Category Archives: Films

Disturbing Disney #9: Dr. Facilier’s Fate (The Princess and the Frog, 2009)

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Ever since the Evil Queen fell screaming to her death in Snow White and the Seven Dwarfs (1937), there has been a tradition of Disney villains meeting a particularly gruesome fate by the end of the story. And few are more gruesome or disturbing than what happens to Dr. Facilier in The Princess and the Frog (2009).

Facilier is a witch doctor operating in New Orleans, making a living by promising his “clients” one thing and then trapping them into something else entirely. His latest victims are Prince Naveen and Tiana, who have both been turned into frogs. But they’re small fry compared to Facilier’s big plan: capturing the souls of everyone in New Orleans for his “friends on the other side”, the dark voodoo spirits. These spirits are impatient for Facilier to deliver what he has promised and at one point make it clear that if the witch doctor does not deliver, then it will be HIS soul in jeopardy.

Fast forward to the climax of the film: Facilier tempts Tiana with everything she ever wanted if she will only give back a magic amulet that allows the witch doctor’s current spells to work. When Tiana refuses and attempts to smash the amulet, Facilier changes her back into a frog (he’d temporarily made her human again) and prepares to finish her off. But having learned about what it means to be a frog, Tiana uses her sticky tongue to seize the amulet back and smashes it into oblivion!!

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This is a big problem for Facilier. The voodoo spirits had made it clear that they would not help him any more once they gave him that amulet, he would have to deliver what he promised….or else. But with the amulet smashed, it was now impossible for Facilier to deliver New Orleans to the voodoo spirits, so the spirits come to collect Facilier in their place.

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Welcome to Hell Dr. Facilier

As someone brilliantly commented on YouTube, “when a villain’s theme song is used against them, you know they’re screwed.” The voodoo spirits come crawling out of the earth, singing a refrain from Facilier’s song “Friends on the Other Side”, and keep asking “Are you ready?” , to which Facilier keeps pleading that he is NOT ready, this is only “a minor setback in a major operation”, he can still deliver what the spirits want, “I just need a little more time” he pleads. But then the head voodoo spirit appears and his glare makes it clear, he is DONE with waiting. The shadows literally grab hold of Facilier and drag him screaming to Hell via the mouth of the head voodoo spirit. The entire way Facilier is pleading for his life, screaming “I promise I’ll pay ya’ll back, I PROMISE!!” And with a final scream, he is pulled into Hell and the mouth of the voodoo spirit slams shut!!

The scene gives me goosebumps every single time I watch it. For all the bravado Facilier has shown up until now, he is completely terrified when he realizes that the voodoo spirits are coming for HIM and him alone.

It’s really a disturbing way to go, being dragged alive into Hell, where he’ll suffer who knows what for all eternity. And this is why Dr. Facilier’s demise is part of the list of Disturbing Disney. What do you think of Facilier’s death at the hands of the voodoo spirits? Does it send chills down your spine? Let me know in the comments below, I’d love to hear what you think about it šŸ™‚

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For more Disturbing Disney, check out the main page here

See also:

Disturbing Disney #1: The Coachman in Pinocchio (1940)

Disturbing Disney #2: The truth of Pleasure Island in Pinocchio (1940)

Disturbing Disney #3: Escaping Monstro from Pinocchio (1940)

Disturbing Disney #4: Dumbo loses his mother (1941)

Disturbing Disney #5 The death of Bambiā€™s Mother

Disturbing Disney #6: Faline vs. the dogs (1942)

Disturbing Disney #7: Cruella wants to do WHAT??

Disturbing Disney #8: The Whale Who Wanted to Sing at the Met (from Make Mine Music, 1946)

Disturbing Disney #10: The rat in Lady and the Tramp (1955)

Disturbing Disney #11: Claytonā€™s Death in Tarzan (1999)

Disturbing Disney #12: The Bear from The Fox and the Hound (1981)

Disturbing Disney #13: ā€œSmoking them outā€ in The Fox and the Hound (1981)

Disturbing Disney #14: The Salt Trap in The Jungle Book (1994)

Disturbing Disney #15: Night on Bald Mountain from Fantasia (1940)

Disturbing Disney #16: King Triton destroys Arielā€™s grotto

Disturbing Disney #17: Ratigan becomes a monster in The Great Mouse Detective

Disturbing Disney #18: The Queenā€™s assignment for her Huntsman

Disturbing Disney #19: Cinderellaā€™s dress is destroyed (1950)

