Tag Archives: Brian Tyler

Brian Tyler “Power Rangers” scoring session (2017)

This may be the fastest I’ve ever released a scoring session of a film relative to the film’s premiere (the film came out five days ago). In the hype leading up to the release of Power Rangers, and the endless debate of “will this be any good?”, I somehow missed that Brian Tyler would be composing the score for this film. Tyler has been a rising force in the world of film music for the last decade and I was immediately curious to hear what his work for this film sounded like.

Lo and behold….I found a scoring session for the film. It’s tantalizingly short, only sixty seconds in length, but what I can hear is beautiful! I have no idea where in the film this music comes from, but it is very well-crafted and it is clear that Tyler is in his element as a composer and conductor.

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Despite this, I still don’t think I will see Power Rangers anytime soon. Of course, I grew up watching Mighty Morphin’ Power Rangers way back in the 90s, and I saw a few of the later series on occasion (Mystic Force is still my favorite), but my tastes have greatly changed since then and the film simply holds no interest for me (though I AM pleased that one of the rangers is on the autistic spectrum). However, I may have to get my hands on the soundtrack to hear the rest of this gorgeous music.

I hope you enjoy watching Brian Tyler score a section of Power Rangers, and get ready: this is only the first of many Brian Tyler sessions that I’ve found (I really think you’re going to like them too).

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See also:

Film Composer Interviews A-H

Film Composer Interviews K-Z

Brian Tyler “Alien vs. Predator: Requiem” scoring session (2007)

Brian Tyler scoring Partition (2007)

Brian Tyler talks War (2007)

Brian Tyler talks Rambo (2008)

Brian Tyler “Law Abiding Citizen” scoring sessions (2009)

Brian Tyler “Dragonball Evolution” scoring session (2009)

Brian Tyler talks The Expendables (2010) 

Brian Tyler talks Fast Five (2011)

Brian Tyler “Battle: Los Angeles” (2011) scoring session

Brian Tyler scoring session for Iron Man 3 (2013)

Brian Tyler “Teenage Mutant Ninja Turtles” (2014) scoring session

Brian Tyler conducting and scoring Now You See Me 2 (2016)

Brian Tyler conducts The Mummy (2017)

Don’t forget to like Film Music Central on Facebook 🙂

Brian Tyler “Alien vs. Predator: Requiem” scoring session (2007)

Note: I apologize for the blurry quality of the video, but the sound quality is perfect)

“Alien vs. Predator: Requiem” scoring session (2007)

It seemed like genius when Hollywood conceived the idea to do a crossover between the Alien and Predator franchises. Think about it: two “ultimate” alien species meeting each other, it’s potential movie GOLD! And to be fair, the first Alien vs. Predator did reasonably well, well enough for a sequel to be commissioned at any rate. Unfortunately, Alien vs. Predator: Requiem was….not so good (to put it politely). In fact, one of the few things praised about the film was Brian Tyler’s score (one of his earlier works).

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If you haven’t seen the film, you’re not missing much. It basically picks up about five minutes after the first Alien vs. Predator film ends, with a hybrid Alien/Predator (known as a Predalien) bursting from a slain Predator, damaging their spaceship and sending it hurtling back to Earth. It sounds like it should be a great story (but trust me, it isn’t). Despite the film’s many, MANY flaws, Brian Tyler’s score does what it can to add some suspense to the story, and in the recording session footage that I found, you can hear the complexity that was woven into the material by the composer. I hope you enjoy listening to an example of Brian Tyler’s earlier work (he’d only been working on film scores for 10 years at this stage) and I apologize again for the blurry video quality.

You can become a patron of the blog at patreon.com/musicgamer460

See also:

Film Composer Interviews A-H

Film Composer Interviews K-Z

Brian Tyler scoring Partition (2007)

Brian Tyler talks War (2007)

Brian Tyler talks Rambo (2008)

Brian Tyler “Law Abiding Citizen” scoring sessions (2009)

Brian Tyler “Dragonball Evolution” scoring session (2009)

Brian Tyler talks The Expendables (2010) 

Brian Tyler talks Fast Five (2011)

Brian Tyler “Battle: Los Angeles” (2011) scoring session

Brian Tyler scoring session for Iron Man 3 (2013)

Brian Tyler “Teenage Mutant Ninja Turtles” (2014) scoring session

Brian Tyler conducting and scoring Now You See Me 2 (2016)

Brian Tyler “Power Rangers” scoring session (2017)

Brian Tyler conducts The Mummy (2017)

And don’t forget to like Film Music Central on Facebook

Brian Tyler “Dragonball Evolution” scoring session (2009)

“Dragonball Evolution” scoring session (2009)

I bet I know what you’re thinking: WHAT? They made a live-action movie based on Dragon Ball? Where, when and how can I get it???

Not.so.fast.

