Troy is a 2004 epic film that is a (greatly abbreviated) adaptation of the Illiad (which tells the story of the Trojan War). The film features a star-studded cast:

• Brad Pitt: Achilles
• Sean Bean: Odysseus
• Brian Cox: Agamemnon
• Peter O’Toole: King Priam
• Eric Bana: Hector
• Orlando Bloom: Paris
• Diane Kruger: Helen

While not perfect, Troy is a good film with a remarkable score by James Horner. The music is even more remarkable when you consider that Horner put it together in the space of four weeks after Gabriel Yared’s score for the film was rejected.

For the score, Horner employed singer Tanja Carovska (who had also provided vocals for Yared’s rejected score) as well as using Eastern Mediterranean music and brass instruments to create a feeling of ancient Greece.

Horner created several motifs throughout the score, a few of which I’d like to point out:

-The Greeks: The theme for the Greek army really emerges in full when they approach Troy in their thousand ships. It’s distinguished by a driving trumpet theme, highlighting the relentlessness of the Greek soldiers led by the egomaniacal Agamemnon. Most tellingly, it also re-emerges (briefly) just before the Trojan Horse is revealed onscreen for the first time, a musical hint that there are Greeks hidden inside.

The Greeks arrive at Troy

-Achilles: The theme for the legendary hero is also based on brass instruments, but it has a nobler tone than the theme assigned to the Greeks. Most notable appearance would have to be when Achilles storms the beach leading the Myrmidons. There’s also a reprise when Achilles heads off to find Briseis during the sacking of Troy.

Achilles on the beach (theme starts when Achilles jumps off the ship)

-Achilles and Briseis: The love motif for Achilles and Briseis (a Trojan princess turned priestess turned captive) forms the basis of the end credits song “Remember” as performed by Josh Groban. No matter what Achilles claims, I think throughout the story he remembers what his mother said, that if he goes to Troy he will never come home. So his love for Briseis is tempered by this knowledge, that’s why the theme is relatively sad for a love theme. A good example of hearing this theme is at the end right before Achilles dies and he tells Briseis to leave with Paris.

Troy “The Trojan Horse”

-The Trojan Horse: I’ve covered the music for the Trojan Horse in depth before, but I have to talk about it again because it really is my favorite musical moment in the film. Even if you’re not familiar with the story of the Trojan Horse, the sheer ominousness of the music tells you that there’s something fishy with this horse. But of course no one listens to Paris’ suggestion to just burn the horse where it stands (the one time he makes a good decision in the entire film) and the horse is brought into the city. The music is triumphant and tragic all at once, because the Trojans think they’ve won but in fact they’re doomed.

Horner’s score for Troy remains one of my favorites and I highly recommend it to any fans of James Horner’s music. It’s hard to believe he’s been gone for three years already, but as long as we keep listening to his music, he’ll never really be forgotten.

This is my contribution to the Remembering James Horner Blogathon, hope you enjoy it.

See also:

3rd Annual Remembering James Horner Blogathon: Day 1

You can become a patron of the blog at patreon.com/musicgamer460

Check out the YouTube channel (and consider hitting the subscribe button)

Don’t forget to like Film Music Central on Facebook 🙂