Disturbing Disney #20: Quasimodo is crowned ā€˜King of Foolsā€™ (1996)

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Star Trek VI: The Undiscovered Country “Main Theme” (1991)

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After Star Trek V: The Final Frontier went FLOP at the box office, it was very nearly the end of the Star Trek films. But the studio managed to persevere and plans were laid to make a sixth film. Initially, Star Trek VI was going to be a prequel, featuring Kirk and co. at the Academy (which later became the basic plot of Star Trek (2009)), but that was scrapped in favor of a final adventure with the original Enterprise crew.

Star Trek VI: The Undiscovered Country “Main Theme” (1991)

Now when it came to scoring Star Trek VI, director Nicholas Meyer had some trouble finding a composer. Jerry Goldsmith was so disappointed after Star Trek V that he currently wanted nothing to do with the project. James Horner felt that his career had advanced beyond Star Trek, so he declined as well. With no other alternatives, Meyer looked to a pile of demo tapes sent in by other composers wishing to work on the project and he ultimately selected a tape sent in by composer Cliff Eidelman, as he felt his music best captured the “spirit of Star Trek”.

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Eidelman’s music is a big part of why I love The Undiscovered Country so much. It’s dark, occasionally eerie, and chock full of tension at all the right moments. And the main theme is a perfect introduction to this score. The music plays over the opening credits before the story proper begins and instantly lets you know that this isn’t like the other Star Trek films. Jerry Goldsmith’s bright fanfare is absent, Horner’s beautiful strings aren’t there. What we have instead is a dark motif that will recur throughout the film.

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As the credits move on towards the end, the music becomes more and more tense, and it will later come out that what we are hearing is the music from the final battle between Captain Kirk and General Chang. The tension builds higher and higher, until finally the music ends on almost a literal cliffhanger, as the music cuts off just before a huge explosion fills the screen (talk about starting a story off with a bang!)

I really enjoy the main theme of Star Trek VI: The Undiscovered Country, it is an underrated gem in the musical canon of Star Trek. I hope you enjoy listening to this theme as well.

See also:Ā Film Soundtracks A-W

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Check out the YouTube channel (and consider hitting the subscribe button)

See also:

A Tale of Two Spocks: Spockā€™s Theme in Wrath of Khan and The Undiscovered Country

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Disturbing Disney #8: The Whale Who Wanted to Sing at the Met (from Make Mine Music, 1946)

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Make Mine Music is the 8th animated feature in the Disney canon and for the most part has been completely forgotten today. Unlike other animated films, which consist of a single story, Make Mine Music is an anthology, that is, it is a collection of unrelated animated shorts that all heavily feature music in some way. The most famous short from this film (in my opinion) is Peter and the Wolf (narrated by Sterling Holloway), but the finale piece is what I’d like to draw to your attention.

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The Whale Who Wanted to Sing at the Met (quite the mouthful to say) concludes Make Mine Music and is without a doubt one of the most disturbing pieces of animation you will ever see. The story is about Willie, a large sperm whale who has the gift of singing grand opera and dreams of starring at the famous Metropolitan Opera in New York City (how a whale would do that I don’t know, but it’s Disney so why not?).

As Willie continues to sing for any ships that pass by (or for the local seagulls), word eventually spreads back to the city that there is a whale with tremendous operatic talent. This news reaches the ears of the famed head of the Metropolitan opera, Tetti-Tatti, who quickly (and wrongly) deduces that Willie must have SWALLOWED a talented opera singer, and he must go rescue him straight away!!

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Tetti-Tatti sails out with a harpoon boat to “rescue” the (non-existent) opera singer, and Willie, thinking this is an audition, goes to perform for him. The crew, enthralled by Willie’s singing, does everything they can to stop Tetti-Tatti from firing the harpoon (up to and including sitting on him). We then see a montage of Willie’s operatic career, implying that Tetti-Tatti changed his mind and accepted that Willie COULD sing opera.

