Tag Archives: Constantine

Soundtrack Review: Stargirl (season 1) (2020)

WaterTower Music is pleased to announce that the Season 1 soundtrack for DC’s Stargirl is now available on all platforms.

DC’s Stargirl: Season 1 (Original Television Score) features 22 tracks from the debut season of the hit series. Recently wrapping its first season on both The CW and DC UNIVERSE, DC’s Stargirl was recently renewed for a second season exclusively on The CW. Based on the character created by Geoff Johns, DC’s Stargirl features an epic score by the award-winning film and television composer Pinar Toprak, who received her first Primetime Emmy® nomination this year for her work on HBO’s McMillions.

Toprak was born and raised in Istanbul, Turkey, where she began her classical music education at the age of five. After studying composition and multiple instruments at the conservatory, she moved to Chicago to study jazz, before continuing on to Boston for a degree in film scoring from Berklee College of Music. She then moved to Los Angeles, earned a master’s degree at CSUN in composition at age 22. In addition to DC’s Stargirl, she has composed for major Super Hero sagas like Captain Marvel, and Warner Horizon Scripted Television’s Superman prequel series Krypton. She also scored HBO’s six-part docuseries McMillions, which premiered at the 2020 Sundance Film Festival and earned her a 2020 Emmy® nomination. In addition, she has written music for Epic Games’ massively popular online video game Fortnite.

Regarding season 1 of Stargirl, composer Pinar Toprak had the following to say:

“I’m a huge fan of show creator Geoff Johns and everything he’s done,” remarked Toprak. “When we met, the way he talked about Courtney, the character, and his vision for DC’s Stargirl really touched my heart. Obviously, I love this genre to begin with, so it was a no-brainer to compose the score. Working with Geoff was just one of the best experiences of my career, to be honest.”

From a purely musical standpoint (I have yet to see the actual show), I love Stargirl. I loved it even before I heard it because I knew that Pinar Toprak would be scoring the series, and I’m a big fan of her work on Krypton (an underrated series with a severely underrated soundtrack and, of course, Captain Marvel. And the music of Stargirl is just as amazing as her previous works in the genre. Pinar Toprak has this amazing ability, that I first noticed in Krypton’s first season soundtrack, to take a television series and give it a “big screen” feel with the powerful themes she creates. Such is the case with Stargirl. If you didn’t know better, you’d swear this was a movie soundtrack, and that’s not a bad thing. I feel like any work in the superhero genre, be it film or television, should have a certain sound to it. You almost need that brassy, heroic sound to chart the adventures of the fledgling heroine (there are exceptions of course, the short-lived Constantine and Swamp Thing come to mind).

On a side note, speaking of Krypton, it may be my imagination but a few of the tracks in Stargirl sound similar to that earlier show. This isn’t necessarily a bad thing, as any string of works by the same composer are bound to sound similar in certain areas. I just find it interesting that Krypton (a series based on Superman’s home planet), and Stargirl (another DC comics series) have a similar sound.

Another detail I really enjoyed about the soundtrack of Stargirl is its almost symphonic quality. That is to say, the main theme that Pinar Toprak introduces at the beginning of the soundtrack album recurs throughout, but in slightly different ways, exactly as it would be if this music were in a symphony played in the concert hall. I feel like the superhero genre is ideally suited to symphonic music (similar to the Star Wars films), and listening to this great music just reinforces how well the two fit together.

I highly recommend checking out the soundtrack for Stargirl’s first season. It’s a stirring soundtrack from a great composer and one that any fan of superhero music should check out. On one final note, I’ve seen Stargirl get some mixed reviews here and there. Whatever your thoughts are on the series itself, don’t let that stop you from checking out the soundtrack. There’s a world of difference between hearing a soundtrack during the actual show and listening to the music with no distractions. So please, give the soundtrack a chance, you won’t regret it.

Let me know what you think about the soundtrack for Stargirl season 1 and have a great day!

See also:

TV Soundtracks

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Brian Tyler scoring Constantine (2005)

I’m always on the lookout for good videos of film scoring sessions, and today I hit the jackpot (in a manner of speaking) with an excellent video showing Brian Tyler working on Constantine (2005) in the recording studio. Being a firm devotee of Matt Ryan’s portrayal of the iconic master of the dark arts, I’ve generally ignored this film’s existence. But now that I’ve heard some excerpts of the film’s score while watching this video, I’m wondering if I need to go back and re-evaluate my position on this film.