There’s a reason you likely haven’t heard of this film (and if you have seen it, you know what I’m about to say): it SUCKS. Badly. I mean REALLY badly. So badly that Akira Toriyama, the creator of the Dragon Ball manga, practically disowned the film. Yea, that’s pretty bad.

Based on the titular Dragon Ball manga, the film follows Goku and Bulma as they travel together to gather the seven Dragon Balls in a race to stop the demon Lord Piccolo before he can gather them first. Several of the major characters from the series are encountered: Goku, Chi-Chi, Bulma, Master Roshi, Piccolo and Yamcha. Shen Long, the legendary wish-granting dragon who only appears when the seven dragon balls are gathered, makes an appearance as well.

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Despite the film being an overwhelming failure, there is one bright spot: the musical score, composed and conducted by Brian Tyler. The score was very well received and positively compared to other contemporary film scores.

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I found this short clip from a recording session for the film uploaded in February of 2009. What I love about Brian Tyler’s musical style, is that he doesn’t completely abandon classical conventions, the way some 21st century composers do. Instead, he works to blend the traditional orchestral sound with more “modern” themes using synthesizers and electronic instruments. He essentially goes for the best of both worlds and so far he has nailed it every time.

 Enjoy this look at the recording of the Dragonball Evolution soundtrack, and if you’re interested in the series, try the Dragon Ball and Dragon Ball Z anime instead of this film.

You can become a patron of the blog at patreon.com/musicgamer460

See also:

Film Composer Interviews A-H

Film Composer Interviews K-Z

Brian Tyler “Alien vs. Predator: Requiem” scoring session (2007)

Brian Tyler scoring Partition (2007)

Brian Tyler talks War (2007)

Brian Tyler talks Rambo (2008)

Brian Tyler “Law Abiding Citizen” scoring sessions (2009)

Brian Tyler talks The Expendables (2010) 

Brian Tyler talks Fast Five (2011)

Brian Tyler “Battle: Los Angeles” (2011) scoring session

Brian Tyler scoring session for Iron Man 3 (2013)

Brian Tyler “Teenage Mutant Ninja Turtles” (2014) scoring session

Brian Tyler conducting and scoring Now You See Me 2 (2016)

Brian Tyler “Power Rangers” scoring session (2017)

Brian Tyler conducts The Mummy (2017)

Like Film Music Central on Facebook here

*film poster is the property of 20th Century Fox

Brian Tyler talks Fast Five (2011)

Of the seven Fast and Furious films that have been released, Fast Five (2011) remains the first and only film in the series that I have watched. It was my senior year of college, and the local movie theater was having a “Free Movie Night” for all the students of the university, and I’d never seen a Fast and Furious film before, so I decided to check it out. I remember enjoying it and laughing a lot! This was before I discovered my calling for film music, so I didn’t really pay any attention to the score at the time, but I was delighted years later to discover that Brian Tyler was the composer for that film.

Brian Tyler may not be an immediately recognizable name, but it surely will be in years to come: he has already composed the music for Thor: The Dark World, Avengers: Age of Ultron; Constantine; The Fast and Furious: Tokyo Drift, among many, many others.

This interview gives a great look at Brian Tyler in his recording space. As a film music scholar, it’s so exciting for me to be able to see his computer layout where he records and then synthesizes all these melodies together (I still have a dream of meeting some of these film composers some day).

I hope you enjoy this interview!

You can become a patron of the blog at patreon.com/musicgamer460

See also:

Film Composer Interviews A-H

Film Composer Interviews K-Z

My Thoughts on: Fast Five (2011)

Brian Tyler scoring Furious 7 (2015)

Brian Tyler scoring The Fate of the Furious (2017)

Brian Tyler “Alien vs. Predator: Requiem” scoring session (2007)

Brian Tyler scoring Partition (2007)

Brian Tyler talks War (2007)

Brian Tyler talks Rambo (2008)

Brian Tyler “Law Abiding Citizen” scoring sessions (2009)

Brian Tyler “Dragonball Evolution” scoring session (2009)

Brian Tyler talks The Expendables (2010) 

Brian Tyler “Battle: Los Angeles” (2011) scoring session

Brian Tyler scoring session for Iron Man 3 (2013)

Brian Tyler “Teenage Mutant Ninja Turtles” (2014) scoring session

Brian Tyler conducting and scoring Now You See Me 2 (2016)

Brian Tyler “Power Rangers” scoring session (2017)

Brian Tyler conducts The Mummy (2017)

Like Film Music Central on Facebook at www.facebook.com/filmmusiccentral

Brian Tyler Battle: Los Angeles scoring session (2011)

Brian Tyler scoring Battle: Los Angeles (2011)

You know that old expression “You can’t judge a book by it’s cover?” Well, I think a similar expression is also true: “You can’t judge a soundtrack by the film it’s attached to.” This was my thought after listening to a five minute scoring session from Battle: Los Angeles, a 2011 sci-fi action film which depicts Los Angeles (and the rest of the world) under attack from hostile alien forces. The film stars Aaron Eckhart, Michelle Rodriguez and Ramon Rodriguez, and was directed by Jonathan Liebesman.

