Well…I liked that a lot more than I thought I might. *various spoilers follow from this point*

This past Saturday afternoon I finally got to see Kong: Skull Island, the second installment in the giant monsters universe established by Godzilla (2014). Set in 1973 at the end of the Vietnam War, Kong follows an expedition led by Bill Randa (John Goodman) to the titular Skull Island, a previously unknown land mass that was only recently discovered by satellites. Randa claims the group (which is being escorted by a section of soldiers led by Col. Packard (Samuel L. Jackson) is there to study the geology of the island, but in truth, they’re also there to flush something out. That something being Kong…King Kong.

Kong destroys most of the expedition after they drop a series of “seismic charges” (i.e. bombs) on the island, unwittingly awakening a number of nasty monsters dubbed “skull-crawlers” by a character we meet later on. The survivors are initially separated over a wide area, but they are soon joined into two groups: one led by Col. Packard, the other led by James Conrad (Tom Hiddleston), a former captain in the SAS. The goal is to make it to the north side of the island where they can signal their ship for a rescue. Naturally things don’t do according to plan.

A large section of the film is devoted to watching numerous characters get picked off one by one by the various oversized creatures that inhabit the island (one of the most terrifying incidents involving a giant spider with legs that resemble bamboo trees), as well as the skull-crawlers (which are rapidly growing in size). Conrad’s group encounters the Iwi, a tribe that have been living on the island since time immemorial. Among them is a surprise: Lt. Hank Marlow (John C. Reilly), an American pilot shot down in 1944 by a Japanese pilot (who also crashed along with him). For the last 28 years he’s been living with the Iwi, and now he has a chance to leave with Conrad’s group (even though he’s pretty sure the skull-crawlers (the name he gave them because it sounded scary) will get them first). Marlow and Conrad’s group (which includes female photographer Mason Weaver) depart on a boat Marlow and his former Japanese enemy cobbled together from their wrecked planes before a skull-crawler nabbed the latter and head upriver towards their destination. But once they meet up with Col. Packard’s group, Conrad and company realize that something is seriously wrong.

Col. Packard is a very interesting character, and a great case study in how war can change a man for better or worse. Packard has been a soldier for a very long time now, and has earned multiple decorations, but with the end of the Vietnam War, he is struggling to find his place in the world (that’s why he happily accepted the order to escort the group to Skull Island, as it gave him something to do). Seeing Kong wipe out a large portion of the men he’s commanded for several years has given Packard an unbreakable fixation: to kill Kong by whatever means necessary, even if it means they all die in the process. I believe that, in Packard’s eyes, Kong is the living embodiment of the war in Vietnam that never got finished. Against the warnings of Conrad and Marlow (the latter attempting to explain that Kong is the only thing keeping the skull-crawlers at bay), Packard comes up with a plan to trap Kong in a lake filled with napalm while Conrad leads his group to the north. At the last minute, Conrad returns and convinces most of the soldiers to stand down, but not Packard, he simply can’t let go of what happened to his men. As a result, he is the latest victim of Kong’s rage.

The flight to the northern coast is dominated by a massive fight between Kong and the largest of the skull-crawlers (which was awakened by the large napalm explosion). It’s a titanic battle, and very well executed (the CGI doesn’t look fake at all). Ultimately, Kong is successful, the skull-crawler is killed and Conrad and the others rendezvous with their ship, while Kong watches from a distance.

There’s so much more to the story that I’m leaving out, but I don’t want to completely spoil everything. There is a loose connection to Godzilla where M.U.T.O’s are mentioned (the same term is used in the earlier film) and a post-credit scene (that I completely missed) sees two characters informed of the existence of other giant monsters besides King Kong (which is apparently the lead in to Kong and Godzilla squaring off in three years time, still not sure how I feel about that by the way).

My one complaint with the film is that there were too many characters to keep track of. I understand why this is (as most of these side characters end up dead), but as a result most of the people we meet aren’t as fleshed out as they might have been with a slightly smaller ensemble.

Favorite moments include:

Any and all scenes including Tom Hiddleston, especially a scene in the second half of the film where, in the midst of poison gas, he dons a gas mask, grabs a samurai sword (long story about how it got to the island) and goes completely medieval on a bunch of monsters!

The fight between Kong and the giant octopus

Kong’s backstory, as explained by Marlow, which really explains a lot about what Kong is doing on the island (it doesn’t explain EVERYTHING, but it does help)

Kong: Skull Island really is a good movie, especially if you’re looking for a fun two hours filled with action (and the slightest HINT of romance), so I recommend it to anyone who hasn’t seen it yet.

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See also:

My Thoughts on: Godzilla: King of the Monsters (2019)

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