Category Archives: Films

My Thoughts on: Sailor Moon Super S: The Movie (1995)

This weekend I got to see the third and final Sailor Moon movie, Sailor Moon Super S along with the animated short “Ami’s First Love.” This…slightly strange short follows Ami/Sailor Mercury as she studies for her high school entrance examinations. Ami becomes obsessed when another student (known only as “Mercurius”) consistently earns the same score as her. It’s mostly cute, but it turns weird when a spirit decides to possess Ami and she thinks the spirit is Mercurius. Still, it’s cool to see a new Sailor Moon short.

Sailor Moon Super S focuses slightly more on Chibi-usa than the other two films. The relationship between Chibi-usa and Usage has always intrigued me; Chibi-usa is Usagi’s daughter from the distant future yet they behave more like siblings when they’re together (I know Usagi is only a teenager right now, but if I knew I was with my future daughter I’m pretty sure it would affect my behavior). At any rate…the plot of Super S reveals that children all over the world are disappearing. In fact they’re being lured away by flute-playing fairies onto large airships that bear them away to parts unknown. Meanwhile, Chibi-usa meets a strange boy named Pearl (who is also a fairy) and the two bond.

When the mysterious fairies come to Tokyo, Chibi-usa is one of the children lured away, drawing the attention of Usagi and the other sailor guardians. A fight ensues, but Chibi-usa is forcibly taken away and the rest of the story is devoted to rescuing her from Marzipan Castle (where the other children have been taken).

I enjoyed this film, but not quite as much as the first two. I’m not sure if it was because of the candy-themed villains or something else, but I couldn’t get into the story as much (though it’s always fun to watch the guardians transform and do their attacks). There’s still plenty of humor to be found, including a moment where Sailor Moon and Sailor Chibi Moon both awkwardly fall to Earth after the magic of the Legendary Silver Crystal wears off. I’d also like to think that Pearl and Chibi-usa meet again in the future (they’re clearly quite taken with each other).

And those are my thoughts on Sailor Moon Super S. What did you think of this film? Let me know your thoughts in the comments below and have a great evening!

See also:

Thoughts on Sailor Moon R: The Movie

My thoughts on: Sailor Moon S

Animated Film Reviews

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook 🙂

My thoughts on: Sailor Moon S: The Movie (1994)

Last weekend was a lot of fun because I got to spend part of Saturday afternoon watching a Sailor Moon double feature (something I never thought I’d get to say if I’m honest). The theater was showing Sailor Moon R and Sailor Moon S back to back (with Sailor Moon Super S coming this weekend). While I got to see Sailor Moon R for the first time last winter, this was my first time watching Sailor Moon S and I really enjoyed it.

Sailor Moon S is set during the winter break when Usagi and all of her friends are on vacation from school. But…as normally happens with Sailor Moon stories, something evil is approaching from outer space. Princess Snow Kaguya, an ice creature, is determined to freeze the Earth solid and rule as its queen. However first she has to find a special crystal that broke off and fell to Earth ahead of her.

The_Snow_Dancers.jpg

If you love Sailor Moon you will easily love this film, it features plenty of action from all of the sailor guardians including Uranus, Neptune and Pluto. It also features Sailor Moon transforming into Super Sailor Moon with the power of the Holy Grail. That being said, there’s one moment in the film that I thought was absolutely corny. Just as Sailor Moon and Chibiusa engage Kaguya’s snow henchman for the first time, Santa Claus appears to come out of nowhere. It’s actually Tuxedo Mask in disguise, but the way he comes out with the line “We wish you a Merry Christmas and a happy new year” just had me shaking my head. I get that Tuxedo Mask can literally appear from anywhere but…seriously?

Luna_as_human_and_kakeru.jpg

The sub-plot of Luna falling in love with a human scientist honestly made me cry. Having experienced heartache multiple times, I can identify all too well with how Luna feels, knowing that she can never truly be with Kakeru. And when Usagi grants Luna’s wish to be human for one night so she can spend time with the scientist, it made me cry even more!

I really enjoyed Sailor Moon S because it helped me feel like a kid again (when life was a lot simpler) and it helped me forget how messed up the world is right now. I highly recommend going to see it if you get the chance.

