Yearly Archives: 2017

Star Trek II: “Inside Regula I” (1982)

One doesn’t normally associate the horror genre with Star Trek in any way, shape or form (though the infamous “Genesis” episode in Star Trek: The Next Generation comes awfully close in my opinion), and yet there is a scene midway through Star Trek II: The Wrath of Khan that could be straight out of a horror film.

The Enterprise is diverted from a routine training mission by an emergency call from space station Regula One and along the way are ambushed by Khan Noonien Singh, who seeks revenge against Admiral Kirk for stranding him and his followers on Ceti Alpha V fifteen years previously. Barely surviving this attack, the Enterprise limps to the space station, knowing Khan has been there and gone, not sure what they’ll find. Kirk, McCoy and Lieutenant Saavik beam over to see what, if anything, remains on the space station.

 

From the moment they transport down, the music is like something straight out of a horror film. The space station appears totally abandoned, and the music is dark and ominous. Even though Khan has left, there’s still no way of knowing if he’s left any “surprises” for Kirk and his crew.

Kirk, Saavik and McCoy walk through the empty corridors of the station, and the air is thick with tension. But it isn’t until we go back to a last shot of McCoy that we get the big “horror film” moment. He’s about to cross into a new section when he’s suddenly startled by a rat (because of course there are rats on space stations). And just when he thinks it is safe to keep going….WHAM!! He walks headfirst into the arms of a dead crew member, hanging upside down from a balcony.

It’s a truly horrifying moment, and one that I think is slightly underrated, due to the space battle that happens before and after this segment of the film. But this music is beautiful foretaste of what will come when Horner scores Aliens a few years after this film. I hope you enjoy a look at the scene “Inside Regula One.”

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Disturbing Disney #14: The Salt Trap in The Jungle Book (1994)

When Disney released a live-action adaptation of The Jungle Book last year, many seemed to have forgotten that this was the second live-action version of the story that Disney had ever made. The first was released in 1994 and stars Jason Scott Lee as Mowgli, Lena Headey (aka Cersei in Game of Thrones) as Katherine and Cary Elwes as Boone. I for one, can never wholly forget this film because it has a number of disturbing moments in the second half, one of the most disturbing coming in the Monkey City.

Unlike the animated film, where the Monkey City is just a pile of crumbling ruins, this version is not only loaded with treasure, but is also filled with booby traps of all kinds. Mowgli is forced by Boone and his compatriots to lead them to Monkey City so they can help themselves to the treasure (despite Mowgli’s warnings that the city is dangerous). By the time they get inside the city, most of Boone’s henchmen are dead, but a hunter named Buldeo (who incidentally left Mowgli’s father to die at the beginning of the film) is still alive and he is relentlessly pursuing Mowgli, intent on killing him. But this is complicated because Wilkins (another associate), accidentally shot him in the leg shortly before he was mauled to death by Shere Khan.

Limping all the way, Buldeo seemingly has Mowgli cornered in a sunken pavilion, when a stray shot unexpectedly causes a decoration to burst out of the wall, pouring salt out on the floor. This trips a chain reaction, where more and more decorations burst out, spilling more and more salt, and the reason why becomes clear; as the salt spills out, the roof of the pavilion is slowly lowering, meaning Mowgli and Buldeo are caught in a trap! Mowgli is able to leap out of the pit to safety, but Buldeo is hampered by his wounded leg and must hobble for the stairs, but he is caught in the growing streams of salt.

I’m convinced it is salt and not sand because the material causes Buldeo intense pain in his wounded leg (and salt is very bad for open wounds). Also, this was supposed to be a fantastically wealthy city, so it makes sense to me that the people who built these traps could afford the luxury of using salt as part of the mechanism. All this time the ceiling is slowly but surely descending, to Buldeo’s mounting panic as it becomes clear he will NOT be able to get out in time. By the end, he is futilely pressing against the ceiling in an attempt to stop the inevitable…with a final scream the ceiling clamps down on the floor, entombing Buldeo forever in that small pit, where he will quickly suffocate (unless that salt fills up the space first).

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This scene terrified me as a child, because I would have nightmares of being trapped in that kind of a situation. To this day I can’t believe this film is ONLY rated PG because, in no particular order, we have: a man drowning in quicksand; a man being mauled to death by a tiger, people being shot, falling to their deaths, etc. But of all the deaths, Buldeo being buried alive in the Salt Trap is by far the most disturbing of all. I’d actually nearly put this scene out of my mind but I’m glad I remembered it so I could share it with all of you.

