Tag Archives: Disney

Tangled “When Will My Life Begin?” (2010)

The more I learn about Tangled, the more I regret not going to see the film in theaters when I had the chance (it’s been on my *to watch* list for quite a while). The story is Disney’s take on the Rapunzel fairy tale and follows our heroine as she yearns to experience life outside of her tower home. What Rapunzel doesn’t realize is that her “mother” is actually a wicked woman who kidnapped Rapunzel as a baby in order to exploit the healing powers contained in her hair. Having been raised in the belief that the outside world is cruel and dangerous (echoes of Quasimodo in The Hunchback of Notre Dame), Rapunzel spends her days doing just about anything you can imagine. “When Will My Life Begin?” follows Rapunzel’s daily routine as she cleans, cooks, paints, creates and tries to stave off the boredom of spending every day in the tower.

 

7 AM, the usual morning lineup
Start on the chores and sweep ’til the floor’s all clean
Polish and wax, do laundry, and mop and shine up
Sweep again, and by then it’s like 7:15!

And so I’ll read a book
Or maybe two or three
I’ll add a few new paintings to my gallery
I’ll play guitar and knit
And cook and basically
Just wonder when will my life begin?

Then after lunch it’s puzzles and darts and baking
Papier-mâché, a bit of ballet and chess
Pottery and ventriloquy, candle making
Then I’ll stretch, maybe sketch, Take a climb, sew a dress!

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Having lived in the tower for eighteen years, Rapunzel has taught herself a number of hobbies but it’s more than obvious that these activities lost their novelty a long time ago. She tries to keep an upbeat tone but her frustrated expression tells you everything you need to know: Rapunzel is bored and wants to go outside, despite what Mother Gothel has told her.

And I’ll reread the books
If I have time to spare
I’ll paint the walls some more
I’m sure there’s room somewhere
And then I’ll brush and brush
and brush and brush my hair
Stuck in the same place I’ve always been

And I’ll keep wonderin’ and wondering
And wondering and wondering
When will my life begin?

And tomorrow night
The lights will appear
Just like they do on my birthday each year
What is it like
Out there where they glow?
Now that I’m older
Mother might just
Let me go…

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For years Rapunzel has been curious about a group of lights that appear in the sky every year on her birthday. She has no way of knowing that the lights are lit in her memory as the people hope their missing princess will see them and find her way home. That’s the real reason why Gothel won’t let Rapunzel go see the lights; she knows that Rapunzel would be recognized as the missing princess sooner or later and then it would be all over for the vain woman. It makes me sad to see Rapunzel expressing her hope that her mother might finally let her go this year, because you already know what Gothel’s answer is going to be.

What do you think about the song “When Will My Life Begin?” Let me know your thoughts in the comments below and have a great day!

See also:

Tangled “Mother Knows Best” (2010)

Tangled “Mother Knows Best (reprise)” (2010)

Disney/Dreamworks/Pixar/etc. Soundtracks A-Z

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The Little Mermaid “Part of Your World” (1989)

“Part of Your World” is a type of song that can be found in many Disney films. This is the song you hear when the hero/heroine laments how unhappy they are with their lives and how they wish things could be different. Similar songs include “Out There,” “Go the Distance,” “How Far I’ll Go,” and “When Will My Life Begin?” Actually it was “Part of Your World” that started the tradition of heroes/heroines expressing their desires early in the film (although I do feel like Aurora’s “I Wonder” is this type of song as well and that song pre-dates The Little Mermaid by 30 years).

In this song, Ariel is going over her beloved collection of human artifacts and wishing that she could go be with the humans on the surface. Unknown to Ariel and Flounder, Sebastian overhears the entire song, which is a big problem since he could tell King Triton about Ariel’s fascination with human items (which isn’t allowed).

Look at this stuff. Isn’t it neat?
Wouldn’t you think my collection’s complete?
Wouldn’t you think I’m the girl,
the girl who has everything?

Look at this trove, treasures untold
How many wonders can one cavern hold?
Looking around here, you’d think
Sure, she’s got everything

I’ve got gadgets and gizmos a-plenty
I’ve got whooz-its and whats-its galore
You want thing-a-mabobs? I’ve got twenty
But who cares? No big deal. I want more!

