Tag Archives: The Last Jedi

Star Wars: The Last Jedi “The Spark” (2017)

My general opinion of The Last Jedi has changed a great deal since I first saw the movie in 2017, but one thing that hasn’t changed is my love of the film’s soundtrack. It’s been my longstanding opinion that the Star Wars soundtrack as a whole is one of the greatest film music creations ever made and the music for The Last Jedi is up there with some of the best themes Williams ever created.

“The Spark” is one such theme and one I’ve wanted to talk about for a while. It occurs very late in the film, when Luke Skywalker appears out of nowhere in the remains of the Rebel base on Crait. Most of the cue, starting around 1:00 is actually from a Return of the Jedi theme known as “Luke and Leia” and plays when Luke finally reunites with his twin sister. You would know this as the music that plays in ROTJ when Luke reveals that Leia is his twin. It’s pretty much the same theme all over again and it really is perfect for this scene that happens to be the first and sadly, only, time we see Luke and Leia together in the sequel trilogy (everything after this was done with body doubles and CGI so it doesn’t really “count” for me if that makes sense).

After this memorable theme runs its course, then the fun really starts. Starting around 2:15 the music begins to morph into something different but it doesn’t latch onto the new theme until around 2:30. From that point on, the music enters a weird march-like motif that might sound odd at first, or vaguely familiar depending on your point of view. There’s a deep, booming motif that repeats over and over again as Luke strides out to confront the First Order and his wayward nephew Kylo Ren. As you listen to it, you might realize that this is actually from the bass line of The Imperial March, known the world over as “Darth Vader’s theme.”

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Think of the symbolism in this choice on the composer’s part. We have Luke Skywalker, Jedi, hero of the Rebellion, etc. and so on, marching out to face the evil First Order to more or less the tune of the Imperial March. I don’t know if it’s merely ironic or also meant to send a message, maybe something to the effect that it’s Luke who has the power and authority that Kylo has always sought but will never find because he’s too much of a hothead. It could be I’m thinking too much into it but it always sends chills down my spine to hear the remnants of that immortal theme when Luke walks out, all alone, to stare the enemy down.

Some people gave John Williams a lot of flack for not creating a new Imperial March or something equivalent for the sequel trilogy, but I really feel he didn’t need to, and “The Spark” is a prime reason why. It’s a combination of the old and new that lends sadness and power to this scene in a way that only Williams can make possible.

Enjoy listening to “The Spark” from Star Wars: The Last Jedi. Let me know your thoughts about this moment in the comments below and have a great day!

See also:

The Empire Strikes Back: “The Imperial March” by John Williams

Star Wars: The Force Awakens “Kylo Ren’s Theme” (2015)

Star Wars: The Force Awakens “Rey’s Theme” (2015)

Star Wars: The Force Awakens “March of the Resistance” (2015)

Star Wars: The Clone Wars “Bad Batch Theme” (2020)

Star Wars: Rebels “It’s Over Now”

Film Soundtracks A-W

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John Powell talks Solo: A Star Wars Story (2018)

At the tail end of Disney’s short-lived attempt to produce a new Star Wars film every single year (a feat that I predicted wouldn’t last long), came Solo: A Star Wars Story, the second (and so far final) anthology film set in the Star Wars universe. As the title implies, the film gives us the backstory of Han Solo and gives us an idea of how he met up with Chewbacca, acquired the Millennium Falcon, and so on.

 

Given that Solo came on the heels of The Last Jedi, it surprised few people when this film didn’t do so well at the box office. Which is a shame, given that Solo has a particularly good score. John Powell did the honors, while John Williams helped by putting together the film’s main theme.

I’ll agree that Solo isn’t the best entry in the Star Wars universe as a whole, but that doesn’t mean its fabulous score should be neglected. John Powell really did the score justice, and proved that it is possible to have a good Star Wars score that wasn’t composed by John Williams (something we’ll have to get used to now that he’s retired from composing for Star Wars films).

To gain some insight into how the score for Solo: A Star Wars Story was put together, please enjoy this full-length interview that was conducted with John Powell last year. I found the interview to be full of great insights and i hope you enjoy it.

Let me know what you think of the interview in the comments below and have a great day!

See also:

John Powell talks How to Train Your Dragon 2 (2014)

My Thoughts on: Solo: A Star Wars Story (with spoilers!) (2018)

Film Composer Interviews A-H

Film Composer Interviews K-Z

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Star Wars: The Last Jedi-The Ugly

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My thoughts on The Last Jedi finally conclude with highlighting everything that infuriated me about this movie (aka the “ugly” parts). I have to admit this list was actually a lot bigger about a month ago, but since I’ve had time to think about it, I’ve realized there wasn’t actually that much to infuriate me. Nevertheless, certain details need to be highlighted.

