen in a moment when he stops his son Klaus (Joe Alwyn) from manhandling Sylvia (Haley Lu Richardson), a girl he’d met a movie theater. In one swift motion he goes from being an affable father to an angry figure that has no trouble pinning Klaus against the wall.

Before the credits start, the audience is shown footage from Eichmann’s actual trial in Israel (including footage of the man himself) and explains how the trial helped to share eyewitness accounts of the Holocaust with a global audience, concluding with a note that the real Peter Malkin died in 2005.

I enjoyed Alexandre Desplat’s score for this film, it wasn’t too overbearing and it helped to keep the tension in the story going.

Anyone who really loves WWII history should enjoy Operation Finale, but casual fans might not enjoy it so much as the film does take a while to really get going.

What did you think of Operation Finale? Let me know your thoughts in the comments below and have a great day!

See also:

Film/TV Reviews

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook 🙂

My thoughts on: Annihilation (2018)

*warning: this review will contain a number of spoilers, so please stop here if you haven’t seen the film yet!

It’s been just over 12 hours since I saw Annihilation and I still have an intense feeling of awe. I don’t think I’m exaggerating when I say this film could be the 2001: A Space Odyssey for my generation, it has that exact same feeling of “I just saw something beautiful but it’s going to take  multiple viewings to better understand it.” Nevertheless, I believe I understand the gist of what director Alex Garland was trying to show us, so I’ll make my way as best I can.

Three years before our story begins, a meteorite crashed into a lighthouse inside a national park and immediately began emitting something dubbed the Shimmer. Imagine the iridescent surface of a bubble and combine it with endless flows and ripples. Now grow that bubble to gigantic proportions and you have a pretty good idea of what the border of the Shimmer looks like. Scientists have sent multiple teams in to explore this phenomenon, but no one has ever returned…until now.


I should mention the proper story actually begins with Lena (Natalie Portman), a former soldier and professor in cellular biology, being debriefed in an isolation chamber after the story is already over (dialogue implies she is the lone survivor). Apparently, she was inside the Shimmer for 4 months, even though Lena can’t recall that much time passing. The story then flashes back and reveals her husband, Sgt. Kane (Oscar Isaac), has been missing for a year. It turns out he was part of the last team sent into the Shimmer. Out of nowhere, Kane appears outside the bedroom, but something is off about him. He doesn’t remember anything and he suddenly gets really sick. Lena and Kane are taken to the facility studying the Shimmer and while Kane falls into a coma, Lena decides to join the next team going in (all-female as it turns out) to see if there’s some way to reverse what’s happening to her husband.

The team consists of Lena, Anya Thorensen (a paramedic), Josie Radek (a physicist), Tuva Novotny as Cass Shepherd, a surveyor and geologist, and all are led by Dr. Ventress (a psychologist who secretly has cancer and wants to know the secret of the Shimmer before she dies). I need to stop and highlight Dr. Ventress for a moment because she’s the closest we come to a human antagonist in the entire story (and I’m still debating whether the Shimmer is an antagonist or not). From the moment you meet her, at least in my experience, you instantly start to hate her. There’s something unnatural in her behavior even before entering the Shimmer, I’d almost go so far as to say she was exhibiting sociopathic behavior.


One great thing about this film is it doesn’t take too long to get to the action inside the Shimmer, but you should know that once the team is inside things get really weird really fast. For example, Lena wakes up in a tent, having no memory of making camp, and it turns out that somehow three or four days have passed and no one in the team remembers any of it. Then there’s the mutations: as Lena recounts, they start subtly. First they find strange new flowers that seem to be crossbreeds of different species (that shouldn’t be possible). Then Josie is attacked by a huge crocodile that has strange mutations in its teeth. Some of the mutations are beautiful: Lena comes across a pair of deer that have mutated into strange beings with flowering branches where their antlers should be, but some are absolutely terrifying. The hardest scene for me to get through was one where the group is twice attacked by a monstrous bear that somehow has part of its skull exposed. But that’s not the worst part of it: after attacking and killing Cass, it somehow absorbed part of Cass’ consciousness as she died (Josie speculates that the Shimmer is acting like a genetic prism that is causing the DNA of everything inside it to actively combine together) and now can use her final screams of help as a lure. What I mean is, every time the bear roars, you can hear Cass screaming and it was absolutely terrifying.