I wanna be where the people are
I wanna see, wanna see ’em dancin’
Walkin’ around on those…
What do you call ’em? Oh, feet

Flippin’ your fins you don’t get too far
Legs are required for jumpin’, dancin’
Strolling along down the…
What’s that word again? Street

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Up where they walk
Up where they run
Up where they stay all day in the sun
Wanderin’ free,
wish I could be
part of that world

What would I give
if I could live
outta these waters?
What would I pay
to spend a day
warm on the sand?

Betcha on land
they understand
Bet they don’t reprimand their daughters
Bright young women,
sick of swimmin’
ready to stand

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And I’m ready to know what the people know
Ask ’em my questions and get some answers
What’s a fire and why does it…
What’s the word? Burn?

When’s it my turn?
Wouldn’t I love,
love to explore that shore up above?
Out of the sea,
wish I could be
part of that world

The song does reveal a bit of naïveté on Ariel’s part (I draw your attention back to the line “Bet they don’t reprimand their daughters”). Ariel seems to be under the impression that if she lived on land with the humans then she would be free to do as she pleased (as opposed to living under the sea forced to abide by her father’s rules). It’s a nice thought, but it’s hardly accurate (note that Ursula doesn’t do too much to dispel Ariel’s romanticized notions of surface life either in “Poor Unfortunate Souls”). It’s also fascinating to see what Ariel has in her grotto as I’m pretty sure books and paintings would not long survive exposure to sea water (however it is a Disney movie so things like this just happen).

Believe it or not, “Part of Your World” almost didn’t make it into the final cut of the film. Jeffrey Katzenberg, then head of Disney, thought the song was boring and that it would go over the heads of children. Fortunately, Glen Keane and Howard Ashman fought to keep the song included and won. Another interesting piece of trivia: that shot of Ariel reaching through the hole at the top of the grotto was the very last shot to be completed and it took four tries to get it right. And to record this song, Jodi Benson actually sang in the dark to get a proper feeling of being “under the sea.”

What do you think of “Part of Your World”? Let me know your thoughts in the comments below and have a great day!

See also:

Disney/Dreamworks/Pixar/etc. Soundtracks A-Z

The Little Mermaid “Daughters of Triton” (1989)

The Little Mermaid “Poor Unfortunate Souls” (1989)

The Little Mermaid “Les Poissons” (1989)

The Little Mermaid “Vanessa’s Song” (1989)

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The Great Mouse Detective “Goodbye, So Soon” (1986)

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The Great Mouse Detective “Goodbye, So Soon” (Film Scene) (1986)

I’ve said it before, and I’ll say it again, Ratigan from The Great Mouse Detective is one of the most underrated Disney villains ever created. He’s so smug, so pompous, and at the same time so incredibly dangerous (see Disturbing Disney #17 for details), you wonder how anyone could possibly forget about him. It helps that Ratigan was brought to life by the legendary Vincent Price (that master of horror and villainous behavior). In fact, Ratigan is so smug that when he leaves Basil and Dawson in a trap meant to utterly destroy them (well, Basil in particular, Dawson is just collateral damage as far as Ratigan is concerned), he’s left a recording to serenade Basil in his final moments. This song is “Goodbye, So Soon.”

The Great Mouse Detective “Goodbye, So Soon” (Soundtrack version) (1986)

In the film itself you actually don’t hear a lot of this song because it’s covered over by dialogue and other sound effects, but it really is a neat little song. The gist is simple: Ratigan has enjoyed the challenge Basil has given him over the years, but now that he’s won and Basil has lost, it’s time to say goodbye and move on to the better things in life (like taking over the Mouse Kingdom).

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The Great Mouse Detective Behind-the-Scenes

Goodbye so soon
And isn’t this a crime?
We know by now that time knows how to fly
So here’s goodbye so soon
You’ll find your separate way
With time so short I’ll say so long
And go
So soon
Goodbye

You followed me, I followed you
We were like each other’s shadows for a while
Now as you see, this game is through
So although it hurts, I’ll try to smile
As I say

Goodbye so soon
And isn’t this a crime?
We know by now that time knows how to fly
So here’s goodbye so soon
You’ll find your separate way
With time so short I’ll say so long
And go
So soon
Goodbye

In case you’re wondering, yes that is Vincent Price performing the song. In his last few years he often spoke of Ratigan as being one of his favorite roles (having wanted to play a Disney villain for some time). I’ve always found it funny that Ratigan took the time to record a song just for Basil and it speaks to just how long this plan has been in development. Of course, Ratigan leaving to enact the rest of his plan is ultimately what allows Basil to escape the trap (it’s a common failing in villains, leaving the hero in peril assuming their demise is a sure thing), but that’s a story for another day.