If you’ve seen Sailor Moon S, what did you think about it? Let me know your thoughts in the comments below and have a great day!

See also:

Thoughts on Sailor Moon R: The Movie

My Thoughts on: Sailor Moon Super S: The Movie (1995)

Animated Film Reviews

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook 🙂

My thoughts on: The Death of Stalin (2018)

I’m currently on a mission to catch up on films I wanted to see earlier this year but for whatever reason was unable to. First on this list was The Death of Stalin, a political satire comedy directed by Armando Iannucci (Veep). As the title implies, the film is about the death of Russian dictator Joseph Stalin in 1953 and the power struggle that took place in the aftermath.

the-death-of-stalin

The bulk of the film consists of a struggle for power between three men: Nikita Khrushchev (Steve Buscemi), Lavrentiy Beria (Simon Russell Beale) and Georgy Malenkov (Jeffrey Tambor). There are plots, struggles to win the trust of Stalin’s children Svetlana and Vasili and political hoop-jumping that boggles the mind if you try to follow the character’s logic. While I can’t say the film bored me, I also didn’t find it particularly funny. Perhaps I approached the film in the wrong state of mind, but the humor just didn’t come across to me. To be sure, I could tell when they were going for a humorous moment (such as the scene where everyone’s carrying Stalin’s body to his bedroom), but I never really felt the urge to laugh. There’s one exception: at the very beginning of the film is a hysterical moment when, just after a concert has concluded, Stalin calls and asks for a recording to be brought to his residence. There’s just one problem, the concert wasn’t recorded! So the panicked head of the radio station makes the audience sit back down and has the orchestra play the concert all over again just to satisfy Stalin (and to make sure he isn’t shot).

The-Death-Of-Stalin-still20178151248705.jpg

It also felt really strange to watch a film set in Russia with no one speaking in a Russian accent. According to the trivia, this is because the director didn’t want the actors to have to worry about forgetting to maintain an accent, especially if/when they ad-libbed. While I understand the reasoning, it still served as a big distraction for me.

In the end, I don’ regret watching The Death of Stalin, but I also have no desire to watch it again.

What did you think of The Death of Stalin? Let me know your thoughts in the comments below and have a great day!

See also:

Film/TV Reviews

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook 🙂

My thoughts on: Arrival (2016)

I have to give a big thank you to one of my awesome Patreon patrons, @AlienPizzareia for requesting a review of Arrival. I’ve wanted to see the film since it came out and this gave me the chance to finally see it. On to the review!

I knew from its reputation that Arrival had some mind-tripping elements in it, but nothing could have prepared me for what I saw. At first, Arrival appears to be a typical science fiction film: during a perfectly normal day, 12 alien spaceships suddenly appear out of nowhere on various points around the globe. Louise Banks (Amy Adams), a noted linguist, is recruited, along with physicist Ian Donnelly (Jeremy Renner) to make contact with the aliens that have landed in Montana. So far, so straightforward. But once we reach the alien ship, things begin to get weird. There are clear homages to 2001: A Space Odyssey in the scene where the scientists approach the aliens for the first time. In particular I’m thinking of the scene where the scientists (in 2001) visit the monolith on the Moon.

The military (as in most science fiction films of this type) is incredibly anxious about why the aliens have come to Earth, with military tensions at an all time high. Louise is pressured from the start to discover why the aliens are there, but its not that simple. First they must learn how to communicate and this takes up the bulk of the story. The aliens (called “Heptapods” due to having seven tentacles) language is like nothing I’ve ever seen before. They appear as circles with strange designs on and around them, but in each circle is a world of meaning. Arrival probably has one of the most realistic “learning to communicate with the aliens” montages that I’ve ever seen.

Screen_20Shot_202016-08-16_20at_204.07.15_20PM.0.png.jpeg

It’s during this time that more “weird” things begin to happen to Louise. She begins having visions of her daughter at various times in her life (actually the film even starts with a montage of life moments, culminating with a premature death due to an unknown illness). The more Louise studies the language, the more of these “visions” she has. They’re more than a little jarring and by the end of the film I was finding it difficult to keep track of when the story was actually in the present.