This particular video is especially good because it shows a great view of the entire studio, with the composer/conductor and the orchestra at one end, while the work-in-progress film is projected on the far wall. As I’ve mentioned before, seeing the film during the recording process is necessary (for most) because this helps the composer sync the music to the film in the best way possible. To help with this, I believe there is a timer (of sorts) projected onto the screen for the composer’s benefit (for example, at 1:30 see the “0278+8” in the bottom right of the screen, that looks like a timing tool I’ve heard of film composers using).

Another great thing about this video is that it shows several different recording sessions that focus on different scenes. My favorite example in the whole video is the sequence starting at 1:32 that zooms in close on the film being projected. Watching that and hearing the music shows how hard Tyler has to work to create music that matches up with the visuals. As the video also shows, the director can sit in on these sessions, that way if he/she sees something that doesn’t work for them, they can let the composer know so it can be fixed right away.

I really hope you enjoy this video of Brian Tyler working on scoring Constantine (this is also the earliest video of the composer at work that I’ve found to date). Let me know what you think about Constantine (and its soundtrack) in the comments below and have a great day!

See also:

Film Composer Interviews A-H

Film Composer Interviews K-Z

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My Thoughts on: Justice League Dark (2017)

Wow!! Wow, wow and WOW!!! More please!!!

Those were the first thoughts I had as the end credits of Justice League Dark began to roll. For weeks I’d been looking forward to picking this up the day it came to DVD/BluRay, largely because this film features Matt Ryan reprising his role as John Constantine (granted it’s animation and not live-action, but I’ll take what I can get).

I actually haven’t seen that many of the DC animated films, the last one I recall seeing is Superman/Batman: Apocalypse, so it’s hard for me to say where this one ranks in terms of animation quality and etc. But I can say that what I saw, I liked. Some of my favorite parts involved the casting of magic spells, which did look a little reminiscent of the spell-casting in Doctor Strange, but that’s another story. Let’s get down to details!!


The titular Justice League Dark (for this film) consists of:

John Constantine: The extremely reluctant leader, a smartass magician and conjurer, owner of the House of Mystery, lives dangerously by conning demons out of their riches, and has a penchant for getting punched in the face by people he’s pissed off. To be brief, he doesn’t play well with others (watching him interact with Batman is a riot!!)

Zatanna Zatara: A popular stage magician who also possesses very real and powerful magic. She’s the only person Constantine is actually willing to work with (as it is implied they not only worked together previously, but that they also had a relationship of some kind). She’s resisted using her powers to fight evil (as Constantine does), citing that she prefers using her abilities to bring joy to others.


Jason Blood/Etrigan: Jason is a 500 year old immortal and formerly a knight of Camelot. He’s an unwilling immortal because, after being mortally wounded by an insane wizard named “Destiny” (no, really, that’s his name), Merlin bound the dying knight to the demon Etrigan to save his life. To summon Etrigan, Jason must recite a rhyme, and his body is replaced with Etrigan’s. Etrigan is a Hell demon who only speaks in rhyme (and even though he’s a demon, he seems less evil than most). Jason has spent centuries trying to find a way to separate Etrigan from himself.

Deadman: This is one I’d never heard of before now. Formerly a trapeze artist named Boston Brand, Deadman was assassinated during a performance, but his spirit was given power by a Hindu god named Rama Kushna, giving him the ability to possess the living in order to bring his killer to justice. Deadman is a wisecracking smartass, but he started to grow on me as the story went on.

And there’s also…


Swamp Thing (!!!!!!!!): Unbelievably (to me) this is the first time Swamp Thing has ever appeared in a DC Animated film (which is crazy because he’s an awesome character!!!) He doesn’t appear for that long in the story, but when he does appear, he practically steals the show. Swamp Thing is the protector of “the Green” (basically all plant life), and was formerly a human named Alec Holland. Alec was murdered, and his body used as the basis to create Swamp Thing. He really doesn’t like Constantine.