Let me know what you think about “Goodbye, So Soon” in the comments below and have a great day!

See also:

The Great Mouse Detective “The World’s Greatest Criminal Mind” (1986)

The Great Mouse Detective “Let me be good to you” (1986)

Disney/Dreamworks/Pixar/etc. Soundtracks A-Z

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The Sword in the Stone “Higitus Figitus” (1963)

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Wart’s first meeting with Merlin is interesting to say the very least. One moment he’s fetching Kay’s arrow (though why he needs to retrieve it I have no idea), the next he’s fallen head over heels into the living room of Merlin “the world’s most powerful wizard.” Now that Wart has finally arrived for tea, Merlin announces that he will become his tutor and give him a proper education. But when Wart announces that he needs to get back to the castle, Merlin decides to pack everything up and journey back with him. This is the setting for “Higitus Figitus” which might as well be called “The Packing Song.”

 

Higitus figitus zumbakazing.
I want your attention, everything.
We’re packing to leave. Come on, let’s go.
No, no, not you; books are always first, you know.

Hockety pockety wockety wack
Abra abra dabra nack
Shrink in size very small
We’ve got to save enough room for all
Higitus figitus migitus mum
Prestidigitonium

Alakafez, balakazez
Malakamez meripides
Hockety pockety wockety… What?!

Now stop, stop, stop, stop.
See here, sugar bowl! You’re getting rough!
That poor old tea set is cracked enough.

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Alright let’s start again.
Ah… Oh, where was I boy?
Wart: Uh, hockety pockety?

Merlin: Oh yes, yes, that’s right…

Hockety pockety wockety wack
Odds and ends and bric a brac

I’ll be with you in just a minute, son
Packing’s almost done!

Archimedes: You… you… bungling blockhead!

Merlin: Hey! Easy there; no no, go ahead.

Dum goo-dily doo-dily doo-dily dum
This is the best part, now!
Higitus figitus migitus mum
Prestidigitonium
Higitus figitus migitus mum
Prestidigitoni…WHOOPS!

Several things about this song: I LOVE that the sugar bowl has an attitude and tries to slip in first. Also, I totally agree with Merlin’s opinion that “books are always first.” For the most part “Higitus Figitus” is a song full of complete nonsense words as everything in Merlin’s cottage shrinks down to fit inside a single bag. There is a very funny moment when Archimedes barely escapes his rapidly shrinking house (much to his consternation). The song does serve as a fun little moment to demonstrate a bit of Merlin’s magical abilities (I mean not everyone is able to pack an entire cottage full of stuff into one bag). Let me know what you think about “Higitus Figitus” in the comments below and have a great day!

See also:

The Sword in the Stone “A Most Befuddling Thing” (1963)

The Sword in the Stone “That’s What Makes the World Go Round” (1963)

The Sword in the Stone “Mad, Madam Mim” (1963)

Disney/Dreamworks/Pixar/etc. Soundtracks A-Z

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The Sword in the Stone “That’s What Makes the World Go Round” (1963)

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Over the course of The Sword in the Stone, Wart (the future King Arthur) is turned into several different animal forms. Later in the film he’s turned into a squirrel (as seen in “A Most Befuddling Thing”) but his first adventure into the animal world comes as a fish. However, as fun as it is to be a fish, Wart quickly discovers that he doesn’t actually know HOW to be a fish. So, Merlin takes it upon himself to teach the newly created fish a few things about how the world works. This is the basis for “That’s What Makes the World Go Round.”

Left and right
Like day and night
That’s what makes the world go round
In and out
Thin and stout
That’s what makes the world go round

For every up there is a down
For every square there is a round
For every high there is a low
For every to there is a fro

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To and fro
Stop and go
That’s what makes the world go round
Thick and thin
Lose or win
That’s what makes the world go round

You must set your sights upon the heights
Don’t be a mediocrity
Don’t just wait then trust to fate
And say, that’s how it’s meant to be
It’s up to you how far you go
If you don’t try you’ll never know
And so my lad as I’ve explained
Nothing ventured, nothing gained

 

The song is all about how the world is full of different things and people. Merlin is trying to make the point that you don’t have to be big and powerful (like Wart’s foster brother Kay) to succeed in the world. The song evolves into an object lesson when the pair of fish draw the attention of a massive pike, who proceeds to stalk them in hopes of a meal. When Merlin becomes trapped in a helmet, it’s up to Wart to use his brains to outwit the pike’s brawn (which he does though not without the assistance of Archimedes).