What do you think of the Salt Trap in this film? Does it disturb you? Can you believe they put this in a movie for kids? Let me know your thoughts in the comments below, I’d love to hear about it.

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For more Disturbing Disney see also:

Disturbing Disney #1: The Coachman in Pinocchio (1940)

Disturbing Disney #2: The truth of Pleasure Island in Pinocchio (1940)

Disturbing Disney #3: Escaping Monstro from Pinocchio (1940)

Disturbing Disney #4: Dumbo loses his mother (1941)

Disturbing Disney #5 The death of Bambi’s Mother

Disturbing Disney #6: Faline vs. the dogs (1942)

Disturbing Disney #7: Cruella wants to do WHAT??

Disturbing Disney #8: The Whale Who Wanted to Sing at the Met (from Make Mine Music, 1946)

Disturbing Disney #9: Dr. Facilier’s Fate (The Princess and the Frog, 2009)

Disturbing Disney #10: The rat in Lady and the Tramp (1955)

Disturbing Disney #11: Clayton’s Death in Tarzan (1999)

Disturbing Disney #12: The Bear from The Fox and the Hound (1981)

Disturbing Disney #13: “Smoking them out” in The Fox and the Hound (1981)

Disturbing Disney #15: Night on Bald Mountain from Fantasia (1940)

Disturbing Disney #16: King Triton destroys Ariel’s grotto

Disturbing Disney #17: Ratigan becomes a monster in The Great Mouse Detective

Disturbing Disney #18: The Queen’s assignment for her Huntsman

Disturbing Disney #19: Cinderella’s dress is destroyed (1950)

Disturbing Disney #20: Quasimodo is crowned ‘King of Fools’ (1996)

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Disturbing Disney #13: “Smoking them out” in The Fox and the Hound (1981)

So yesterday I shared with you the disturbing sequence involving a monstrous bear in the 1981 film The Fox and the Hound. But before we got to that point, there’s actually another equally disturbing moment that gave me chills as a kid.

After Todd is nearly lured into a steel trap, he makes a run for it along with his newfound mate Vixie. They run to their burrow and hide but are quickly cornered by the hunter and Copper. As there’s no way for the hunter to get a clean shot (and Copper is unable to dig his way in), the hunter gets an idea: he’ll “smoke” them out of their burrow by setting a clump of dried grass on fire and fanning the flames so that they roar INTO the burrow.

With one exit blocked by flames, the hunter and Copper stand poised at the main entrance, ready to kill the foxes the moment they come out. Inside Todd and Vixie are cornered by a growing inferno and finding it hard to breathe with all the smoke. This moment scared me half to death because, as a kid, I had a fear of being trapped by fire, so this scene was somewhat traumatic for me.

Even how Todd and Vixie escape this trap is somewhat disturbing. They can’t go out the main way because they’ll be killed instantly. So the only other way out is the back entrance (which is currently surrounded by scorching flames). But since it’s their only option…the two foxes run THROUGH the flames and make it out, to the shock and amazement of the hunter, who resumes the chase that will lead him straight to the crazy huge bear.

The whole scenario is disturbing for me, but at least Todd and Vixie aren’t burned to death, and to be fair, it doesn’t look like they were burned at all (which is totally possible in the world of Disney). So while this is a disturbing moment, it’s not as disturbing as it could have been.

What do YOU think of this disturbing moment in The Fox and the Hound? Let me know what you think in the comments below, I’d love to hear about it 🙂

For more Disturbing Disney, see here

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Check out the YouTube channel (and consider hitting the subscribe button)

See also:

Disturbing Disney #1: The Coachman in Pinocchio (1940)

Disturbing Disney #2: The truth of Pleasure Island in Pinocchio (1940)

Disturbing Disney #3: Escaping Monstro from Pinocchio (1940)

Disturbing Disney #4: Dumbo loses his mother (1941)

Disturbing Disney #5 The death of Bambi’s Mother

Disturbing Disney #6: Faline vs. the dogs (1942)

Disturbing Disney #7: Cruella wants to do WHAT??