What really blew my mind though, came at the end of the film when Louise figures out what the aliens have been trying to tell them: they want to give the humans their language which, when properly understood, allows one to look ahead in time. Essentially, one could see the future and change their actions accordingly. It’s a mind-blowing revelation, especially when you realize that Louise is seeing visions of a daughter who hasn’t even been born yet. I’m still not sure how I feel about that part to be honest: if I knew I was going to have a daughter who would die young and there was nothing I could do about it, I honestly can’t say if I would be able to go through with it. But I think that’s partly what Arrival wants us to do: it wants us to think about time and our relation to it. While the pain of losing a child is horrendous, the happy memories remain forever.

primary_arrival-movie-pic1.jpg

There are some beautiful shots in this film: I particularly want to highlight the first full-body shot of the alien spacecraft in Montana. Seeing it in this huge field with a bank of fog next to it, it was simple and yet profound at the same time, just seeing it there. The climactic scene where Louise is face to face with one of the Heptapods is also wonderfully done. I deeply appreciated that the aliens language was given subtitles for this conversation.

I also need to talk about Jóhann Jóhannsson’s score for this film. It’s simple but very effective and very strongly reminded me both of 2001: A Space Odyssey and Annihilation. It’s easily one of the best science fiction film scores I’ve heard in the last few years.

Final thoughts: I’m stunned that Arrival did not win Best Picture (no offense to Moonlight), it deserved to win so many more Oscars than it did. If you haven’t seen Arrival, I highly recommend it, it will be an experience you will not soon forget.

What did you think of Arrival? Let me know your thoughts in the comments below and have a great day! Thanks again to @AlienPizzareia for requesting this film.

See also:

Film Reviews

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook 🙂

My thoughts on: Mission Impossible: Fallout (2018)

Where to even begin on a film like this? Let’s start with something simple: Mission Impossible: Fallout definitely lives up to the hype surrounding it. While it is the sixth installment in the Mission Impossible franchise, it feels as fresh as the first, with twists and turns around every corner and a climax that left me wide-eyed until the very end.

mission-impossible-fallout-2

Fallout is a direct sequel to Rogue Nation and sees Ethan Hunts dealing with the consequences of capturing Solomon Lane alive at the end of that film. Similar to Ghost Protocol (the fourth film), Ethan must again stop nuclear weapons from being unleashed on the world, but this time the enemy is everywhere. One thing I really loved about this film is how it keeps you guessing as to what’s really going on. Most of the characters seem to have their own hidden agendas and just when you think you understand the status quo, the story gets turned on its head (in fact this happens several times throughout the story, my favorite instance coming just before the final act of the film).

Due to commitments to the MCU, Jeremy Renner’s character Will Brandt is absent from the story, but is hardly missed due to the awesome work done by Henry Cavill playing August Walker (more on him in a minute), a CIA agent assigned to work with Hunt. Simon Pegg returns as Benji Dunn and I think this is the most we’ve seen of Luther (Ving Rhames) since MI:2 but I could be wrong. Rebecca Ferguson also returns as Ilsa Faust and she is quickly becoming one of my favorite characters in the series. Sean Harris returns as Solomon Lane and is brilliant throughout. He actually doesn’t say that much compared to his appearance in Rogue Nation, but his words are never wasted.

*WARNING MAJOR SPOILERS FOLLOW FROM THIS POINT*

As I mentioned, the story is full of twists, one of the biggest involves the true identity of a rogue agent known only as “John Lark.” The moment August Walker begins convincing his CIA boss that Ethan is this rogue agent, something in me just knew that it was actually Walker the entire time. It’s an old trope, but a good one: the true villain sets up the hero by ascribing his own actions to someone else. The scary thing is, while I knew Ethan was innocent, there was a still a small voice in the back of my head that whispered “but it really could be him.” And that voice is right, Ethan could have easily done these things, as Walker says, he’s been disavowed and betrayed so many times, it’s a wonder he hasn’t snapped yet. And that makes me wonder if the dialogue was meant to serve as a set up for a future film where Ethan finally does go completely rogue. He’s almost crossed the line several times and it would be interesting to see what would push him over the line.