Let me know what you think about “That’s What Makes the World Go Round” in the comments below and have a great day!

See also:

The Sword in the Stone “A Most Befuddling Thing” (1963)

The Sword in the Stone “Mad, Madam Mim” (1963)

Disney/Dreamworks/Pixar/etc. Soundtracks A-Z

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The Rescuers “Rescue Aid Society” (1977)

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The Rescuers “Rescue Aid Society” (1977)

The Rescuers is yet another example of an older Disney film that is slowly falling into obscurity. Based on Margery Sharp’s novels The Rescuers and Miss Bianca, the film follows two mice (Bianca (Eva Gabor) and Bernard (Bob Newhart)) as they set out to rescue a girl named Penny from the clutches of Madame Medusa.

“Rescue Aid Society” is sung at the beginning of the film and serves as the official anthem of the (you guessed it) Rescue Aid Society, an organization of mice that mirrors the United Nations in that it is made up of mice from all around the world. As the picture on the wall shows, the group was founded in ancient times by the fabled mouse that pulled the thorn out of the lion’s paw.

R-E-S-C-U-E
Rescue Aid Society
Heads held high, touch the sky
You mean everything to me

In a fix, in a bind
Call on us anytime
We’ll appear from nowhere
Mighty are we

R-E-S-C-U-E
Rescue Aid Society
Honesty, loyalty
We pledge to thee

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R-E-S-C-U-E
Rescue Aid Society
Heads held high, touch the sky
You mean everything to me

In a jam, in a scrape
And you think, “no escape”
Do not fear, we’ll be here
Courageous are we

R-E-S-C-U-E
Rescue Aid Society
Heads held high, touch the sky
Our hearts we pledge to thee

Although not credited, that is actually Robie Lester providing the singing voice for Miss Bianca when she makes her entrance. The song (in the film) is accompanied by what look like a group of Boy Scouts (or would it be Mice Scouts?) who are playing trumpets and drums to keep the group together as they sing. Humorously, one of the mice (from Germany I think) sings with such a loud voice that many members pause in their singing to look over at her.

Let me know what you think of “Rescue Aid Society” in the comments below and have a great day!

See also:

Become a patron of the blog at: patreon.com/musicgamer460

Disney/Dreamworks/Pixar/etc. Soundtracks A-Z

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook

Moana “Know Who You Are” (2016)

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Moana “Know Who You Are” (2016)

The climax of Moana has one of my favorite twists in recent memory. For most of the story, we have been told that in order to restore Te Fiti, Moana and Maui will have to avoid and/or defeat Te Ka. However, while Maui distracts the fiery demon, Moana scrambles up a rocky slope and realizes the space where Te Fiti should be is empty. And that’s when Moana puts the pieces together and realizes that Te Ka IS Te Fiti, this is what happens when her Heart is taken from her. Moana knows what she has to do now, and in a beautiful scene commands the ocean to make a dry path so that Te Ka can come directly to her. As the enraged demon claws her way through the sand, Moana sings her realizations:

(Ou mata e matagi)
I have crossed the horizon to find you
(Ou loto mamaina toa)
I know your name
(Manatu atu)
They have stolen the heart from inside you
(Taku pelepele)
But this does not define you
(Manatu atu)
This is not who you are
You know who you are

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I take particular notice of the line “They have stolen the heart from inside you/But this does not define you.” A lot of people have interpreted the Te Ka/Te Fiti dichotomy to be an analogy for rape. While Maui can claim all he wants that he was trying to help humans, the fact remains that he forcibly took Te Fiti’s heart away from her, scarring her and filling her with rage. It’s easy to let the bad things that happened to you define your identity, but Moana’s song assures the goddess that it doesn’t have to be this way. Deep down, she is still Te Fiti, despite the pain she is in. The goddess clearly hears Moana’s message, because as she comes face to face with this mortal who holds her Heart, Te Ka slowly cools and is practically stone when Moana places the Heart back where it belongs.