Of course, as in any horror film, one by one the team is picked off:

  • Cass is killed when her throat is ripped out by the bear
  • Anya is mauled to death by the same bear after suffering a psychotic episode
  • Josie’s fate is….interesting. After Cass and Anya die, Josie is seen sitting outside, seemingly at peace. As she tells Lena “She (Ventress) wants to face it (the Shimmer) and you want to fight it. But I don’t want either of those things.” And as Josie talks and walks away, she begins to sprout leaves and branches and suddenly disappears altogether. I think she transforms into one of the people-shaped flower growths that have begun appearing. And I don’t think she died either; if anything, I feel like Josie transcended into…something else.
  • Ventress makes it to the lighthouse before Lena, but something strange happens to her that I cannot adequately put into words (but I’ll address a theory I have when I wrap this up).


Lena finally arrives at the lighthouse, ground zero of the Shimmer and discovers a strange growth surrounding a dark hole and also an incinerated body sitting in front of a video camera. And this is when things go beyond “this is weird” to “what the f*ck just happened??” Because, as the footage reveals, Lena’s husband went inside the Shimmer and committed suicide with a phosphorous grenade while talking to…a doppelganger. It’s one of those situations where your brain races like “If that’s Lena’s husband sitting dead on the floor, then who or WHAT is lying in a coma back at the base??”

The next sequence is one of the most beautiful I’ve ever seen, but I simply can’t put it into words. I’ve tried several times and it simply doesn’t do the moment justice. Suffice it to say that Lena is confronted by her own double, or at least something that is morphing into her double. But just as it gain’s Lena’s face, the real Lena puts another phosphorous grenade into its hands and triggers it, running out the door as it goes off. This incinerates the root of the Shimmer and causes the entire phenomenon to collapse.

Apparently, the Shimmer was some kind of alien life, but Lena can’t say what it wanted, if indeed it wanted anything at all. All she wants is her husband (and it’s interesting that she apparently neglects to mention that the man now recovered from his coma is NOT her husband but an alien duplicate). “Kane” confirms to Lena that he is not her husband, but upon ascertaining that she is the one the real Kane told him about, he embraces her and then something strange happens: his eyes begin to shimmer with a certain familiar iridescence. And after a moment, Lena’s eyes “Shimmer” too. And that’s where the story ends!

What does it all mean? I believe, that even though the phenomenon has collapsed, the Shimmer is still here, it’s just internalized inside two people now. Just like a pair of cells. As Lena told a class at the beginning: two become four, become eight, become sixteen…I think this is only the beginning before the Shimmer spreads through humanity, though what it will ultimately do I cannot say (though if you have a theory I’d love to hear it in the comments below).

Now as to the fate of Ventress, here is my theory: I think Lena was talking to her double the entire time and here’s why: when we first see Ventress in the chamber, you can clearly see that she has no eyes, but when she turns to face Lena, she suddenly has them. When Lena’s double is being made, the last thing to emerge are the eyes. So I think the real Ventress died, was absorbed by the Shimmer and now her double is here, but it can’t sustain itself because of the cancer in the original Ventress. That’s my theory anyway.


I wish I could explain certain parts better, but Annihilation is one of those films that needs to be experienced to be understood. Is it, as some say, too “intellectual”? Maybe…but I don’t think there’s anything wrong with a movie that makes you think about what it’s trying to tell you.

One more brief note: in the middle of the film, there’s an extremely graphic scene involving some found footage (you’ll know when you come to it). I just wanted you to be aware that such a scene exists because it deeply disturbed me while I watched it.

Final thoughts: Annihilation is a brilliant film from Alex Garland and a must-see for fans of the science fiction genre.

What did you think of Annihilation? Let me know your thoughts in the comments below. Have a great day!