EP-180729501.jpg&updated=201807251211&MaxW=800&maxH=800&noborder

Another scene that I loved was Ethan (posing as Lark) meeting an arms dealer known as the White Widow (Vanessa Kirby). She was holding a gala in honor of her mother and I bolted upright when she referred to her mother as “Max.” If you don’t know, Max was the name given to an arms dealer/terrorist that Ethan worked with all the way back in the first Mission Impossible film in 1996. According to the trivia, it is indeed the same Max being referred to, making this one giant Easter Egg (and you don’t see that many that reference the first film). It’s also slightly mind-boggling that we’ve now gotten to working with the grown children of characters introduced in earlier films (sometimes it’s easy to forget that this franchise is 22 years old). Assuming the series continues, I have a feeling the White Widow will be returning; she was set up as one of those enigmatic figures that can pop in and out when necessary to the plot.

As for the ending…I won’t spell it out but for a split second, when the screen went white, I really thought the filmmakers had pulled an Infinity War on us. Luckily it turned out to be a colossal fake-out but for a minute I was completely wide-eyed thinking they’d actually gone and done the unthinkable. And speaking of the climax, once it gets going, you will not be able to look away until its over.

The score for Fallout was composed by Lorne Balfe (Penguins of Madagascar; Pacific Rim: Uprising), who does an excellent job with creating and maintaining tension throughout the film. There’s an especially powerful moment that comes at the conclusion of a long chase through London when Ethan is standing on top of a tower.

So in conclusion, where does Fallout fall in the ranking of Mission Impossible films? Well, based on what I saw, the new ranking is as follows:

  1. Mission Impossible: Fallout
  2. Mission Impossible: Ghost Protocol
  3. Mission Impossible: Rogue Nation
  4. Mission Impossible
  5. MI:3
  6. MI:2

What do you think of my new ranking? What do you think of Mission Impossible: Fallout? Did it live up to the hype? Let me know your thoughts in the comments below and have a great day!

See also:

Film/TV Reviews

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook 🙂

Moana “Shiny” (2016)

Tamatoa_holding_Moana.jpg

Moana “Shiny” (2016)

While I love Moana very much, there is one section that threatens to derail the film (it doesn’t, but it comes very close) and that is when Moana and Maui visit Lalotai, the realm of monsters, in order to retrieve Maui’s magic fish hook. The hook is currently held by Tamatoa (Jemaine Clement), a gigantic coconut crab with a love for all things shiny (he also hates Maui with a passion). Moana is sent out as bait to distract Tamatoa while Maui grabs the hook, but as this IS a Disney film, the plan quickly turns sideways when the demi-god discovers he can’t change shape like he used to, leaving both our heroes in the clutches of Tamatoa who, at Moana’s previous urging, sings a song about why he’s so fabulous. Here’s an excerpt of the lyrics:

Well, well, well
Little Maui’s having trouble with his look
You little semi-demi-mini-god
Ouch! What a terrible performance
Get the hook! (Get it?)
You don’t swing it like you used to, man

Yet I have to give you credit for my start
And your tattoos on the outside
For just like you I made myself a work of art
I’ll never hide, I can’t, I’m too

Shiny
Watch me dazzle like a diamond in the rough
Strut my stuff, my stuff is so
Shiny
Send your armies but they’ll never be enough
My shell’s too tough, Maui man

For a Disney song, “Shiny” is definitely out there. According to all the trivia I’ve read, David Bowie served as inspiration for Tamatoa’s performance and vocals, though personally I don’t see the resemblance (if you do please let me know in the comments below!). Like most Disney villains, Tamatoa has a very inflated opinion of himself and has covered most of his shell in glittering treasures (including Maui’s hook). But he’s also shiny in another way: just as he prepares to eat Maui, Tamatoa reveals he’s also bio-luminescent (picture the way certain colors glow under a blacklight) and can appear quite scary when he chooses.

“Shiny” also lets a big secret slip out: Maui didn’t start out as a demi-god. He was actually born a human to mortal parents who, for whatever reason, abandoned him at birth by throwing him into the sea (pretty dark but this IS Disney we’re talking about, they’re masters at slipping in ultra-dark moments).