What do you think of the song “Know Who You Are”? Let me know your thoughts in the comments below and have a great day!

Become a patron of the blog at: patreon.com/musicgamer460

Disney/Dreamworks/Pixar/etc. Soundtracks A-Z

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See also:

Moana “Where You Are” (2016)

Moana “How Far I’ll Go” (2016)

Moana “How Far I’ll Go (reprise)” (2016)

Moana “We Know the Way” (2016)

Moana “You’re Welcome” (2016)

Moana “Shiny” (2016)

Moana “I am Moana” (2016)

Peter Pan “The Elegant Captain Hook” (1953)

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At its core, “The Elegant Captain Hook” is nothing more than an elaborate sales pitch designed to get the Lost Boys (and the Darling children) to join Captain Hook’s crew. I imagine Hook views this as one last opportunity to stick it to his longtime nemesis Peter Pan before he’s blown to pieces by a bomb left in his hideout. After all, what could be more satisfying than having Peter Pan’s followers become pirates? Also, given the cyclical nature of events on Neverland (“All of this has happened before, and all of it will happen again”), I can’t help but wonder how many times the Lost Boys have been made this offer in the past. Who knows, maybe there were a few times where the boys did join Captain Hook’s crew, for a while anyway. But I digress…

(the song is delivered while the children are tied to the mast)

Yo Ho, Yo Ho, Yo Ho, Yo Ho, Yo Ho
So, try the life of a thief
Just sample the life of a crook
There isn’t a boy
Who won’t enjoy
A-workin’ for Captain Hook
The World’s Most Famous Crook

In typical oblivious fashion, Mr. Smee tries to interject about how the crocodile is still after Captain Hook (“Crook, Crook, Crickety-Crockity-Crickety-Crook The Croc is after Captain-) but the pirate knocks him silly with his hook before he can finish the line.

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As a special offer for today
I’ll tell you what I’ll do.
All those who sign without delay…
Will get a free tattoo.
Why, it’s like money in the bank!
C’mon, join up, and I’ll be frank:
Unless you do, you’ll walk the plank!
The choice is up to you!

The choice is up to you!
Yo Ho, Yo Ho, Yo Ho, Yo Ho, Yo Ho
You’ll love the life of a thief
You’ll relish the life of a crook
There’s barrels of fun enough for ev’ryone!
And you’ll get treasures by the ton
So come and sign the book
Join up with Captain Hook!

It’s no wonder the boys are so eager to join: Hook has just threatened to make them walk the plank if they don’t (so it’s really not a choice at all). Fortunately, Wendy is there to bring the boys to their senses before any of them can sign up.

“The Elegant Captain Hook” is a rousing song (though rather short) and one that I’ve always liked. I do wonder from time to time why the song is called “The Elegant Captain Hook” as the phrase never turns up in the song!

What do you think of “The Elegant Captain Hook”? Let me know your thoughts in the comments below and have a great day!

See also:

Peter Pan “You Can Fly!” (1953)

Peter Pan “Following the Leader” (1953)

Peter Pan “What Made the Red Man red?” (1953)

My Thoughts on: Peter Pan (1953)

Disney/Dreamworks/Pixar/etc. Soundtracks A-Z

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My Thoughts on: Peter Pan (1953)

Prior to getting a copy of Peter Pan for Christmas this year, it had been a number of years since I’d seen the film, so it was nice to sit down and revisit one of my favorite Disney films. Very loosely based on J.M. Barrie’s novel, Peter Pan follows the Darling children: Wendy (Kathryn Beaumont), John (Paul Collins), and Michael (Tommy Luske) as they fly off to Neverland with Peter Pan (Bobby Driscoll) and Tinkerbell for a series of adventures.

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Upon arriving at Neverland Peter has to deal with his long-time nemesis Captain Hook (Hans Conried), who is bound and determined to get revenge on Peter for cutting off his hand some years ago and feeding it to the Crocodile, who has been following him ever since in anticipation of getting the rest of him someday. The scenes with the Crocodile are probably my favorite apart from the flying sequences. You’re never quite sure when or where the Crocodile is going to show up, and Hook’s reactions are priceless each time he hears the “tick tock” of the clock inside the Crocodile’s belly.