The film itself received very negative reviews (it was notably panned by Roger Ebert), but the soundtrack, composed by Brian Tyler, received some positive mentions. For example, on Wikipedia, one review called it “…a highly entertaining, old-fashioned orchestral soundtrack that should appeal to fans of Hans Zimmer…”*

I have to agree with Mr. Monger (the author of that review): the music does indeed have that old-fashioned feel to it, but in the world of film music I believe that is a good thing. To call a film score “old-fashioned” is to say that the composer is using a traditional orchestra and not simply synthesizing everything.

As you watch the scoring session, take note of the computer screen immediately behind Brian Tyler: you’ll see two sets of numbers, like this 12 l 1 . That is a measure/beat counter that is timing the recording according to the measure and particular beat of said measure. That way, if Mr. Tyler wants to go back to, say, measure 100, he can select that on the computer and the recording will automatically transfer to that point.

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Given how wonderful the music sounds, it is such a shame that Brian Tyler’s hard work is attached to a film that was so badly received (I haven’t seen it myself, but Roger Ebert was never one to pan a film without good reason). It is obvious to me that Tyler puts a great deal of his heart and soul into this music, and I hope that someday his music will receive the proper appreciation (hopefully in the form of an Academy Award).

Please enjoy this scoring session from Battle: Los Angeles (2011)

You can become a patron of the blog at patreon.com/musicgamer460

See also:

Film Composer Interviews A-H

Film Composer Interviews K-Z

*review taken from https://en.wikipedia.org/wiki/Battle:_Los_Angeles_(soundtrack)

** poster image is the property of Columbia Pictures

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Brian Tyler “Teenage Mutant Ninja Turtles” scoring session

Today I’m going to try something a little different. Normally, when I post about a scoring session for a particular film score, there’s an interview accompanying it. However, for Teenage Mutant Ninja Turtles (2014), I found a sound-only clip showing composer Brian Tyler conducting a scoring session.

Brian Tyler scoring “Teenage Mutant Ninja Turtles” (2014)

A scoring session is when the composer and the orchestra sit down and record the music piece by piece for the film. As a general rule the finished film (or nearly finished in some cases) is playing on a screen in front of the conductor, with the current scene corresponding to the music being recorded.

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I thought I would share this clip with you because, even though I have never seen Teenage Mutant Ninja Turtles, I immediately found myself drawn into the music (it helps that Brian Tyler is a very energetic composer). This is partly why I chose to study film music: when you separate the music from the film, you can hear some very beautiful and wonderful things, and these are things I think everyone should hear at least once.

The music here is energetic, dynamic and surprisingly symphonic (I found myself reminded of Howard Shore’s style in some places) for an action film produced in 2014. Tyler’s style has clearly evolved since his work on Alien vs Predator: Requiem (yes, I actually sat through that movie, no I don’t know what I was thinking).

 

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If Brian Tyler’s name is not familiar, then I think it will be in the next five years, he’s a very prolific film composer with an extensive filmography already. He’s already composed for a handful of MCU films (his score for Thor: The Dark World is half the reason I love that film so much) and he’s scheduled to compose the score for the live-action Power Rangers film due out next year.

This selection is only three minutes long, so if you have a spare minute this weekend, sit back, pop the headphones on, and give this a listen. I also dare you to listen with your eyes closed (by far the best way to listen to film music) and see what you think/feel. As I said, I thought I would try something new 🙂 Enjoy the music!

You can become a patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

See also:

Film Composer Interviews A-H

Film Composer Interviews K-Z

See also:

Brian Tyler conducts The Mummy (2017)

Brian Tyler scoring Partition (2007)

Brian Tyler talks The Expendables (2010)

Brian Tyler scoring session for Iron Man 3 (2013)

Brian Tyler conducting and scoring Now You See Me 2 (2016)

Brian Tyler talks War (2007)

Brian Tyler “Alien vs. Predator: Requiem” scoring session (2007)

Brian Tyler “Law Abiding Citizen” scoring sessions (2009)

Brian Tyler “Dragonball Evolution” scoring session (2009)

Brian Tyler talks Fast Five (2011)

Brian Tyler “Battle: Los Angeles” (2011) scoring session

Brian Tyler talks Rambo (2008)

Brian Tyler “Power Rangers” scoring session (2017)

*poster image is the property of Paramount Pictures

Brian Tyler talks The Expendables (2010)

The basis behind The Expendables is so simple and at the same time so crazy, I’m surprised they didn’t try it sooner: create a film starring every single action star you can get your hands on and have a story where they all have to work together against a common foe. It’s insanely brilliant when you think about it. (I haven’t gotten the chance to see it all the way through yet, but the parts I have seen, I loved!!)