But then…just as Willie is performing the role of Mephisto from Faust, we see Tetti-Tatti appear amongst the flames (Mephisto is a devil), harpoon poised to strike…and then he fires!!!! In the midst of his singing Tetti-Tatti fires and KILLS WILLIE!!!!! I mean brutally kills him too, there’s a shot of Willie thrashing away over the sea, harpoon embedded (albeit it’s at a great distance, we can’t see it clearly) and then the sad truth that a great talent has been extinguished forever, on Earth anyway. The “silver lining” is that Willie can sing on forever in Heaven (hence his appearance below as a member of the heavenly choir) but for me that doesn’t make up for the fact that a singing whale was killed, KILLED!!! Up until this point it was just another cartoon, you don’t expect the main character to actually DIE!!

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Yes, I know they called the story “tragic” from the outset, but “tragic” doesn’t have to equal death. I mean come on Disney!! Let me tell you, when I first saw this, the ending traumatized me, and that’s why this story belongs in the list of “Disturbing Disney.”

I am dying of curiosity to know what you think of this cartoon and of the ending. Did it disturb you just as much as it does me? Please let me know in the comments below.

Become a Patron of the blog atĀ patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

For more Disturbing Disney, see also:

Disturbing Disney #1: The Coachman in Pinocchio (1940)

Disturbing Disney #2: The truth of Pleasure Island in Pinocchio (1940)

Disturbing Disney #3: Escaping Monstro from Pinocchio (1940)

Disturbing Disney #4: Dumbo loses his mother (1941)

Disturbing Disney #5 The death of Bambiā€™s Mother

Disturbing Disney #6: Faline vs. the dogs (1942)

Disturbing Disney #7: Cruella wants to do WHAT??

Disturbing Disney #9: Dr. Facilierā€™s Fate (The Princess and the Frog, 2009)

Disturbing Disney #10: The rat in Lady and the Tramp (1955)

Disturbing Disney #11: Claytonā€™s Death in Tarzan (1999)

Disturbing Disney #12: The Bear from The Fox and the Hound (1981)

Disturbing Disney #13: ā€œSmoking them outā€ in The Fox and the Hound (1981)

Disturbing Disney #14: The Salt Trap in The Jungle Book (1994)

Disturbing Disney #15: Night on Bald Mountain from Fantasia (1940)

Disturbing Disney #16: King Triton destroys Arielā€™s grotto

Disturbing Disney #17: Ratigan becomes a monster

Disturbing Disney #18: The Queenā€™s assignment for her Huntsman

Disturbing Disney #19: Cinderellaā€™s dress is destroyed (1950)

Disturbing Disney #20: Quasimodo is crowned ā€˜King of Foolsā€™ (1996)

Don’t forget to like Film Music Central on Facebook šŸ™‚

Carter Burwell talks Where the Wild Things Are (2009)

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I was surprised when Where the Wild Things Are became a motion picture in 2009. As a kid, I remember having this book read to me and I enjoyed it very much, but it didn’t seem like the best story to adapt into a movie (after all, it isn’t very long). But to my surprise, the movie actually turned out to be very good. If you haven’t read the book before, the story in brief is about a young boy named Max who sails to a magical island inhabited by oversized monsters. Max makes himself their king and happily rules over them for a while until he becomes homesick and returns to where he came from. The film expands on this story quite a bit by giving names and distinct personalities to the different “wild things” on the island, but the basic elements of the story remain the same.

While Carter Burwell might not be a name as familiar as, say, John Williams, James Horner or Brian Tyler, he has done a fair share of great film scores. He composed several scores for the Twilight series (Twilight; Breaking Dawn parts 1 and 2) and collaborated six times with director Bill Condon. Burwell has certainly done some interesting work over the years.

AndĀ the composerĀ has some interesting thoughts to share on the story’s musical score, as seen in the video above. For instance, once Max arrives on the island “where the wild things are”, the composer thought it appropriate to completely change the music from something familiar to something more exotic (like using non-traditional instrumentation).

 

One part involves literally banging on pots and pans to create a musical effect. The idea is that these are things you might literally find on the forest floor on the island. Using non-traditional items to create music is always exciting and I had no idea that Burwell and his fellow musicians had done this to create the music for Where the Wild Things Are.

See also:

Film Composer Interviews A-H

Film Composer Interviews K-Z

Check out the YouTube channel (and consider hitting the subscribe button)

You can become a patron of the blog atĀ patreon.com/musicgamer460

Don’t forget to like Film Music Central on Facebook šŸ™‚

Danny Elfman talks Fifty Shades of Grey (2015)

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Let me just start by saying that I am not a fan of the Fifty Shades of Grey trilogy; not the books or the movies. I don’t like the concept behind the story (did you know this started as Twilight fanfiction?) and it just…*shudders* it doesn’t sit well with me.