Far from the ones who abandoned you
Chasing the love of
These humans who made you feel wanted
You tried to be tough
But your armor’s just not hard enough

The gods took pity on baby Maui and made him a demi-god. Ever since Maui has sought the favor of humans in the misguided belief that if he just does enough, they’ll love him forever.

The song also has a number of Easter Eggs that refer back to earlier Disney films. The one’s I’ve found so far include:

  • Did your granny say listen to your heart? (Pocahontas)
  • Be who you are on the inside? (Beauty and the Beast and arguably Frozen also)
  • Like a treasure from a sunken pirate wreck (The Little Mermaid, Ariel used to get treasures from shipwrecks)
  • Watch me dazzle like a diamond in the rough (Aladdin)

I said earlier that “Shiny” almost derails the story because the segment is so….out there…compared to the rest of the film. It feels and sounds so different that it nearly takes me out of the film. That being said, I do like “Shiny,” it’s an interesting song that provides some backstory on Maui and also shows off Moana’s ingenuity (she tricks Tamatoa in beautiful fashion by appealing to his greed with a fake Heart of Te Fiti). What do you think of “Shiny”? Let me know your thoughts in the comments below and have a great day 🙂

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook 🙂

See also:

Moana “Where You Are” (2016)

Moana “How Far I’ll Go” (2016)

Moana “How Far I’ll Go (reprise)” (2016)

Moana “We Know the Way” (2016)

Moana “You’re Welcome” (2016)

Moana “I am Moana” (2016)

Moana “Know Who You Are” (2016)

 

Moana “You’re Welcome” (2016)

From the very first teaser, I knew I would like the character of Maui. He has everything that’s great about a Disney character: he’s funny, snarky, his tattoos have minds of their own, and he has an amazing magical accessory (in this case, a giant fish hook) that lets him change into different animals! And best of all, he’s brought to life by Dwayne “the Rock” Johnson. Maui, in my opinion, has one of the most awesome proper introductions for a character that I’ve ever seen.

You're_Welcome_Moana.jpg

See, Moana’s voyage to find Maui seems to end in disaster when her boat is caught in a storm. Moana begs the ocean for help and finds herself stranded on a desert island…but she isn’t alone! As it turns out, this is the island Maui’s been stranded on for the last thousand years (give or a take a decade) and is he ever surprised to find Moana on the island with him. Maui, shocked that Moana doesn’t know anything about him (besides the fact that he stole the Heart of Te Fiti and cursed the oceans), decides to introduce himself via a song where he says “You’re Welcome” for everything he’s ever done for the humans.

And as it turns out, Maui’s done a LOT over the last few thousand years: he made the sky, brought fire, the winds, created coconut trees, the tides, grass and he even pulled the sun closer to the Earth to make the days longer. Not only that, he’s covered in magical tattoos that represent all of his victories.

moana-youre-welcome-1024x427

Hearing all of this, Moana is in awe of Maui and delighted as she piles her arms full of presents. Which makes the next part rather funny: as the song winds down, Maui begins dropping hints that he’s about to do something sneaky, for instance:

Hey, it’s okay, it’s okay
You’re welcome!
Well, come to think of it, I gotta go
Hey, it’s your day to say you’re welcome
‘Cause I’m gonna need that boat
I’m sailing away, away
You’re welcome!
‘Cause Maui can do anything but float

It turns out that all this time Maui has been plotting to swipe Moana’s boat (well, he is a trickster god among other things, so this isn’t exactly unusual behavior) but first he needs to get Moana out of the way, so at the very end the song’s spell suddenly breaks and she finds herself stuck in a cave, her ‘presents’ nothing but seaweed and old coconuts and Maui covering the entrance with a boulder so she can’t get away!

 

As I said earlier, this is one of the best character introductions I’ve ever seen: listening to this song tells you everything you need to know about Maui. He’s full of himself, sly and also eager to please (to a point anyways). And honestly, the first time I saw this film I had no idea the Rock could sing this well! I mean I knew he could sing a little but wow he’s got a great voice! This scene also contains some great 2D animation, both in the background and with Maui’s tattoos

What do you think of “You’re Welcome” and Maui’s introduction? Let me know your thoughts in the comments below and have a great day!