Speaking of Captain Hook, he’s one of my favorite Disney villains. Hook was created at a time when Disney took a more comedic approach to their villains, so despite his many, MANY threats (including shooting a pirate in the middle of his cadenza), you never really get the impression that Hook is a major threat, because Peter will always find a way to get the upper hand. Also, I have to add that Mr. Smee is also one of my favorite characters: he’s so nice and polite that one wonders how he ended up on a pirate ship. Throughout the story, Smee tries again and again to get Hook to give up his pursuit of Peter Pan and go back to sea, and finally at the end he gives up and heads off in his own boat.

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The film does contain a number of what are now considered troubling sequences with Indians (the film employs practically every stereotype associated with Native Americans). As a child these scenes didn’t bother me because I didn’t know any better, and even now I don’t let it bother me too much only because I remind myself that the film was made in 1953 when things were very different culturally. Years afterward the animators admitted that if they could do it all over again they would animate the tribe differently.

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I feel very badly for Wendy throughout this film: she’s so eager to head off to Neverland but her adventure is hardly what she expects. First of all, she gets shot down (literally) by the Lost Boys; then the mermaids (whom she expressly wanted to see) try to drown her while Peter laughs; and worst of all, Peter ditches Wendy to celebrate with Tiger Lily. It’s no wonder Wendy decides to head for home not long afterward. I do like the reveal at the end that George Darling (the father) vaguely remembers going on his own adventure with Peter Pan and the flying pirate ship. It’s a twist that breaks the trope of parents reassuring the child that whatever happened was “just a dream.” Because in this case both parents take notice of the flying ship, which means Wendy was telling the truth!

One last thought: I love the scene at the end when Tinkerbell covers the pirate ship with pixie dust and it flies into the sky.

What do you think about Disney’s Peter Pan? Was it a favorite when you were growing up? Let me know your thoughts in the comments below and have a great day!

See also:

Animated Film Reviews

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Reviewing Looney Tunes: Broom-Stick Bunny (1956)

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Released February 25th, 1956

Directed by: Chuck Jones

Broom-Stick Bunny has long been one of my favorite Looney Tunes cartoons, as it features the debut of June Foray in the role of Witch Hazel (Bea Benaderet performed the voice in Hazel’s first appearance in Bewitched Bunny). This is actually Foray’s second time playing a character by this name (with this voice no less) as she originated the character in the 1952 Donald Duck cartoon Trick or Treat (and in truth she was initially reluctant when Chuck Jones invited her to play his version of Witch Hazel, but she eventually came around to the idea).

In this cartoon, it’s Halloween night and Bugs Bunny is out trick-or-treating disguised as a witch (complete with a green mask). Meanwhile, Witch Hazel is brewing up a potion while frequently consulting her magic mirror to make sure she’s still the “ugliest of them all” as she’s terribly afraid of getting pretty as she gets older. One of my favorite running gags in this cartoon is Witch Hazel’s obsession with ugliness and talking about beauty in opposite terms (examples include: “Who undoes your hair?” “I’m going to worm all your ugly secrets out of you” and my personal favorite “LIKE it? Why it’s practically HIDEOUS!!”)

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The story starts as a comedy of errors when Bugs Bunny appears at Witch Hazel’s door and the befuddled witch thinks the rabbit is a REAL witch (leading to my other favorite line: “Witch? I don’t remember seeing HER at any of the union meetings.”) but it quickly turns serious when Hazel realizes that not only is Bugs a rabbit, but he’s also the last ingredient needed to complete her potion, leading to a wild chase throughout the house.

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In the end, of course, Bugs gets the upper hand and we’re treated to seeing what a pretty Witch Hazel looks like (fun fact: according June Foray’s commentary, the animators modeled the pretty Hazel on her actual appearance, particularly in the hairstyle as it was one she liked to wear at the time). It’s so funny to hear the now-pretty witch say in the sweetest sounding voice “Magic mirror on the wall, who’s the ugliest one of all?” The gag is heightened when the genie in the magic mirror gives chase on a flying carpet and the pair go flying off into the night.

Of all the Witch Hazel cartoons, Broom-Stick Bunny remains my favorite, and I hope you’ve enjoyed reading about it. Let me know your thoughts about this cartoon in the comments below and have a great day!

See also:

Reviewing Looney Tunes

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