That being said…my ears perked up with interest when I discovered that Danny Elfman wrote the score for Fifty Shades of Grey (and he has also scored Fifty Shades Darker). I have been a fan of Elfman’s work ever since I first heard the music for Batman (1989) and I was surprised to hear that he is working on this film trilogy. Elfman isn’t the first composer I would think of when it comes to dark romantic films, but to each his own.

I can’t recommend this film, but it was interesting to briefly hear Elfman’s thoughts on how he put the important musical themes together for this story.

Now I have to ask, for those of you who may have seen Fifty Shades of Grey, did you like it at all? Was it worth seeing? I would love to hear your comments on this film, so let me know in the comments below šŸ™‚

Check out the YouTube channel (and consider hitting the subscribe button)

You can become a patron of the blog atĀ patreon.com/musicgamer460

See also:

Danny Elfman talksĀ BatmanĀ (1989)

Danny Elfman talksĀ Batman ReturnsĀ (1992)

Danny Elfman ā€œPlanet of the Apesā€ scoring session (2001)

Danny Elfman talksĀ Spider-ManĀ (2002)

Danny Elfman talksĀ Meet the RobinsonsĀ (2007)

Danny Elfman talksĀ Alice in WonderlandĀ (2010)

Danny Elfman talksĀ Alice Through the Looking GlassĀ (2016)

Film Composer Interviews A-H

Film Composer Interviews K-Z

Don’t forget to like Film Music Central on Facebook šŸ™‚

Brian Tyler conducting and scoring Now You See Me 2 (2016)

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Main Theme from Now You See Me 2 (2016)

I have not seen Now You See Me (2013) or its sequel Now You See Me 2, though I have heard plenty about both films. Both films feature a group of stage magicians who use their talents to pull off huge and daringĀ heists. The scores for both films were composed by Brian Tyler, and what I have here is two clips relating to the sequel, Now You See Me 2, which came out last year. The top link takes you to a concert performance of the film’s main theme, which I found very beautiful. I will never stop loving the experience of hearing movie music in a concert environment.

The bottom link comes from a scoring session led by Tyler at the famous Abbey Road studio in London. There is something enthralling about watching Brian Tyler at work; when he is on the podium, you can tell he is 100% into the music.

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I know Now You See Me 2 got mixed reviews upon its release, but surely the music was not a part of any problems the film had. I hope you enjoy the recording session and the performance.

You can become a patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

See also:

Film Composer Interviews A-H

Film Composer Interviews K-Z

Brian Tyler ā€œAlien vs. Predator: Requiemā€ scoring session (2007)

Brian Tyler scoring Partition (2007)

Brian Tyler talksĀ WarĀ (2007)

Brian Tyler talksĀ RamboĀ (2008)

Brian Tyler ā€œLaw Abiding Citizenā€ scoring sessions (2009)

Brian Tyler ā€œDragonball Evolutionā€ scoring session (2009)

Brian Tyler talksĀ The ExpendablesĀ (2010)Ā 

Brian Tyler talksĀ Fast FiveĀ (2011)

Brian Tyler ā€œBattle: Los Angelesā€ (2011) scoring session

Brian Tyler scoring session forĀ Iron Man 3Ā (2013)

Brian Tyler ā€œTeenage Mutant Ninja Turtlesā€ (2014) scoring session

Brian Tyler ā€œPower Rangersā€ scoring session (2017)

Brian Tyler conductsĀ The MummyĀ (2017)

Don’t forget to like Film Music Central on Facebook šŸ™‚

Disturbing Disney #7: Cruella wants to do WHAT??

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Correct me if I’m wrong, but at times I think Cruella de Vil is severely underrated as a Disney villain. Granted she doesn’t have any magic powers or an army of minions to do her bidding (Jasper and Horace are bumbling nimrods at best), but she DOES have one of the more disturbing plots to ever take place in a Disney film. And she nearly gets away with it too!