 

The plot follows an elite group of mercenaries led by Barney Ross (Stallone) and the chaos that ensues as a routine contract to overthrow a dictator becomes anything and everything but. Aside from the all-star cast, Bruce Willis and Arnold Schwarzenegger have small cameos as well.

Brian Tyler was hired to compose the score for The Expendables, having previously worked with Sylvester Stallone on Rambo (2008). Please enjoy this behind the scenes look at how Tyler assembled the score.

You can become a patron of the blog at patreon.com/musicgamer460

See also:

Film Composer Interviews A-H

Film Composer Interviews K-Z

See also:

Brian Tyler conducts The Mummy (2017)

Brian Tyler scoring Partition (2007)

Brian Tyler conducting and scoring Now You See Me 2 (2016)

Brian Tyler talks War (2007)

Brian Tyler “Alien vs. Predator: Requiem” scoring session (2007)

Brian Tyler “Law Abiding Citizen” scoring sessions (2009)

Brian Tyler “Dragonball Evolution” scoring session (2009)

Brian Tyler talks Fast Five (2011)

Brian Tyler “Battle: Los Angeles” (2011) scoring session

Brian Tyler scoring session for Iron Man 3 (2013)

Brian Tyler “Teenage Mutant Ninja Turtles” (2014) scoring session

Brian Tyler “Power Rangers” scoring session (2017)

Don’t forget to like Film Music Central on Facebook 🙂

* the poster is property of Lionsgate Films

Brian Tyler talks Rambo (2008)

The Rambo franchise is a series of films consisting of: First Blood (1982), Rambo: First Blood Part II (1985), Rambo III (1988) and Rambo (2008). Of these films, the first three were all scored by Jerry Goldsmith. For the fourth (and ultimately final) entry in the series, the score was composed by Brian Tyler (Iron Man 3, Thor: The Dark World, Avengers: Age of Ultron). It’s been a while, but I’ve seen most of the franchise, including this film, and I remember enjoying it very much (though I found some of the violence hard to take, but that’s just me.)

Rambo is set twenty years after the events of Rambo III and finds John Rambo living in Thailand barely making a living from catching snakes and providing boat rides. He ferries a group of missionaries up the Salween River into Burma and drops them off at a village of Karen tribespeople. The group is later captured when the ruthless Major Pa Tee Tint attacks and massacres the village.

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Rambo later transports a group of mercenaries on a rescue mission and secretly follows along after his offers of help are refused by the group’s leader. It is up to Rambo and his allies, a Karen rebel named Myint and the mercenary sniper nicknamed “School Boy” to save the mercenaries and the hostages when the former are also captured by Tint’s men. It’s a bloody fight that ends with Tint and all of his men dead (with Rambo personally dealing with the major). After all of this, Rambo decides it’s finally time to return to the United States and visit his family, which is where we see him as the story ends.

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To help maintain continuity between this film and the rest of the franchise, Tyler was asked to incorporate Goldsmith’s original themes into his score. Tyler, in the interview, describes the score as an overall homage to Goldsmith’s work. At the same time, Tyler is incorporating new themes of his own, a sort of blending of the old and the new as far as the music goes.

 

I’ve been a fan of both Goldsmith’s and Tyler’s work for quite some time (if you’ve never heard of Brian Tyler before, I urge you to go look up his work, you can find just about anything he’s written on YouTube, he’s a phenomenal talent), and this interview provides great insight into his thought process. The interview also contains comments by Sylvester Stallone (who not only starred in this film, he also directed it and wrote the story.)

I hope you enjoy this interview and please, do check out Brian Tyler’s work, it really is amazing.

You can become a patron of the blog at patreon.com/musicgamer460

See also:

Film Composer Interviews A-H

Film Composer Interviews K-Z

See also:

Brian Tyler conducts The Mummy (2017)

Brian Tyler scoring Partition (2007)

Brian Tyler conducting and scoring Now You See Me 2 (2016)

Brian Tyler talks War (2007)

Brian Tyler “Alien vs. Predator: Requiem” scoring session (2007)

Brian Tyler “Law Abiding Citizen” scoring sessions (2009)

Brian Tyler “Dragonball Evolution” scoring session (2009)

Brian Tyler talks Fast Five (2011)

Brian Tyler “Battle: Los Angeles” (2011) scoring session

Brian Tyler scoring session for Iron Man 3 (2013)

Brian Tyler “Teenage Mutant Ninja Turtles” (2014) scoring session

Brian Tyler “Power Rangers” scoring session (2017)

 Don’t forget to like Film Music Central on Facebook 🙂