I’m always on the lookout for good videos of film scoring sessions, and today I hit the jackpot (in a manner of speaking) with an excellent video showing Brian Tyler working on Constantine (2005) in the recording studio. Being a firm devotee of Matt Ryan’s portrayal of the iconic master of the dark arts, I’ve generally ignored this film’s existence. But now that I’ve heard some excerpts of the film’s score while watching this video, I’m wondering if I need to go back and re-evaluate my position on this film.
This particular video is especially good because it shows a great view of the entire studio, with the composer/conductor and the orchestra at one end, while the work-in-progress film is projected on the far wall. As I’ve mentioned before, seeing the film during the recording process is necessary (for most) because this helps the composer sync the music to the film in the best way possible. To help with this, I believe there is a timer (of sorts) projected onto the screen for the composer’s benefit (for example, at 1:30 see the “0278+8” in the bottom right of the screen, that looks like a timing tool I’ve heard of film composers using).
Another great thing about this video is that it shows several different recording sessions that focus on different scenes. My favorite example in the whole video is the sequence starting at 1:32 that zooms in close on the film being projected. Watching that and hearing the music shows how hard Tyler has to work to create music that matches up with the visuals. As the video also shows, the director can sit in on these sessions, that way if he/she sees something that doesn’t work for them, they can let the composer know so it can be fixed right away.
I really hope you enjoy this video of Brian Tyler working on scoring Constantine (this is also the earliest video of the composer at work that I’ve found to date). Let me know what you think about Constantine (and its soundtrack) in the comments below and have a great day!
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