Disturbing Disney #8: The Whale Who Wanted to Sing at the Met (from Make Mine Music, 1946)

Disturbing Disney #9: Dr. Facilier’s Fate (The Princess and the Frog, 2009)

Disturbing Disney #10: The rat in Lady and the Tramp (1955)

Disturbing Disney #11: Clayton’s Death in Tarzan (1999)

Disturbing Disney #12: The Bear from The Fox and the Hound (1981)

Disturbing Disney #14: The Salt Trap in The Jungle Book (1994)

Disturbing Disney #15: Night on Bald Mountain from Fantasia (1940)

Disturbing Disney #16: King Triton destroys Ariel’s grotto

Disturbing Disney #17: Ratigan becomes a monster in The Great Mouse Detective

Disturbing Disney #18: The Queen’s assignment for her Huntsman

Disturbing Disney #19: Cinderella’s dress is destroyed (1950)

Disturbing Disney #20: Quasimodo is crowned ‘King of Fools’ (1996)

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Disturbing Disney #12: The Bear from The Fox and the Hound (1981)

I think I’ve mentioned before that the Disney films made between Sleeping Beauty in 1959 (the end of Disney’s Golden Age) and The Little Mermaid in 1989 (the start of the Disney Renaissance) often get overlooked or underrated because they’re not quite up to the standards of either era (or at least that’s the perception). A classic example of this is 1981’s The Fox and the Hound, a good film that is criminally neglected and yet it has one of the most disturbing sequences I’ve ever seen.

In summary: The Fox and the Hound is about…you guessed it…a fox and a hound who become friends (despite being natural enemies). The fox, named Todd, is eventually set loose in a game preserve to keep him safe from a gruff hunter and his hound Copper (formerly Todd’s friend). But the hunter wants to kill Todd for nearly getting his other hunting dog Chief killed and so he trespasses onto the preserve to hunt the fox down, laying a series of steel traps by a secluded watering area.

The trap nearly works, but at the last moment Todd senses the danger and runs for it. In the ensuing chase (including another disturbing moment I’ll cover next time), the hunter believes he has Todd cornered in some bushes, but he is so very wrong. Instead of the fox, the hunter has cornered THIS:

Even referring to this bear as “a bear” is an understatement; he’s practically a monster in the way he’s presented as this huge snarling mass of muscle and teeth (the demonic red eyes add to the monstrous impression). And then there’s the SIZE of this beast; even though the bear is colored black, in size he’s really more like a grizzly bear (which doesn’t make sense as I believe this story is supposed to be set in Appalachia).

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The sheer viciousness of the bear’s assault is terrifying, and also not surprising, considering he’s been disturbed by this raucous hunter (and also shot). But the disturbing part comes when the hunter’s foot gets caught in one of his own traps and the bear comes closer and closer for the kill. Even though he’s an antagonist, this hunter is facing a pretty agonizing way to die and he can’t do a thing about it.

And then there’s the fight between Todd, Copper and the bear. This huge bear is just THROWING these two around like nothing, and it’s painful to watch. The entire sequence has me on the edge of my seat from beginning to end, especially when the bear has Todd cornered on a fallen tree perched halfway up a huge waterfall (the ominous music tells you this will end badly). This bear is an excellent example of Disturbing Disney (I hope you enjoy the full scene up above).

What do you think of the bear in The Fox and the Hound? Let me know in the comments below, I’d love to hear about it 🙂

Become a Patron of the blog at patreon.com/musicgamer460
Check out the YouTube channel (and consider hitting the subscribe button)

For more Disturbing Disney, see here

See also:

Disturbing Disney #1: The Coachman in Pinocchio (1940)

Disturbing Disney #2: The truth of Pleasure Island in Pinocchio (1940)

Disturbing Disney #3: Escaping Monstro from Pinocchio (1940)

Disturbing Disney #4: Dumbo loses his mother (1941)

Disturbing Disney #5 The death of Bambi’s Mother

Disturbing Disney #6: Faline vs. the dogs (1942)

Disturbing Disney #7: Cruella wants to do WHAT??