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook 🙂

See also:

Moana “We Know the Way” (2016)

ae8ecdd0-820a-444d-be46-e1314cf504b8.jpg

Moana “We Know the Way” (2016)

After unsuccessfully attempting to sail beyond the reef, Moana’s grandmother Tala decides its time Moana learned about a secret. Hidden deep in a cave behind a waterfall is a fleet of huge ships, far bigger than anything used to fish in the lagoon. At Tala’s urging Moana explores the ships and beats the drum on the largest ship, somehow awakening the spirits of the ancestors who show Moana a vision from the distant past: these ships once sailed all over the ocean, traveling from one island to the next. This journey is narrated by “We Know the Way.”

We read the wind and the sky when the sun is high
We sail the length of the seas on the ocean breeze
At night, we name every star
We know where we are
We know who we are, who we are

Aue, aue
We set a course to find
A brand new island everywhere we roam
Aue, aue
We keep our island in our mind
And when it’s time to find home
We know the way

Aue, aue
We are explorers reading every sign
We tell the stories of our elders in a never-ending chain
Aue, aue
Te fenua, te mālie
Nā heko hakilia
We know the way

These ancient mariners lived for sailing the ocean, using the stars and the great ocean currents to chart their course. Everyone helps during the journey, in much the same way that everyone works together on Motonui. Their identity is completely bound with the ocean. After a certain length of time, the chief passes a special necklace (the same that Moana later wears) to a young warrior (possibly his son?) and the cycle of voyaging continues with that voyager building a new fleet of large ships.

The visual of the ships sailing on the ocean is a wonderfully rendered piece of animation. With the first shot of this massive catamaran coming over a wave, you can feel the weight of the ship in the water. Another favorite shot comes when the children watch dolphins jumping in front of the ships.

This is a part of her history that Moana has never heard, as her father has always maintained that her tribe has always lived on Motonui. She’s overwhelmed to learn that her ancestors were in fact voyagers (which means that her desire to travel on the ocean isn’t abnormal at all!), but this raises a whole new question: if they spent so long voyaging and were so happy doing it, why did they stop?

“We Know the Way” is a wonderful song that I always listen to when I need to feel better. It shows a people who find their identity in who they are as opposed to where they are (go back for example and listen to “Where You Are” and compare it to “We Know the Way.”)

What do you think of “We Know the Way?” Let me know your thoughts in the comments below and have a great day 🙂

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook 🙂

See also:

Moana “Where You Are” (2016)

Moana “How Far I’ll Go” (2016)

Moana “How Far I’ll Go (reprise)” (2016)

Moana “You’re Welcome” (2016)

Moana “Shiny” (2016)

Moana “I am Moana” (2016)

Moana “Know Who You Are” (2016)

Alice in Wonderland “Very Good Advice” (1951)

01

Alice in Wonderland “Very Good Advice” (1951)

After being tossed from one silly situation to the next and believing she’s forever lost the way to get home, Alice has had quite enough of Wonderland. Not only that, she finally understands that she’s only here through her own actions: if she hadn’t followed the White Rabbit AND crawled down the rabbit hole, she never would have entered Wonderland in the first place and this knowledge makes her very upset. Surrounded by the silly looking creatures, Alice plops down and begins to cry about how she never takes her own good advice (this is the set up for “Very Good Advice”).

I give myself very good advice
But I very seldom follow it
That explains the trouble that I’m always in
Be patient, is very good advice
But the waiting makes me curious
And I’d love the change
Should something strange begin
Well I went along my merry way
And I never stopped to reason
I should have know there’d be a price to pay
Someday, someday
I give myself very good advice
But I very seldom follow it
Will I ever learn to do the things I should
Will I ever learn to do the things I should

As Alice cries, her tears seem to shatter the illusion of Wonderland around her. One by one, the silly creatures listening to her song begin to cry and disappear, until Alice is alone. Even the landscape melts away into blackness. It has always seemed to me that Wonderland is a world that only exists so long as you deny certain realities. Once you give in to them, it begins to fade away. This is a pretty sad and subdued moment compared to what comes before and after, but that’s good because it also serves as a moment for the viewer to catch their breath and get ready for the story to reach its conclusion. I have to admit, as a kid I never liked this part because it felt too slow to me.