See also: Soundtrack Review: Annihilation (2018)

And for more film reviews: Live-Action Films/TV

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook 🙂

Soundtrack Review: Annihilation (2018)

Annihilation is a science fiction horror film written and directed by Alex Garland in his second outing as a film director. The film is based on the novel of the same name by Jeff VanderMeer and follows a group of military scientists who enter “the Shimmer,” a mysterious quarantined zone that is full of mutating landscapes and creatures. Annihilation stars Natalie Portman, Oscar Isaac, Jennifer Jason Leigh, , Gina Rodriguez, Tessa Thompson and Tuva Novotny and was released on February 23rd, 2018.

The soundtrack of Annihilation was scored by composing duo Ben Salisbury and Geoff Barrow, who previously worked with Alex Garland on the Academy Award winning film Ex Machina (2015). Ben Salisbury is an Emmy-nominated composer with over 100 film and television composing credits to his name, including Beyonce Knowles’ self-directed documentary feature Beyonce: Life Is But A Dream and the last 3 series of David Attenborough’s acclaimed Life Of… strand for the BBC. Geoff Barrow, known for his extensive body of work as a music producer and founding member of the band Portishead, first began his film music career as the music supervisor and original score writer for graffiti artist Banksy’s Oscar-nominated documentary Exit Through The Gift Shop. He recently worked on the band Arcade Fire’s latest album Everything Now in addition to producing a cover of ABBA’s “SOS” with Portishead for Ben Wheatley’s film adaption of High-Rise.

The first thing I noticed about this soundtrack is that it is clearly related to the music of Ex Machina. It is not identical, per se, but it clearly comes from the same tonal family as the previous film. I don’t say this as a bad thing, in fact, it’s not uncommon for multiple soundtracks from the same composer (or group of composers) to retain similarities across each film. I also think the resemblance has something to do with Annihilation being considered the “spiritual” successor to Ex Machina.


That being said, if you liked Ex Machina and its soundtrack, then you will love the soundtrack for Annihilation. Like the soundtrack for Altered Carbon, most of the tracks contain the same elements: long synthesized tones, metallic wind chimes, and vocal tones. Despite the similarities, some of the tracks did stand out to me.

“Shimmer Reveal” is only 38 seconds long but it catches the ear because it starts very soft and steadily grows in volume. As the volume increases, the melody “thickens” with a deeper synthesized tone. It feels like we start looking at a small picture which quickly expands into a panoramic landscape (in fact this is probably when we get our first in-depth look at the “shimmer” which can only be that mysterious thing that Natalie Portman’s character is seen walking into in the previews).


“Abandoned Army Base” is half-mystical and half-sinister in the way it combines a synthesized drone with “creaking” metallic tones that sound like metal being ripped apart and metallic chimes that put me in mind of a monastery. Given that this is a science fiction horror film, I can only presume the sinister component I hear is due to someone or something hiding at this abandoned base, just waiting to snatch an unsuspecting victim (of course I could be wrong, but that’s what it sounds like). And going back to Ex Machina, this track in particular reminds me of Ava’s theme.

I have to bring attention to “In All of Us” simply because this track breaks the overall pattern and includes a melody from a guitar, which is so unexpected that it jars the ear when it arrives. “We Are Headed That Way” which follows that track, is interesting to me because of its title. Given the trailer’s hints that “the Shimmer” is causing a mutation of some kind, I wonder if this title refers to the idea that everything on Earth will eventually be affected by this mutation. Truthfully I can’t wait to find out what “the Shimmer” is actually doing, the visuals in the previews looked amazing.


And those are my thoughts on the soundtrack for Annihilation. The soundtrack is currently available via Lakeshore Records and I hope you enjoy listening to it. My thanks to The Krakower Group for making this soundtrack available for review.

If you’ve seen Annihilation, what did you think of the film and its soundtrack? Let me know your thoughts in the comments below, but please no spoilers, I’m seeing the film on Wednesday night 🙂

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook 🙂

See also: Film Soundtracks A-W

My thoughts on: Annihilation (2018)