Disturbing Disney #8: The Whale Who Wanted to Sing at the Met (from Make Mine Music, 1946)

Disturbing Disney #9: Dr. Facilier’s Fate (The Princess and the Frog, 2009)

Disturbing Disney #10: The rat in Lady and the Tramp (1955)

Disturbing Disney #11: Clayton’s Death in Tarzan (1999)

Disturbing Disney #13: “Smoking them out” in The Fox and the Hound (1981)

Disturbing Disney #14: The Salt Trap in The Jungle Book (1994)

Disturbing Disney #15: Night on Bald Mountain from Fantasia (1940)

Disturbing Disney #16: King Triton destroys Ariel’s grotto

Disturbing Disney #17: Ratigan becomes a monster in The Great Mouse Detective

Disturbing Disney #18: The Queen’s assignment for her Huntsman

Disturbing Disney #19: Cinderella’s dress is destroyed (1950)

Disturbing Disney #20: Quasimodo is crowned ‘King of Fools’ (1996)

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My thoughts on: Guardians of the Galaxy Vol. 2 (2017)

WARNING: Spoilers of varying sizes will be found in this review. DO NOT read until you’ve seen the film (unless you don’t care if some epic plot twists are spoiled, in which case, carry on).

It’s been a long three years since I saw Guardians of the Galaxy (2014) and for a while it felt like the sequel would NEVER get here. But finally the great day arrived and it was totally worth the wait!

Guardians of the Galaxy Vol. 2 was everything I dreamed it would be, an epic return to the zany world of blue space pirates, trigger-happy raccoons and talking baby trees. And speaking of….HOW ADORABLE IS BABY GROOT???? Seriously, that little guy practically stole the film! He was almost too cute for his own good (even the minor villains were commenting on his cuteness at one point), but it added some levity to some pretty dark moments (like when half of Yondu’s crew was ejected into the vacuum of space, yeah, you read that right). And the post-credits scene featuring Teenage Groot was just hilarious. It literally consists of Groot sitting in his messy room (messy with tree vines) playing video games while Star-Lord admonishes him to clean up his room.

It was great to see Yondu back, even if I was slightly confused about his situation at first. When we first see the space pirate again (after he was tricked out of an Infinity Stone by Quill), he has (apparently) been exiled from the Ravagers for breaking their code, something involving the trafficking of children. I assumed they were referring to Yondu kidnapping Peter all those years ago, but it turns out that was only the tip of the iceberg (more on that later). Yondu has a pretty up and down time in this film: he starts off being an exiled captain, is taken prisoner by mutineers, and then retakes his ship with the help of Baby Groot, Rocket and one loyal crewmember in one of the most epic montage scenes I’ve seen in YEARS (lets just say his telekinetic arrow has a starring role).

Star-Lord’s team is as hilarious as ever (though I do feel like Drax burst into laughter one time too many, but that’s nitpicking). The tension between Gamora and Peter is beginning to grow palpable (she totally digs him even if she won’t quite admit it, but he definitely knows he loves her, or at least has very strong feelings for her). I wouldn’t be surprised if those two are together by the end of Vol. 3.

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Now let’s move on to Ego, The Living Planet, aka Star-Lord’s long-lost father. When I first heard that this character would be in the film, I was totally confused (I’ve never read the comics), and could not visualize what a living planet would look like. Actually, at first I thought Peter would just be talking to a giant planet for most of the time. But I have to say, the film did a great job of explaining how Ego is able to appear and travel as he does. And Kurt Russell was totally the best choice to play Star-Lord’s father, they totally act just the same way!! It explains so much about Peter, it really does. And the surface of Ego was so beautiful, perfect and so Eden-like…that I really should have figured out that much sooner that something was terribly wrong (like, before Mantis dropped the hint by nearly spilling the beans to Drax the first time).

There’s an old saying, that if something seems too good to be true, it probably is. And while it IS true that Ego is Peter’s father (the opening scene set in 1980 establishes that), he is hardly an ideal parent. The way Ego presents his story, he’s spent the last 30 years or so searching for his son, his ONLY son, so they can finally be together as father and son. It sounds nice, but considering he’s lived for millions of years I should’ve considered there was more to it than that. One of the first things they do together is see if Peter can connect to Ego’s essence, referred to as “The Light”, which resides at the core of the planet. Peter can do it, which makes Ego really happy, but not because it proves beyond a doubt that Peter is his son, but because it now gives him a means to an end.