And those are my thoughts on “Very Good Advice.” What do you think about this song? Let me know your thoughts in the comments below and have a great day 🙂

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook 🙂

See also:

Disney Films & Soundtracks A-Z

Alice in Wonderland “In a World of My Own” (1951)

Alice in Wonderland “All in the Golden Afternoon” (1951)

Alice in Wonderland “The Un-Birthday Song” (1951)

Alice in Wonderland “The Walrus and the Carpenter” (1951)

Alice in Wonderland “Painting the Roses Red” (1951)

Hercules “I Won’t Say I’m in Love” (1997)

In Disney’s Hercules, Megara (“Meg”) is hardly the typical Disney princess-type (I know she’s not actually a princess but she’s inserted into that character slot). Unlike other Disney princesses, like Snow White, Aurora, even Belle, Meg is cynical, snarky, rebellious, and the older I get the more I identify with her. In all seriousness, Meg’s backstory is worthy of any Disney film: she sold her soul to Hades to save her boyfriend’s life, only to be abandoned when said boyfriend left her for another woman (though personally I’ve always suspected that Hades lured the boyfriend away on purpose so he could use Meg as a slave).

With everything that’s happened to her, it’s no wonder that Meg is resistant to the idea that she’s falling in love with the god-turned-mortal Hercules. After all, allegedly Meg’s only getting close to him to find a weakness so that Hades will release her from their bargain. However, the more you watch them, the more it becomes obvious that Meg does have feelings for the hero. But once Hercules is dragged away by Phil, she quickly denies it (which naturally draws the attention of the Muses, setting up one of my favorite songs).

If there’s a prize for rotten judgment,
I guess I’ve already won that
No man is worth the aggravation
That’s ancient history
Been there, done that

Who d’you think you’re kiddin’?
He’s the earth and heaven to ya
Try to keep it hidden
Honey, we can see right through ya
Girl, you can’t conceal it
We know how you feel
And who you’re thinking of

In “I Won’t Say I’m in Love,” Meg spends nearly the entire song arguing against the Muses claims that she’s in love with Hercules. It’s an unwitting duet, as Meg doesn’t seem to realize she’s singing with the Muses, rather it’s almost like she’s replying to the thoughts in her head, though there are a few moments where Meg will turn really fast, as if she suspects there’s someone singing with her.

No chance, no way
I won’t say it, no, no

You swoon, you sigh,
Why deny it? Uh-oh

It’s too cliché
I won’t say I’m in love

vlcsnap-2014-05-02-21h01m09s45.png

The biggest thing holding Meg back is that she’s been hurt before and she doesn’t want it to happen again. It’s summed up very well in this verse:

I thought my heart had learned its lesson
It feels so good when you start out
My head is screaming “Get a grip, girl!”
Unless you’re dying to cry your heart out

You keep on denying
Who you are and how you’re feeling
Baby, we’re not buying
Hon, we saw you hit the ceiling
Face it like a grown-up
When you gonna own up
That you got, got, got it bad?

No chance, no way
I won’t say it, no, no
Give up, give in
Check the grin; you’re in love

This scene won’t play
I won’t say I’m in love
You’re doin’ flips, read our lips:
You’re in love!

You’re way off base, I won’t say it
Get off my case, I won’t say it
Girl, don’t be proud
It’s okay, you’re in love

Ohhh…
At least out loud,
I won’t say I’m in love

I think anyone who’s been in a relationship gone bad can identify with this feeling and how painful it can be. It’s no wonder Meg is resisting any idea of love. However, despite this, Meg is able to admit, to herself that “At least out loud, I won’t say I’m in love.” So by the end of the song, despite her fears, Meg is at least open to the idea of being in love again, though I don’t think she 100% realizes it until the end of the film (but that’s another story for another day).

And that’s “I Won’t Say I’m in Love.” What do you think of this song? Let me know your thoughts in the comments below and have a great day 🙂

Become a Patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook 🙂

See also:

Disney Films & Soundtracks A-Z

Hercules “Gospel Truth” (1997)

Hercules “Gospel Truth II & III” (1997)

Hercules “Go the Distance” (1997)

Hercules “One Last Hope” (1997)

Hercules “Zero to Hero” (1997)