There’s also Batman, yes, I said Batman. I reluctantly understand why they put the Dark Knight in this story, but I hate that they had to do it. Basically, Warner Bros. wanted to ensure that as many people saw this film as possible, and they knew that if Batman was advertised as being in the story, more people would check it out on impulse. But truly, Batman doesn’t do THAT much, he’s more of an observer than anything else (especially when magical things are going on).

The story of Justice League Dark is actually really dark!! The opening sequence became more disturbing as it went on. Here’s the gist: some unknown force is causing ordinary citizens to believe they’re surrounded by demons and monsters that they have to attack/kill to get away from. This results in unspeakable tragedies: a woman mowing down dozens of bystanders with her car; a man who nearly kills his wife and children because he believes “monsters” killed them (in a gruesome twist, it’s revealed he’s already killed several neighbors and their families); and, most heartbreaking of all, a woman throws her newborn from the roof of a cathedral because she believes she’s given birth to the devil. Batman is able to save the baby, but the mother jumps to her death.


The dark Justice League are led to believe that this is the work of wizard Felix Faust (someone the regular Justice League has encountered in the past). Richie, an old friend of Constantine’s, who is also dying from a magical cancer, also points the finger at Faust, claiming the wizard attacked him. Richie also states that a magical ring seen in the memories of one of the victims belongs to Faust as well. The team goes to confront Faust in his magical observatory, leading to a magical battle for the ages. There is an especially epic sequence when Zatanna goes into total badass mode, unleashing her full magic on the wizard, nearly killing him until Constantine stops her. Then comes a wrinkle: Batman confirms that Faust is NOT the culprit in this attack. But Richie, a dying man, wouldn’t lie to Constantine…or WOULD he?

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In a plot twist I did NOT see coming, it’s revealed that Richie is actually possessed by a fragment of the wizard Destiny’s soul (portions of which were bound in a huge gem that partially shattered when Merlin defeated him 500 years ago). Destiny has conned Richie into thinking that if he acquires the rest of the gem (currently sitting in the House of Mystery after Constantine acquired it in a card game from some demons), he (Richie) will become immortal and very powerful. The attack was staged, with blame falsely assigned to Faust so that the team would leave him alone in the House. But Richie has been tricked: the only thing reassembling the gem will do is give Destiny the means of re-entering the physical world, using Richie’s body as a base for his own.


Now the world is in real danger: Destiny is so powerful that he could conquer the world in a matter of days. The trouble is, the wizard is protected by a super-powerful magical shield, and he also wields the power to drive any potential attackers mad, making them think they’re surrounded by monsters. In fact, Superman, Wonder Woman and Green Lantern all become infected by this madness, and the team is barely able to hold them off for a time. Also, Destiny is able to 1) forcibly separate Jason Blood from Etrigan and 2) seemingly disintegrate Swamp Thing by pulling Alec Holland’s aged remains from his plant body (whether this is permanent or not is not explained). It comes down to Constantine and Deadman to provide an opening to defeat the wizard. Constantine allows Deadman to possess him and tricks Destiny into taking him inside the magical shield. Once inside, Deadman launches into the wizard, distracting him long enough to bring the magical shield down, giving Jason Blood the chance to stab the wizard in the back, mortally wounding him. The wizard is destroyed, but Richie remains…for a moment. Throughout the film, Constantine has noted Death Shrouds hanging around Richie’s house (spirits that take souls to Hell). They’ve been waiting for Richie to die, and after everything he’s been through, Richie’s soul is ripe for the taking. He begs Constantine to do something, but after being betrayed, Constantine can’t take the risk that Destiny isn’t manipulating Richie still. The result? Richie’s soul is literally dragged screaming into Hell.


The Earth is saved, but not everyone on the team survives (I won’t say who, but it made me sad when a certain character died). Zatanna has been invited to join the Justice League, and apparently so has Constantine (he laughs at the idea).

I really enjoyed this movie a lot. Seeing Constantine was just amazing (I could literally watch him all day long and not get bored), and as I said before, watching him interact with Batman was downright hilarious! I also (no surprise) loved the music; the main theme was fantastic. I sincerely hope there are Justice League Dark sequels down the road. I will also take a stand alone Constantine film, a stand alone Swamp Thing film, even a stand alone Zatanna film (but I really just want more Constantine).