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One thing that must be understood about Cruella is that she is obsessed with fur (remember they made this film back in 1961 when real fur coats were very much a common thing) of all kinds, it is all she lives for. Cruella also comes from a great deal of money (considering there’s a huge dilapidated mansion that belongs to her) and is obviously used to getting whatever she wants, whenever she wants. Therefore, when Roger and Anita refuse to sell her their dog’s newborn litter of puppies, Cruella explodes into a rage, declaring that she will “get even” with them. So when the puppies are stolen several months later, it doesn’t take much to make the connection that Cruella had everything to do with it.

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You have to be evil to want to hurt puppies

But why? What does a spoiled heiress need with Dalmatian puppies? In fact, what does she need with 99 Dalmatian puppies? The truth is horrifying: Cruella wants to make COATS out of the puppies! Let that sink in for a minute: this nasty woman wants to have 99 adorable puppies killed, skinned and turned into spotted coats that she can wear. This isn’t merely disturbing; this borders on the sociopathic!! And what’s worse, she wants Jasper and Horace to do the deed. Look at Jasper and Horace for a second:

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I give you the original Dumb and Dumber

Do those idiots look capable of skinning ANYTHING, let alone 99 puppies? Sure, they talk about killing the puppies first by “knocking them on the head” but I have severe doubts in their ability to do it properly. And speaking of, the villains get THIS close to actually starting the process. Just before Pongo and Perdita literally crash into the room, Jasper and Horace have the puppies (plus Sgt. Tibbs the cat) cornered, ready to begin striking them down.

Surprisingly, it wasn’t until about five years ago that I was struck by the full magnitude of what Cruella wanted to do. I’m not sure why that is, except to say that it’s one thing to hear the words “She’s going to make coats out of us” and quite another to understand exactly what those words mean. And this is in a children’s film!! I wonder how kids watching this film in 1961 reacted if/when they figured out what Cruella was trying to do (I bet it wasn’t pretty).

Cruella’s plot to murder a lot of puppies is dark and disturbing and rightly deserves a place in this series. What do you think of Cruella’s twisted plot? Let me know in the comments below, and have a great rest of the day šŸ™‚

Become a Patron of the blog atĀ patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

For more Disturbing Disney, see also:

Disturbing Disney #1: The Coachman in Pinocchio (1940)

Disturbing Disney #2: The truth of Pleasure Island in Pinocchio (1940)

Disturbing Disney #3: Escaping Monstro from Pinocchio (1940)

Disturbing Disney #4: Dumbo loses his mother (1941)

Disturbing Disney #5 The death of Bambiā€™s Mother

Disturbing Disney #6: Faline vs. the dogs (1942)

Disturbing Disney #8: The Whale Who Wanted to Sing at the Met (from Make Mine Music, 1946)

Disturbing Disney #9: Dr. Facilierā€™s Fate (The Princess and the Frog, 2009)

Disturbing Disney #10: The rat in Lady and the Tramp (1955)

Disturbing Disney #11: Claytonā€™s Death in Tarzan (1999)

Disturbing Disney #12: The Bear from The Fox and the Hound (1981)

Disturbing Disney #13: ā€œSmoking them outā€ in The Fox and the Hound (1981)

Disturbing Disney #14: The Salt Trap in The Jungle Book (1994)

Disturbing Disney #15: Night on Bald Mountain from Fantasia (1940)

Disturbing Disney #16: King Triton destroys Arielā€™s grotto

Disturbing Disney #17: Ratigan becomes a monster in The Great Mouse Detective

Disturbing Disney #18: The Queenā€™s assignment for her Huntsman

Disturbing Disney #19: Cinderellaā€™s dress is destroyed (1950)

Disturbing Disney #20: Quasimodo is crowned ā€˜King of Foolsā€™ (1996)

Don’t forget to like Film Music Central on Facebook šŸ™‚

Disturbing Disney #6: Faline vs. the dogs (1942)

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The final act of Bambi does not lack for ‘disturbing moments’ especially when you consider that in short order: Man attacks the forest en masse, causing total hysteria among the animals; Bambi gets shot; and the entire forest is set on fire, compelling the surviving forest creatures to run for their lives. But the moment I would like to focus on happens in the midst of all this, during Man’s attack, but before the forest is set on fire.