  • Rey’s parentage (or the lack thereof): It was one of the biggest questions posed by fans coming out of The Force Awakens: Who is Rey and what is her connection to the Star Wars universe? It almost went without saying that a Force user with this level of power had to be related to somebody we knew. Over the last two years I heard every theory under the sun: Rey’s a Skywalker, a Solo, a Kenobi, a Palpatine (don’t even ask me how that one is possible), or (one of the most far-out), she’s the long lost great-great-great times infinity great granddaughter of some legendary Jedi from the Old Republic. It’s no surprise that when The Last Jedi finally arrived that we were all holding our breath to see who Rey was related to (because Rian Johnson had promised we would get our answer).

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The reveal was…anticlimactic to say the very least. After all of that speculation, all of the theories, it seems that Rey is actually…nobody. If Kylo Ren is to be believed, Rey wasn’t hidden on Jakku because she was this big secret Force user. According to Kylo, Rey was left on Jakku because her parents sold her for drinking money. Considering how much time I invested into these theories, I was more than a little upset by this (even though a part of me does understand why they’re going this way). Still…one has to wonder if Kylo IS being truthful. Even if her parents are “nobodies” in the great scheme of things, that doesn’t necessarily mean they’re dead or that they sold Rey for drinking money; Kylo may have just wanted her to think that so she would be more inclined to join him. Maybe they’ll clarify a little more in Episode IX (but then again maybe they won’t, after this film I’m afraid to predict anything).

  • Snoke’s premature demise: Before I begin my tirade, let me say that I DID appreciate how Snoke’s apparent death went down. The Supreme Leader is oblivious to the fact that Kylo has turned on him and is subtly maneuvering Anakin’s old lightsaber into a position to impale him. And even though I saw it happening, part of me was sure that Snoke would stop him at the last minute/second…except he didn’t. When the Supreme Leader dropped dead from this throne, my first reaction was “Oh my god, what just happened?” My second reaction was “How could you KILL him like that??” This is the moment that made me really angry because you know and I know that there has to be a backstory for this character, he didn’t just come out of nowhere. Considering we only saw the character in hologram form in The Force Awakens, we were all eagerly waiting to see what we would learn about the character in this film. But we ultimately learned nothing!! Not where Snoke came from, not why he took Kylo under his wing, not even if he’s connected to Palpatine or Darth Plagueis. I’m sorry, I don’t care how many explanations we get, you can’t just introduce this big mysterious character and then kill him before explaining where he came from!! Of course there is a theory that Snoke isn’t really dead (that he pulled a trick similar to Luke) but I don’t necessarily know if this is true.
  • Kylo’s version of the “Join me and we’ll rule the galaxy speech”: I was on cloud nine when Rey and Kylo teamed up to take out the Praetorian Guard after the death of Snoke. It was brilliantly done, and once they were all dead, it truly seemed as if Rey had gotten through to Kylo, that he was going to come with her, he’d be Ben Solo again and it would set up an epic confrontation for Episode IX…and then the Speech started. You know, the one given by Anakin in Episode III; by Vader in Episode V: the “join me, we’ll defeat *insert enemy here* together and rule the galaxy side by side.” When Kylo started on this all-too-familiar spiel with Rey, my first reaction was to groan and roll my eyes. I know part of Star Wars is to deliberately hearken back to earlier moments, but this felt completely forced and it kind of ruined the moment for me. Of course I understand that what happened is Kylo heard Rey’s advice and took it in the wrong direction, but surely they could’ve skipped “the Speech.”

And those are my thoughts on what really infuriated me in The Last Jedi. Do you agree or disagree with my reasoning? Let me know your thoughts in the comments below!

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See also:

Star Wars: The Last Jedi: The Good

Star Wars: The Last Jedi- The Bad

A Random Thought on “The Force Awakens”

Rogue One: A Star Wars Story, My Thoughts!!

Star Wars Episode I: The Phantom Menace (1999)

Star Wars Episode II: Attack of the Clones (2002)

Star Wars Episode III: Revenge of the Sith (2005)

Star Wars, the one that started it all! (1977)

Star Wars Episode V: The Empire Strikes Back (1980)

Star Wars Episode VI: Return of the Jedi (1983), the saga concludes (or does it?)

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