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(WARNING, I’m about to spoil the big plot twist of the film): See, Ego isn’t this benevolent immortal looking to play catch-up with his son. He’s actually a little (lot) crazy and has come to the belief that his purpose in life is to fill the universe (or at least the galaxy) with replicas of himself. To this end, he’s spent the last million years or so planting essences of himself on every planet he’s ever come across (we see Earth’s at the beginning of the film, though we don’t know exactly what it is then). And on each of those planets, he made sure to sire a child, because, though he has the ability to plant these essences, he can’t activate them without the help of a second Celestial. But until Peter, none of this children, none of his MILLIONS of children, have possessed the right genes. So what did Ego do? He KILLED them!! Gamora and Nebula discover a series of caves below the surface that are filled to the brim with bones, millions of bones. And every last one belongs to Ego’s children, many of whom were brought to the planet by Yondu and his pirates (this is why the Ravagers exiled him). Yondu was paid handsomely to turn a blind eye to what was happening, but when he was sent to fetch Peter, he couldn’t bring himself to take the boy, because he figured he would die like the others. Now, all of this is bad enough, but then Ego admits one of the most shocking statements I’ve ever heard. In describing the glories of being a Celestial, Ego tells him (Peter) that they are “above mortals.” But then, what about Peter’s mother? “You said you loved my mother” Peter reminds him, and Ego admits that he really did love Meredith Quill, so much so that had he visited her on Earth a 4th time, he would have stayed on the planet and never left.

“It really broke my heart…” he says “When I had to put that tumor in her head.”

WHAT?? (I swear you could’ve heard the gasp all throughout the theater). Crazy Ego god-planet guy say WHAT???

As the opening of the first film established, Peter’s mother died of brain cancer, a long and tortuous way to die. NOW we learn that Ego PUT the cancer there in the first place!!!!! This knowledge pushes Peter over the edge (he loved his mother more than anyone) and leads into the climactic battle between father and son.

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Of course the big lesson of this film is that family isn’t defined just by blood, it’s also who raised you, who forms actual bonds with you. The Guardians are more Peter’s family than Ego ever could have been. And as for Peter’s father…well, it was Yondu who really raised him, a fact that neither really admits to themselves until nearly the end of the film when….*gulps* when Yondu sacrifices his life to save Peter’s. Oh, that moment about broke my heart. Yondu tells Peter that “He (Ego) may have been your father, but he wasn’t your daddy!” And then he put the last spacesuit capsule-thing on Peter so he would be safe when they entered the vacuum on space, and all Peter can do is cry and scream in denial as Yondu dies right in front of him (that has to be one of the saddest moments ever in the MCU).

I’m so excited to see where the Guardians go from here, as we’ll next see them in Avengers: Infinity War (I sincerely hope Peter and Iron Man bump heads figuratively, I just know those two won’t get along at first). I also hope that Nebula gets the chance to exact vengeance on Thanos for everything he did to her as a child. I knew Thanos was cruel, but to do all of THAT to his own child…

I could probably keep going for another 1000 words, but these are the bulk of my thoughts on Guardians of the Galaxy vol. 2. Final verdict: it is definitely a film worth seeing and it totally lives up to the hype.

What did YOU think of Guardians of the Galaxy Vol. 2? Did you like it, not like it, prefer the original instead? Let me know in the comments below, I’d love to hear about it 🙂

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See also: Film/TV Reviews

My thoughts on: Black Panther (2018)

Avengers: Infinity War-Review (no spoilers)

My (spoiler-free) Thoughts on: Avengers: Endgame (2019)

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Cancelled Too Soon #12: The Magnificent Seven (1998-2000)

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Did you know that CBS made a television series based on the popular western The Magnificent Seven (1960)?? If you didn’t, don’t feel too upset, up until a few years ago, I didn’t know the show existed either, but oh my goodness it is amazing!!

The show is loosely based on the same premise as the film, where a group of seven gunmen, led by Chris, band together to protect a town. Only in the show, they’re protecting a frontier town out West, and not a Mexican village south of the border. These are also not quite the same cast of characters from the film either. The ‘seven’ of the Magnificent Seven are:

Chris Larabee (Michael Biehn): The leader of the group, and based on the “Chris” character played by Yul Brynner in the original film

Vin Tanner (Eric Close): A bounty hunter and tracker, closely based on the “Vin” character played by Steve McQueen in the original film.

Ezra Standish (Anthony Starke): A southern con-man and gambler, who often struggles with moral dilemmas regarding what he does best. He really has a heart of gold though.

Josiah Sanchez (Ron Perlman): A preacher and former gunfighter who often provides spiritual aid to the group and others. He works on building a church for the town.

Nathan Jackson (Rick Worthy): A former slave who worked as a stretcher-bearer for the Union Army in the Civil War. He learned a lot about medicine and works as the healer for the group, as well as the town they protect. He is an expert with throwing knives

J.D. Dunne (Andrew Kavovit): A ‘city-slicker’ from the East Coast, J.D. has come West to make his fortune as a gunfighter, and has a hard time being taken seriously by the group (at first). Of all the seven, he gets hurts the most (he’s been shot, stabbed and royally beat up).