Faline vs. the dogs (1942)

Due to a series of events, Bambi and Faline have become separated and in the chaos are frantically searching for each other. And during a sudden lull in the shooting (which in retrospect is a sign that things are about to get worse), Faline bounds over a hill only to discover…the dogs. And just calling them ‘dogs’ alone is an understatement, these are killers!!Ā I mean look at them: fangs bared, angry eyes, these dogs will rip apart anything they can catch, including Faline!! What makes this moment disturbing for me is that regular dogs have been turned into savage monsters by the studio. This, combined with the heart-pounding accompaniment of chase music, adds up to a scene that had me simultaneously engrossed and terrified.

The scariest (and most disturbing part) comes when the dogs have Faline cornered on a tiny ledge:

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It’s a terrifying scene: only a few inches of rock are keeping Faline from those dogs and they’re not giving up! I’m very thankful this scene did not traumatize me for life in regards to dogs (because it could very easily do that).

Thankfully, Bambi comes to rescue Faline and the danger passes. And yet…the image of those dogs lunging up at Faline has stayed with me for a very long time. What do you think of the scene where the dogs hunt and chase Faline? Let me know in the comments below šŸ™‚

Become a Patron of the blog atĀ patreon.com/musicgamer460
Check out the YouTube channel (and consider hitting the subscribe button)

For more Disturbing Disney, see here

See also:

Disturbing Disney #1: The Coachman in Pinocchio (1940)

Disturbing Disney #2: The truth of Pleasure Island in Pinocchio (1940)

Disturbing Disney #3: Escaping Monstro from Pinocchio (1940)

Disturbing Disney #4: Dumbo loses his mother (1941)

Disturbing Disney #5 The death of Bambiā€™s Mother

Disturbing Disney #7: Cruella wants to do WHAT??

Disturbing Disney #8: The Whale Who Wanted to Sing at the Met (from Make Mine Music, 1946)

Disturbing Disney #9: Dr. Facilierā€™s Fate (The Princess and the Frog, 2009)

Disturbing Disney #10: The rat in Lady and the Tramp (1955)

Disturbing Disney #11: Claytonā€™s Death in Tarzan (1999)

Disturbing Disney #12: The Bear from The Fox and the Hound (1981)

Disturbing Disney #13: ā€œSmoking them outā€ in The Fox and the Hound (1981)

Disturbing Disney #14: The Salt Trap in The Jungle Book (1994)

Disturbing Disney #15: Night on Bald Mountain from Fantasia (1940)

Disturbing Disney #16: King Triton destroys Arielā€™s grotto

Disturbing Disney #17: Ratigan becomes a monster in The Great Mouse Detective

Disturbing Disney #18: The Queenā€™s assignment for her Huntsman

Disturbing Disney #19: Cinderellaā€™s dress is destroyed (1950)

Disturbing Disney #20: Quasimodo is crowned ā€˜King of Foolsā€™ (1996)

Don’t forget to like Film Music Central on Facebook šŸ™‚

Brian Tyler talks War (2007)

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War is a film that I have not seen but I’m sure I would like, given that it stars Jet Li and Jason Statham. The film is the directorial debut of Philip G. Atwell and tells the story of FBI agent John Crawford (Statham) who becomes obsessed with hunting down an assassin named Rogue (Li) after he brutally murders his partner. But, as it turns out, the story isn’t nearly as straightforward as it seems, there are some mind-blowing twists involved.

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Unbelievably, it comes out that the assassin Crawford has been hunting down is none other than his supposed-to-be-dead partner! It turns out that after being supposedly killed, he tracked down and murdered the real Rogue in order to work his way into the Yakuza to find out who ordered the assassin to take out his family. But there’s another twist: it comes out thatĀ Crawford is the one responsible for giving out his partner’s address to Rogue (albeit under heavy duress) because he’s been in the Yakuza’s pocket for quite some time. Talk about twists upon twists!

The film was produced under the working title ofĀ Ā RogueĀ (named for Jet Li’s character) but it was changed to avoid conflicting with an Australian horror film of the same name that was released the same year.

In the interview (which can be accessed in the link above), Tyler explains that he was approached to work on War after the premiere of The Fast and the Furious: Tokyo Drift (2006), and after watching some footage from the film-in-progress, he begged for the chance to score the film. Additional music for the film was provided by RZA, Mark Batson and Machines of Loving Grace.

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A major element of the story involves the Chinese Triad going to war with the Japanese Yakuza. As a result, Tyler created a musical blend using Chinese and Japanese instruments against one another to symbolize the growing conflict between the two groups.