I highly recommend this film, even if you’ve never read anything about Justice League Dark or Constantine before, this is a great jumping in point, because we get backstory on practically everyone. The film is available on DVD/BluRay as of yesterday (February 7th).

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Cancelled Too Soon #1: Constantine (2014-2015)

Based on DC’s super-popular Hellblazer comics, the show follows John Constantine (Matt Ryan), his best friend Chaz and a mysterious woman with psychic powers named Zed, as they work to stop the “Rising Darkness” from destroying the world. Constantine has some supernatural help in the form of an angel named Manny (more on him later), and a sometimes ally/sometimes nemesis in the form of Papa Midnite, a Voodoo witch doctor who communes with the Hell-bound spirit of his dead sister for information. Along the way, Constantine must also deal with the consequences of some reckless behavior from years before, behavior that ultimately caused a young girl’s soul to be dragged to Hell (something Constantine has never forgiven himself for).


I’d never read Hellblazer before watching this show, and I was initially going to ignore it, but I decided to try it out. Almost instantly, I was hooked! I discovered later (after speed-reading a few digital comics) that Matt Ryan absolutely NAILED Constantine’s character. He’s the type of actor you dream about; the kind who can embody a role so completely you have no trouble believing he IS that person.

From the beginning though, there were hints that the show was going to be in trouble. First of all, look up at the poster, see what day and time it was set to premiere? Yeah, Fridays at 10pm isn’t exactly the best slot to give a new TV show (they don’t call Friday nights the “kill slot” for nothing). Second, because the pilot wasn’t exactly well-received, NBC refused to give the show a full season of 26 episodes, instead leaving them with only 13 (that’s NEVER a good sign for the future of any show). And third (as I remember it), they kept screwing around with the show’s schedule, one week the new episodes would air, then it would skip a week, and so on. And there would be almost no notice given of these changes. It’s almost like they wanted this show to fail….


Despite these issues, the show quickly gathered a cult following, as the story grew better with every episode. It became clear that SOMEONE had to be manipulating the Rising Darkness, and Constantine needed to figure out who it was so he could stop it. And then the last episode came…remember I mentioned Manny the angel? From day one he’d represented himself as one of the “good” angels, one who served in Heaven (and apparently also served as an Angel of Death, as he was present when one of Constantine’s friends was dying and also personally escorted a soul to the afterlife in a really cool sequence) and (at times begrudgingly) helped Constantine solve a particular mystery. Well, in the last episode, at the very end, Manny reveals to another character that HE has been manipulating the Rising Darkness this entire time, and Constantine doesn’t know it. It was a tormenting cliffhanger because there was no guarantee the show was going to continue, and ultimately, it didn’t. Despite a very vocal petition from the fans and pleas for ANY other network to pick up the show, Constantine was cancelled and remained so, meaning we would never find out Manny’s motives or whether or not Constantine was ultimately successful in stopping him.


The cancellation of Constantine led to me abandoning NBC for good (I’d already been burned once with Dracula); no matter how good the show sounds, if it’s on NBC, I won’t tune in. If there’s one thing I can’t do, it’s emotionally invest in a show only to have it ripped away after only one season or less.

If you’d like to see the show, I have great news: the Warner Archive is (finally!!!) producing Constantine: The Complete Series as an On-Demand Title, meaning you order it and they’ll make one and send it to you, you can find it on wbshop.com, I know I’m going to get a copy as soon as possible. And as far as I know, the CW is still streaming the full series on their online streaming app. Be warned though, once you start, you will get hooked!

Thankfully, this is not the last we will see of Matt Ryan as John Constantine: he already did a guest spot in season 4 of Arrow and he will be reprising the character in the upcoming animated film Justice League Dark (adapting another comic series that features Constantine).

Did you watch Constantine while it was on the air? If you did, did you like it? Wish there was more of it? Let me know in the comments below, and have a great day!

See also:

Cancelled Too Soon #3: Dracula (2013-2014)

Cancelled Too Soon #11: Kindred: The Embraced (1996)

Cancelled Too Soon #12: The Magnificent Seven (1998-2000)

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