Buck Wilmington (Dale Midkiff): The ladies’ man of the group, Buck is the best friend of Chris, and has known him the longest. He’s always romancing at least two women at a time in town, though it rarely ends well for him.

With such a diverse cast of characters and great storytelling, it astounds me that this show ONLY ran for two seasons (and short seasons at that!!) Actually, it is my understanding that the reason The Magnificent Seven was renewed for season 2 was due to a fan campaign to keep the show going. I can only speculate that CBS ultimately killed the show because it wasn’t doing well enough in ratings to justify going forward into a third season, which is a shame because it’s one of the best TV shows derived from a film that I’ve ever seen. The late Robert Vaughn (who starred as one of the original Magnificent Seven in the 1960 film) was a frequent guest star as travelling judge Orrin Travis, and it was always fun to see him show up.

Fortunately, the entire series has been released on DVD, so it’s not too hard to pick up a copy and enjoy every single episode. Still, I can’t help but wish there were more seasons available, this is definitely a show that was cancelled too soon.

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See also:

Cancelled Too Soon #1: Constantine (2014-2015)

Cancelled Too Soon #3: Dracula (2013-2014)

Cancelled Too Soon #11: Kindred: The Embraced (1996)

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Bernard Herrmann talks The Bride Wore Black (1968)

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Normally when I share composer interviews, it’s for a relatively current film. But when I found an interview for the 1968 film The Bride Wore Black that was given by composer Bernard Herrmann, I just knew I had to share it with you.

The Bride wore Black (released in France as  La Mariée était en noir) is a revenge film directed by Francois Truffaut. It tells the story of a woman named Julie Kohler, whose husband is killed on her wedding day as they’re leaving the church. The crime occurred because five men were horsing around with a loaded rifle in a building across the street and it went off, fatally striking the newly married groom. After learning the identities of the men responsible, Kohler sets out to kill every last man responsible.

The new widow is completely ruthless in her pursuit of vengeance:

 

  • victim #1 is pushed off a balcony
  • victim #2 is poisoned
  • victim #3 is locked in a small closet where he suffocates to death (she sealed the door shut with duct tape
  • victim #4 would’ve been killed with a handgun but the police arrested him before she could get him
  • victim #5 is shot in the back (fatally) with an arrow as she posed for a painting of Diana, Goddess of the Hunt. After noticing that he’s painted her on the wall in a mural, Julie decides to leave the painting as is, knowing the evidence will lead to her arrest. After arriving at jail (where still-alive victim #4 is also serving time), she ends up working in the kitchen where she is last seen taking a food cart towards the men’s side of the prison (a scream implying she’s completed her task of vengeance).

The music for this film was written by the legendary composer Bernard Herrmann (perhaps best known for his collaborations with Alfred Hitchcock on four of his films, including Psycho). I haven’t found many interviews with Herrmann thus far, so it is fascinating to hear him talking about his work with any film. I admit I haven’t actually seen The Bride Wore Black (not yet anyway), but after watching this interview and reading more about the plot, I definitely need to check this film out.

What do you think of Bernard Herrmann talking about The Bride Wore Black? Have you seen the film? And if you have, what did you think of it? I’d love to hear about it in the comments below!

See also:

Film Composer Interviews A-H

Film Composer Interviews K-Z

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Cancelled Too Soon #11: Kindred: The Embraced (1996)

Before Vampire Diaries, even before Buffy The Vampire Slayer, there was Kindred: The Embraced.

Unlike most television shows, which might be based on books or movies, Kindred: The Embraced is loosely based on a role-playing game called Vampire: The Masquerade. The story is set in San Francisco, where a detective named Frank Kohanek discovers that the city is home to a large number of vampires, including a supposed “mobster” that he has been pursuing for quite some time. In reality, this “mobster”, Julian Luna, is actually the “Prince” of the city, ruling five groups of vampires that are collectively known as The Kindred.

Julian and Frank form a reluctant alliance due to the fact that Julian used to be with Frank’s girlfriend, who was also a vampire (and who got Julian to promise to protect him shortly before her death). Thus, the pair find themselves working together to try and prevent a war breaking out between the different groups of the Kindred.