I have to say, looking at Brian Tyler’s work has given me a completely new appreciation for action films and their music. A lot of people write off action films as being “mindless” or somehow “less than” bigger dramatic films, but I think action films can be just as good as any other film genre if they’re done properly.

It was really exciting learning how Brian Tyler created the score for War and I hope you enjoy the interview too.

You can become a patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

See also:

Film Composer Interviews A-H

Film Composer Interviews K-Z

Brian Tyler ā€œAlien vs. Predator: Requiemā€ scoring session (2007)

Brian Tyler scoring Partition (2007)

Brian Tyler talksĀ RamboĀ (2008)

Brian Tyler ā€œLaw Abiding Citizenā€ scoring sessions (2009)

Brian Tyler ā€œDragonball Evolutionā€ scoring session (2009)

Brian Tyler talksĀ The ExpendablesĀ (2010)Ā 

Brian Tyler talksĀ Fast FiveĀ (2011)

Brian Tyler ā€œBattle: Los Angelesā€ (2011) scoring session

Brian Tyler scoring session forĀ Iron Man 3Ā (2013)

Brian Tyler ā€œTeenage Mutant Ninja Turtlesā€ (2014) scoring session

Brian Tyler conducting and scoringĀ Now You See Me 2Ā (2016)

Brian Tyler ā€œPower Rangersā€ scoring session (2017)

Brian Tyler conductsĀ The MummyĀ (2017)

Don’t forget to like Film Music Central on Facebook šŸ™‚

Brian Tyler “Law Abiding Citizen” scoring sessions (2009)

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I actually remember seeing trailers for Law Abiding Citizen (2009), it caught my attention as it had Gerard Butler in it. For the life of me, I could not tell you what the movie was actually about until I looked the summary up. Law Abiding Citizen tells the story of the lengths Clyde Shelton (Butler), a hitherto ordinary citizen, will go to avenge his murdered wife and daughter when the justice system fails to dispense an appropriate punishment to their killer.

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After subsequently murdering the killer himself (ten years after the fact) and being locked up in prison, it turns out that Clyde formerly worked for the CIA and created highly imaginative assassination devices which make him capable of killing anyone, anywhere, at any time (even while locked up in prison). He proceeds to kill the judge, district attorney and several other people associated with the case, but the prosecuter Nick Rice (Jamie Foxx) proves to be his undoing.

I have found two scoring sessions for this particular film. The first (above) is entitled “Methodology” while the second piece(below) is entitled “Mechanical Mind.” I actually like the second piece better because you can see more of the set-up in the recording studio. Tyler is surrounded by a bank of monitors that show the musical beat, the score and also a working print of the film (watch the monitors on the conductor’s right). There is also a large screen playing footage from the film which is occasionally reflected in the glass behind the conductor.

The 52-piece ensemble that Brian Tyler is conducting comes from the Hollywood Studio Symphony, an orchestra that has worked in the production of many film soundtracks (including Jurassic Park 3, The Last Samurai, Sucker Punch and The Bourne Supremacy.)

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I really think you will enjoy listening to these two pieces; they are both prime examples of the fact that an average film can still contain fantastic music. Let me know what you think of the music in the comments below šŸ™‚

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See also:

Film Composer Interviews A-H

Film Composer Interviews K-Z

Brian Tyler ā€œAlien vs. Predator: Requiemā€ scoring session (2007)

Brian Tyler scoring Partition (2007)

Brian Tyler talksĀ WarĀ (2007)

Brian Tyler talksĀ RamboĀ (2008)

Brian Tyler ā€œDragonball Evolutionā€ scoring session (2009)

Brian Tyler talksĀ The ExpendablesĀ (2010)Ā 

Brian Tyler talksĀ Fast FiveĀ (2011)

Brian Tyler ā€œBattle: Los Angelesā€ (2011) scoring session

Brian Tyler scoring session forĀ Iron Man 3Ā (2013)

Brian Tyler ā€œTeenage Mutant Ninja Turtlesā€ (2014) scoring session

Brian Tyler conducting and scoringĀ Now You See Me 2Ā (2016)

Brian Tyler ā€œPower Rangersā€ scoring session (2017)

Brian Tyler conductsĀ The MummyĀ (2017)

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