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While the premise certainly held a great deal of promise, a massive flaw was that the show dealt with five separate groups of vampires, on top of any subplots with Julian and Frank, which led to a lot of characters to keep track of and a confusing plot. Also, the character of Frank was not very well received, while Julian was praised as a complex character, not quite good and not quite evil. Ultimately, the flaws outweighed any good points, and Kindred: The Embraced was cancelled after eight episodes. Ironically (in my eyes), Buffy The Vampire Slayer debuted the next year and went on to run for seven seasons. Perhaps if Kindred: The Embraced had been slightly different, it might have been the big vampire hit, and not Buffy, but I guess we will never know.

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Have you seen any of Kindred: The Embraced? Do you think it had potential, or was it doomed to failure from the start? Let me know in the comments below, I’d love to hear about it. If you haven’t seen the show and would like to check it out, the eight episodes are available on DVD.

For more shows that were cancelled too soon, see here

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Brian Tyler scoring Partition (2007)

Partition is a very sad story, set in 1947 during the partition of India (when Pakistan was created as a Muslim nation). It is based on the Romeo and Juliet story type, where two people fall in love even though it is forbidden. In this case, a Hindu man, Gian Singh, slowly falls for Naseem, a Muslim girl, even though all the rules of their respective religions forbid this.

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With Naseem separated from her parents and Gian finding himself responsible for her, the pair end up bonding over their mutually traumatic pasts and get married, having a son named Vijay. Things become complicated when word arrives that Naseem’s family is actually in a certain village in the newly formed Pakistan. Naseem leaves to visit, promising to return in a month, but her family is so infuriated that she’s married a Sikh that they lock her in a room and forbid her from returning to India. Gian is determined to rescue his wife, so he disguises himself as a Muslim and crosses into Pakistan.

After a disastrous attempt to rescue her, Naseem’s mother recognizes that her daughter really does love Gian and she lets her out so she can catch her husband at the train station. But just as the couple is able to reunite, Naseem’s brother Akbar pushes Gian onto the train tracks and he is killed by the approaching train, to the horror of Naseem. While the police arrest Akbar for murder, Naseem and Vijay are able to escape to England and make a new life.

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What makes this film notable for me is that it features a score by Brian Tyler, who is rapidly becoming one of my favorite film composers. This behind the scenes video shows Tyler at work in the studio, annotating his score and recording with a rough cut of the film playing on a screen in front of him. He also worked with the Hollywood Studio Symphony for recording the score as well.

One big thing with the music that Tyler wanted to create is, that while there is a sense of Western music in the score, there is also a frequent callback to the sound of India as well. He wanted to create the feeling that you (the audience) have been transported through time to this very traumatic period in the history of India and Pakistan.

There is something magical about watching Brian Tyler on the podium conducting his music, I definitely need to hear more of this score now. If you’ve seen Partition, I would love to know your thoughts on the film and the score in the comments below.

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See also:

Film Composer Interviews A-H

Film Composer Interviews K-Z

See also:

Brian Tyler conducts The Mummy (2017)

Brian Tyler talks Rambo (2008)

Brian Tyler talks The Expendables (2010)

Brian Tyler conducting and scoring Now You See Me 2 (2016)

Brian Tyler talks War (2007)

Brian Tyler “Alien vs. Predator: Requiem” scoring session (2007)

Brian Tyler “Law Abiding Citizen” scoring sessions (2009)

Brian Tyler “Dragonball Evolution” scoring session (2009)

Brian Tyler talks Fast Five (2011)

Brian Tyler “Battle: Los Angeles” (2011) scoring session

Brian Tyler scoring session for Iron Man 3 (2013)

Brian Tyler “Teenage Mutant Ninja Turtles” (2014) scoring session

Brian Tyler “Power Rangers” scoring session (2017)

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Disturbing Disney #11: Clayton’s Death in Tarzan (1999)

You know, it sure seems to me like a lot of “disturbing” moments in Disney films happen to coincide with a villain’s death.

Tarzan (1999) is considered to be the end of the 1st Disney Renaissance, and for this reason I think the film has become totally underrated. Which is really a shame because the animation is incredible, particularly the scenes where Tarzan is “surfing” through the trees. The (real) villain is pretty awesome too. For most of the film, the “enemy” has been presented as Kerchak, the leader of the gorilla troop that raised Tarzan, and the gorilla that should have been Tarzan’s foster father, as it is Kerchak’s mate Kaala that  took the young man in when he was a baby, but Kerchak could never bring himself to accept the human as his son. However, the actual villain of this story is the bloodthirsty and devious Clayton (Brian Blessed), who has hitherto been working as a bodyguard for the expedition of Professor Porter and Jane. But in reality, Clayton has come because he wants to capture the gorillas for the handsome price they will fetch back in England.

Clayton

Behold the villainous Clayton, even before he’s revealed he kind of looks like a villain already

At the last minute, Tarzan is able to thwart Clayton’s attempt to kidnap all of the gorillas, but Clayton is not giving up just yet. After fatally wounding Kerchak, Clayton chases Tarzan up into the trees, figuring that if he can get Tarzan out of the way, rounding the gorillas back up should be easy. But despite his injuries (Clayton shot him in the arm), Tarzan has a distinct advantage: he was raised in this jungle, he knows how to navigate the trees with his eyes closed, Clayton is like a fish out of water.

Despite this, he continues to chase Tarzan until the latter is cornered against a tree trunk. But then Tarzan uses the jungle to his advantage, ensnaring Clayton’s limbs in a tangle of jungle vines (to his mounting fury). At this point, Clayton fully snaps and begins to furiously hack at the vines holding him up, and a single shot forewarns what is about to happen: as the vines are cut away, one loop slips up to tighten around Clayton’s neck.

The first time I saw this film in theaters, I didn’t realize what was going to happen, but my parents did. To this day I remember my mom gasping at the shot and wondering what she was reacting to. I realize now that Clayton has a particularly gruesome and disturbing death scene, one that is pretty graphic if you think it through.

As I’d said, Clayton is hacking away at the vines that are holding him up, not noticing one loop remains coiled around his neck. He is so frantic to get loose to kill Tarzan that he doesn’t notice there are fewer and fewer vines holding him up. Even Tarzan sees what is about to happen and tries to warn him, but Clayton doesn’t listen…and then it’s too late. Down to two vines (the one around his neck and the one his hand is clenching), Clayton hacks the wrong vine and begins to fall screaming, the vine still looped around his neck. This moment is terribly disturbing: not only is Clayton falling to his death, but he has enough time to know it and try desperately to avert the inevitable (see, as he falls, you can see Clayton’s hands trying to remove the loop before he runs out of slack). Maybe Tarzan could have saved himself, but Clayton is no Tarzan and in no time we see the vine go taught with an audible *SNAP* and then we see the shadowy profile of Clayton hanging by his neck…DEAD.

I’ll give Disney credit for one thing: at least they kept the actual moment of death off-screen and only showed Clayton’s dead body in silhouette. Still…watching a villain die via a broken neck is pretty disturbing, and thus it is here on the list of Disturbing Disney.

But I would like to know what YOU think of Clayton’s death; does it disturb you? Do you find it gruesome? Let me know in the comments below, I would love to hear about it.

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For more Disturbing Disney, see also:

Disturbing Disney #1: The Coachman in Pinocchio (1940)

Disturbing Disney #2: The truth of Pleasure Island in Pinocchio (1940)

Disturbing Disney #3: Escaping Monstro from Pinocchio (1940)

Disturbing Disney #4: Dumbo loses his mother (1941)

Disturbing Disney #5 The death of Bambi’s Mother

Disturbing Disney #6: Faline vs. the dogs (1942)

Disturbing Disney #7: Cruella wants to do WHAT??

Disturbing Disney #8: The Whale Who Wanted to Sing at the Met (from Make Mine Music, 1946)

Disturbing Disney #9: Dr. Facilier’s Fate (The Princess and the Frog, 2009)

Disturbing Disney #10: The rat in Lady and the Tramp (1955)

Disturbing Disney #12: The Bear from The Fox and the Hound (1981)

Disturbing Disney #13: “Smoking them out” in The Fox and the Hound (1981)

Disturbing Disney #14: The Salt Trap in The Jungle Book (1994)

Disturbing Disney #15: Night on Bald Mountain from Fantasia (1940)

Disturbing Disney #16: King Triton destroys Ariel’s grotto

Disturbing Disney #17: Ratigan becomes a monster in The Great Mouse Detective

Disturbing Disney #18: The Queen’s assignment for her Huntsman

Disturbing Disney #19: Cinderella’s dress is destroyed (1950)

Disturbing Disney #20: Quasimodo is crowned ‘King of Fools’ (1996)

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